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Fat Lenny

Fat lennys gonna walk right into myself
Fat lennys gonna see myself (reflect it back on myself)
Fat lennys gonna lick the shellack off the window sill
And I say fat lennys gonna lick my head off
Stop by my friend fat lenny, I like him a lot (tell him about my buddy)
Hes fat lenny - what
Fat lennys gonna lick the shellack off the window sill
And I said now fat lennys gonna jump up and down (run back down the hill)
And I said now fat lenny knows what he is (to be fat lenny) cause he is fat lenny (hes my buddy)
Hes fat lenny (I know what he is to be fat lenny) cause hes my friend fat lenny
I like fat lenny, I like cause hes my friend fat lenny - fat lenny
What - you know - hes fat lenny - you know
You know hes fat lenny
Fat lennys gonna lick my brain today
Fat lenny doesnt like me anyway
Fat lenny said (my friend) today
Fat lenny
Fat lenny, fat lenny,
Fat lenny, fat lenny, fat fat fat lenny
Fat lenny, fat lenny
Fat lenny, fat lenny, fat fat fat lenny

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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Romeo

My baby wears his heart on his sleeve
He wears a look on his face that says please please please
Love it everything he flaunts love it
Everything he vaunts I just cant hesitate
When he wants what he wants
Oh chucka, oh chucka, oh chucka, oh chucka
And I said oh chucka, oh chucka, oh chucka, oh chucka
Last night he calls me on the telephone
You know at two in the morning I just want to sleep on
But he got a way with words and
He got a way with charm
You know at three in the morning hes back into my arms
And I said oh chucka, oh chucka, oh chucka, oh chucka
And I said oh chucka, oh chucka, oh chucka, oh chucka
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my r-o-m-e-o, romeo
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes mine
My my romeo, my my romeo, my my romeo, my my romeo
He looks so good the girls stop and stare
But I soon wanna look with his double dark hair
Im not gonna let him go
Im not taking any chance
Its a one in million mad mad romance
Oh chucka, oh chucka, oh chucka, oh chucka
Oh chucka, oh chucka, oh chucka, oh chucka
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my r-o-m-e-o, romeo
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes mine, romeo
My my romeo, my my romeo
Hes my romeo
My my romeo
Hes my romeo
My my romeo, hes my romeo
My romeo..

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Fat

Your butt is wide, well mine is too
Just watch your mouth or Ill sit on you
The word is out, better treat me right
cause Im the king of cellulite
Ham on, ham on, ham on whole wheat, all right
My zippers bust, my buckles break
Im too much man for you to take
The pavement cracks when I fall down
Ive got more chins than chinatown
Well, Ive never used a phone booth
And Ive never seen my toes
When Im goin to the movies
I take up seven rows
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, come on you know
(fat, fat, really really fat)
Dontcha call me pudgy, portly or stout
Just now tell me once again whos fat
When I walk out to get my mail
It measures on the richter scale
Down at the beach Im a lucky man
Im the only one who gets a tan
If I have one more pie a la mode
Im gonna need my own zip code
When youre only having seconds
Im having twenty-thirds
When I go to get my shoes shined
I gotta take their word
Because Im fat, Im fat, sha mone
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it you know
(fat, fat, really really fat)
And my shadow weighs forty-two pounds
Lemme tell you once again whos fat
If you see me comin your way
Better give me plenty space
If I tell you that Im hungry
Then wont you feed my face
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it, you know
(fat, fat, really really fat)
Woo woo woo, when I sit around the house

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Hard Rock Kid

(tom lang/additional lyrics by myles goodwyn & mike stone)
Published by goody two tunes, inc./additional publishers - bmi
The boy inside the man, looks hard into the night
The neighborhood cant get to sleep
The stereo is playing something hard and fast
The boy is tough, he plays for keeps
No ones gonna tell him hes too wild
Everybody knows hes a problem child
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Its a hard time, its a fine line, for a hard rock kid
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Leave him alone, hes in a hard rock zone
In the shadows, theres a heart thats beating strong
And through the night, he feels the heat
Hes like a stranger as he dances on the stage
Hes made a promise that he cant keep
But no ones gonna tell the boy hes wild
Everybody knows hes a hungry child
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Its a fine line, its a hard time, for a hard rock kid
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Leave him alone, hes in a hard rock zone
She watches as he turns, pretending not to care
And yet she knows the way he feels
The need for love so strong, together they can win
For now the musics all thats real
But no ones gonna tell the boy hes wild
Everybody knows hes a problem child
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Its a hard time, its a fine line, for a hard rock kid
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Leave him alone, hes in a hard rock zone
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Its a hard time, its a fine line, for a hard rock kid
Hes a hard rock, hes a hard rock, hes a hard rock kid (kid)
Leave him alone, hes in a hard rock zone

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I Dont Stop Rappin

Dont stop
Dont stop that rap
Too short
And I dont stop rappin
Just dont stop
Too short
I dont stop rappin
Dont stop that rap
Well Im sir too short
The true mc
Fresh again with the brand new beat
The big bank roller, I know whats happening
I get on the mike and I dont stop rappin
Dont stop
Dont stop that rap
Too short
I dont stop rappin
My rap dont stop, you know it cant
I get on the mic and I make big bank
Unlike some rappers that I know
Trying to get no, but that dont go
Im that rapper, sir too short
I know youve heard my name before
And if you havent, now you have
Sir too short dont stop that rap
Dont stop
I dont stop rappin
Too short
Dont stop that rap
Im so rough so tough when I talk my stuff
I dont stop rappin cuz Im too tough
Telling you rappers what its all about
Most mcs are played out
But not too short, Im the best
You know too short is so so fresh
If thats not short, your mind is snapping
The best is fresh cause I dont stop rappin
Dont stop
Dont stop rappin
Too short
I dont stop rappin
Im sir too short, the rapping man
Im a cold mc and I know I am
Im the big time rapper from east oakland
Into music and making fans
I love young ladies who love my rhymes
Cuz what they say is right on time
The only mc with fresh hits
Its sir too short, he never quits
Thats so so true, what they say

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Noble Surfer

Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
The surfers call him noble
And thats just what he is
Hes dedicated to the mighty sea
Surfin night and day
Never twice in one spot
Hes somethin you and I would like to be
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Noble (hes movin)
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Hes not afraid of body whop
From ten feet or more
He never backs away from a swell
Hurachis on his feet
Bushy hair on his head
And where hes going hed never tell
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Noble (hes movin)
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Noble (hes movin)
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
A surfin cassanova
With his customized board
A woody and his dirty white jeans
He takes his choice of honeys
Up and down the coast
The finest surfer yet to make the scene
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Noble (hes movin)
Noble (aint joshin)
Surfer (aint joshin)
Hes the number one man (hes movin)
Noble (hes movin)

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Emotional

Ooh yeah yeah yeah
Here comes the soul
Gimme that soul
Ooh hes emotional
Hes an emotional man
Sacrify the day
And bless the night
Want you to come and do me
Ooh hes emotional
Hes an emotional man
Hes got tears in his eyes
Watch him break down and cry
Watch me cry
Hear me babe
Was soll ich dir noch sagen
Es ist doch alles schon gesagt
Ohne uns sind wir die hlfte wert
Wir gehn vorbei und sehn es nicht
Hes a desperate man in a world so cold
Und du weit, ich habe ein herz wie ein lwe
Hes just longing for a woman to hold
Und das herz geht so lange zum messer bis es sticht
Do me
Ooh hes emotional
Hes an emotional man
So emotional
I had my woman right here
I had her in the palm of my hand
Want you to come and do me
Ooh hes emotional
So emotional
Hes an emotional man
Hes got tears in his eyes
Watch him break down and cry
Watch me cry
Still hear me babe
Ich wei, da die frau die mich ertrgt noch nicht geboren ist
Aber ich bitte dich, komm zur welt
Hes a desperate man in a world so cold
Und du weit, ich habe ein herz wie ein lwe
Hes just longing for a woman to hold
Und wenn du willst, dann geh ich down on my knees and pray to
The spirits above, do me
Ooh hes emotional
So emotional
Hes an emotional man
I had my woman right here
I had her in the palm of my hand
Want you to come and do me
Ooh hes emotional

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Hes Misstra Know-it-all

Hes a man
With a plan
Got a counterfeit dollar in his hand
Hes misstra know-it-all
Playin hard
Talkin fast
Makin sure that he wont be the last
Hes misstra know-it-all
Makes a deal
With a smile
Knowin all the time that his lies a mile
Hes misstra know-it-all
Must be seen
Theres no doubt
Hes the coolest one with the biggest mouth
Hes misstra know-it-all
If you tell him hes livin fast
He will say what do you know
If you had my kind of cash
Youd have more than one place to go oh
Oou... oou... oou oou... oou...
Any place
He will play
His only concern is how much youll pay
Hes misstra know-it-all
If he shakes
On a bet
Hes the kind of dude that wont pay his debt
Hes misstra know-it-all
When you say that hes livin wrong
Hell tell you he knows hes livin right
And youd be a stronger man
If you took misstra know-lt-alls advice oh oh
Oou... oou... oou oou... oou...
Hes the man
With a plan
Got a counterfeit dollar in his hand
Hes misstra know-it-all
Take my work
Please beware
Of a man that just dont give a care no
Hes misstra know-it-all (look out hes coming)
Dum bum bum ba bum bum,
Dum bum bum ba bum bum
Bum bum bum bum bum say
Hes misstra know-it-all
Can this line
Take his hand
Take your hat off to the man whos got the plan
Hes misstra know-it-all

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Prince Of The Punks

A well known groover, rock n roll user,
Wanted to be a star.
But he failed the blues, and hes back to loser,
Playing folk in a country bar.
Reggae music didnt seem to satisfy his needs.
He couldnt handle modern jazz,
cause they play it in difficult keys.
But now hes found a music he can call his own,
Some people call it junk, but he dont care,
Hes found a home.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He acts working class but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front,
Hes the prince of the punks.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He tried to be gay, but it didnt pay,
So he bought a motorbike instead.
He failed at funk, so he became a punk,
cause he thought hed make a little more bread.
Hes been through all of the changes,
From rock opera to mantovani.
Now he wears a swastika band
And leather boots up past his knees.
Hes much too old for twenty-eight,
But he thinks hes seventeen,
He thinks hes a stud,
But I think he looks more like a queen.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He talks like a cockney but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front.
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He acts working class but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front,
Hes the prince of the punks and hes finally made it,
Thinks he looks cool but his act is dated.
He acts working class but its all bologna,
Hes really middle class and hes just a phony.
He acts tough but its just a front,
Hes the prince of the punks.

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The Walk

Attention everybody
I'm gonna show U a brand new dance
It's called "The Walk," "The Walk"
Just let your body talk
'Til U're deep in a trance
U don't need no partner
U can walk all alone
(Say, say) Whenever U feel the groove
Just let your body move
Walkin' 2 a beat of your own (Hey)
Everybody walk your body
Everybody walk (U)
Everybody walk your body
Everybody walk
Attention everybody
I said it ain't hard 2 do
U just walk, walk
Let your body talk
Walkin' so cool (Walkin' so cool)
Attention everybody
I said I just shined my shoes, yes I did
So U can let your body talk
But just watch where U walk
Or your life U're gonna lose
In other words, I'll walk U til U're dead
Everybody walk your body (Oh yeah, hey)
Everybody walk (U)
Everybody walk your body
Oh, everybody walk
The days of dancing in one place are gone
And honey, U know U can't dance with them tight jeans on
If U try 2 cop a dip, U trip, slip, and fall
Walking's 4 the cool baby, put on a camisole (Hey)
Everybody walk your body (Everybody walk your body)
Everybody walk (U)
Everybody walk your body (Everybody walk your body)
Everybody walk (Uh)
Who? Me? I wear baggies, zip, snap, and drop
(Mm) Easy access baby (Yes, before U get a chance 2 holler "Stop!")
Besides, Rollo likes his freedom
Ain't nothin' like a fresh pair of baggies
Now I know that's right
Everybody walk your body (Everybody walk your body)
Everybody walk (U)
Everybody walk your body
Everybody walk (Oh)
Hup 2, 3, 4, what the hell are we fightin' 4? Walk!
Hup 2, 3, 4, what the hell are we fightin' 4? Walk!
Company fall in line, talk
Hup 2, 3, 4, what the hell are we fightin' 4? Walk! (Jellybean)

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Robin Hood and the Potter

Fitt I.
In schomer, when the leves spryng,
The bloschoms on every bowe,
So merey doyt the berdys syng
Yn wodys merey now.

Herkens, god yemen,
Comley, corteys, and god,
On of the best that yever bare bowe,
Hes name was Roben Hode.

Roben Hood was the yemans name,
That was boyt corteys and fre;
For the loffe of owre ladey,
All wemen werschepyd he.

Bot as the god yeman stod on a day,
Among hes mery maney,
He was ware of a prowd potter,
Cam dryfyng owyr the leye.

'Yonder comet a prod potter,' seyde Roben,
'That long hayt hantyd this wey;
He was never so corteys a man
On peney of pawage to pay.'

'Y met hem bot at Wentbreg,' seyde Lytyll John,
'And therefore yeffell mot he the!
Seche thre strokes he me gafe,
Yet by my seydys cleffe they.

Y ley forty shillings,' seyde Lytyll John,
'To pay het thes same day,
Ther ys nat a man among hus all
A wed schall make hem leye.'

'Here ys forty shillings,' seyde Roben,
'More, and thow dar say,
That Y schall make that prowde potter,
A wed to me schall he ley.'

There thes money they leyde,
They toke het a yeman to kepe;
Roben beffore the potter he breyde,
And bad hem stond stell.

Handys apon hes hors he leyde,
And bad the potter stonde foll stell;
The potter schorteley to hem seyde,
'Felow, what ys they well?'

[...] Read more

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Hes Evil

Scene: a party political broadcast -- mr. black and his followers
He comes on smooth, cool and kind,
But he wants your body not your mind.
Hes got style, personality,
But hes the devil in reality.
Hell make you laugh, make you smile,
And make you feel good for a while.
Wicked smile, decadent grin,
He likes school girls, nuns and virgins.
His skin is soft but his mind is hard,
Hell lead you on then hell tear you apart.
Hell treat you rough and he will make you cry,
And you will kiss sweet innocence good-bye.
And once youre in therell be no getting out,
So look out, look out, look out, look out.
Hes evil. hes evil. hes evil. hes evil. hes evil.
Hes evil. hes evil. hes evil. hes evil. hes evil.
Hes got wit hes got charm.
But when he gets rough hell break your arm.
Hes got taste, manners and grace,
But when he gets tough hell slit your face.
Hell buy you jewels, expensive clothes,
Then his mindll go and hell bust your nose.
Hes a joker and a clown
But hell pervert you and drag you down.
He comes on smooth, cool and kind,
But he wants your body not your mind,
He is just the devil in disguise.
He will drag you down and he will make you cry,
And once youre in there will be no getting out.
So look out, look out, look out.
Look out, look out, look out.
Hes evil. hes evil. hes evil. hes evil. hes evil.
Hes evil. hes evil. hes evil. hes evil. hes evil.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Dont Stop til You Get Enough

Written and composed by michael jackson, 1979.
1st verse
Lovely is the feelin now
Fever, temperatures risin now
Power (ah power) is the force the vow that makes it happen it asks no questions why (ooh)
So get closer (closer now) to my body now just love me til you dont know how (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
2nd verse
Touch me and I feel on fire
Aint nothin like a love desire (ooh)
Im melting (Im melting) like hot candle wax sensation (ah sensation) lovely where were
At (ooh) so let love take us through the hours I wont be complanin cause this is love
Power (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
(ooh)
3rd verse
Heartbreak enemy despise
Eternal (ah eternal) love shines in my eyes (ooh) so let love take us through the hours i
Wont be complanin (no no)
cause your love is alright, alright
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop

[...] Read more

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Robin Hood And The Potter

In schomer, when the leves spryng,
The bloschems on every bowe,
So merey doyt the berdys syng
Yn wodys merey now.

Herkens, god yemen,
Comley, corteysse, and god,
On of the best that yever bar bou,
Hes name was Roben Hode.

Roben Hood was the yemans name,
That was boyt corteys and fre;
For the loffe of owr ladey,
All wemen werschep he.

Bot as the god yemen stod on a day,
Among hes mery maney,
He was war of a prowd potter,
Cam dryfyng owyr the ley.

'Yonder comet a prod potter,' seyde Roben,
'That long hayt hantyd this wey;
He was never so corteys a man
On peney of pawage to pay.'

'Y met hem bot at Wentbreg,' seyde Lytyll John,
'And therfor yeffell mot he the,
Seche thre strokes he me gafe,
Yet they cleffe by my seydys.

'Y ley forty shillings,' seyde Lytyll John,
'To pay het thes same day,
Ther ys nat a man arnong hus all
A wed schall make hem ley.'

'Her ys forty shillings,' seyde Roben,
'Mor, and thow dar say,
That y schall make that prowde potter,
A wed to me schall he ley.'

Ther thes money they leyde,
They toke bot a yeman to kepe;
Roben befor the potter he breyde,
And bad hem stond stell.

Handys apon hes horse he leyde,
And bad the potter stonde foll stell;
The potter schorteley to hem seyde,
'Felow, what ys they well?'

[...] Read more

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Sneak a Little Lick

Don't...just...
Fuzzy up and cuddle on a peach.
Or sneak up peeping,
When you should be eating!
Every single piece of it!

You can...
Leap up and down behind the scenes.
Screaming about your future,
And...
Destiny!

But don't...
Sneak a little lick,
Then leave.
Don't you,
Sneak a little lick,
Then leave!
Don't,
Sneak a little lick.
Sneak a little lick.
Sneak a little lick,
Then leave!

Leap up and down behind the scenes.
Screaming about your future,
And destiny!

If that's your wish...
To pick it up to ditch!
But,
Don't you...
Sneak a little lick,
Then leave.
Don't you,
Sneak a little lick,
Then leave!
Don't,
Sneak a little lick.
Sneak a little lick.
Sneak a little lick,
Then leave!

Don't...just...
Fuzzy up and cuddle on a peach.
Or sneak up peeping,
When you should be eating!

Don't you...
Sneak a little lick,

[...] Read more

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Hik-Tee-Dik!

THE WAR-CRY OF BILLY AND BUDDY


When two little boys--renowned but for noise--
Hik-tee-dik! Billy and Buddy!--
May hurt a whole school, and the head it employs,
Hik-tee-dik! Billy and Buddy!
Such loud and hilarious pupils indeed
Need learning--and yet something further they need,
Though fond hearts that love them may sorrow and bleed.
Hik-tee-dik! Billy and Buddy!

O the schoolmarm was cool, and in no wise a fool;
Hik-tee-dik! Billy and Buddy!
And in ruling her ranks it was _her_ rule to _rule_;
Hik-tee-dik! Billy and Buddy!
So when these two pupils conspired, every day,
Some mad piece of mischief, with whoop and hoo-ray,
That hurt yet defied her,--how happy were they!--
Hik-tee-dik! Billy and Buddy!

At the ring of the bell they 'd rush in with a yell--
Hik-tee-dik! Billy and Buddy!
And they'd bang the school-door till the plastering fell,
Hik-tee-dik! Billy and Buddy!
They'd clinch as they came, and pretend not to see
As they knocked her desk over--then, _My!_ and _O-me!_
How awfully sorry they'd both seem to be!
Hik-tee-dik! Billy and Buddy!

This trick seemed so neat and so safe a conceit,--
Hik-tee-dik! Billy and Buddy!--
They played it three times--though the third they were beat;
Hik-tee-dik! Billy and Buddy!
For the teacher, she righted her desk--raised the lid
And folded and packed away each little kid--
Closed the incident so--yes, and locked it, she did--
Hik-tee-dik! Billy and Buddy!

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