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I Think I Smell A Rat

Oh I think I smell a rat
I think I smell a rat
all you little kids
seem to think you know
just where it's at
I think I smell a rat
walking down the street
carrying a baseball bat
I think I smell a rat
Oh I think I smell a rat
I think I smell a rat
all you little kids
seem to think you know
just where is at
I think I smell a rat
treating your mother and father
like a welcome mat
I think I smell a rat

song performed by White Stripes
Added by Lucian Velea
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Twin State

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poem by Caasder Fronds
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Veterinary Camps

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poem by Caasder Fronds
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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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poem by Dante Gabriel Rossetti
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How Y' Livin'

I should have seen the signs you showed me
So many times, in so many ways
On a never ending journey though the cold light of day
Cold light of day
I spent nearly all my time
Thinking I know you but I still got my doubts
Little things to try to work you out
Playing on my mind
Will you leave her now
Like you left me then
Just forgot and leave me
With just enough to start again
Start a brand new life
Maybe have some kids
Never facing facts and never looking back
How y' livin',
Are y' living your life
How y' livin'
Are you treating her right
How y' livin'
Are y' living your life
How y' livin'
Are you treating her,
Treating her right
I don't see you anymore
Heard you're married
But you never know
You've never married enough to not want to let them go
You never fight enough to not want to fight no more
Just keep moving on,
Find another girl
Go out and party and make sure that she rocks your world
How y' livin'
Are you living your life
How y' livin'
Are you treating her right
How y' livin'
Are you living your life
How y' livin"
Are you treating her,
Treating her right
How y' livin baby,
Have you done what's right
How y' livin baby,
Are you treating her right
How y' livin' baby
Have you done what's right
How y' livin' baby,
Are you treating her,
Treating her right

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song performed by Vanessa Amorosi
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Using Boot Camp

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poem by Caasder Fronds
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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poem by Percy Bysshe Shelley
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Jewelry

I know that Im a diamond
But you dont gotta treat me like one
I know I shine like platinum
And Im about as real as they come
And I dont like the way youre doing me
You wear me then you put me away
Cant come out until you want me
And I cant let you keep it this way
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
This has become a problem
You watch me like youre security
You place me under lock and key
Like someones gonna run away with me
You keep the same old stories
You say that youre protecting me
But you only worry how long before you lose me
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
You make me feel like Im your jewelry
Im not your jewelry, dont put me on display
You make me feel like Im your property
Why dont you show me some respect
So now make your decision
Do you think that you could untie my hands
You know that youd be stressing
If you were no longer my man
And theres no combination
I can leave you anytime that I choose
So if you dont believe me
I guess you will just look like a fool
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me
You be treating me like jewelry
I dont like the way that you be shining me
You be treating me like jewelry
Then you turn around and you stash me

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song performed by Nivea
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Allegany Camp

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poem by Rwetewrt Erwtwer
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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poem by Talile Ali
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The Bridal of Pennacook

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye

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poem by John Greenleaf Whittier
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My Redemption Poem

When satan fell,
for one wrong mistake.
He was thrown in hell,
it was all he could take.
For there was still light in him,
but with it was now doubt.
Upon his face grew a grin,
all he did was rage and shout.
He yelled to God 'Why did it have to be me? ',
but he didnt answer,
and satan did see.
That hell was his to rule,
with unimaginable pain,
he would truly be cruel.
To all the lost souls,
he was their Dark King.
With their blood in his bowl,
in their pain,
for him they would sing.
Over the eons he became insane,
but there was still light in him.
Hidden in a deep part of his soul,
a place he forgot to know.
And one day their blood spilled out of the bowl,
he felt something stir.
A sadness so deep,
with a pain so true.
He could never sleep,
so the pain was all he could know.
As he sat there,
with tears in his eyes,
he thought noone was there,
noone to hear his cries.
He heard a voice,
and this is what it said 'Son why do you cry? '
He couldnt believe what he heard,
and was voiceless.
God said 'Son your here by your own choice'.
And with that he felt,
in numerous times,
all the pain he had delt.
And now he seen,
that little light,
he could find that little gleam.
He fell to his knees,
for all to see.
He prayed to God,
saying 'Father can i be saved? '.
'Am i doomed to live a life in this darkness? '.
And God said to satan 'My son all you had to do was accept your choice',

[...] Read more

poem by Nick Wingler
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Cat and Bat's Revenge

The day the cat
and the bat
ate the rat
'Now peace b'coz we don't need to fight
for the rat'
said the cat.
'OK.' said the bat who hanging upside down on the wall
his shadow looking grand and tall
but the rats of the other world were scared
b'coz one of them read
the agreement
now the fastest mouse made a plan
to cut the wires of the fan
so it fell on the cat,
but the bat
took the rat and ate all his fat
the rats were frightened
so they sent another robotic rat
to outwit the bat and cat
now the plan was ready
and it was also fine
but unluckily came the bad pine
of the tree
which always helped the cat and the bat flee
from the rats net
which would always fail b'coz of the bat's friend the pine tree
who would help them see
the wicked plans of the rats
and tell them to all the bats
oh poor rats
getting all eaten up by cats(and bats)
then came the wisest rat sniper the 'sniper'
he went and cut the tree
and didn’t let the cat
and the bat flee
he threw a pan
on the fan
which hit the cat
and the bat
on thier heads
so now they are saved
from the cat
and bat
but now what?
here comes a rat
who's on the side of the cat
and the bat
the wisest mouse got him in the team again and put him to deep
sleep
so the cat and the bat

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poem by anonym
Added by Poetry Lover
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The Odyssey: Book 2

Now when the child of morning, rosy-fingered Dawn, appeared,
Telemachus rose and dressed himself. He bound his sandals on to his
comely feet, girded his sword about his shoulder, and left his room
looking like an immortal god. He at once sent the criers round to call
the people in assembly, so they called them and the people gathered
thereon; then, when they were got together, he went to the place of
assembly spear in hand- not alone, for his two hounds went with him.
Minerva endowed him with a presence of such divine comeliness that all
marvelled at him as he went by, and when he took his place' in his
father's seat even the oldest councillors made way for him.
Aegyptius, a man bent double with age, and of infinite experience,
the first to speak His son Antiphus had gone with Ulysses to Ilius,
land of noble steeds, but the savage Cyclops had killed him when
they were all shut up in the cave, and had cooked his last dinner
for him, He had three sons left, of whom two still worked on their
father's land, while the third, Eurynomus, was one of the suitors;
nevertheless their father could not get over the loss of Antiphus, and
was still weeping for him when he began his speech.
"Men of Ithaca," he said, "hear my words. From the day Ulysses
left us there has been no meeting of our councillors until now; who
then can it be, whether old or young, that finds it so necessary to
convene us? Has he got wind of some host approaching, and does he wish
to warn us, or would he speak upon some other matter of public moment?
I am sure he is an excellent person, and I hope Jove will grant him
his heart's desire."
Telemachus took this speech as of good omen and rose at once, for he
was bursting with what he had to say. He stood in the middle of the
assembly and the good herald Pisenor brought him his staff. Then,
turning to Aegyptius, "Sir," said he, "it is I, as you will shortly
learn, who have convened you, for it is I who am the most aggrieved. I
have not got wind of any host approaching about which I would warn
you, nor is there any matter of public moment on which I would
speak. My grieveance is purely personal, and turns on two great
misfortunes which have fallen upon my house. The first of these is the
loss of my excellent father, who was chief among all you here present,
and was like a father to every one of you; the second is much more
serious, and ere long will be the utter ruin of my estate. The sons of
all the chief men among you are pestering my mother to marry them
against her will. They are afraid to go to her father Icarius,
asking him to choose the one he likes best, and to provide marriage
gifts for his daughter, but day by day they keep hanging about my
father's house, sacrificing our oxen, sheep, and fat goats for their
banquets, and never giving so much as a thought to the quantity of
wine they drink. No estate can stand such recklessness; we have now no
Ulysses to ward off harm from our doors, and I cannot hold my own
against them. I shall never all my days be as good a man as he was,
still I would indeed defend myself if I had power to do so, for I
cannot stand such treatment any longer; my house is being disgraced
and ruined. Have respect, therefore, to your own consciences and to
public opinion. Fear, too, the wrath of heaven, lest the gods should

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poem by Homer, translated by Samuel Butler
Added by Poetry Lover
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Saga Of Dandy, The Devil & Day

[kool keith]
Why don't y'all play that pitch
The right manage gonna be in the game
[moe love]
It's the top of the ninth
Josh gibson is at the plate
The bases are loaded, it's a three and two count
And here's the pitch
[kool keith]
Steppin up to the plate, first batter
[moe love]
Kool keith
[kool keith]
Black baseball, it was a known fact jack
With the weather so hot, who could play like danny day
The greatest and the best, like the satchel brother paige
Long tom and little bomb, in the hall of fame
Like josh and bunt, be alert, duck
Everybody was down for beer and peanuts
Foxes in their sunday's best, their brightest dress
[moe love]
And on deck, ced g
[ced g]
Now baseball today troop, is mostly not racial
But back in the days it was all segregated
The whites had the majors and then the blacks had the negro leagues
They both had great talent but then us blacks have no history
Of all our great players, the teams in the ballpark
But we're here to shed light, restore the glory they haven't got
Black baseball, they paved the way
With players like dandy, the devil, and day
(repeat 3x)
Black baseball
[moe love]
Bring er home
[ced g]
Now the ballparks they played in was very far from a stadium
They only sat hundreds troops as opposed to the thousands
But the stands they was packed, for the league that was fat
With teams like the baccarats and the homestead grays
The eagles and many more, came ready to play
In cities like birmingham, newark and chi-town
The bus trips were very long, paychecks would bring a frown
But not to these players, cause they really loved baseball
You could ban them from majors, but not from the game
With players like leon day, who pitched almost every day
His arm would hold up, blowin hitters with smoke away
And then there was bullet joe, also was smokey joe
King richard and savateen, and brothers like ed pole
Next, batter up!

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song performed by Ultramagnetic Mc's
Added by Lucian Velea
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Bat Out Of Hell (edit)

The sirens are screaming and the fires are howling,
way down in the valley tonight.
There's a man in the shadows with a gun in his eye,
and a blade shining oh so bright.
There's evil in the air and there's thunder in sky,
and A killer's on the bloodshot streets.
Oh and down in the tunnel where the deadly are rising,
Oh I swear I saw a young boy down in the gutter,
He was starting to foam in the heat.
Oh baby you're the only thing in this whole world,
that's pure and good and right.
And wherever you are and wherever you go,
there's always gonna be some light.
But I gotta get out,
I gotta break it out now,
Before the final crack of dawn.
So we gotta make the most of our one night together.
When it's over you know,
We'll both be so alone.
Like a bat out of hell
I'll be gone when the morning comes.
When the night is over
Like a bat out of hell
I'll be gone gone gone.
Like a bat out of hell
I'll be gone when the morning comes.
But when the day is done and the sun goes down,
and the moonlights shining through,
Then like a sinner before the gates of heaven,
I'll come crawling on back to you.
I'm gonna hit the highway like a battering ram,
on a silver black phantom bike.
When the metal is hot and the engine is hungry,
and we're all about to see the light.
Nothing ever grows in this rotting old hole.
Everything is stunted and lost.
And nothing really rocks
And nothing really rolls
And nothing's ever worth the cost.
And I know that I'm damned if I never get out,
And maybe I'm damned if I do,
But with every other beat I've got left in my heart,
You know I'd rather be damned with you.
If I gotta be damned you know I wanns be damned,
dancing through the night with you.
If I gotta be damned you know I wanna be damned.
Gotta be damned you know I wanna be damned.
If I gotta be damned you know I wanna be damned,
Dancing through the night
Dancing through the night

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song performed by Meat Loaf
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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