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Substitute

You think we look pretty good together
You think my shoes are made of leather
But Im a substitute for another guy
I look pretty tall but my heels are high
The simple things you see are all complicated
I look pretty young, but Im just back-dated, yeah
Substitute your lies for fact
I can see right through your plastic mac
I look all white, but my dad was black
My fine looking suit is really made out of sack
I was born with a plastic spoon in my mouth
The north side of my town faced east, and the east was facing south
And now you dare to look me in the eye
Those crocodile tears are what you cry
Its a genuine problem, you wont try
To work it out at all you just pass it by, pass it by
Substitute me for him
Substitute my coke for gin
Substitute you for my mum
At least Ill get my washing done

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Related quotes

Yeah,yeah,yeah,yeah,yeah

I love you baby since we were at school
I didnt show it I was a fool
You were burning I was cold as ice
And baby now I realize
Oh yeah
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
I gave you misery I gave you lies
I never hurt you, apologize
I love your lips I love your eyes
I love your breasts I love your thighs
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
Now all I can do is hope and pray
That youll forgive me before its too late
Theres only one thing I can say to you
You know I love you you know its true
Oh yeah
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
Wooo-oooh-oooh-oooh
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)
Yeah yeah yeah yeah (yeah yeah yeah yeah)

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Trash Bag

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Plastic Man

A man lives at the corner of the street,
And his neighbors think hes helpful and hes sweet,
cause he never swears and he always shakes you by the hand,
But no one knows he really is a plastic man.
Hes got plastic heart, plastic teeth and toes,
(yeah, hes plastic man)
Hes got plastic knees and a perfect plastic nose.
(yeah, hes plastic man)
Hes got plastic lips that hide his plastic teeth and gums,
And plastic legs that reach up to his plastic bum.
(plastic bum)
Plastic man got no brain,
Plastic man dont feel no pain,
Plastic people look the same,
Yeah, yeah, yeah.
Kick his shin or tread on his face,
Pull his nose all over the place,
He cant disfigure, or disgrace,
Plastic man (plastic man).
Hes got plastic flowers growing up the walls,
He eats plastic food with a plastic knife and fork,
He likes plastic cups and saucers cause they never break,
And he likes to lick his gravy off a plastic plate.
Plastic man got no brain,
Plastic man dont feel no pain,
Plastic people look the same,
Yeah, yeah, yeah.
Kick his shin or tread on his face,
Pull his nose all over the place,
He cant disfigure, or disgrace,
Plastic man (plastic man).
Hes got a plastic wife who wears a plastic mac,
(yeah, hes plastic man)
And his children wanna be plastic like their dad,
(yeah, hes plastic man)
Hes got a phony smile that makes you think he understands,
But no one ever gets the truth from plastic man (plastic man)
Plastic man (plastic man).

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Fitration Bags

2.5 gallon shopvac bags
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Empire State Human

Since I was very young I realised
I never wanted to be human size
So I avoid the crowds and traffic jams
They just remind me of how small I am
Because of this longing in my heart
Im going to start the growing up
Im going to grow now and never stop
Think like a mountain, grow to the top
Tall, tall, tall, I want to be tall, tall, tall
As big as a wall, wall, wall, as big as a wall, wall, wall
And if Im not tall, tall, tall, then I will grow, grow, grow
Because Im not tall, tall, tall, tall, tall, tall, tall, tall
Tall, tall, tall, I want to be tall, tall, tall
As big as a wall, wall, wall, as big as a wall, wall, wall
And if Im not tall, tall, tall, then I will grow, grow, grow
Because Im not tall, tall, tall, tall, tall, tall, tall, tall
With concentration
My size increased
And now Im fourteen stories high
At least!!
Empire state human
Just a bored kid
Ill go to egypt to be
A pyramid
Tall, tall, tall, I want to be tall, tall, tall
As big as a wall, wall, wall, as big as a wall, wall, wall
And if Im not tall, tall, tall, then I will grow, grow, grow
Because Im not tall, tall, tall, tall, tall, tall, tall, tall
Tall, tall, tall, I want to be tall, tall, tall
As big as a wall, wall, wall, as big as a wall, wall, wall
And if Im not tall, tall, tall, then I will grow, grow, grow
Because Im not tall, tall, tall, tall, tall, tall, tall, tall
Brick by brick
Stone by stone
Growing till hes fully grown
Brick by brick
Stone by stone
Growing till hes fully grown
Fetch more water
Fetch more sand
Biggest person in the land
Fetch more water
Fetch more sand
Biggest person in the land

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Wanna Be Startin Somethin

Chorus
I said you wanna be startin somethin
You got to be startin somethin
I said you wanna be startin somethin
You got to be startin somethin
Its too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
Youre stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
Its too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
Youre stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
1st verse
I took my baby to the doctor
With a fever, but nothing he found
By the time this hit the street
They said she had a breakdown
Someones always tryin to start my baby cryin
Talkin, squealin, lyin
Sayin you just wanna be startin somethin
Chorus
I said you wanna be startin somethin
You got to be startin somethin
I said you wanna be startin somethin
You got to be startin somethin
Its too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
Youre stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
Its too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
Youre stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
2nd verse
You love to pretend that youre good
When youre always up to no good
You really cant make him hate her
So your tongue became a razor
Someones always tryin to keep my baby cryin
Treacherous, cunnin, declinin
You got my baby cryin
Chorus
I said you wanna be startin somethin
You got to be startin somethin
I said you wanna be startin somethin
You got to be startin somethin
Its too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
Youre stuck in the middle (yeah, yeah)

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song performed by Michael JacksonReport problemRelated quotes
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Healthy Back Bag

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Happy People

Ladies and Gentlemen
This here's another one for the steppers
DJ Wayne Williams put the Record on
Woah-ohh-ohh... yeah, oh yeah
Woah (whoa...) yeah (follow me, follow me, follow me) woah
Tell me what do we do when the DJ's playing our favourite groove?
(We step) to when? (The whole night through)
And what do we do when we're all dressed up and in the mood?
(We step) to what? (A stepper's groove)
Where do we go soon as the weekend gets here?
(The club) why? (To party and have some fun)
What is it that can come and take away all your stress, tell me?
(Music) no further questions you have passed my test
Happy people (yeah, yeah, yeah) ohh
Keeps the world (yeah, yeah) (turning) oh yeah (turning) I believe it
Happy people (yeah, yeah, yeah) ohh
Keeps us all (yeah, yeah) (dancing) dancing (dancing) oh whoa
Happy people (yeah, yeah, yeah) yeah
Keeps us all(yeah, yeah) (stepping) stepping (stepping) ooh, and
Happy people (yeah, yeah, yeah) oh-oh
Keeps the music (yeah, yeah) (grooving, grooving)
Tell me... now what do you do (what do you do) when the feeling has come over you (yeah... oh)
(You let go) and what? (let it take control) (whoa)
Ladies, what do you say when a gentlemen asks you to dance, you (ooh)
(say yes) and then? (Get on the dance floor)
Even when it seems we're going through some hard times, what do we do?
(Keep smiling) 'cause we know (we're gonna make it through)
Now, what is it that can come and take away all your stress, tell me? (No stress)
(Music) no further questions, you have passed my test
Happy people (yeah, yeah, yeah) whoo
Keeps the world (yeah, yeah) (turning) turning (turning) oh I believe it
Happy people (yeah, yeah, yeah) whoo
Keep us (yeah, yeah) (dancing) dancing, dancing (dancing)
Happy people (yeah, yeah, yeah) yeah
Keep us (yeah, yeah) (stepping) keep us stepping (stepping)
Happy people (yeah, yeah, yeah)(happy people) oh-oh
Keeps us yeah(yeah, yeah) (grooving) grooving (grooving)
I just wanna get dressed and go out, yeah
(I wanna get dressed, I wanna go out) ohh
(Can you tell me where the spot is?)
Where they're partying all night (yeah)
And everybody's having a good time (yeah, yeah)
(I wanna get live, I wanna get loud) (yeah, whoo)
(Can you tell me where the spot is?) (Take me to that place)
Come on take me to that place (take me to that place)
Where there are nothing but happy...
Woah... yeah
(Happy) ohh
(Happy) ooh
(Happy)

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by from The Ring and the BookReport problemRelated quotes
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Freakin It

Im bout to freak this
Ha ha ha ha
What what what what
Uh big will uh Im bout to freak this
What you want me to freak this
Just peep it while I freak this
Aiight aiight
Im bout to freak this full out the king of the hill
Big will keepin it real knees to the grill
The whole set on lock down making you flock down
To where Im at to hear my rap
I be that cat that set trends
Where yall at
On the corner with your freinds
Heard you screamin about cream in your rap kid
Yo my last check for wild wild west came on a flat bed
Once and for all lets get this straight
How you measure a rapper what make an mc great
Is it the sales 20mill
Is it the cars bentlys
Is it the women jada
Is it the money please
Mr clean yet the fact remain
Got girls that dont speak english screamin my name
All you rappers yellin bout who you put in a hearse
Do me a favour write one verse without a curse
Im bout to freak this yeah yeah
What you want me to freak this yeah yeah
Dont sleep Im gonna freak this yeah yeah
Yo its smooth when I freak this yeah yeah
Lay back Im bout to freak this yeah yeah
Peep this when I freak this yeah yeah
Lay on back Im bout to freak this yeah yeah
What you want me to freak this yeah yeah
I dont wanna see yall sittin around dont wanna see yall sittin around
I dont wanna see yall sittin around dont wanna see yall sittin around
Aiight one more give dejavu
Up the chart yo yall see the way I flew
Cant nobody do this the way I do
You like how I freaky freak this say I do I do
Haters sick of the hits like the witch of the west no body wicked as this
I read in rap pages they refer to me as soft
Yeah more like microsoft
Will gates of the rap game
Quintessential megalomaniac
Whats my rap name big will
Im the man not conceited Im as good as I say I am
Dang diggy dang da dang da dang diggy diggy
Back withe the track masters to bang jiggy jiggy
Yo every time time I shoot I score

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Mony Mony 'Live'

Here she come down, say "Mony, Mony"
Well, shoot 'em down, turn around, come home, honey
Hey!, she gimme love an' I feel alright now
Everybody! You got me tossin' turnin' in the night, make me
feel alright
I say yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah
Well you make me feel Mony, Mony
So Mony, Mony
Good Mony, Mony
Yeah! Mony, Mony
So good! Mony, Mony
Oh, yeah! Mony, Mony
Come on! Mony, Mony
All right, baby! Mony, Mony
Say yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah
Break 'dis, shake 'dis, Mony, Mony
Shot gun, get it done, come on, honey
Don't stop cookin', it feels so good, yeah
Hey! Well don't stop now, hey, come on Mony, well come on,
Mony
I say yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah
Well you make me feel Mony, Mony
So Mony, Mony
Good Mony, Mony
Yeah! Mony, Mony
So good! Mony, Mony
Oh, yeah! Mony, Mony
Come on! Mony, Mony
All right, baby! Mony, Mony
I say yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah
Oo, I love your Mony, moan, moan, Mony
Oo, I love your Mony, moan, moan, Mony
Oo, I love your Mony, moan, moan, Mony
Oo, I love your Mony, moan, moan, Mony
I say yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah
Come on! Mony, Mony
Come on! Mony, Mony
Come on! Mony, Mony
Mony, Mony
Mony, Mony
Mony, Mony
Mony, Mony

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from justyour lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Here Come The 90s

Talk about the world
I see it everyday
Talk about your heart
And things we have to say
I can here the whales
Whisper in the trees
I can hear their hearts
Calling out to - me
I can hear the waves
Breaking through your heart
I can hear your voice
Calling from the start
I can feel the wheels
Turning up ahead
I can see your voice
Telling me whats there
And the rivers not too wide heavy dreaming on the other side
In the summer well collide as lovers
Talk without words
We do it all the time
Talking with your heart
Melting into mine
Talk about the boys
When you talk about the girls
I can hear their voice
Ripping round the world
And the rivers not too wide heavy dreaming on the other side
In the summer well be fine like two lovers with a pair of eyes
In the summer well collide as lovers
Here come the 90s yeah, yeah, yeah!
Here come the 90s
Oh yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah (yeah, yeah, yeah!)
Here come the 90s yeah, yeah, yeah!
Here come the 90s
Oooh yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah (yeah, yeah, yeah!)
Here come the 90s yeah, yeah, yeah!
5 4 3 2 1 in the 21st century
(yeah!, yeah!, yeah!)
In the 21st century
(yeah!, yeah!, yeah!)
In the 21st century
Yeah! yeah! (yeah!, yeah!, yeah!)
In the 21st century
(yeah!, yeah!, yeah!)
In the 21st century
Yeah! yeah! (yeah!, yeah!, yeah!)
In the 21st century
(yeah!, yeah!, yeah!)
In the 21st century
Yeah! yeah! (yeah!, yeah!, yeah!)

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song performed by Men Without HatsReport problemRelated quotes
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My Baby Loves Me

BY SYLVIA MOY, WILLIAM STEVENSON AND IVY HUNTER
--------------------------------------------------------------------------------
My baby loves me, oh yeah
And my baby needs me, oh yeah
No other girl can whisper sweet things in my ear
My sweetie pie has the only sweet voice I hear so clear
Sayin' that she needs me
(You know she really, really needs me)
Oh yeah, yeah (Oh yeah)
My baby loves me
(You know she really, really loves me)
Oh yeah, yeah (Oh yeah)
I can't seem to see no other beautiful face, oh no
There's just no cute substitute can take my baby's place
'Cause I know she needs me
(You know she really, really needs me)
Woh, woh, yeah, yeah (Oh yeah)
Now I will never, ever give my baby no trouble
Whenever she calls me I come runnin' on the turbo
'Cause I know she needs me
(You know she really, really needs me)
Oh yeah, yeah (Oh yeah)
My baby needs me
(You know she really, really needs me)
Oh yeah, yeah (Oh yeah)
Yeah, yeah, yeah, yeah, yeah
(Yeah, yeah, yeah, yeah, yeah)
Yeah, yeah, yeah, yeah, yeah
(Yeah, yeah, yeah, yeah, yeah)
Yeah, yeah, yeah, yeah, yeah (Yeah, yeah, yeah, yeah, yeah)
Yeah, yeah, yeah, yeah, yeah (Yeah, yeah, yeah, yeah, yeah)
Now nobody can't tell me the place that I'm going wrong, oh no
Nobody could ever embrace the love so strong, so strong
'Cause I know she needs me
(You know she really, really needs me)
She told me that she needs me (oh yeah)
My baby loves me
(You know she really, really loves me)
Oh yeah, yeah (Oh yeah, yeah)
My baby loves me

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Oh No No

[red rat] (renee nuefville)
Well, its come the musical ting called
Me wan dat girl de (you dont know)
Oh no (you dont know)
Well, this is red rat, and next
Yeah, it dont fex
(you dont know, yeah)
You see dat girl de
A she me wan sex,yo
(oh no oh no)
Yo, me can tell uno sumptin
(oh no oh no)
Oh no
[next] (renee nuefville)
(fat ting, pretty fat ting)
Let your love fall on me, yeah
(skin tight, botty look right)
Just want it over me, yeah
(ball out, when you fall out)
So let me get into you, oh
(sweetness come and sit on this)
Tell me when were through, whoa i
[red rat]
She never give it to her
Trust me she on top and me see it from far
Ye no see how she hot ya, she must be a star
Me want what she got because, she have a lot
And trust me she fat
Me want that girl dah
She better be alone
Me need that girl dah
Fe jump inna me sword
Me a go take her way
And carry her home
You hear what me say?
T-low, wah you say?
[next] (renee neufville)
I said you make me so hot baby
(oh no no)
Show me what you got baby
(oh no no)
Do it nonstop baby
(oh no no no no no no)
What about tonight baby
(yeah, yeah yeah)
Take the next flight baby
(yeah, yeah, yeah)
Roll it up tight baby
(yeah, yeah yeah yeah yeah)
(sweet ting, pretty darling)

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Oh No No (feat. Red Rat & Renee Neufville)

(feat. Red Rat & Renee Neufville)[Red Rat (Renee Nuefville)]
Well, it's come the musical ting called
Me wan dat girl de (You don't know)
Oh no (You don't know)
Well, this is Red Rat, and Next
Yeah, it don't fex
(You don't know, yeah)
You see dat girl de
A she me wan sex,Yo
(Oh no oh no)
Yo, me can tell uno sumptin
(Oh no oh no)
Oh no
[Next (Renee Nuefville)]
(Fat ting, pretty fat ting)
Let your love fall on me, yeah
(Skin tight, botty look right)
Just want it over me, yeah
(Ball out, when you fall out)
So let me get into you, oh
(Sweetness come and sit on this)
Tell me when we're through, whoa I
[Red Rat]
She never give it to her
Trust me she on top and me see it from far
Ye no see how she hot ya, she must be a star
Me want what she got because, she have a lot
And trust me she fat
Me want that girl dah
She better be alone
Me need that girl dah
Fe jump inna me sword
Me a go take her way
And carry her home
You hear what me say?
T-Low, wah you say?
[Next (Renee Neufville)]
I said you make me so hot baby
(Oh no no)
Show me what you got baby
(Oh no no)
Do it nonstop baby
(Oh no no no no no no)
What about tonight baby
(Yeah, yeah yeah)
Take the next flight baby
(Yeah, yeah, yeah)
Roll it up tight baby
(Yeah, yeah yeah yeah yeah)
(Sweet ting, pretty darling)

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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