You Make Me Feel Loved
Chiara come un bel sole d'inverno
E trasparente stella all'imbrunire
Succhia questo bellissimo giorno
E tutte quante insieme le mie paure
You make me feel loved
You make me feel all loved (x2)
Dolce e cara domenica
Dai tuoi solai io sento le campane
E sulla scia di un'elica
I miei ricordi di seghe, fossi e rane!
You make me feel...
You make me feel loved
You make me feel all loved
You make me feel loved
You make me feel...
You make me feel loved
Col mal di denti nel cuore sorrido a te
You make me feel loved
Col cuore in fiamme di sera ripenso a te
Down, down, down,
Down, down, down,
Down, down, down,
Oh, don't let me down
Chiara come un bel sole d'inverno
E stella rossa lontana all'imbrunire
Succhia questo bellissimo giorno
Che l'amore non ha niente da capire
You make me feel loved
You make me feel all loved
You make me feel loved
You make me feel...
You make me feel loved
Col mal di denti nel cuore sorrido a te
You make me feel loved
Col cuore in fiamme di sera io incendio te
You make me feel loved
Belle parole insonni che dedico a te
You make me feel loved
Femmine folli e albe d'oro io dedico a te
You make me feel loved
You make me feel all loved
song performed by Zucchero
Added by Lucian Velea
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Ælla, A Tragical Interlude - Act I
SCENE I.
CELMONDE, att BRYSTOWE.
Before yonne roddie sonne has droove hys wayne
Throwe halfe hys joornie, dyghte yn gites of goulde,
Mee, happeless mee, hee wylle a wretche behoulde,
Mieselfe, and al that's myne, bounde ynn myschaunces chayne.
Ah! Birtha, whie dydde Nature frame thee fayre?
Whie art thou all thatt poyntelle canne bewreene ?
Whie art thou nott as coarse as odhers are?--
Butte thenn thie soughle woulde throwe thy vysage sheene,
Yatt shemres onn thie comelie semlykeene,
Lyche nottebrowne cloudes, whann bie the sonne made redde,
Orr scarlette, wythe waylde lynnen clothe ywreene ,
Syke would thie spryte uponn thie vysage spredde.
Thys daie brave Ælla dothe thyne honde and harte
Clayme as hys owne to be, whyche nee from hys moste parte.
And cann I lyve to see herr wythe anere?
Ytt cannotte, muste nott, naie, ytt shalle not bee.
Thys nyghte I'll putte stronge poysonn ynn the beere,
And hymm, herr, and myselfe, attenes wyll slea.
Assyst mee, Helle! lett Devylles rounde mee tende,
To slea mieself, mie love, & eke mie doughtie friende.
SCENE II.
ÆLLA, BIRTHA.
ÆLLA.
Notte, whanne the hallie prieste dyd make me knyghte,
Blessynge the weaponne, tellynge future dede,
Howe bie mie honde the prevyd Dane should blede,
Howe I schulde often bee, and often wynne, ynn fyghte;
Notte, whann I fyrste behelde thie beauteous hue,
Whyche strooke mie mynde, and rouzed mie softer soule;
Nott, whann from the barbed horse yn fyghte dyd viewe
The flying Dacians oere the wyde playne roule,
Whan all the troopes of Denmarque made grete dole,
Dydd I fele joie wyth syke reddoure as nowe,
Whan hallie preest, the lechemanne of the soule,
Dydd knytte us both ynn a caytysnede vowe:
Now hallie Ælla's selynesse ys grate;
Shap haveth nowe ymade hys woes for to emmate .
BIRTHA.
Mie lorde, and husbande, syke a joie ys myne;
Botte mayden modestie moste ne soe saie,
Albeytte thou mayest rede ytt ynn myne eyne,
Or ynn myne harte, where thou shalte be for aie;
Inne sothe, I have butte meeded oute thie faie;
For twelve tymes twelve the mone hathe bin yblente,
As manie tymes hathe vyed the Godde of daie,
And on the grasse her lemes of sylverr sente,
Sythe thou dydst cheese mee for thie swote to bee,
[...] Read more
poem by Thomas Chatterton
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Ælla, A Tragical Interlude - Act III
SCENE I.
BRISTOWE.
BIRTHA.
Gentle Egwina, do notte preche me joie;
I cannotte joie ynne anie thynge botte weere .
Oh! yatte aughte schulde oure selynesse destroie,
Floddynge the face wythe woe, and brynie teare!
EGWINA.
You muste, you muste endeavour for to cheere
Youre harte unto somme cherisaunied reste.
Youre loverde from the battelle wylle appere,
Ynne honnoure, and a greater love, be dreste:
Botte I wylle call the mynstrelles roundelaie;
Perchaunce the swotie sounde maie chase your wiere awaie.
MYNSTRELLES SONGE.
O! synge untoe mie roundelaie,
O! droppe the blynie teare wythe mee,
Daunce ne moe atte hallie daie,
Lycke a reyneynge ryver bee;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Blacke hys cryne as the wynter nyghte,
Whyte hys rode as the sommer snowe,
Rodde hys face as the morning lyghte,
Cale he lyes ynne the grave belowe;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Swote hys tynge as the throstles note,
Quycke ynn daunce as thoughte canne bee,
Defte hys taboure, codgelle stote,
O! hee lyes bie the wyllowe tree:
Mie love ys dedde,
Gonne to hys deathe-bedde,
Alle underre the wyllowe tree.
Harke! the ravenne flappes hys wynge,
In the briered delle belowe;
Harke! the dethe-owle loude dothe synge,
To the nyghte-mares as heie goe;
Mie love ys dedde,
Gonne to hys deathe-bedde,
Al under the wyllowe tree.
See! the whyte moone sheenes onne hie;
Whyterre ys mie true loves shroude;
Whyterre yanne the mornynge skie,
Whyterre yanne the evenynge cloude;
Mie love ys dedde,
Gon to hys deathe-bedde,
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poem by Thomas Chatterton
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Ælla, A Tragical Interlude - Act II
SCENE I
MAGNUS, HURRA, and HIE PREESTE, wyth the ARMIE, neare Watchette.
MAGNUS.
Swythe lette the offrendes to the Goddes begynne,
To knowe of hem the issue of the fyghte.
Potte the blodde-steyned sword and pavyes ynne;
Spreade swythyn all arounde the hallie lyghte.
HIE PREESTE syngeth.
Yee, who hie yn mokie ayre
Delethe seasonnes foule or fayre,
Yee, who, whanne yee weere agguylte,
The mone yn bloddie gytelles hylte,
Mooved the starres, and dyd unbynde
Everyche barriere to the wynde;
Whanne the oundynge waves dystreste,
Storven to be overest,
Sockeynge yn the spyre-gyrte towne,
Swolterynge wole natyons down;
Sendynge dethe, on plagues astrodde,
Moovynge lyke the erthys Godde;
To mee send your heste dyvyne,
Lyghte eletten all myne eyne,
Thatt I maie now undevyse
All the actyonnes of th'emprize.
Thus sayethe the Goddes; goe, yssue to the playne;
Forr there shall meynte of mytte menn be slayne.
MAGNUS.
Whie, soe there evere was, whanne Magnus foughte.
Efte have I treynted noyance throughe the hoaste,
Athorowe swerdes, alyche the Queed dystraughte,
Have Magnus pressynge wroghte hys foemen loaste.
As whanne a tempeste vexethe soare the coaste,
The dyngeynge ounde the sandeie stronde doe tare,
So dyd I inne the warre the javlynne toste,
Full meynte a champyonnes breaste received mie spear.
Mie sheelde, lyche sommere morie gronfer droke,
Mie lethalle speere, alych a levyn-mylted oke.
Thus sayethe the Goddes; goe, yssue to the playne;
Forr there shall meynte of mytte menn be slayne.
MAGNUS.
Whie, soe there evere was, whanne Magnus foughte.
Efte have I treynted noyance throughe the hoaste,
Athorowe swerdes, alyche the Queed dystraughte,
Have Magnus pressynge wroghte hys foemen loaste.
As whanne a tempeste vexethe soare the coaste,
The dyngeynge ounde the sandeie stronde doe tare,
So dyd I inne the warre the javlynne toste,
Full meynte a champyonnes breaste received mie spear.
Mie sheelde, lyche sommere morie gronfer droke,
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poem by Thomas Chatterton
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Ælla, A Tragical Interlude - Act IV
SCENE I.
AT BRYSTOWE.
ÆLLA AND SERVITOURES.
AELLA.
TYS nowe fulle morne; I thoughten, bie laste nyghte
To have been heere; mie stede han notte mie love;
Thys ys mie pallace; lette mie hyndes alyghte,
Whylste I goe oppe, & wake mie slepeynge dove.
Staie here, mie hyndlettes; I shal goe above.
Nowe, Birtha, wyll thie loke enhele mie spryte,
Thie smyles unto mie woundes a baulme wylle prove;
Mie ledanne boddie wylle bee sette aryghte.
Egwina, haste, & ope the portalle door;
Yatte I on Birtha's breste maie thynke of ware nemore.
EGWINA.
Oh Ælla!
ÆLLA.
Ah! that semmlykeene to mee
Speeketh a legendary tale of woe.
EGWINA.
Birtha is --
ÆLLA.
Whatt? where? how? saie, whatte of shee?
EGWINA
Gone --
ÆLLA.
Gone! ye goddes!
EGWINA.
Alas! ytte ys toe true.
Yee seynctes, hee dies awaie wythe myckle woe!
Ælla! what? Ælla! oh! hee lyves agen.
ÆLLA.
Cal mee notte Ælla; I am hymme ne moe.
Where ys shee gon awaie? ah! speake! how? when?
EGWINA.
I will.
ÆLLA.
Caparyson a score of stedes; flie, flie.
Where ys shee? swythynne speeke, or instante thou shalte die.
EGWINA.
Stylle thie loud rage, & here thou whatte I knowe.
ÆLLA.
Oh! speek.
EGWINA.
Lyche prymrose, droopynge wythe the heavie rayne,
Laste nyghte I lefte her, droopynge wythe her wiere,
Her love the gare, thatte gave her harte syke peyne --
ÆLLA.
Her love! to whomme?
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poem by Thomas Chatterton
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Goddwyn; A Tragedie
PERSONS REPRESENTED.
HAROLDE, bie T. Rowleie, the Aucthoure.
GODDWYN, bie Johan de Iscamme.
ELWARDE, bie Syrr Thybbot Gorges.
ALSTAN, bie Syrr Alan de Vere.
KYNGE EDWARD; bie Mastre Wilyam Canynge.
Odhers bie Knyghtes Mynnstrells.
PROLOGUE
WHYLOMME bie pensmenne moke ungentle name
Have upon Goddwynne Erle of Kente bin layde,
Dherebie benymmynge hymme of faie and fame;
Unliart divinistres haveth saide,
Thatte he was knowen toe noe hallie wurche ;
Botte thys was all hys faulte, he gyfted ne the churche.
The aucthoure of the piece whiche we enacte,
Albeytte a clergyon trouthe wyll wrytte.
Inne drawynge of hys menne no wytte ys lackte;
Entyn a kynge mote bee full pleased to nyghte.
Attende, and marcke the partes nowe to be done;
Wee better for toe doe do champyon anie onne.
GODDWYN; A TRAGEDIE.
ACT I.
GODDWYN AND HAROLDE.
GODDWYN.
HAROLDE!
HAROLDE.
M ie loverde!
GODDWYN.
O! I weepe to thyncke,
What foemen riseth to isrete the londe.
Theie batten onne her fleshe, her hartes bloude dryncke,
And all ys graunted from the roieal honde.
HAROLDE.
Lette notte this agreme blyn ne aledge stonde;
Bee I toe wepe, I wepe in teres of gore.
Am I betrassed , syke shulde mie burlie bronde
Depeyncte the wronges on hym from whom I bore.
GODDWYN.
I ken thie spryte ful welle; gentle thou art,
Stringe , ugsomme rou as smethynge armyes seeme;
Yett efte , I feare, thie chefes toe grete a parte,
And that thie rede bee efte borne downe bie breme .
What tydynges from the kynge?
HAROLDE.
His Normans know.
I make noe compheeres of the shemrynge trayne.
GODDWYN.
Ah Harolde! tis a syghte of myckle woe,
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poem by Thomas Chatterton
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
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poem by Robinson Jeffers
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Eclogues
Eclogue the First.
Whanne Englonde, smeethynge from her lethal wounde,
From her galled necke dyd twytte the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote graie,
Twayne lonelie shepsterres dyd abrodden flie,
(The rostlyng liff doth theyr whytte hartes affraie,)
And whythe the owlette trembled and dyd crie;
Firste Roberte Neatherde hys sore boesom stroke,
Then fellen on the grounde and thus yspoke.
Roberte.
Ah, Raufe! gif thos the howres do comme alonge,
Gif thos wee flie in chase of farther woe,
Oure fote wylle fayle, albeytte wee bee stronge,
Ne wylle oure pace swefte as oure danger goe.
To oure grete wronges we have enheped moe,
The Baronnes warre! oh! woe and well-a-daie!
I haveth lyff, bott have escaped soe
That lyff ytsel mie senses doe affraie.
Oh Raufe, comme lyste, and hear mie dernie tale,
Comme heare the balefull dome of Robynne of the dale.
Raufe.
Saie to mee nete; I kenne thie woe in myne;
O! I've a tale that Sabalus mote telle.
Swote flouretts, mantled meedows, forestes dynge;
Gravots far-kend around the Errmiets cell;
The swote ribible dynning yn the dell;
The joyous dauncynge ynn the hoastrie courte;
Eke the highe songe and everych joie farewell,
Farewell the verie shade of fayre dysporte;
Impestering trobble onn mie dernie tale,
Ne one kynde Seyncte to warde the aye encreasynge dome.
Roberte.
Oh! I could waile mie kynge-coppe-decked mees,
Mie spreedynge flockes of shepe of lillie white,
Mie tendre applynges; and embodyde trees,
Mie Parker's Grange, far spreedynge to the syghte,
Mie cuyen kyne, mie bullockes stringe yn fyghte,
Mie gorne emblaunched with the comfreie plante,
Mie floure Seyncte Marie shottyng wythe the lyghte,
Mie store of all the blessynges Heaven can grant.
I amm duressed unto sorrowes blowe,
I hantend to the peyne, will lette ne salte teare flowe.
Raufe.
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poem by Thomas Chatterton
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Con Voi
Mia cara, voglio farvi sapere
Qualcosa che è molto importante per me,
E qualcosa che può essere
Molto importante per lei,
Se apprezzi il mio amore solo
Come valore di tuo.
Mia cara, sono stato con voi per
Come posso ricordare.
Mi ricordo quando eravamo bambini,
E i nostri genitori erano vicini,
E siamo stati vicini, come pure,
Naturalmente
E i nostri genitori sarebbero pianificare 'gioco-date'
Come chiamati li allora e ancora adesso,
E c'era molto di più ad esso.
Si, tua sorella e tuo fratello sarebbe venuto sopra,
E potrebbe appendere fuori con mio fratello, mia sorella e me.
Ricordo che pensavo che le ragazze erano lorde,
E voi, vorrei evitare
E hai pensato che avevo una malattia,
Così sarebbe evitare me, troppo.
Ma, dopo un paio di settimane,
Siamo diventati amici,
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poem by James Roberts
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Bel Ami
Hes a casanova (yeah yeah whatd I say? )
Hes a busy lover (yeah yeah whatd I say? )
Everybodys trying to tell me
That Im wasting time away
Too cool for one woman (yeah yeah whatd I say? )
My bel ami - Im born to be with you
My bel ami - I dont care what you do
My bel ami - whenever youre with me
My bel ami - Im happy (whatd I say)
My bel ami
My bel ami
It wont last forever (yeah yeah whatd I say? )
Hes just like the weather (yeah yeah whatd I say? )
Life with him is so exciting
Heights to the lows from day to day
Somethings always happening (yeah yeah whatd I say? )
My bel ami - Im born to be with you
My bel ami - I dont care what you do
My bel ami - whenever youre with me
My bel ami - Im happy (whatd I say)
My bel ami
My bel ami
My bel ami
My bel ami - Im born to be with you
My bel ami - I dont care what you do
My bel ami - whenever youre with me
My bel ami - Im happy
My bel ami
My bel ami - Im born to be with you
My bel ami - I dont care what you do
My bel ami - whenever youre with me
My bel ami - Im happy
My bel ami
3rd verse, unreleased:
He cant deny some offers ... yeah yeah what I say
Hes got more than the others ... yeah yeah what I say
Why should I be mad about it
Thats the price I have to pay
In a world of competition ... yeah yeah what I say
song performed by Boney M.
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Deviazioni
Quante deviazioni hai
quante deviazioni hai
quante deviazioni hai
quante deviazioni hai!
E non mi dire che sei puro come un giglio
che sei un padre perch c'hai un figlio
credi che basti avere un figlio
per essere un uomo e non un coniglio?
Quante deviazioni hai
quante deviazioni hai
quante deviazioni hai
quante deviazioni hai!
quante dai, non dirmi che non ce n'hai!!!!
Non mi vorrai fare credere che
una deviazione neanche
S potrebbe essere tua figlia...
Quante volte, quante volte dai
c'hai pensato
a me lo puoi dire dai.....
mica ti voglio fare del male sai
Quante deviazioni hai....
song performed by Vasco Rossi
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Ælla, a Tragical Interlude (excerpt)
FYRSTE MYNSTRELLE...
The boddynge flourettes bloshes atte the lyghte;
The mees be sprenged wyth the yellowe hue;
Ynn daiseyd mantels ys the mountayne dyghte;
The nesh yonge coweslepe bendethe wyth the dewe;
The trees enlefed, yntoe Heavenne straughte,
Whenn gentle wyndes doe blowe to whestlyng dynne ys broughte.
The evenynge commes, and brynges the dewe alonge;
The roddie welkynne sheeneth to the eyne;
Arounde the alestake Mynstrells synge the songe;
Yonge ivie rounde the doore poste do entwyne;
I laie mee onn the grasse; yette, to mie wylle,
Albeytte alle ys fayre, there lackethe somethynge stylle.SECONDE MYNSTRELLE
So Adam thoughtenne, whann, ynn Paradyse,
All Heavenn and Erthe dyd hommage to hys mynde;
Ynn Womman alleyne mannes pleasaunce lyes;
As Instruments of joie were made the kynde.
Go, take a wyfe untoe thie armes, and see
Wynter and brownie hylles wyll have a charme for thee.THYRDE MYNSTRELLE
Whanne Autumpne blake and sonne-brente doe appere,
With hys goulde honde guylteynge the falleynge lefe,
Bryngeynge oppe Wynterr to folfylle the yere,
Beerynge uponne hys backe the riped shefe;
Whan al the hyls wythe woddie sede ys whyte;
Whanne levynne-fyres and lemes do mete from far the syghte;
Whann the fayre apple, rudde as even skie,
Do bende the tree unto the fructyle grounde;
When joicie peres, and berries of blacke die,
Doe daunce yn ayre, and call the eyne arounde;
Thann, bee the even foule or even fayre,
Meethynckes mie hartys joie ys steynced wyth somme care....MYNSTRELLES SONGE
O! synge untoe mie roundelaie,
O! droppe the brynie teare wythe mee,
Daunce ne moe atte hallie daie,
Lycke a reynynge ryver bee;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Black hys cryne as the wyntere nyghte,
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poem by Thomas Chatterton
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Eclogue The First
WHANNE Englonde, smeethynge from her lethal wound;
From her galled necke dyd twytte the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote graie
Twayne lonelie shepsterres dyd abrodden flie,
(The rostlyng liff doth theyr whytte hartes affraie ,)
And wythe the owlette trembled and dyd crie;
Firtse Roberte Neatherde hys sore boesom stroke,
Then fellen on the grounde and thus yspoke.
ROBERTE.
Ah, Raufe! gif thos the howres do comme alonge,
Gif thos wee flie in chase of farther woe,
Oure fote wylle fayle, albeytte wee bee stronge,
Ne wylle oure pace swefte as oure danger goe.
To oure grete wronges we have enheped moe,
The Baronnes warre! oh! woe and well-a-daie!
I haveth lyff, bott have escaped soe,
That lyff ytsel mie Senses doe affraie.
Oh Raufe, comme lyste, and hear mie dernie tale,
Comme heare the balefull dome of Robynne of the Dale.
RAUFE.
Saie to mee nete; I kenne this woe in myne;
O! I've a tale that Sabalus mote telle.
Swote flouretts, mantled meedows, forestes dygne ;
Gravots far-kend arounde the Errmiets cell;
The swote ribible dynning yn the dell;
The joyous daunceynge ynn the hoastrie courte;
Eke the highe songe and everych joie farewell,
Farewell the verie shade of fayre dysporte :
Impestering trobble onn mie heade doe comme,
Ne on kynde Seyncte to warde the aye encreasynge dome.
ROBERTE.
Oh! I coulde waile mie kynge-coppe-decked mees
Mie spreedynge flockes of shepe of lillie white,
Mie tendre applynges , and embodyde trees,
Mie Parker's Grange far spreedynge to the syghte,
Mie cuyen kyne , mie bullockes stringe yn fighte,
Mie gorne emblaunched with the comfreie plante,
Mie floure Seyncte Marie shotteyng wythe the lyghte,
Mie store of all the blessynges Heaven can grant.
I amm duressed unto sorrowes blowe,
Ihanten'd to the peyne, will lette ne salte teare flowe.
RAUFE.
Here I wille obaie untylle Dethe doe 'pere,
Here lyche a foule empoysoned leathel tree,
Whyche sleaeth everichone that commeth nere,
Soe wille I fyxed unto thys place gre .
I to bement haveth moe cause than thee;
Sleene in the warre mie boolie fadre lies;
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poem by Thomas Chatterton
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Sento Le Campane
Gino sei un cane
Fammi bere fammi b
Meno male bella infame
Che dal buio arrivi tu
Quando vedo te
Sento le campane
Mi scappa la pip
Da da dallemozione
Sono proprio un bel tacchino
Nella notte coccod
Vuoi vedere che dal fango
Nasce un fiore anche per me
Quando vedo te
Sento le campane
Mi scappa la pip
Da da dallemozione
sempre il solito riff, s
Per mi sento bene
Quando vedo te
Sento le campane
Sono figlio di una pistola
Vieni via con me
Sono figlio di una notte che vola
Ti porto via con me
Get down....... I wanna give you my love.......... yeah
Stand up.......... I wanna give you my love.......... yeah
Black out......... I wanna give you my love.......... yeah
Gino sei un cane
Ora vado via perch
Lei mi vuole, lei ha fame
Nella notte coccod
Quando vedo te
Sento le campane
Mi scappa la pip
Da da dallemozione
sempre il solito riff, s
Per mi sento bene
Mi scappa solo la pip
Su questo mondo infame
Get funk
song performed by Zucchero
Added by Lucian Velea
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Bollicine
Piccolo spazio pubblicit
piccolo spazio pubblicit
radio superstereoradio
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola!
Bevi la coca cola che ti fa bene
bevi la coca cola che ti fa digerire
con tutte quelle, tutte quelle bollicine....
Coca cola s coca cola... a me mi fa morire...
coca cola s coca cola...a me mi fa impazzire...
con tutte quelle tutte quelle bollicine...
brrrr!!!
Piccolo spazio pubblicit
"l'angolo della posta"
Piccolo spazio pubblicit!
radio superstereoradio
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola!
Coca cola chi
coca cola chi vespa mangia le mele
coca cola chi
coca chi non vespa pi e mangia le pere...
con tutte quelle tutte quelle medicine...
Io la coca cola me la porto a scuola coca cola chi
coca cola coca-casa-e-chiesa, scuola
con tutte quelle tutte quelle bollicine!!!
Coca cola...
e sei protagonista!!
Coca cola...
per l'uomo che non deve chiedere.....mai!!!
..con tutte quelle tutte quelle bollicine...
Coca cosa?????
coca cola!!!!!
coca cola!!
...e sai cosa bevi.....
...con tutte quelle tutte quelle bollicine...
....................................
io la coca cola me la porto a scuola
coca cola s coca cola coca-casa-e-chiesa.....
song performed by Vasco Rossi
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The Storie Of William Canynge
ANENT a brooklette as I laie reclynd,
Listeynge to heare the water glyde alonge,
Myndeynge how thorowe the grene mees yt twynd,
Awhilst the cavys respons'd yts mottring songe,
At dystaunt rysyng Avonne to he sped,
Amenged wyth rysyng hylles dyd shewe yts head;
Engarlanded wyth crownes of osyer weedes
And wraytes of alders of a bercie scent,
And stickeynge out wyth clowde agested reedes,
The hoarie Avonne show'd dyre semblamente,
Whylest blataunt Severne, from Sabryna clepde,
Rores flemie o'er the sandes that she hepde.
These eynegears swythyn bringethe to mie thowghte
Of hardie champyons knowen to the floude,
How onne the bankes thereof brave Ælle fought;
Ælle descended from Merce kynglie bloude,
Warden of Brystowe towne and castel stede,
Who ever and anon made Danes to blede.
Methoughte such doughtie menn must have a sprighte
Dote yn the armour brace that Mychael bore,
Whan he wyth Satan kynge of helle dyd fyghte,
And earthe was drented yn a mere of gore;
Orr, soone as theie dyd see the worldis lyghte,
Fate had wrott downe, thys mann ys borne to fyghte.
Ælle, I sayd, or els my mynde dyd saie,
Whie ys thy actyons left so spare yn storie?
Were I toe dispone, there should lyvven aie
In erthe and hevenis rolles thie tale of glorie
Thie actes soe doughtie should for aie abyde,
And bie theyre teste all after actes be tryde.
Next holie Wareburghus fylld mie mynde,
As fayre a sayncte as anie towne can boaste,
Or bee the erthe wyth lyghte or merke ywrynde,
I see hys ymage waulkeyng throwe the coaste.
Fitz Hardynge, Bithrickus, and twentie moe
Ynn visyonn fore mie phantasie dyd goe.
Thus all mie wandrynge faytour thynkeynge strayde
And eche dygne buylder dequac'd onn mie mynde,
Whan from the distaunt streeme arose a mayde,
Whose gentle tresses mov'd not to the wynde;
Lyche to the sylver moone yn frostie neete,
The damoiselle dyd come soe blythe and sweete.
Ne browded mantell of a scarlette hue,
Ne shoone pykes plaited o'er wyth ribbande geere,
Ne costlie paraments of woden blue,
Noughte of a dresse, but bewtie dyd shee weere;
Naked shee was, and loked swete of youthe,
All dyd bewryen that her name was Trouthe.
The ethie ringletts of her notte-browne hayre
What ne a manne should see dyd swotelie hyde,
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poem by Thomas Chatterton
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The Tournament. An Interlude
HERAWDE
THE Tournament begynnes; the hammerrs sounde;
The courserrs lysse about the mensuredd fielde;
The shemrynge armoure throws the sheene arounde;
Quayntyssed fons depictedd onn eche sheelde.
The feerie heaulmets, wythe the wreathes amielde ,
Supportes the rampynge lyoncell orr bear;
Wythe straunge depyctures , Nature maie nott yeelde,
Unseemelie to all orderr doe appere,
Yett yatte
Makes knowen thatt the phantasies unryghte.
of her joies,
Muste swythen goe to yeve the speeres around;
Wythe advantayle & borne I meynte emploie,
Who withoute mee woulde fall untoe the grounde.
Soe the tall oake the ivie twysteth rounde;
Soe the neshe flowerr grees ynne the woodeland shade.
The woride bie diffraunce ys ynne orderr founde;
Wydhoute unlikenesse nothynge could bee made.
As ynn the bowke nete alleyn cann bee donne,
Syke ynn the weal of kynde all thynges are partes of onne.
Herawde , bie heavenne these tylterrs staie too long.
Mie phantasie ys dyinge forr the fyghte.
The mynstrelles have begonne the thyrde warr songe,
Yett notte a speere of hemm hath grete mie syghte.
I feere there be ne manne wordhie mie myghte.
I lacke a Guid , a Wyllyamm to entylte.
To reine anente a fele embodiedd knyghte,
Ytt getts ne rennome gyff hys blodde bee spylte.
Bie heavenne & Marie ytt ys tyme they're here;
I lyche nott unthylle thus to wielde the speare.
HERAWDE
Methynckes I heare yer slugghornes dynn fromm farre.
BOURTONNE
Ah! swythenn mie shielde & tyltynge launce bee bounde .
Eftsoones beheste mie Squyerr to the warre.
HERAWDE
Thie valourous actes woulde meinte of menne astounde;
Harde bee yer shappe encontrynge thee ynn fyghte;
Anenst all menne thou berest to the grounde,
Lyche the hard hayle dothe the tall roshes pyghte .
As whanne the mornynge sonne ydronks the dew,
Syche dothe thie valourous actes drocke eche knyghte's hue.
THE LYSTES. THE KYNGE. SYRR SYMONNE DE BOURTONNE, SYRR HUGO FERRARIS, SYRR RANULPH NEVILLE, SYRR LODOVICK DE CLYNTON, SYRR JOHAN DE BERGHAMME, AND ODHERR KNYGHTES, HERAWDES, MYNSTRELLES, AND SERVYTOURS .
KYNGE
The barganette ; yee mynstrelles tune the strynge,
Somme actyonn dyre of auntyante kynges now synge.
MYNSTRELLES.
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poem by Thomas Chatterton
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A Roxbury Garden
I
Hoops
Blue and pink sashes,
Criss-cross shoes,
Minna and Stella run out into the garden
To play at hoop.
Up and down the garden-paths they race,
In the yellow sunshine,
Each with a big round hoop
White as a stripped willow-wand.
Round and round turn the hoops,
Their diamond whiteness cleaving the yellow sunshine.
The gravel crunches and squeaks beneath them,
And a large pebble springs them into the air
To go whirling for a foot or two
Before they touch the earth again
In a series of little jumps.
Spring, Hoops!
Spit out a shower of blue and white brightness.
The little criss-cross shoes twinkle behind you,
The pink and blue sashes flutter like flags,
The hoop-sticks are ready to beat you.
Turn, turn, Hoops! In the yellow sunshine.
Turn your stripped willow whiteness
Along the smooth paths.
Stella sings:
'Round and round, rolls my hoop,
Scarcely touching the ground,
With a swoop,
And a bound,
Round and round.
With a bumpety, crunching, scattering sound,
Down the garden it flies;
In our eyes
The sun lies.
See it spin
Out and in;
Through the paths it goes whirling,
About the beds curling.
Sway now to the loop,
Faster, faster, my hoop.
Round you come,
Up you come,
Quick and straight as before.
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poem by Amy Lowell
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Dune Mosse
Un viaggio in fondo ai tuoi occhi
"dai d'illusi smammai".
Un viaggio in fondo ai tuoi occhi
solcher Dune Mosse.
Don't cry per
poi... colammo gi.
E miseri
noi... guardammo il blu.
Il mare in fondo ai tuoi occhi
Grembi nudi lamb.
Il vento in fondo ai tuoi occhi
carezz Dune Mosse.
Don't cry e noi
poi... colammo gi.
Si rimbalz
e... tornammo su.
Dentro una lacrima,
e verso il sole,
voglio gridare amore...
uhuuh! Non ne posso pi
Vieni, t'imploder,
a rallentatore.
E nell'immenso
morir!
Un viaggio in fondo ai tuoi occhi
"nei d'illusi smammai".
La pioggia in fondo ai tuoi occhi
cancell Dune Mosse.
Don't cry per
poi... colammo gi.
E miseri
noi... guardammo il blu.
... Morir!
Un viaggio in fondo ai tuoi occhi
solcher Dune Mosse.
Un viaggio in fondo ai tuoi occhi
solcher, solcher, Dune Mosse!
Un viaggio in fondo ai tuoi occhi
song performed by Zucchero
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Confessio Amantis. Explicit Liber Primus
Incipit Liber Secundus
Inuidie culpa magis est attrita dolore,
Nam sua mens nullo tempore leta manet:
Quo gaudent alii, dolet ille, nec vnus amicus
Est, cui de puro comoda velle facit.
Proximitatis honor sua corda veretur, et omnis
Est sibi leticia sic aliena dolor.
Hoc etenim vicium quam sepe repugnat amanti,
Non sibi, set reliquis, dum fauet ipsa Venus.
Est amor ex proprio motu fantasticus, et que
Gaudia fert alius, credit obesse sibi.
Now after Pride the secounde
Ther is, which many a woful stounde
Towardes othre berth aboute
Withinne himself and noght withoute;
For in his thoght he brenneth evere,
Whan that he wot an other levere
Or more vertuous than he,
Which passeth him in his degre;
Therof he takth his maladie:
That vice is cleped hot Envie.
Forthi, my Sone, if it be so
Thou art or hast ben on of tho,
As forto speke in loves cas,
If evere yit thin herte was
Sek of an other mannes hele?
So god avance my querele,
Mi fader, ye, a thousend sithe:
Whanne I have sen an other blithe
Of love, and hadde a goodly chiere,
Ethna, which brenneth yer be yere,
Was thanne noght so hot as I
Of thilke Sor which prively
Min hertes thoght withinne brenneth.
The Schip which on the wawes renneth,
And is forstormed and forblowe,
Is noght more peined for a throwe
Than I am thanne, whanne I se
An other which that passeth me
In that fortune of loves yifte.
Bot, fader, this I telle in schrifte,
That is nowher bot in o place;
For who that lese or finde grace
In other stede, it mai noght grieve:
Bot this ye mai riht wel believe,
Toward mi ladi that I serve,
Thogh that I wiste forto sterve,
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poem by John Gower
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Pharsalia - Book II: The Flight Of Pompeius
This was made plain the anger of the gods;
The universe gave signs Nature reversed
In monstrous tumult fraught with prodigies
Her laws, and prescient spake the coming guilt.
How seemed it just to thee, Olympus' king,
That suffering mortals at thy doom should know
By omens dire the massacre to come?
Or did the primal parent of the world
When first the flames gave way and yielding left
Matter unformed to his subduing hand,
And realms unbalanced, fix by stern decree'
Unalterable laws to bind the whole
(Himself, too, bound by law), so that for aye
All Nature moves within its fated bounds?
Or, is Chance sovereign over all, and we
The sport of Fortune and her turning wheel?
Whate'er be truth, keep thou the future veiled
From mortal vision, and amid their fears
May men still hope.
Thus known how great the woes
The world should suffer, from the truth divine,
A solemn fast was called, the courts were closed,
All men in private garb; no purple hem
Adorned the togas of the chiefs of Rome;
No plaints were uttered, and a voiceless grief
Lay deep in every bosom: as when death
Knocks at some door but enters not as yet,
Before the mother calls the name aloud
Or bids her grieving maidens beat the breast,
While still she marks the glazing eye, and soothes
The stiffening limbs and gazes on the face,
In nameless dread, not sorrow, and in awe
Of death approaching: and with mind distraught
Clings to the dying in a last embrace.
The matrons laid aside their wonted garb:
Crowds filled the temples -- on the unpitying stones
Some dashed their bosoms; others bathed with tears
The statues of the gods; some tore their hair
Upon the holy threshold, and with shrieks
And vows unceasing called upon the names
Of those whom mortals supplicate. Nor all
Lay in the Thunderer's fane: at every shrine
Some prayers are offered which refused shall bring
Reproach on heaven. One whose livid arms
Were dark with blows, whose cheeks with tears bedewed
And riven, cried, 'Beat, mothers, beat the breast,
Tear now the lock; while doubtful in the scales
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poem by Marcus Annaeus Lucanus
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