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What's Your Number

Cast: Chris Evans, Anna Faris, Martin Freeman, Zachary Quinto, Aziz Ansari, Eliza Coupe, Chris Pratt, Mike Vogel, Joel McHale, Dave Annable

trailer for What's Your Number, directed by Mark Mylod (2011)
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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

[...] Read more

poem by George Crabbe
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Dagenham Dave

Head in the clouds, and a mouthful of pie
Head in a blouse, everybody loves him
I see why
Dagenham dave, dagenham dave
Oh, dagenham dave
Dagenham dave, dagenham dave
Oh, dagenham dave
I love karen, I love sharon on the windowscreen
With never the need to fight or to question a single thing
Dagenham dave, dagenham dave
Oh, dagenham dave
Dagenham dave, dagenham dave
Oh, dagenham dave
Dagenham dave, dagenham dave
Oh, dagenham dave
Dagenham dave, dagenham dave
Dagenham dave
Hed love to touch, hes afraid that he might self-combust
I could say more, but you get the general idea
Dagenham dave, dagenham dave
Dagenham dave, dagenham dave
Dagenham, dagenham
Dagenham dave, dagenham dave
Dagenham dave, dagenham dave
Dagenham, dagenham dave
Dagenham dave, dagenham dave
Oh, dave, oh, dagenham, dagenham
Dagenham dave
Dagenham dave, dagenham dave
Oh, dave, oh, dave, oh, dave
Oh, dave

song performed by Morrissey
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Cherry, Cherry Coupe

Go cherry, cherry coupe now
The wildest short around is my cherry, cherry coupe
Its the sharpest thing in town and the envy of my group
Its one of its kind and it really looks good
Chopped nose and deck with louvers on the hood
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Chrome reversed rims with whitewall slicks
And it turns a quarter mile in one oh six
Door handles are off but you know Ill never miss em
They open when I want with the cellunoid system
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
My coupes tuck and roll underneath the hood
And the rugs, seats, and panels now are looking good
When I go looking for something to do
Shes got enough room now to barely seat two
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)

song performed by Beach Boys
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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

[...] Read more

poem by Rwetewrt Erwtwer
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Improvisatore, The

Scene--A spacious drawing-room, with music-room adjoining.

Katharine. What are the words ?

Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. ____ sang so
sweetly.

Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--

Love would remain the same if true,
When we were neither young nor new ;
Yea, and in all within the will that came,
By the same proofs would show itself the same.

Eliza. What are the lines you repeated from Beaumont and Fletcher, which my
mother admired so much ? It begins with something about two vines so close
that their tendrils intermingle.

Friend. You mean Charles' speech to Angelina, in The Elder Brother.

We'll live together, like two neighbour vines,
Circling our souls and loves in one another !
We'll spring together, and we'll bear one fruit ;
One joy shall make us smile, and one grief mourn ;
One age go with us, and one hour of death
Shall close our eyes, and one grave make us happy.

Katharine. A precious boon, that would go far to reconcile one to old
age--this love--if true ! But is there any such true love ?

Friend. I hope so.

Katharine. But do you believe it ?

Eliza (eagerly). I am sure he does.

Friend. From a man turned of fifty, Katharine, I imagine, expects a
less confident answer.

Katharine. A more sincere one, perhaps.

Friend. Even though he should have obtained the nick-name of
Improvisatore, by perpetrating charades and extempore verses at
Christmas times ?

Eliza. Nay, but be serious.

[...] Read more

poem by Samuel Taylor Coleridge
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The Improvisatore

Scene--A spacious drawing-room, with music-room adjoining.

Katharine. What are the words ?

Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. ____ sang so
sweetly.

Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--

Love would remain the same if true,
When we were neither young nor new ;
Yea, and in all within the will that came,
By the same proofs would show itself the same.

Eliza. What are the lines you repeated from Beaumont and Fletcher, which my
mother admired so much ? It begins with something about two vines so close
that their tendrils intermingle.

Friend. You mean Charles' speech to Angelina, in The Elder Brother.

We'll live together, like two neighbour vines,
Circling our souls and loves in one another !
We'll spring together, and we'll bear one fruit ;
One joy shall make us smile, and one grief mourn ;
One age go with us, and one hour of death
Shall close our eyes, and one grave make us happy.

Katharine. A precious boon, that would go far to reconcile one to old
age--this love--if true ! But is there any such true love ?

Friend. I hope so.

Katharine. But do you believe it ?

Eliza (eagerly). I am sure he does.

Friend. From a man turned of fifty, Katharine, I imagine, expects a
less confident answer.

Katharine. A more sincere one, perhaps.

Friend. Even though he should have obtained the nick-name of
Improvisatore, by perpetrating charades and extempore verses at
Christmas times ?

Eliza. Nay, but be serious.

[...] Read more

poem by Samuel Taylor Coleridge
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Little Deuce Coupe

Little deuce coupe
You dont know what I got
Little deuce coupe
You dont know what I got
Well Im not braggin babe so dont put me down
But Ive got the fastest set of wheels in town
When something comes up to me he dont even try
Cause if I had a set of wings man I know she could fly
Shes my little deuce coupe
You dont know what I got
(my little deuce coupe)
(you dont know what I got)
Just a little deuce coupe with a flat head mill
But shell walk a thunderbird like (shes) its standin still
Shes ported and relieved and shes stroked and bored.
Shell do a hundred and forty with the top end floored
Shes my little deuce coupe
You dont know what I got
(my little deuce coupe)
(you dont know what I got)
Shes got a competition clutch with the four on the floor
And she purrs like a kitten till the lake pipes roar
And if that aint enough to make you flip your lid
Theres one more thing, I got the pink slip daddy
And comin off the line when the light turns green
Well she blows em outta the water like you never seen
I get pushed out of shape and its hard to steer
When I get rubber in all four gears
Shes my little deuce coupe
You dont know what I got
(my little deuce coupe)
(you dont know what I got)
Shes my little deuce coupe
You dont know what I got
(my little deuce coupe)
(you dont know what I got)
Shes my little deuce coupe
You dont know what I got

song performed by Beach Boys
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Push

Step 1... step off to the dance floor
Step 1... step off to the dance floor
Push (hey) ((push up on it))
(good God)
Push - lord (push, yeah) ((push up on it))
Every time u get some
People wanna take it back
They rather see u on the run
Than see u get it like that
Every time they stop u
Change up like a sock
Every time they try 2 clock u
Tick more than they tock
Push I push
Dont let them pull u down, yeah
Push I push
Until u get 2 higher ground
Push
Ure never 2 young, never 2 old
Push
Dont stop until u go
Did u ever stop 2 wonder
Why u put another down?
No man should asunder
The joy that another man found
Maybe bout the business u was worried
Wasnt ever filed in your name
Maybe the cartridge u was playin
Dont fit in your video game
Push I push
Dont let them pull u down
Push I push
Until u get 2 higher ground
Push
Ure never 2 young, never 2 old, yeah
Push
Dont stop until u go, hey
(alright) I push (push) ((push up on it))
(push) I push (push, push, hey)
(push) (come on and push it now, hey push)
((push up on it)) (push) I push
Every time u get some push
People wanna take it back p-push
They rather see u on the run push
Than see u get it like that
Every time they stop u
Change up like a sock push
Every time they try 2 clock u push
U gotta tick more than they can tock
Push I push

[...] Read more

song performed by Prince
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Anna Hazare’s Crusade against Corruption in India

Anna wants a Lokpal bill strong
Anna wants a Lokpal bill fast
Anna wants a Lokpal bill full
Anna wants a Lokpal bill now

Anna wants a Lokpal bill by fast
Anna wants a Lokpal bill first
Anna wants a Lokpal bill for all
Anna wants a Lokpal bill – his call

Anna wants a Lokpal bill now
Anna wants a Lokpal bill without delay
Anna wants a Lokpal bill, come what may
Anna wants a Lokpal bill even if it means death.

There is no turning back
There is no giving up the fast
There is no fear of arrest
There is no worry about death

For,
India needs an anti-corruption bill
India is monetarily seriously ill
India needs the honesty drill
India has its wealth outside but inside will

Bring the bill
Heed people’s will
Give them the fill
Heal those hearts ill.

Victory to India; victory to Lokpal Bill; victory to Anna!

Copyright by Dr John Celes 22-08-11

poem by John Celes
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Little Deuce Coup

Little deuce Coupe
You don't know what I got
Little deuce Coupe
You don't know what I got
Well I'm not braggin' babe so don't put me down
But I've got the fastest set of wheels in town
When something comes up to me he don't even try
Cause if I had a set of wings man I know she could fly
She's my little deuce coupe
You don't know what I got
(My little deuce coupe)
(You don't know what I got)
Just a little deuce coupe with a flat head mill
But she'll walk a Thunderbird like (she's) it's standin' still
She's ported and relieved and she's stroked and bored.
She'll do a hundred and forty with the top end floored
She's my little deuce coupe
You don't know what I got
(My little deuce coupe)
(You don't know what I got)
She's got a competition clutch with the four on the floor
And she purrs like a kitten till the lake pipes roar
And if that aint enough to make you flip your lid
There's one more thing, I got the pink slip daddy
And comin' off the line when the light turns green
Well she blows 'em outta the water like you never seen
I get pushed out of shape and it's hard to steer
When I get rubber in all four gears
She's my little deuce coupe
You don't know what I got
(My little deuce coupe

song performed by Beach Boys
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The Tearful Tale Of Captain Dan

A sinner was old Captain Dan;
His wives guv him no rest:
He had one wife to East Skiddaw
And one to Skiddaw West.

Now Ann Eliza was the name
Of her at East Skiddaw;
She was the most cantankerous
Female you ever saw.

I don’t know but one crosser-grained,
And of this Captain Dan
She was the wife at Skiddaw West—
She was Eliza Ann.

Well, this old skeesicks, Captain Dan,
He owned a ferryboat;
From East Skiddaw to Skiddaw West
That vessel used to float.

She was as trim a ferry-craft
As ever I did see,
And on each end a p’inted bow
And pilothouse had she.

She had two bows that way, so when
She went acrost the sound
She could, to oncet, run back ag’in
Without a-turnin’ round.

Now Captain Dan he sailed that boat
For nigh on twenty year
Acrost that sound and back ag’in,
Like I have stated here.

And never oncet in all them years
Had Ann Eliza guessed
That Dan he had another wife
So nigh as Skiddaw West.

Likewise, Eliza Ann was blind,
Howas she never saw
As Dan he had another wife
Acrost to East Skiddaw.

The way he fooled them female wives
Was by a simple plan
That come into the artful brain
Of that there Captain Dan.

[...] Read more

poem by Ellis Parker Butler
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I Think I Can Beat Mike Tyson

Artist: jazzy jeff & the fresh prince
2 old men:
Hey...hey leroy...leroy
Yeah
Did you hear about that boy mike tyson?
Mike...mike tyson hes the boy
That played football from montreal aint he?
No no you old coop, he a...he a boxer man
Yeah
Let me tell ya I went to his fight a couple months ago.
I seen him hit this boy, and he hit the boy so hard
His head flew off into the eigtheenth row
(laughing)
They had to get his head out of the eighteenth row
[prince & jeff]
I was in jeffs crib one night about eight
And we were watchina couple of mike tyson fight tapes
Jeff was like...
Man, you see how hard mikes punchin?
Come on jeff the other guy was just lungin
Left, right, left, right, another k.o.
If that was me Id a been ok though
The very next day I gave russell a ring
With j.l. and omar we all called don king
I said yeah, don I got a problem
Tell em prince
yeah whats up? what you sayin? you tryin to solve em?
forget the small talk lets get to the nitty gritty
me and mike, two months, trump, atlantic city
Yo, you got this you gonna bust dude up
Yeah, you can be my trainer
Word up?
Im rough like a freight train smooth like ice
And yo jeff, straight up, I think I can mike tyson
Man, you can beat him, you can beat him
Yo man, word up
Yo I put on a couple of pounds man we can do this
You can do it
Newspaper boy, old men:
Extra, extra read all about it
Fresh prince challenges iron mike tyson to a fight
(laughing)
Ah hes crazy
Aint that the boy who knocked the guys head in the fifthteen row?
Hey leroy, you read the paper?
That boy done lost his man
[prince, barber]
There was press conference to see what training I was doing
Before then I had never heard reporters booing
Cameras flashing I was in the middle

[...] Read more

song performed by Will Smith
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"Cassius" Love Vs. "Sonny" Wilson

Hi, this is Al. This scene takes place at a typical Beach Boys practice
session. We're in the midst of preparing for an upcoming show when a feud
breaks out between Brian and Mike.
Alright you guys we have a, uh dowuh
Come on
We have a show this weekend
Open your mouth
What do we have this weekend?
What are you trying to say?
Come on Mike, what are you trying to tell us Mike?
Well I'm trying to tell you we have a show this weekend and we could be
sharper. So what do you say we go over the ending of "Little Deuce Coupe"
one more time?
Alright
Alright yeah, come on
A-one a-two -a one two three
Little deuce coupe you don't know what I got
You don't know what I got
Little deuce coupe you don't know
Well I'm not bragging babe so don't put me down
Woooooa
What's going on?
Uh listen Mike, with a voice like yours when you open your mouth it's a
big put down.
What? What? Ohhh
Yeah like in "Surfin' Safari":
Let's go surfing now
Everybody's learning how
Come on and safari with me
Early in the morning we'll be starting out
Some honey's will be coming along
Oh yeah? Well when I, at least when I'm singing it doesn't sound like
Mickey Mouse with a sore throat.
Oh no, Ahh man.
I could come from miles away
Ain't got (ain't got, ain't got) no place to stay
Where have you gone
Farmer's Mother
Oh no
Hey wait a minute, wait a minute hold on hold it Mike, Mike no one really
complains when Brian sings those pretty ballads
You mean "In My Room"?
Yeah and "Surfer Girl" too
Ahhh ooooo ahhhhh woooo oooooo
Wait a minute Carl, nobody complains about the way Mike sings his fast songs.
You're talking about "Surfin' U.S.A."?
Yeah and "Shut Down" too
Tach it up, tach it up
Buddy gonna I shut you down
Well what do you think?

[...] Read more

song performed by Beach Boys
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An Ode - Humbly Inscribed To The Queen, On the Glorious Success of Her Majesty's Arms

When great Augustus govern'd ancient Rome,
And sent his conquering bands to foreign wars,
Abroad when dreaded, and beloved at home,
He saw his fame increasing with his years,
Horace, great bard, (so fate ordain'd) arose,
And, bold as were his countryman in fight,
Snatch'd their fair actions from degrading prose,
And set their battles in eternal light:
High as their trumpets tune his lyre he strung,
And with his prince's arms he moralized his song.

When bright Eliza ruled Britannia's state,
Widely distributing her high commands,
And, boldly wise and fortunately great,
Freed the glad nations from tyrannic bands,
An equal genius was in Spenser found;
To the high theme he match'd his noble lays;
He travelled England o'er on fairy ground,
In mystic notes to sing his monarch's praise:
Reciting wondrous truths in pleasing dreams
He deck'd Eliza's head with Gloriana's beams.

But, greatest Anna! while thy arms pursue
Paths of renown, and climb ascents of fame,
Which nor Augustus nor Eliza knew,
What poet shall be found to sing thy name?
What numbers shall record, what tongue shall say
Thy wars on land, thy triumphs on the main?
O fairest model of imperial sway!
What equal pen shall write thy wondrous reign?
Who shall attempts and feats of arms rehearse,
Nor yet by story told, nor parallel'd by verse?

Me all too mean for such a task I weet;
Yet if the sovereign Lady designs to smile
I'll follow Horace with impetuous heat,
And clothe the verse in Spenser's native style:
By these examples rightly taught to sing,
And smit with pleasure of my country's praise,
Stretching the plumes of an uncommon wing,
High as Olympus I my flight will raise,
And latest times shall in my numbers read
Anna's immortal fame and Marlborough's hardy deed.

As the strong eagle in the silent wood,
Mindless of warlike rage and hostile care,
Plays round the rocky cliff or crystal flood,
Till by Jove's high behests call'd out to war,
And charged with thunder of his angry king,
His bosom with the vengeful message glows,

[...] Read more

poem by Matthew Prior
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Anna Questions Razel puppet

Anna Likes Razel puppet
who has no pupils in her dark eyes
Razel has dark hair and can turn dolls to ice.
Anna is happy to see me and play pretend games
Anna waited for me and Razel puppet to play.
Once play acting Anna would change Razel's name
to a character in her fantasy game.
Anna was the director and would tell Razel what to say
Razel would be instructed to use certain powers
to overcome the villain of the day.
We would act out her Pokeman character
and then we would stop playing for a while-
Anna would ask Razel questions like
'Razel why don't you smile? '
Even Razel puppet was amazed-
as Anna asked questions with a inquisitive gaze.
Another questions Anna asked is-
'Razel why don't you like Birthdays? '
Razel of course replied a sqinting evil eye-
I'm sorry to say, because my mother died.
She died on my birthday when I was a little girl
it changed the way I thought about birthdays
in my world.'
Of course every villain has a back story
Razel puppet's is drama filled not gory.
Then we would go to the outside playground
where play equipment was all around.
Anna asked me to talk Razel
with Razel not on my hand
I said I couldn't but now today I can.
Razel says 'Hi, Anna how have you been?
It was fun playing with you in 'let's pretend'
I am still an evil puppet, but that's what I want to be-
There would be no interesting story to act out for you & me.
The story would be boring if you didn't have to find interesting clues-
Clues to unfreeze the missing character friend who I turned blue.
Where do we find them and what really happened-
are questions asked in this land of pretend.
'So Thank You Anna for finding me interesting-
and playing pretend once so long ago with me.'

Written By Suzae Chevalier on February 21,2011

poem by Suzae Chevalier
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The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

[...] Read more

poem by John Dryden
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The Fear

A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
A horse's hoof pawed once the hollow floor,
And the back of the gig they stood beside
Moved in a little. The man grasped a wheel,
The woman spoke out sharply, 'Whoa, stand still!'
'I saw it just as plain as a white plate,'
She said, 'as the light on the dashboard ran
Along the bushes at the roadside-a man's face.
You must have seen it too.'
'I didn't see it.
Are you sure--'
'Yes, I'm sure!'
'-it was a face?'
'Joel, I'll have to look. I can't go in,
I can't, and leave a thing like that unsettled.
Doors locked and curtains drawn will make no difference.
I always have felt strange when we came home
To the dark house after so long an absence,
And the key rattled loudly into place
Seemed to warn someone to be getting out
At one door as we entered at another.
What if I'm right, and someone all the time-
Don't hold my arm!'
'I say it's someone passing.'
'You speak as if this were a travelled road.
You forget where we are. What is beyond
That he'd be going to or coming from
At such an hour of night, and on foot too.
What was he standing still for in the bushes?'
'It's not so very late-it's only dark.
There's more in it than you're inclined to say.
Did he look like--?'
'He looked like anyone.
I'll never rest to-night unless I know.
Give me the lantern.'
'You don't want the lantern.'
She pushed past him and got it for herself.
'You're not to come,' she said. 'This is my business.
If the time's come to face it, I'm the one
To put it the right way. He'd never dare-
Listen! He kicked a stone. Hear that, hear that!
He's coming towards us. Joel, go in-please.
Hark!-I don't hear him now. But please go in.'
'In the first place you can't make me believe it's--'
'It is-or someone else he's sent to watch.
And now's the time to have it out with him
While we know definitely where he is.

[...] Read more

poem by Robert Frost
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The Hammers

I

Frindsbury, Kent, 1786

Bang!
Bang!
Tap!
Tap-a-tap! Rap!
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;
Planking from Dantzig.
My! What timber goes into a ship!
Tap! Tap!
Two years they have seasoned her ribs on the ways,
Tapping, tapping.
You can hear, though there's nothing where you gaze.
Through the fog down the reaches of the river,
The tapping goes on like heart-beats in a fever.
The church-bells chime
Hours and hours,
Dropping days in showers.
Bang! Rap! Tap!
Go the hammers all the time.
They have planked up her timbers
And the nails are driven to the head;
They have decked her over,
And again, and again.
The shoring-up beams shudder at the strain.
Black and blue breeches,
Pigtails bound and shining:
Like ants crawling about,
The hull swarms with carpenters, running in and out.
Joiners, calkers,
And they are all terrible talkers.
Jem Wilson has been to sea and he tells some wonderful tales
Of whales, and spice islands,
And pirates off the Barbary coast.
He boasts magnificently, with his mouth full of nails.
Stephen Pibold has a tenor voice,
He shifts his quid of tobacco and sings:

[...] Read more

poem by Amy Lowell
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Veterinary Camps

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poem by Caasder Fronds
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Anna Lee Healer

Anna lee, anna lee, the healer
Healer with the healing hands
Makes you well as quick as she can
Youd love to see those smiling eyes
Of anna lee
From the himalaya mountain side
Of the nishigesh
To a california beach house
Facing towards the sea
Goes a gal who got her fame
By going round healing folks
Anna lee, anna lee, the healer
Healer with the healing hands
Makes you well as quick as she can
Youd feel those healing hands
Of anna lee
When she gets a chance to help someone
Shes really happy
If you trust her with your ill
Shell quickly make you see
She can fix things up for you
Just like she did for me
Anna lee, anna lee, the healer
She cures people with her hands
Im just one of her many fans
Youd love to feel those healing hands
Of anna lee
The healer, the healer, the healer, the healer

song performed by Beach Boys
Added by Lucian Velea
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