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Somewhere around the fifth or seventh grade I figured out that I could ingratiate myself to people by making them laugh. Essentially, I was just trying to make them like me. But after a while it became part of my identity.

quote by Tina Fey
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Social Netowrking Of Robots

end of world war
end of world war 11
end of world scenarios
end of world thursday prophet
end of world wa rtwo
end of world war 2 france
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end of world war 2
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end of world west america
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end of world war 2 wikipedia
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end of world war one
end of world wite web
end of worled war 2
end of world wide ii
end of world war 2 info
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end of ww1 treaty of versailles
end of ww1 treaty
end of ww ii
end of ww2 in czechoslovakia
end of ww2 date
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end of ww 1
end of ww2 for japanese americans
end of ww-ii
end of ww2 battleship
end of wrold war 2
end of ww11

[...] Read more

poem by Rwetewrt Erwtwer
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We Came From Outer Space

(lowe/tennant)
-----------------
Hi -i- (hello)
Hello? my name is -
- very complicated with the -
With the police?
Yes, all
Were, were just here
What is this? what is that?
- complication high of it -
Do you know the difference between the two genders? no.
Do you know the difference between the two genders? no.
We came from outer space to
To our parents parents, ... parents
Parents?
Hi -i- (hello)
Hello? my name is -
- very complicated with the -
Do you know the difference between the two genders?
Yes, all
What is this? what is that? no.
We came from outer space to
Somebody from california said something about men and women
Do you know the difference between the two genders? no.
Do you know anything about what -
We came from outer space to
(laugh, cry, laugh, cry, laugh, cry, laugh, cry)
(laugh, cry, laugh, cry, laugh, cry, laugh, cry)
(laugh, cry) dont leave me
(laugh, cry) dont leave me
(laugh, cry) dont leave me
(laugh, cry) I love you
Weve been having some problems with the communication now and then
Do you know the difference between the two genders?
- black rain -
Somethings not right, I cant work it out
Do you know the difference between the two genders?
Somethings not right, I cant work it out
Do you know the difference between the two genders? no.
Somethings not right, I cant work it out
We came from outer space to
Somethings not right, I cant work it out
Do you know the difference between the two genders? no.
We came from outer space to
Hi -i- (hello)
Hello? my name is -
(laugh, cry, laugh, cry, laugh, cry, laugh, cry)
(laugh, cry, laugh, cry, laugh, cry, laugh, cry)
(laugh, cry) dont leave me
(laugh, cry) dont leave me

[...] Read more

song performed by Pet Shop Boys
Added by Lucian Velea
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I'm April the seventh

it's April the seventh
and I'm April the seventh
with drops of rain beating my heart away
with drops of wine dried in my mouth
and tango I've just danced

it's April the seventh
and I'm April the seventh
sitting in the dark room
after a head over heal night
and the tango I've just danced

it's April the seventh
I'm April the seventh
Lazarus's Saturday and children's bells
all tinkling across my street
all tinkling across my heart

it's April the seventh
and I'm April the seventh
with a scarf around my neck
and high heels on my feet
and the tango I've just danced

it's April the seventh
and I'm April the seventh
with a book I'm about to read
a cigarette I am about to smoke
and the tango I've just danced

it's April the seventh
I'm April the seventh
Lazarus's Saturday and children's bells
all tinkling across my street
all tinkling across my heart

it's April the seventh
and I'm April the seventh
with a kiss left on my left hand
feet shuffling all along the floor
and the tango I've just danced
all tinkling across my heart

poem by Miroslava Odalovic
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What Part Of Life Are You Living

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living.
What part of life are you living to give?
What part of life is a drive by.
What part of life is a downslide.

And what part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.

What part of life are you living.
What part of life are you living to give?
What part of life are you giving to live.
What part of life are you giving.
What part of life are you living.

What part of life is a drive by.
What part of life is a downslide.
What part of life are you living to give?
What part of life are you willing to live.
What part of life is a downslide.
What part of life is a drive by.
And...
What part of life are you living.
What part of life are you living to give?

[...] Read more

poem by Lawrence S. Pertillar
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Middle School Mayhem

six grade, oh boy
new places, new faces
here I come middle school
busy hallways and I’m already confused
scary teachers
heavy books
I was hook
on middle school
clueless and clumsy was me
s.s. projects and foam model earths, yippy
I loved my English class
it was a bast
my pencil always glue to my hand
I play sax in the band
new found friends surround me
it filled me with glee
my whole life written in English class and middle ages fair
I won student of the year, that’s when I learned that people really care
that was my six grade mayhem
seventh grade, hooray for me
new teachers and a faster pace
I’m still here in middle school
my nevers were like rubber bands
I’m so great full my friends were always there to lend a hand
drama club was so fun
but pushcart I hated
essays and homework doubled
science projects bubbled
art was fav
and math I hated
and gym and study hall
watch out flying kick balls
went to see a great play
and the whole year was filled with busy days
French was a bore
but I always came back for more
this was the year I turned thirteen
unluck for me
I do be smart don’t start
that was a bast
that was my seventh grade mayhem
eighth grade, finally
same places and same faces
I’m almost in high school
I’m the top dog
health was a night mare
i changed my hair
drama club was cool
I was always in the high school pool
wave, study circles, and GE

[...] Read more

poem by Molly Breadcrumb
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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Raoul & The Kings Of Spain

When the seventh of the seventh son
Comes along and breaks the chains
Raoul, raoul, raoul and the kings of spain
Making it plain, making it sane
To turn this loss into a gain
Raoul, raoul, raoul and the kings of spain
Raoul, raoul, raoul and the kings of spain
Did you know your father was an island
Did you know your mother was the sea
Can we ever hope to seek asylum
From the bounds of fate and family
When the seventh of the seventh son
Comes along and breaks the chains
Raoul, raoul, raoul and the kings of spain
Making it plain, making it sane
To turn this loss into a gain
Raoul, raoul, raoul and the kings of spain
Raoul, raoul, raoul and the kings of spain
Did you know all mothers come from heaven
Did you know all fathers come from hell
That is why theyre at sixes and seven
That is why their marriage isnt well
When the seventh of the seventh son
Comes along and breaks the chains
Raoul, raoul, raoul and the kings of spain
Making it plain, making it sane
To turn this loss into a gain
Raoul, raoul, raoul and the kings of spain
Raoul, raoul, raoul and the kings of spain

song performed by Tears For Fears
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Laugh

Love laughed at you and made you blue
Now heres what you should do
Well laugh, though your heart is breaking in two
Yeah laugh, dont let them know he hurt you
Well laugh and pretend true love will come again
Yeah laugh, laugh and laugh
Laugh, though the one you love is really gone
Yeah laugh, even though youll be alone
Yeah laugh and pretend true love will come again
Yeah laugh, laugh and laugh
Well let me hear you laugh now
Though its hard, so hard for you to do
Laugh with me, cos you see
Ive been there too
Well laugh and pretend true love will come again
Yeah laugh and believe its not the end
Yeah laugh like a clown
Dont let your heart break down
Yeah laugh, laugh and laugh
Love laughed, its true
But look at you
Now youre laughing too

song performed by Roy Orbison
Added by Lucian Velea
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Mama Africa's Identity

Mama Africa's identity,
And of the Fulanis and the Fulbes;
But the Savannah and the Sahara are here to stay in Africa.
Mama Africa's identity,
And of the Dogons and the Shilluks;
And of the cowries usedas money in those days,
But the identities of the African are in many faces.
It is like a durbar in Africa and,
At the market plac to meet others;
But a visit to the tomatoes market in Ghana will tell you much.
Mama African's identity,
And like 'the Golden Stool' of the Ashanti Kingsdom!
But wait for the dried-fish on the coasts of Africa.
Visit St. Louis in the delta of Senegal and learn about the ways of the African,
For my home i in El Molo;
And like Mama Africa's identity praising my muse.
Mama African's identity,
And of the pygmies in Central Africa!
But i have my mind on the Rift Valley,
And like the mirror of the rivers, lakes and the seas of Africa! !
The Massai and the Dinka do play their roles,
And like the Nubaians in South Sudan;
But with the temperature above 40 degrees in most parts of Africa.
Mama Africa's identity,
And like a message to my lover in Lalibala;
For early in the morning came the leopards to drink some water,
But a visit to Mount Meru will entice you.
Mama Africa's identity,
And of the Zulus and the Rendilles;
But the Afars are here to blend with the dry land.
Mama Africa's identity,
With the rhythms and rituals of the Africans!
And like the tribes of Ovambo, Herero, Xhosa, Shona and Matabele.
And like the Bemba, the Tonga and the Ovaimbundu!
But the red land of Africa care for you all.
Mama Africa's identity,
And of River Limpopo in the mist of love;
But try to visit the Victoria Falls to satisfy your curiosity.
Mama Africa's identity,
And of the Himbas with their traditional dance;
But the Kikuyu, the Hutu, the Tutsi and the Hambukushu are also there,
For Africa is a very big continent for all of us.

poem by Edward Kofi Louis
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The Lonely Spider

The lonely spider reaches out
For what, you might ask?
If not to spin his web then for what?
For his identity
The identity of him
His identity...

The lonely spider calls out
For what, you might ask?
If not for his mate then for what?
For his identity
The identity of him
His identity...

The lonely spider waits
For what, you might ask?
If not for his food then for what?
For his identity
The identity of him
His identity...

'A spider doesn't have feelings! '
How should you know?

'A spider isn't that smart! '
That could be true.

'A spider can never have a real identity! '
And neither could you, or any of us
But we try to find one even if we're not looking
And thats our life... after which we die

What have we done with our life up until then?
Either we've thrown it away, gave it up, wrecked it, lived it up to the fullest, took it for granted, or got far in it.
We still had one.
It's up to us what we shall do with it
Just like the lonely spider
Who will probably just end up on the bottom of your shoe anyways

poem by Andreanna Atkins
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Finding Oneself......... [EXTREMELY LONG; Growing Up; Relationships; Humor

Part One

When Bri was 13 and in grade 8,
he noticed classmates beginning to date.
At school (other) boys got their way with the girls with a kiss.
But Bri didn't have the urge; he thought 'what's this? '
He decided he should give it a try,
but each time he tried, the girl would cry.
Not only would she cry; she would run away and hide.
Bri felt between himself and the other boys a great divide.

Back home after school he'd seclude himself in his room and cry.
Through his mind was repeated the question 'why? ' 'Why DO they cry? Why? '

Bri was a straight A+ student with no flubs.
He played football but (except for 'Cooking') he joined not clubs.

After a few months Bri gave up (on girls) . He had NO close friends to set him right;
his parents should have known the problem, but they weren't bright.

In high school he took AP courses, and took 3 courses at a nearby college.
He ignored girls and sports and concentrated on gaining knowledge.

He got a full scholarship to Harvard, but his advisor looked at him funny.
By age 26 he had his PhD in psychology and started making money.
But he still asked 'why? '
It still bothered him and at times he'd cry.

Then waking up one day from a dream, Bri suddenly asked himself 'were they shy?
And if so, why with ME and not the other boys? Why DID they cry? '
The answer could be that his brain and looks were superior.
Were those girls only uncomfortable with boys that were inferior (to him) ?
If that really was the answer, he could now save face,
and could pursue women with HIS high level of brains, looks, and grace.
(But WAS it the answer? He was still not SURE why they did cry.)
For now he would work hard, avoid girls, and try to keep his eyes dry.
In two more years would be a second high school reunion. Thoughts of attending gave Bri a fright. (He'd skipped the first,5 year, reunion.)
But by going this time he might find out if his answer to his 'why? ' was right.

PART TWO

For two more years he waited anxiously for invitation he was dreading.
At times he'd awaken at night from a 'reunion dream', profusely sweating.
Finally it arrived in mail; it would be in June, before it got TOO warm.
He kept his calendar free for the whole month, doubting, at work, he could perform.
He got out the yearbooks his Mom had bought, and he studied each girl's name.
Would he have the nerve to ask them 'why? ' ….OR would he be too scared and lame?

He lived on sedatives for a week. He picked his favorite tie, and a light grey business suit.
Would he find out if the girls had just been shy, or would they give him 'the boot'?

[...] Read more

poem by Bri Edwards
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Seventh Son

Everybodys talking bout a seventh son,
In the whole round world theres only one
Im the one,
Yes, Im the one,
Im the one, Im the one,
The one they call the seventh son.
I can tell your future, it will come to pass,
I can do things for you; make your heart feel glad,
Look in the sky, predict the rain,
I can tell when a womans got another man
Im the one,
Yes, Im the one,
Im the one, Im the one,
The one they call the seventh son
I can hold you close, I can squeeze you tight,
Make you cry for me both day and night,
Heal the sick and raise the dead,
Make little girls talk out of their heads.
Im the one,
Yes, Im the one,
Im the one, Im the one,
The one they call the seventh son
I can talk these words that sound so sweet,
Even make your little heart skip a beat,
I can heal the sick and raise the dead,
Make little girls talk out of their heads
Im the one,
Yes, Im the one,
Im the one, Im the one,
The one they call the seventh son
Im the one x 6
The one they call the seventh son
Im the one
Im the one
The one they call the seventh son.

song performed by Sting
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sometimes There's Three

There’s two sides to every story
And sometimes there’s three
You can take a trip around the world
To simply cross the street
I know, ‘cause that's what happened to me

Laugh, laugh
Even the jester has to laugh
When everything turns upside down
It sometimes helps to laugh

There's two paths on every journey
And sometimes there's three
You can meet your fate on the same road
You took to avoid it
I know, 'cause that's what happened to me

Laugh, laugh
Even the jester has to laugh
When everything turns upside down
It sometimes helps to laugh

And at the crossroads, don't turn and look away
Let it kiss you on the face
And then have a laugh

There’s two women in your life
And sometimes there’s three
You can make a wish upon a star
Only to find it land in your street
I know, ‘cause that's what happened to me

Laugh, laugh
Even the jester has to laugh
When everything turns upside down
It sometimes helps to laugh

There’s two people fighting for your mind
And sometimes there’s three
Each mask you wear at different times
Till one fits comfortably
I know, ‘cause that's what happened to me

Laugh, laugh
Even the jester has to laugh
When everything turns upside down
It sometimes helps to laugh

And at the crossroads, don' turn and look away
Let it kiss you on the face

[...] Read more

poem by Colin Coplin
Added by Poetry Lover
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Feel Tickled With That Giggle

When you feel tickled,
And you giggle.

Don't hold it in,
Laugh back.

People try to hold onto their sadness traps.
Thinking an award is going to honor that.

And they want to sink even deeper in that crap!
Believing this activity is where they should be at.

But when you're tickled.
And then you giggle.

Don't hold it in,
Laugh back.

When you feel tickled,
And you giggle.

Don't hold it in,
Laugh back.

People try to hold onto their sadness traps.
Thinking an award is going to honor that.

And they want to sink even deeper in that crap!
Believing this activity is where they should be at.

Release it,
And...
Don't hold it in,
Laugh back.

He he he with your ha ha's.
Don't hold it in,
Laugh back.
Feel tickled with that giggle...
Don't hold it in,
Laugh back.
Release those giggles,
And...
Don't hold it in,
Laugh back.

Do the he he's...
And
Don't hold it in,
Laugh back.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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Is Man A Winner Or A Loser?

Woman has a poof that the child is hers;
Man has no such proof to claim on the child.
She is cool with the child as identity.
He is desperate for his identity.

Identity crisis has disturbed him.
He invented marriage and chained woman.
He imposed chastity to mark his kids
And introduced patriarchal system.

Identity crisis has troubled him.
He assumed control over women.
He retained the progeny in his name
And made concubines to silence woman.

Identity crisis has worried him.
He bottled woman's skill and built up his.
He grew to be a Scholar. Sculptor and Poet
And assigned to woman the entertaining.

Identity crisis has bothered him.
He treated woman as her property.
He acquired family unfailingly
And labourd for its upkeep and status.

Identity crisis has bored him.
Water as she is, man could not cut her.
Tired of heat outside, man needed a shade
And sheltered himself in woman's coolness.

Woman treated man with due sympathy
With no fight with him for identity.
Her child is enough for her identity.
She helped him to anchor himself in her.

poem by Rm. Shanmugam Chettiar
Added by Poetry Lover
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