Gay icons usually have some tragedy in their lives, but I've only had tragic haircuts and outfits.
quote by Kylie Minogue
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The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
[...] Read more
poem by James Thomson
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- quotes about nature
- quotes about melancholy
- quotes about receiving
- quotes about paying
- quotes about drawing
- quotes about Greece
- quotes about robbery
- quotes about perfection
- quotes about cooking
Emoticons in my Life
Already In childlhood I had emoticons
of cry when I hungered and I longed for my mom
A lost toy is sorrow, the sting of ant is pain
A friend who went away left icons of despair
And then childhood I left onto adolescence
Everything around me began to have a sense
Emotions have causes so do emoticons
I myself cannot make my icons on my own
In my bachelorhood came the icon of frown
The incertitudes of love I could not understand
Came to me the icons of sorrow and despair
When in the field of love woefully I did fail
In the end I regained icons of hope and joy
when the heart of the woman that I love I won
Emoticons of anger in my manhood did come
Emotion I supressed, did not show everyone
Emotional outbursts I hid and overcome
Harmony and accord was foremost in my mind
I am now in old age, my smileys are few
The icon of laughter I now do never show
Emoticons are not for an old man to make
But dictated by God, icons I must accept
That always come with pain, ailments and body aches
poem by Pacific Hernandez
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- quotes about pain
- quotes about men
- quotes about sadness
- quotes about childhood
- quotes about old age
- quotes about elders
- quotes about women
- quotes about friendship
- quotes about love
The Judgement of Hercules
While blooming Spring descends from genial skies,
By whose mild influence instant wonders rise;
From whose soft breath Elysian beauties flow;
The sweets of Hagley, or the pride of Stowe;
Will Lyttleton the rural landscape range,
Leave noisy fame, and not regret the change?
Pleased will he tread the garden's early scenes,
And learn a moral from the rising greens?
There, warm'd alike by Sol's enlivening power,
The weed, aspiring, emulates the flower;
The drooping flower, its fairer charms display'd,
Invites, from grateful hands, their generous aid:
Soon, if none check'd the invasive foe's designs,
The lively lustre of these scenes declines!
'Tis thus the spring of youth, the morn of life,
Rears in our minds the rival seeds of strife:
Then passion riots, reason then contends,
And on the conquest every bliss depends:
Life from the nice decision takes its hue,
And blest those judges who decide like you!
On worth like theirs shall every bliss attend,
The world their favourite, and the world their friend.
There are, who, blind to Thought's fatiguing ray,
As Fortune gives examples, urge their way;
Not Virtue's foes, though they her paths decline,
And scarce her friends, though with her friends they join;
In hers or Vice's casual road advance,
Thoughtless, the sinners or the saints of Chance!
Yet some more nobly scorn the vulgar voice,
With judgment fix, with zeal pursue their choice,
When ripen'd thought, when Reason, born to reign,
Checks the wild tumults of the youthful vein;
While passion's lawless tides, at their command,
Glide through more useful tracks, and bless the land.
Happiest of these is he whose matchless mind,
By learning strengthen'd, and by taste refined,
In Virtue's cause essay'd its earliest powers,
Chose Virtue's paths, and strew'd her paths with flowers.
The first alarm'd, if Freedom waves her wings,
The fittest to adorn each art she brings;
Loved by that prince whom every virtue fires,
Praised by that bard whom every Muse inspires;
Blest in the tuneful art, the social flame;
In all that wins, in all that merits, fame!
'Twas youth's perplexing stage his doubts inspired,
When great Alcides to a grove retired:
[...] Read more
poem by William Shenstone
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Tragedy
Here I lie
in a lost and lonely part of town
Held in time
In a world of tears I slowly drown
Goin'home
I just can't make it all alone
I really should be holding you
Holding you
Loving you loving you
Tragedy
When the feeling's gone and you can't go on
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one to love you you're
goin' nowhere
Tragedy
When you lose control and you got no soul
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one beside you you're
goin' nowhere
When the feeling's gone and you can't go on
Night and day
there's a burning down inside of me
Burning love
With a yearning that won't let me be
Down I go
and I just can't take it all alone
I really should be holding you
Holding you
Loving you loving
Tragedy
When the feeling's gone and you can't go on
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one to love you you're
goin' nowhere
Tragedy
When you lose control and you got no soul
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one beside you you're
goin' nowhere
[...] Read more
song performed by Bee Gees from Spirits Having Flown
Added by Lucian Velea
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The Winner Of This Battle
It's those...
Emotions we must conquer.
Emotions we must conquer.
Emotions we must conquer.
It's those...
Emotions we must conquer.
Emotions we must conquer.
Emotions we must conquer,
With a chasing away.
And...
The winner of this battle,
Doesn't ride on a saddle.
Or wear outfits,
To impress anybody they've got it licked.
The winner of this battle,
Doesn't ride on a saddle.
Or wear outfits,
To impress anybody they've got it licked.
Some do not expose,
Their woes on their sleeves.
With a showing they can be compose,
To a degree.
Although they may struggle,
With many troubles...
People like this don't deny,
They don't seek a ride to hide...
And rush away on alibis.
The winner of this battle,
Doesn't ride on a saddle.
Or wear outfits,
To impress anybody they've got it licked.
The winner of this battle,
Doesn't ride on a saddle.
Or wear outfits,
To impress anybody they've got it licked.
It's those...
Emotions we must conquer.
Emotions we must conquer.
Emotions we must conquer.
And the winner of this of this battle,
Are those...
[...] Read more
poem by Lawrence S. Pertillar
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Griselda: A Society Novel In Verse - Chapter V
Griselda's madness lasted forty days,
Forty eternities! Men went their ways,
And suns arose and set, and women smiled,
And tongues wagged lightly in impeachment wild
Of Lady L.'s adventure. She was gone,
None knew by whom escorted or alone,
Or why or whither, only that one morning,
Without pretext, or subterfuge, or warning,
She had disappeared in silence from L. House,
Leaving her lord in multitudinous
And agonised conjecture of her fate:
So the tale went. And truly less sedate
Than his wont was in intricate affairs,
Such as his Garter or his lack of heirs,
Lord L. was seen in this new tribulation.
Griselda long had been his life's equation,
The pivot of his dealings with the world,
The mainstay of his comfort, all now hurled
To unforeseen confusion by her flight:
There was need of action swift and definite.
Where was she? Who could tell him? Divers visions
Passed through his fancy--thieves, and street collisions,
And all the hundred accidents of towns,
From broken axle trees to broken crowns.
In vain he questioned; no response was made
More than the fact that, as already said,
My lady, unattended and on foot,
(A sad imprudence here Lord L. took note),
Had gone out dressed in a black morning gown
And dark tweed waterproof, 'twixt twelve and one,
Leaving no orders to her maid, or plan
About her carriage to or groom or man.
Such was in sum the downstairs' evidence.
The hall porter, a man of ponderous sense,
Averred her ladyship had eastward turned
From the front door, and some small credit earned
For the suggestion that her steps were bent
To Whitechapel on merciful intent,
A visit of compassion to the poor,
A clue which led to a commissioner
Being sent for in hot haste from Scotland Yard.
And so the news was bruited abroad.
It reached my ears among the earliest,
And from Lord L. himself, whose long suppressed
Emotion found its vent one afternoon
On me, the only listener left in town.
His thoughts now ran on ``a religious craze
Of his poor wife's,'' he said, ``in these last days
Indulged beyond all reason.'' The police
[...] Read more
poem by Wilfrid Scawen Blunt
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Head On Collision
I've been waiting for a good day
I've been holding back long enough
I've been hurting to tell you some things
it's not the falling of the temperature
that's making all our bones run cool
it's the breeze you make
the presence felt when you're around me
and it feels like I'm at an all-time low
slightly bruised and broken
from our head on collision
I've never seen this side of you
another tragic case of feeling
bruised and broken
from our head on collision
I've never seen this side of you
another tragic case
and I'm still waiting for a good day
I think I've held this long enough
I think it's safe to tell you some things
it's not just what you say to people
and it's not the way you look at me
it's the way you present yourself
for all your worst critics to see
and it feels like I'm at an all-time low
slightly bruised and broken
from our head on collision
I've never seen this side of you
another tragic case of feeling
bruised and broken
from our head on collision
I've never seen this side of you
another tragic case
then you were gone
you were gone
all this time you just didn't know it yet
you were gone
all this time you just didn't know it yet
you were gone
and it feels like I'm at an all-time low
slightly bruised and broken
from our head on collision
I've never seen this side of you
another tragic case of feeling
bruised and broken
from our head on collision
[...] Read more
song performed by New Found Glory from Sticks And Stones
Added by Lucian Velea
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Bring Back The Magic
Bring back the magic
By: jimmy buffett, will jennings
1988
Inspired by a noel rockmore painting entitled ride of the beachcombers. I bought the painting and sat with it for a morning in new orleans and let it and the town talk to me.
Chorus:
Nothing can tear you apart
If you keep livin straight from the heart
Though you know that youre gonna to hurt some
The magic will come
If you keep livin straight from the heart
You will know when to stop and to start
Once you see that no one really wins
Then the magic begins
Bring back the magic
Dont make life so tragic
Bring back the magic
Dont make life so tragic
Beachcombers ride
Oh children lost in the tide
Times never at their command
Waves melt all castles of sand
Melt all castles of sand
Bring back the magic
Dont make life so tragic
Bring back the magic
Dont make life so tragic
Red sky at night
Oh, such a sailors delight
Red sky at dawn
Oh-oh-oh, gypsy songs comin on
Gypsy songs comin on, songs comin on
Chorus:
Nothing can tear you apart
If you keep livin straight from the heart
Though you know that youre gonna to hurt some
The magic will come
If you keep livin straight from the heart
You will know when to stop and to start
Once you see that no one really wins
Then the magic begins
Bring back the magic
Dont make life so tragic
Bring back the magic
Dont make life so tragic
Bring back the magic
Dont make life so tragic
Bring back the magic
Dont make life so tragic
You got to bring back, bring back, bring back the magic
Bring back, bring back, bring back the magic
[...] Read more
song performed by Jimmy Buffett
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Head On Collison
Ive been waiting for a good day
Ive been holding back long enough
Ive been hurting to tell you some things
Its not the falling of the temperature
Thats making all our bones run cool
Its the breeze you make
The presence felt when youre around me
And it feels like Im at an all-time low
Slightly bruised and broken
From our head on collision
Ive never seen this side of you
Another tragic case of feeling
Bruised and broken
From our head on collision
Ive never seen this side of you
Another tragic case
And Im still waiting for a good day
I think Ive held this long enough
I think its safe to tell you some things
Its not just what you say to people
And its not the way you look at me
Its the way you present yourself
For all your worst critics to see
And it feels like Im at an all-time low
Slightly bruised and broken
From our head on collision
Ive never seen this side of you
Another tragic case of feeling
Bruised and broken
From our head on collision
Ive never seen this side of you
Another tragic case
Then you were gone
You were gone
All this time you just didnt know it yet
You were gone
All this time you just didnt know it yet
You were gone
And it feels like Im at an all-time low
Slightly bruised and broken
From our head on collision
Ive never seen this side of you
Another tragic case of feeling
Bruised and broken
From our head on collision
Ive never seen this side of you
Another tragic case
Another tragic case of feeling
Bruised and broken
Another tragic case and Ive been
[...] Read more
song performed by New Found Glory
Added by Lucian Velea
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
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The Four Seasons : Winter
See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,
[...] Read more
poem by James Thomson
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The Pleasures of Imagination: Book The Third
What wonder therefore, since the indearing ties
Of passion link the universal kind
Of man so close, what wonder if to search
This common nature through the various change
Of sex, and age, and fortune, and the frame
Of each peculiar, draw the busy mind
With unresisted charms? The spacious west,
And all the teeming regions of the south
Hold not a quarry, to the curious flight
Of knowledge, half so tempting or so fair,
As man to man. Nor only where the smiles
Of love invite; nor only where the applause
Of cordial honour turns the attentive eye
On virtue's graceful deeds. For since the course
Of things external acts in different ways
On human apprehensions, as the hand
Of nature temper'd to a different frame.
Peculiar minds; so haply where the powers
Of fancy neither lessen nor enlarge
The images of things, but paint in all
Their genuine hues, the features which they wore
In nature; there opinion will be true,
And action right. For action treads the path
In which opinion says he follows good,
Or flies from evil; and opinion gives
Report of good or evil, as the scene
Was drawn by fancy, lovely or deform'd:
Thus her report can never there be true
Where fancy cheats the intellectual eye,
With glaring colours and distorted lines.
Is there a man, who at the sound of death
Sees ghastly shapes of terror conjur'd up,
And black before him; nought but death-bed groans
And fearful prayers, and plunging from the brink
Of light and being, down the gloomy air,
An unknown depth? Alas! in such a mind,
If no bright forms of excellence attend
The image of his country; nor the pomp
Of sacred senates, nor the guardian voice
Of justice on her throne, nor aught that wakes
The conscious bosom with a patriot's flame;
Will not opinion tell him, that to die,
Or stand the hazard, is a greater ill
Than to betray his country? And in act
Will he not chuse to be a wretch and live?
Here vice begins then. From the inchanting cup
Which fancy holds to all, the unwary thirst
Of youth oft swallows a Circæan draught,
That sheds a baleful tincture o'er the eye
Of reason, till no longer he discerns,
[...] Read more
poem by Mark Akenside
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Head On Collision (Acoustic)
I've been waiting for a good day
I've been holding back long enough
I've been hurting to tell you some things
it's not the falling of the temperature
that's making all our bones run cool
it's the breeze you make
the presence felt when you're around me
and it feels like I'm at an all-time low
slightly bruised and broken
from our head on collision
I've never seen this side of you
another tragic case of feeling
bruised and broken
from our head on collision
I've never seen this side of you
another tragic case
and I'm still waiting for a good day
I think I've held this long enough
I think it's safe to tell you some things
it's not just what you say to people
and it's not the way you look at me
it's the way you present yourself
for all your worst critics to see
and it feels like I'm at an all-time low
slightly bruised and broken
from our head on collision
I've never seen this side of you
another tragic case of feeling
bruised and broken
from our head on collision
I've never seen this side of you
another tragic case
then you were gone
you were gone
all this time you just didn't know it yet
you were gone
all this time you just didn't know it yet
you were gone
and it feels like I'm at an all-time low
slightly bruised and broken
from our head on collision
I've never seen this side of you
another tragic case of feeling
bruised and broken
from our head on collision
I've never seen this side of you
another tragic case
another tragic case of feeling
bruised and broken
anothe
song performed by New Found Glory
Added by Lucian Velea
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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He Lives In You
(mark a. mancina/jay rifkin/lebohang morake)
Ingonyama nengw enamabala
Ingonyama nengw enamabala
Night and the spirit of life calling
Oh, oh, iyo mamela oh, oh, iyo
And the voice with the fear of a child answers
Oh, oh, iyo iyo mamela
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
Have faith
Hela hey mamela, hela hey mamela
Hela hey mamela, hela hey mamela
He lives in you, he lives in me (hela hey mamela)
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Dream, and the voice in the wind whispers
Oh, oh, iyo, iyo mamela oh, oh, iyo
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
He lives in you, he lives in me
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Ingonyama nengw enamabala
Ingonyama nengw enamabala
He lives in you, he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives in you
He lives in you (oh yeah), he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives, he lives, he lives, he lives in you
He lives, he lives, he lives in you
He watches over everything we see
song performed by Diana Ross
Added by Lucian Velea
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The Victories Of Love. Book I
I
From Frederick Graham
Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:
As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;
[...] Read more
poem by Coventry Patmore
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OBIIT MDCCCXXXIII (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
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poem by Alfred Lord Tennyson
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Quatrains Of Life
What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?
What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?
'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.
Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.
I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.
Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.
All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.
So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''
My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?
I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.
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poem by Wilfrid Scawen Blunt
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The Victories Of Love. Book II
I
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
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poem by Coventry Patmore
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Pompeii
A Poem Which Obtained the Chancellor's Medal at the Cambridge Commencement, July 1819.
Oh! land to Memory and to Freedom dear,
Land of the melting lyre and conquering spear,
Land of the vine-clad hill, the fragrant grove,
Of arts and arms, of Genius and of Love.
Hear, fairest Italy. Though now no more
The glittering eagles awe the Atlantic shore,
Nor at thy feet the gorgeous Orient flings
The blood-bought treasures of her tawny Kings,
Though vanished all that formed thine old renown,
The laurel garland, and the jewelled crown,
The avenging poniard, the victorious sword,
Which reared thine empire, or thy rights restored,
Yet still the constant Muses haunt thy shore,
And love to linger where they dwelt of yore.
If e'er of old they deigned, with favouring smile,
To tread the sea-girt shores of Albion's isle,
To smooth with classic arts our rugged tongue,
And warm with classic glow the British song,
Oh! bid them snatch their silent harps which wave
On the lone oak that shades thy Maro's grave,
And sweep with magic hand the slumbering strings,
To fire the poet.- For thy clime he sings,
Thy scenes of gay delight and wild despair,
Thy varied forms of awful and of fair.
How rich that climate's sweets, how wild its storms,
What charms array it, and what rage deforms.
Well have they mouldering walls, Pompeii, known,
Decked in those charms, and by that rage o'erthrown.
Sad City, gayly dawned thy latest day,
And poured its radiance on the scene as gay.
The leaves scarce rustled in the sighing breeze;
In azure dimples curled the sparkling seas,
And as the golden tide of light they quaffed,
Campania's sunny meads and vineyards laughed,
While gleamed each lichened oak and giant pine
On the far sides of swarthy Apennine.
Then mirth and music through Pompeii rung;
Then verdant wreaths on all her portals hung;
Her sons with solemn rite and jocund lay,
Hailed the glad splendours of that festal day.
With fillets bound the hoary priests advance,
And rosy virgins braid the choral dance.
The rugged warrior here unbends awhile
His iron front, and deigns a transient smile;
There, frantic with delight, the ruddy boy
Scarce treads on earth, and bounds and laughs with joy.
From every crowded altar perfumes rise
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poem by Thomas Babbington Macaulay
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