A Long Way Down
Cast: Aaron Paul, Rosamund Pike, Imogen Poots, Toni Collette, Pierce Brosnan, Sam Neill, Tuppence Middleton, Joe Cole
trailer for A Long Way Down, directed by Pascal Chaumeil, screenplay by Jack Thorne, inspired by Nick Hornby (2014)
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Joseph’s Dreams and Reuben's Brethren [A Recital in Six Chapters]
CHAPTER I
I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.
No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.
(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)
Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.
Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.
[...] Read more
poem by Henry Lawson
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- quotes about slavery
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A Long Way Down [trailer 2]
Cast: Imogen Poots, Aaron Paul, Rosamund Pike, Pierce Brosnan, Toni Collette, Tuppence Middleton, Sam Neill
trailer for A Long Way Down, directed by Pascal Chaumeil, screenplay by Jack Thorne, inspired by Nick Hornby (2014)
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Hey Joe
Hey joe, where you goin' with that gun in your hand
I said hey dude joe, where you goin' with that gun in your hand
Going down to shoot my old lady
You know, i've caught her messin' around with another man
Yes i did
You know, i've caught her messin' around with another man
Hey joe, i said where you goin' with that gun in your hand
Hey joe, where you goin' with that gun in your hand
Gonna messin' round
Yes i did
You know, i caught her messin' round man, messin' round town now
So i shot her!
I said hey joe, hey joe,
Where you goin' with that gun in your hand,
I said hey joe,
Where you goin' with that gun in your hand
I caught her messin' round, gonna messin' round town with another man yeah
I said hey joe, hey joe
Where you goin' with that gun in your hand
Hey joe, hey joe, where you goin' , haha-haha-haha
I've caught her messin' around with another man
I've caught her messin' around with another man
I said hey joe, hey joe, hey joe, hey joe, hey dude joe
I said hey hey joe, where you goin' with that gun in your hand
Hey joe, where you goin' with that gun in your hand, hand, hand
Hey joe, hey joe, hey joe, hey joe, hey joe, hey joe, hey haha
Hey joe, hey joe,
Yeah yeah yeah hey hey
Where you goin' with that gun in your hand,
Yeahhhhh, where you goin' with that gun in your hand
song performed by Lenny Kravitz
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Standing In For Joe
Im standing, standing in for joe
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I keep her safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Standing in for joe
Im standing - in for joe
Joe said weve been friends so long
That I would be the one he would trust with his life
And now those words roll round my brain
As darkness falls, as I turn out his bedroom light
Who could resist her tender charms?
So the story goes...
This actor he plays all the parts
Standing in for joe
Standing in for joe
Im standing - in for joe
Love is like a river,
You cannot stop its flow... mmm hmm
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I check that shes safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Im standing in for joe - oh yeah
Im standing in for joe - keep his sweetheart company, yeah
Standing in for joe - just standing in for joe, yeah
Standing in for joe - until he gets back home, yeah
Standing in for joe - gonna keep her insane, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - almost full time, which is nice, yeah
Standing in for joe - because she gets so restless
Standing in for joe - always so restless
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - Im standing in for joe, yeah...
song performed by Xtc
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- quotes about girls
- quotes about literature
- quotes about seasons
- quotes about dance
- quotes about friendship
- quotes about words
- quotes about home
Standing In For Joe
Im standing, standing in for joe
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I keep her safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Standing in for joe
Im standing - in for joe
Joe said weve been friends so long
That I would be the one he would trust with his life
And now those words roll round my brain
As darkness falls, as I turn out his bedroom light
Who could resist her tender charms?
So the story goes...
This actor he plays all the parts
Standing in for joe
Standing in for joe
Im standing - in for joe
Love is like a river,
You cannot stop its flow... mmm hmm
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I check that shes safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Im standing in for joe - oh yeah
Im standing in for joe - keep his sweetheart company, yeah
Standing in for joe - just standing in for joe, yeah
Standing in for joe - until he gets back home, yeah
Standing in for joe - gonna keep her insane, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - almost full time, which is nice, yeah
Standing in for joe - because she gets so restless
Standing in for joe - always so restless
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - Im standing in for joe, yeah...
song performed by Xtc
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How the Boy Stole Christmas
Based on 'How the Grinch Stole Christmas', by Dr. Seuss.
Done for a school project=)
Once, upon a falling snowflake,
In a land far, far away,
There lived all the Whats,
Preparing for Christmas day.
There was one What that stuck out,
The richest What of them all,
He had light brown hair, and big brown eyes
His given name was Paul.
Paul was a greedy boy,
His best friend was Ebenezer Scrooge
And anytime Paul lied,
His little nose turned huge!
Paul was the only What in Whattown,
That really hated this time of the year,
He ruined all the children’s fun,
His pranks were in full gear.
Paul thought Christmas was just trouble,
He only thought of himself,
He thought that Santa Claus was stupid,
And hurt the feelings of every single elf.
He hated everybody that liked Christmas,
There was only one exception of his,
A beautiful What named Rachel,
Whom he never wanted to diss.
Now every story has a problem,
And this one’s is pretty big,
Paul crushed on the Christmas-lover Rachel,
But Rachel thought Paul was a pig.
You see, Rachel was an EXTREME Christmas fanatic,
Loving every aspect of it,
She volunteered everywhere that she could,
And her money? Donated every bit.
She helped out at school and Church,
Sang carols at the old folks’ home,
Baked cookies with younger children,
Made ornaments out of foam.
Rachel hated anybody that hated Christmas,
She was like a packaged deal,
[...] Read more
poem by Selina Marie
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Aunt Imogen
Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;
And that was what made all the difference.
She knew it must be so, for Jane had once
Expounded it to her so learnedly
That she had looked away from the child’s eyes
And thought; and she had thought of many things.
There was a demonstration every time
Aunt Imogen appeared, and there was more
Than one this time. And she was at a loss
Just how to name the meaning of it all:
It puzzled her to think that she could be
So much to any crazy thing alive—
Even to her sister’s little savages
Who knew no better than to be themselves;
But in the midst of her glad wonderment
She found herself besieged and overcome
By two tight arms and one tumultuous head,
And therewith half bewildered and half pained
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise.
Jane, by the wings of sex, had reached her first;
And while she strangled her, approvingly,
Sylvester thumped his drum and Young George howled.
But finally, when all was rectified,
And she had stilled the clamor of Young George
By giving him a long ride on her shoulders,
They went together into the old room
That looked across the fields; and Imogen
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more
Where there were those who knew her, and at last
Had gloriously got away again
From cabs and clattered asphalt for a while;
And there she sat and talked and looked and laughed
And made the mother and the children laugh.
Aunt Imogen made everybody laugh.
There was the feminine paradox—that she
[...] Read more
poem by Edwin Arlington Robinson
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![Amy Lowell](http://www.citatepedia.com/authors/f/amy_lowell.jpg)
The Shadow
Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.
Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
[...] Read more
poem by Amy Lowell
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The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
[...] Read more
poem by Alice Duer Miller
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Es Ist Nie Vorbei
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
We've come a long way
It's been a rough ride
Tell me why all the good things has to come to an end
We've left no stone unturned
Tell me what
How will i miss you already waiting for your return
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
[...] Read more
song performed by E-type
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The Runcorn Ferry
On the banks of the Mersey, o'er on Cheshire side,
Lies Runcorn that's best known to fame
By Transporter Bridge as takes folks over t'stream,
Or else brings them back across same.
In days afore Transporter Bridge were put up,
A ferryboat lay in the slip,
And old Ted the boatman would row folks across
At per tuppence per person per trip.
Now Runcorn lay over on one side of stream,
And Widnes on t'other side stood,
And, as nobody wanted to go either place,
Well, the trade wasn't any too good.
One evening, to Ted's superlative surprise,
Three customers came into view:
A Mr and Mrs Ramsbottom it were,
And Albert, their little son, too.
"How much for the three?" Mr Ramsbottom asked,
As his hand to his pocket did dip.
Ted said: "Same for three as it would be for one,
Per tuppence per person per trip."
"You're not charging tuppence for that little lad?"
Said Mother, her eyes flashing wild.
"Per tuppence per person per trip", answered Ted,
"Per woman, per man, or per child".
"Fivepence for three, that's the most that I'll pay",
Said Father, "Don't waste time in talk".
"Per tuppence per person per trip", answered Ted,
"And them, as can't pay, 'as to walk!"
"We can walk, an' all", said Father. "Come Mother,
It's none so deep, weather's quite mild".
So into the water the three of them stepped:
The father, the mother, the child.
The further they paddled, the deeper it got,
But they wouldn't give in, once begun.
In the spirit that's made Lancashire what she is,
They'd sooner be drownded than done.
Very soon, the old people were up to their necks,
And the little lad clean out of sight.
Said Father: "Where's Albert?" And Mother replied:
"I've got hold of his hand, he's all right!"
[...] Read more
poem by Marriott Edgar
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Gimme The Light Remix,
[Intro]
[Busta Rhymes:] Ay yo Sean Paul!!!
[Sean Paul:] Yo yo
[Busta Rhymes:] A Busta Rhymes this yuh know
[Sean Paul:] Wah gwaan
[Busta Rhymes]
Pass me the blow torch let me light up this big head nigga
[Sean Paul:] No doubt
[Busta Rhymes:] Bring dat come rudebwoy
[Sean Paul:] A Dutty Yeah!!!
[Busta Rhymes:] Flipmode check it!!!
[Chorus (Busta Rhymes):]
Just gimme the light and pass the dro! Buss anotha bokkle a moe
(Huh huh huh huh huh come on)
Gal dem inna mi sight and I got to know (Yeah, yeah)
Which one is gonna catch my flow (Busta Bus now)
Cause I'm inna di vibe and I got my dough! (Yeah, Sean Paul now)
Buss anotha bokkle a moe
(Remix, remix, remix) Gal dem lookin hype and I got to know!!!
[Verse 1: Busta Rhymes]
Yeah yeah check it, clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand
Run the streets you never move without the rest of the clan
With a nine in the door panel in the side of the van
Despite the hate that be always comin for you and your man
It's Flipmode and Sean Paul nigga, understand
[Sean Paul]
Tell dem nuh ready fi di level weh di Dutty deh pon
Turn up di bass and di treble music a di weopen
Gal a whine up dem waist like a phenomenom
All over di world oonu fi sing this a song yo
[Chorus]
Just gimme the light and pass the dro! Buss anotha bottle a moe
Gal dem inna mi sight and I got to know (Yo, yo, yo yo yo)
Which one is gonna catch my flow
Cause mi inna di vibe and I got my dough! (Flipmode baby!!!)
Buss anotha bottle a moe (Come on, Sean Paul baby!!!)
Gal dem lookin hype and I got to know!!!
(Come on, yeah, yeah, Busta Bus now!!!)
[Verse 2: Busta Rhymes]
We be blazin cellular phones in wire or cingular
And still gotta connect to smoke a piece of the rizla
See if you could in a philly or a chalice I'm givin you
The chance to smoke up until a ugly chick look like Vivica Fox
Clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand
[...] Read more
song performed by Sean Paul
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Sam
(john farrar/hank marvin/don black)
I heard that youre on your own now
So am i
Im living alone now
I was wrong
So were you
What will you do?
Are you glad to be free?
Are you feeling lost just like me?
Longing for company
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
I find the days hard to face now
Empty rooms
Theres much too much space now
And the nights go so slow
Im sure you know
Wish I knew what to do
It would be so nice seeing you
And it might help you too
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
Oh sam, you know where I am
Oh sam, ooh sam
You know, you know
You know where I am
song performed by Olivia Newton-John
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The Rivals
Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.
Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.
She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.
You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.
Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.
Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.
Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.
Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.
An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.
Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.
Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.
Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.
Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.
Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.
Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.
Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.
But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.
[...] Read more
poem by James Weldon Johnson
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Uncle Sam
Here they come again hop scotching up to my door
One by one again knockety knock knocking upon my floor
Swinging on my gate they gain entry by the yard
Pulling at my hair they scream paint your thoughts upon my card
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
To be with my uncle sam
Silly little sniggers from the women liberators
But Ill stand and hold my post
Polished buttons and erect Ill raise the flag
Ill show those women whos the most
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time, gives me things to do
Hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
But not tonight Ive got studies to examine
Tomorrow ah ah ah
And tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
song performed by Madness
Added by Lucian Velea
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Three Ha'Pence a Foot
I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.
In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.
One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'
Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.
'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.
Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.
'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam
In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.
It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.
The 'ouses were soon under water,
[...] Read more
poem by Marriott Edgar
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Hello, my name is Sarah
My name is Sarah
I am the one who is not
Who never is
These are the hands for my embraces
Mutilated in emptiness
Husked in the rings at twilight I take off
And throw into the dark.
They are writing a history of a plastic toy
Buried in the tombs of childhood
That never grew towards a cradle.
My name is Sarah
I am the one who is trying to be
These are the feet for my steps.
Frozen in the paths
Tied by tinkling jewelerry
At twilight I take off
And throw into the dark.
They walk the streets that there are no more
The streets trodden by mere silhouettes of paths
They go down the wells
To strangle in them
A swimming hope for the end.
My name is Sarah.
I am the one who wants.
This is the neck for your hands.
Slightly touch.
It's tied in thousands of necklaces
At twilight I take off
And throw into the dark.
The darkness greedily eats
The circles I push the dreams into
I let it touch.
It's all right.
My name is Sarah.
I am the one who does not consent.
This is the hair for my plaits.
The silver ribbons
And shiny pearls at twilight I take off
And throw it into the dark.
It's all right.
I have broken all the rules
I have broken cliches
Magic circles
I tore the pages
[...] Read more
poem by Miroslava Odalovic
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Zdravo, Moje Ime Je Sara
Moje ime je Sara.
Ja sam ona koja nisam,
koja nikada nisam.
Ovo su ruke za moje zagrljaje.
Osakacene prazninom.
Okrunjene u prstenju koje sumrakom skidam
i u tmine bacam.
One pisu istoriju plasticne igracke
sahranjene u grobovima djetinjstva
koje nije doraslo do kolijevke.
Zovem se Sara.
Ja sam ona koja pokusava da bude.
Ovo su stopala za moje korake.
Ukocene putevima.
Vezana zveketavim nakitom
koji sumrakom skidam i u tmine bacam.
Ona hodaju nepostojecim ulicama
kojima gaze jos samo prividi staza.
Silaze u bunare
da u njima udave
proplivalu nadu za kraj.
Moje ime je Sara.
Ja sam ona koja bi htjela.
Ovo je vrat za vase ruke.
Dotaknite lagano.
Vezan je hiljadama lancica
koje sumrakom skidam
i u tmine bacam.
Ona jedu halapljivo,
krugove u koje sazimam snove
dozvoljavam da dira.
Neka je.
Zovem se Sara.
Ja sam ona koja ne pristaje.
Ovo je kosa za moje pletenice.
U njima trake od srebra
i bisere sjajne sumrakom skidam
i u tmine bacam. Neka ih.
[...] Read more
poem by Miroslava Odalovic
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Make It Clap
[Intro: Sean Paul (Busta Rhymes)]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!!!)
Sean-A-Paul (Sean Paul!!!)
One more time (Ha!!!) kill 'em with a rhyme (Huh!!!)
Remix time (remix!!!) a dutty yeah, yo, Spliff Star (Spliff!!!)
Flipmode Squad (Ha!!!) we kill 'em with a rhyme, a dutty yeah
[Verse 1: Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Chorus: Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap, we make it clap, we make it clap, we make it clap
[Verse 2: Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
([Busta Rhymes:] We got dough) You could tell by what we dri-ving
([Busta Rhymes:] Lookin to chose) How it's different and blin-ding
And blin-ding and blin-ding it's like that make it clap now
[Chorus]
[Sean Paul]
[...] Read more
song performed by Busta Rhymes
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Make It Clap (remix)
[Sean Paul]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!)
Sean-A-Paul (Sean Paul!)
One more time (Ha!) kill 'em with a rhyme (Huh!)
Remix time (remix!) a Dutty yeah, yo, Spliff Star (Spliff!)
Flipmode Squad (Ha!) we kill 'em with a rhyme, a dutty yeah
[Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap,
We make it clap,
We make it clap,
We make it clap
[Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
(We got dough) You could tell by what we dri-ving
(Lookin to chose) How it's different and blin-ding
[...] Read more
song performed by Sean Paul
Added by Lucian Velea
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