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"Yields falsehood when preceded by its quotation" yields falsehood when preceded by its quotation.

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Part IV

Occupied by the elm; and, as its shade
Has crept clock-hand-wise till it ticks at fern
Five inches further to the South,—the door
Opens abruptly, someone enters sharp,
The elder man returned to wait the youth—
Never observes the room's new occupant,
Throws hat on table, stoops quick, elbow-propped
Over the Album wide there, bends down brow
A cogitative minute, whistles shrill,
Then,—with a cheery-hopeless laugh-and-lose
Air of defiance to fate visibly
Casting the toils about him,—mouths once more
"Hail, calm acclivity, salubrious spot!"
Then clasps-to cover, sends book spinning off
T'other side table, looks up, starts erect
Full-face with her who,—roused from that abstruse
Question, "Will next tick tip the fern or no?",—
Fronts him as fully.

All her languor breaks,
Away withers at once the weariness
From the black-blooded brow, anger and hate
Convulse. Speech follows slowlier, but at last—

"You here! I felt, I knew it would befall!
Knew, by some subtle undivinable
Trick of the trickster, I should, silly-sooth,
Late of soon, somehow be allured to leave
Safe hiding and come take of him arrears,
My torment due on four years' respite! Time
To pluck the bird's healed breast of down o'er wound!
Have your success! Be satisfied this sole
Seeing you has undone all heaven could do
These four years, puts me back to you and hell!
What will next trick be, next success? No doubt
When I shall think to glide into the grave,
There will you wait disguised as beckoning Death,
And catch and capture me for evermore!
But, God, though I am nothing, be thou all!
Contest him for me! Strive, for he is strong!"

Already his surprise dies palely out
In laugh of acquiescing impotence.
He neither gasps nor hisses: calm and plain—

"I also felt and knew—but otherwise!
You out of hand and sight and care of me
These four years, whom I felt, knew, all the while ...
Oh, it's no superstition! It's a gift
O' the gamester that he snuffs the unseen powers

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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Ralph Waldo Emerson

Every book is a quotation; and every house is a quotation out of all forests, and mines, and stone quarries; and every man is a quotation from all his ancestors.

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Windy Hope But Steady Vision

somethimes it seems to be shaking
sometimes it seems to be ruining
sometimes it seems to be happy
but
existence is not sometimes
it is so much quotidian that we don't even know it is quotidian.
non-homan experience
computational intelligence
cognitive unconsciousness
frame is already embodied
truth is public
public is no truth
alienation of quotation
otherness of quotation marks
quotationmarks in quotation marks
meaning is a ghost comiong back to primal origin
but originality is in the materiality of comptemplating mental formations embodied inside the body on the borderline
of spectcular mix-up of concepts and passion
meaning is just a part os participated reality
running away from culivation of wisdom literally called enlightened spirit
contemporary existence is quotidian forms of a multi-styled thought before events

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The Athenaid: Volume I: Book the Tenth

Now is the season, when Vertumnus leads
Pomona's glowing charms through ripen'd groves
Of ruddy fruitage; now the loaden vine
Invites the gath'ring hand, which treasures joy
For hoary winter in his turn to smile.
An eastern course before autumnal gales
To Ephesus the Carian gallies bend;
While Medon coasts by Locris, and deplores
Her state of thraldom. Thrice Aurora shews
Her placid face; devourer of mankind,
The sea, curls lightly in fallacious calms;
To Medon then the wary master thus:


My chief, the dang'rous equinox is near
Whose stormy breath each prudent sailor shuns,
Secure in harbour; turbulent these streights
Between Euboea and the Locrian shore;
Fate lurks in eddies, threatens from the rocks;
The continent is hostile; we must stretch
Across the passage to Euboea's isle,
There wait in safety till the season rude
Its wonted violence hath spent. The chief
Replies: An island, Atalanté nam'd,
Possess'd by Locrians, rises in thy view;
There first thy shelter seek; perhaps the foe
Hath left that fragment of my native state
Yet undestroy'd. Th' obedient rudder guides,
The oars impel the well directed keel
Safe through an inlet op'ning to a cove
Fenc'd round by rising land. At once the sight,
Caught by a lucid aperture of rock,
Strays up the island; whence a living stream,
Profuse and swift beneath a native arch,
Repels encumb'ring sands. A slender skiff,
Launch'd from the ship, pervades the sounding vault;
With his companions Medon bounds ashore,
Addressing Timon: Delphian guest, these steps,
Rude hewn, attain the summit of this rock;
Thence o'er the island may our wary ken,
By some sure sign, discover if we tread
A friendly soil, or hostile. They ascend.
The topmost peak was chisell'd to display
Marine Palæmon, colossean form,
In art not specious. Melicertes once,
Him Ino, flying from th' infuriate sword
Of Athamas her husband, down a cliff,
Distracted mother, with herself immers'd
In ocean's salt-abyss. Their mortal state
Neptunian pity to immortal chang'd;

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Always seek the refuge of the truth

You can neither touch it nor feel it,
Unless you peel the cover of falsehood off,
For 'falsehood is bound to perish by nature, '
And then you will get the truth with all its might,
Howsoever dark the night is,
A glow warm ends its monopoly,
Likewise a small truth challenges
The mighty empire of falsehood,
So never rely on falsehood,
And always seek the refuge of the truth.

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Charles Lamb

Incorrect Speaking

Incorrectness in your speech
Carefully avoid, my Anna;
Study well the sense of each
Sentence, lest in any manner
It misrepresent the truth;
Veracity's the charm of youth.


You will not, I know, tell lies,
If you know what you are speaking.
Truth is shy, and from us flies;
Unless diligently seeking
Into every word we pry,
Falsehood will her place supply.


Falsehood is not shy, not she,-
Ever ready to take place of
Truth, too oft we Falsehood see,
Or at least some latent trace of
Falsehood, in the incorrect
Words of those who Truth respect.

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Queen Mab: Part V.

'Thus do the generations of the earth
Go to the grave and issue from the womb,
Surviving still the imperishable change
That renovates the world; even as the leaves
Which the keen frost-wind of the waning year
Has scattered on the forest-soil and heaped
For many seasons there-though long they choke,
Loading with loathsome rottenness the land,
All germs of promise, yet when the tall trees
From which they fell, shorn of their lovely shapes,
Lie level with the earth to moulder there,
They fertilize the land they long deformed;
Till from the breathing lawn a forest springs
Of youth, integrity and loveliness,
Like that which gave it life, to spring and die.
Thus suicidal selfishness, that blights
The fairest feelings of the opening heart,
Is destined to decay, whilst from the soil
Shall spring all virtue, all delight, all love,
And judgment cease to wage unnatural war
With passion's unsubduable array.
Twin-sister of Religion, Selfishness!
Rival in crime and falsehood, aping all
The wanton horrors of her bloody play;
Yet frozen, unimpassioned, spiritless,
Shunning the light, and owning not its name,
Compelled by its deformity to screen
With flimsy veil of justice and of right
Its unattractive lineaments that scare
All save the brood of ignorance; at once
The cause and the effect of tyranny;
Unblushing, hardened, sensual and vile;
Dead to all love but of its abjectness;
With heart impassive by more noble powers
Than unshared pleasure, sordid gain, or fame;
Despising its own miserable being,
Which still it longs, yet fears, to disenthrall.

'Hence commerce springs, the venal interchange
Of all that human art or Nature yield;
Which wealth should purchase not, but want demand,
And natural kindness hasten to supply
From the full fountain of its boundless love,
Forever stifled, drained and tainted now.
Commerce! beneath whose poison-breathing shade
No solitary virtue dares to spring,
But poverty and wealth with equal hand
Scatter their withering curses, and unfold
The doors of premature and violent death
To pining famine and full-fed disease,

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Matthew Arnold

Thyrsis

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks--
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!
Here came I often, often, in old days--
Thyrsis and I; we still had Thyrsis then.

Runs it not here, the track by Childsworth Farm,
Past the high wood, to where the elm-tree crowns
The hill behind whose ridge the sunset flames?
The signal-elm, that looks on Ilsley Downs,
The Vale, the three lone weirs, the youthful Thames?--
This winter-eve is warm,
Humid the air! leafless, yet soft as spring,
The tender purple spray on copse and briers!
And that sweet city with her dreaming spires,
She needs not June for beauty's heightening,

Lovely all times she lies, lovely to-night!--
Only, methinks, some loss of habit's power
Befalls me wandering through this upland dim.
Once passed I blindfold here, at any hour;
Now seldom come I, since I came with him.
That single elm-tree bright
Against the west - I miss it! is it goner?
We prized it dearly; while it stood, we said,
Our friend, the Gipsy-Scholar, was not dead;
While the tree lived, he in these fields lived on.

Too rare, too rare, grow now my visits here,
But once I knew each field, each flower, each stick;
And with the country-folk acquaintance made
By barn in threshing-time, by new-built rick.
Here, too, our shepherd-pipes we first assayed.
Ah me! this many a year
My pipe is lost, my shepherd's holiday!
Needs must I lose them, needs with heavy heart
Into the world and wave of men depart;
But Thyrsis of his own will went away.

It irked him to be here, he could not rest.
He loved each simple joy the country yields,
He loved his mates; but yet he could not keep,
For that a shadow loured on the fields,
Here with the shepherds and the silly sheep.
Some life of men unblest

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Matthew Arnold

Thyrsis a Monody

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks--
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!
Here came I often, often, in old days--
Thyrsis and I; we still had Thyrsis then.

Runs it not here, the track by Childsworth Farm,
Past the high wood, to where the elm-tree crowns
The hill behind whose ridge the sunset flames?
The signal-elm, that looks on Ilsley Downs,
The Vale, the three lone weirs, the youthful Thames?--
This winter-eve is warm,
Humid the air! leafless, yet soft as spring,
The tender purple spray on copse and briers!
And that sweet city with her dreaming spires,
She needs not June for beauty's heightening,

Lovely all times she lies, lovely to-night!--
Only, methinks, some loss of habit's power
Befalls me wandering through this upland dim.
Once pass'd I blindfold here, at any hour;
Now seldom come I, since I came with him.
That single elm-tree bright
Against the west--I miss it! is it goner?
We prized it dearly; while it stood, we said,
Our friend, the Gipsy-Scholar, was not dead;
While the tree lived, he in these fields lived on.

Too rare, too rare, grow now my visits here,
But once I knew each field, each flower, each stick;
And with the country-folk acquaintance made
By barn in threshing-time, by new-built rick.
Here, too, our shepherd-pipes we first assay'd.
Ah me! this many a year
My pipe is lost, my shepherd's holiday!
Needs must I lose them, needs with heavy heart
Into the world and wave of men depart;
But Thyrsis of his own will went away.

It irk'd him to be here, he could not rest.
He loved each simple joy the country yields,
He loved his mates; but yet he could not keep,
For that a shadow lour'd on the fields,
Here with the shepherds and the silly sheep.
Some life of men unblest

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The Poem of Antar

Have the poets left in the garment a place for a patch to be patched by me; and did you know the abode of your beloved after reflection?2

The vestige of the house, which did not speak, confounded thee, until it spoke by means of signs, like one deaf and dumb.

Verily, I kept my she-camel there long grumbling, with a yearning at the blackened stones, keeping and standing firm in their own places.

It is the abode of a friend, languishing in her glance, submissive in the embrace, pleasant of smile.

Oh house of 'Ablah situated at Jiwaa, talk with me about those who resided in you. Good morning to you, O house of 'Ablah, and be safe from ruin.

I halted my she-camel in that place; and it was as though she were a high palace; in order that I might perform the wont of the lingerer.

And 'Ablah takes up her abode at Jiwaa; while our people went to Hazan, then to Mutathallam.

She took up her abode in the land of my enemies; so it became difficult for me to seek you, O daughter of Mahzam.

I was enamored of her unawares, at a time when I was killing her people, desiring her in marriage; but by your father's life I swear, this was not the time for desiring.3

And verily you have occupied in my heart the place of the honored loved one, so do not think otherwise than this, that you are my beloved.

And how may be the visiting of her; while her people have taken up their residence in the spring at 'Unaizatain and our people at Ghailam?

I knew that you had intended departing, for, verily, your camels were bridled on a dark night.

Nothing caused me fear of her departure, except that the baggage camels of her people were eating the seeds of the Khimkhim tree throughout the country.4

Amongst them were two and forty milk-giving camels, black as the wing-feathers of black crows.

When she captivates you with a mouth possessing sharp, and white teeth, sweet as to its place of kissing, delicious of taste.

As if she sees with the two eyes of a young, grown up gazelle from the deer.

It was as though the musk bag of a merchant in his case of perfumes preceded her teeth toward you from her mouth.

Or as if it is an old wine-skin, from Azri'at, preserved long, such as the kings of Rome preserve;

Or her mouth is as an ungrazed meadow, whose herbage the rain has guaranteed, in which there is but little dung; and which is not marked with the feet of animals.

The first pure showers of every rain-cloud rained upon it, and left every puddle in it bright and round like a dirham;

Sprinkling and pouring; so that the water flows upon it every evening, and is not cut off from it.

The fly enjoyed yet alone, and so it did not cease humming, as is the act of the singing drunkard;

Humming, while he rubs one foreleg against the other, as the striking on the flint of one, bent on the flint, and cut off as to his palm.

She passes her evenings and her mornings on the surface of a well-stuffed couch, while I pass my nights on the back of a bridled black horse.

And my couch is a saddle upon a horse big-boned in the leg, big in his flanks, great of girth.

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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day


SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

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The Athenaid: Volume II: Book the Nineteenth

The morning breaks; Nicanor sudden greets
The gen'ral; welcome tidings in these words
He utters loud: The citadel is won,
The tyrant slaughter'd. With our sacred guide
A rugged, winding track, in brambles hid,
Half up a crag we climb'd; there, stooping low,
A narrow cleft we enter'd; mazy still
We trod through dusky bowels of a rock,
While our conductor gather'd, as he stepp'd,
A clue, which careful in his hand he coil'd.
Our spears we trail'd; each soldier held the skirt
Of his preceding comrade. We attain'd
An iron wicket, where the ending line
Was fasten'd; thence a long and steep ascent
Was hewn in steps; suspended on the sides,
Bright rows of tapers cheer'd our eyes with light.
We reach'd the top; there lifting o'er his head
A staff, against two horizontal valves
Our leader smote, which open'd at the sound.
Behind me Hyacinthus on the rock
Sunk sudden down, pronouncing in his fall
Cleora; I on Hyacinthus call'd.


Is this Cleora's husband? cried the priest;
Descend, my Pamphila, my wife, descend.


She came, a rev'rend priestess; tender both
With me assisting plac'd my speechless friend
Within a cleft by me unmark'd before,
Which seem'd a passage to some devious cell.
Me by the hand Elephenor remov'd
Precipitate; a grating door of brass
Clos'd on my parting steps. Ascend, he said,
Make no enquiry; but remain assur'd,
His absence now is best. I mount, I rise
Behind a massy basis which upheld
Jove grasping thunder, and Saturnia crown'd,
Who at his side outstretch'd her scepter'd hand.
The troops succeeding fill the spacious dome.
Last, unexpected, thence more welcome, rose,
Detach'd from Medon with five hundred spears,
Brave Haliartus, who repair'd the want
Of my disabled colleague. Now the priest:


Ye chiefs, auxiliar to the gods profan'd,
And men oppress'd, securely you have reach'd
The citadel of Oreus. The dark hour

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Unpleasant News

At a same time
Same place
The Opposite entities
Can't exists.

Falsehood is in reality
It is true.
And the truest of all is that
Truth can't be false.


Same time
Same place
Both can't exist.
Either truth
Changes into falsehood
Or falsehood
Changes into truth
Both are dangerous for us
And not a pleasant news.

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Arbor Day

[ music: natalie merchant/lyric: natalie merchant ]
Wide open falsehood
The clan destine truths
Rival till the end
In a series of duels
Pardon the drapery language I choose
Waltz in vienna has taught me to use
Every tall room a fiction
Leather bound treasure books
Up to the ceiling
Gold spine upon spine
The guile and the treason
The faith and allegiance
Wide open falsehood
The clan destine truths
Rival till the end
In a series of duels
Pardon the drapery language I choose
The author grew fat to imagine
His lead pen careening
Gave voice to the scheming
An aryan cabale to dethrone
The guile and the treason
The faith and allegiance
To the empire unknown
The baron and his mistress
Dine in fine banquet hall
As rebel insurgents plot in
The attic space crawl
Wide open falsehood
The clan destine truths
Rival till the end
In a series of duels
Pardon the drapery language I choose
His small hand did strive
To explain all the
Rants and raves of
A people enslaved
By the cant of the shrewdest
Capable men
The guile and the treason
The faith and allegiance
Now lie in my hand
The guile and the treason
The faith and allegiance
Now lie in my hand

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Edgar Lee Masters

Epilogue

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

FIRST VOICE

Eternal Good!

SECOND VOICE

And Eternal Ill.

FIRST VOICE

I haste for the King row.

SECOND VOICE

Save your breath.

FIRST VOICE

I was moving Life.

SECOND VOICE

You're checked by Death.

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