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A dead cock never crows.

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Rudyard Kipling

The Song at Cock-Crow

1918 -- Ille autem iterum negavit.


The first time that Peter denied his Lord
He shrank from the cudgel, the scourge and the cord,
But followed far off to see what they would do,
Till the cock crew--till the cock crew--
After Gethsemane, till the cock crew!

The first time that Peter denied his Lord
'Twas only a maid in the palace who heard,
As he sat by the fire and warmed himself through.
Then the cock crew! Then the cock crew!
("Though also art one of them.") Then the cock crew!

The first time that Peter denied his Lord
He had neither the Throne, nor the Keys nor the Sword--
A poor silly fisherman, what could he do,
When the cock crew--when the cock crew--
But weep for his wickedness when the cock crew?
. . . . . .

The next time that Peter denied his Lord
He was Fisher of Men, as foretold by the Word,
With the Crown on his brow and the Cross on his shoe,
When the cock crew--when the cock crew--
In Flanders and Picardy when the cock crew!

The next time that Peter denied his Lord
'Twas Mary the Mother in Heaven Who heard,
She grieved for the maidens and wives that they slew
When the cock crew--when the cock crew--
At Tirmonde and Aerschott when the cock crew!

The next time that Peter denied his Lord
The Babe in the Manger awakened and stirred,
And He stretched out His arms for the playmates
He knew--
When the cock crew--when the cock crew--
But the waters had covered them when the cock crew!

The next time that Peter denied his Lord
'Twas Earth in her agony waited his word,
But he sat by the fire and naught would he do,
Though the cock crew--though the cock crew--
Over all Christendom, though the cock crew!

The last time that Peter denied his Lord,
The Father took from him the Keys and the Sword,
And the Mother and Babe brake his Kingdom in two,

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John Dryden

The Cock And The Fox: Or, The Tale Of The Nun's Priest

There lived, as authors tell, in days of yore,
A widow, somewhat old, and very poor;
Deep in a dale her cottage lonely stood,
Well thatched, and under covert of a wood.
This dowager, on whom my tale I found,
Since last she laid her husband in the ground,
A simple sober life, in patience led,
And had but just enough to buy her bread;
But huswifing the little Heaven had lent,
She duly paid a groat for quarter rent;
And pinched her belly, with her daughters two,
To bring the year about with much ado.
The cattle in her homestead were three sows,
An ewe called Mally, and three brinded cows.
Her parlour window stuck with herbs around,
Of savoury smell; and rushes strewed the ground.
A maple-dresser in her hall she had,
On which full many a slender meal she made,
For no delicious morsel passed her throat;
According to her cloth she cut her coat;
No poignant sauce she knew, nor costly treat,
Her hunger gave a relish to her meat.
A sparing diet did her health assure;
Or sick, a pepper posset was her cure.
Before the day was done, her work she sped,
And never went by candle light to bed.
With exercise she sweat ill humours out;
Her dancing was not hindered by the gout.
Her poverty was glad, her heart content,
Nor knew she what the spleen or vapours meant.
Of wine she never tasted through the year,
But white and black was all her homely cheer;
Brown bread and milk,(but first she skimmed her bowls)
And rashers of singed bacon on the coals.
On holy days an egg, or two at most;
But her ambition never reached to roast.
A yard she had with pales enclosed about,
Some high, some low, and a dry ditch without.
Within this homestead lived, without a peer,
For crowing loud, the noble Chanticleer;
So hight her cock, whose singing did surpass
The merry notes of organs at the mass.
More certain was the crowing of the cock
To number hours, than is an abbey-clock;
And sooner than the matin-bell was rung,
He clapped his wings upon his roost, and sung:
For when degrees fifteen ascended right,
By sure instinct he knew ’twas one at night.
High was his comb, and coral-red withal,
In dents embattled like a castle wall;

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Couple Of Chicken Religious Meal

The couple of chicken religious meal
On the ruwatan of my mother
Offering to me

8. Couple Of Chicken Religious Meal
I left the hen one at my grandma house
and bring the cock going home
after arrive at home
that cock
I bring everywhere
aver meet the another one
keep fighting with my cock and win
sometime meet with the cockfighter
neighbour, who have gerobak repair house
where they iron for
and teakwood for
in the center field
they fight my cock and theirs
the winner is always my cock
Their face look very regretful
And they offering to bought my cock
I avoid
And tomorrow eveing, when I went home from school
I found my cock foot
He stay and asleep in my house corner
My cockfoot had injury was harpooned
I care with garlic, not yet recover
I care with peniciclin, not
a week after that cock dead
I cry for the whole day
I don’t understand adult will won theirself
they dont understand, that is not just a cock
But a cock for religious meal in the ruwatan of my mother
My grandma gift

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Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 3. The Musician's Tale; The Mother's Ghost

Svend Dyring he rideth adown the glade;
I myself was young!
There he hath wooed him so winsome a maid;
Fair words gladden so many a heart.
Together were they for seven years,
And together children six were theirs.
Then came Death abroad through the land,
And blighted the beautiful lily-wand.
Svend Dyring he rideth adown the glade,
And again hath he wooed him another maid,
He hath wooed him a maid and brought home a bride,
But she was bitter and full of pride.
When she came driving into the yard,
There stood the six children weeping so hard.
There stood the small children with sorrowful heart;
From before her feet she thrust them apart.
She gave to them neither ale nor bread;
'Ye shall suffer hunger and hate,' she said.
She took from them their quilts of blue,
And said: 'Ye shall lie on the straw we strew.'
She took from them the great waxlight;
'Now ye shall lie in the dark at night.'
In the evening late they cried with cold;
The mother heard it under the mould.
The woman heard it the earth below:
'To my little children I must go.'
She standeth before the Lord of all:
'And may I go to my children small?'
She prayed him so long, and would not cease,
Until he bade her depart in peace.
'At cock-crow thou shalt return again;
Longer thou shalt not there remain!'
She girded up her sorrowful bones,
And rifted the walls and the marble stones.
As through the village she flitted by,
The watch-dogs howled aloud to the sky.
When she came to the castle gate,
There stood her eldest daughter in wait.
'Why standest thou here, dear daughter mine?
How fares it with brothers and sisters thine?'
'Never art thou mother of mine,
For my mother was both fair and fine.
'My mother was white, with cheeks of red,
But thou art pale, and like to the dead.'
'How should I be fair and fine?
I have been dead; pale cheeks are mine.
'How should I be white and red,
So long, so long have I been dead?'
When she came in at the chamber door,
There stood the small children weeping sore.

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Crows for Konstantin

Crows.


The noise of conflict dies away.
Those left alive will now depart.
Only the dead allowed to stay,
they have no further part to play.

The warring sides in full retreat
The crows tonight dine on fresh meat.
Though neither side claims victory.
The crows will feast quite happily.

Since man first slew another man.
It seems to be Dame Natures plan.
The crows will feast on the remains
The scavengers alone will gain.

While warring sides must count the cost
of fighting men that they have lost.
Perhaps one day we’ll realise
In war there are no victories.

Bar for the crows who do not fight
but satisfy their appetite.
On those who do who in their view
Choose to fight. they don’t need to.

Although in death they feed the crows.
I don’t suppose the crows oppose.
The idea that men come to blows.
Nor do they care I must suppose.

The only winners are the crows
who feast until they’re comatose.
On what is left of those who chose
to risk their lives exchanging blows.

Sunday,09 May 2010
http: // blog.myspace.com/poeticpiers

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The Raven Crows

The Raven Crows
by Charles Robert Hice on Thursday, November 22,2012 at 9: 27pm ·
The Raven Crows
The Raven stretches its wings and flies into the gray winter skies while the raven flies it Crows its rawkish voice makes aweful noise
it blows the wind it howls and sounds like a mechanical noise inside the wind
the noise pretends to be the raven as it crows it flies it crows and flies it dives down into the wind and sounds like a noise falling fast and then it sort of dies and falls away not the sound it echoes and it blows
in the middle of the night no one can see the ravens flight but they hear the voice the noise the sound even the wings they flap they glide silent and they hide
The raven seldom crows when it is in its glide it falls and hides no one can see the feathers as it plummets from the sky it moves in a silent fashion
as the raven glides it hides from the eyes of the men it has a sense of reality and a purpose as it glides it looks neither to the left or to the right finally it is satisfied with its destination in its sight the raven crows one final time and plummets like a stone into the night and suddenly a poem is come to earth as Poe hears his famous bird not the crow the rook or the blackbird as it sings but the Raven as it speaks to only him
Nevermore
The Raven Crows

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Sugar

On the vermont transit bus I leaned my arm into alittle chink of sun,
Going somewhere older than I was,
Strapped into something tight, keeping me small.
I dug into you like rock climbing;
Too scared of coming down,
Too scared of going up,
Too scared of rockface.
I shouldve split my sides or spilled my guts or hit you or something,
But I was good, and your fathers little pancakes
So round and perfect and me sitting up too straight,
Laughing in wrong places, kissing you,
Kissing up, kissing too soon.
When the cock crows
When the morning comes where will I go?
When the cock crows
When the love is gone where will I go?
And when you got me pregnant I stopped the party and
I stopped the typewriter and I stopped your dumb ball game in the red barn and i
Stopped your father and bled instead.
And I felt the lie - something sticky on the inside,
A bitter wind in my throat,
Stopping me wanting,
In my stomach, in my head and you said
Sugar sugar, you couldnt come come
Sugar sugar, without your mother
Sugar sugar, you couldnt taste it
Sugar sugar, in my throat.
When the cock crows
When the morning comes where will I go?
When the cock crows
When the love is gone where will I go?

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Dead End Street

Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Mishmash! Wish-wash! A LONELY FISH Washes Away in Troubled life Seas!

Among twinkling stars – blue, red, yellow, I am blue with lonely flu!
Among the glossy stars, I am a dark space, a black hole, a black dwarf;
My life sucks for lonely bucks, everything sucks by lonely heat blue,
Squashed inside, packed outside by lonely gravity sucks – it kicks me off!
Mishmash! Wish-wash! A lonely fish washes away in troubled life seas.
Cock-a-hoop! Cock a snook! Oh my god! Lonely fish weeps in sleep!

Night has started, brain is heated – a lonely man repeated word ‘awful’;
I read lonely book full, It can be harmful, and it can be dreadful;
My heart is filled with empty space, my mind killed in the rat race!
Life dies inside me; hope dies outside as no one is beside my face;
Mishmash! Wish-wash! A lonely fish washes away in troubled life seas.
Cock-a-hoop! Cock a snook! Oh my god! Lonely fish weeps in sleep!

Alone I am in blowing wind as I stood in dark ravine of lonely ground!
Alone I am, I heard a baying sound – a tiny translucent gray cloud;
Alone I am, it is the loudest noise in the silence – a howling cry!
Alone I am, it echoes everywhere – I can’t explain any more – I’m dry;
Mishmash! Wish-wash! A lonely fish washes away in troubled life seas.
Cock-a-hoop! Cock a snook! Oh my god! Lonely fish weeps in sleep!

Alone I am wherever I go; alone I am whatever I do, I’m a lonely flower;
Alone I am in depression, alone I am in frustration – oh lonely sparrow!
Alone I am in today, alone I am tomorrow – all the time in sorrow....
Alone I am – lift me up, alone I am – help me out of the lonely river.
Mishmash! Wish-wash! A lonely fish washes away in troubled life seas.
Cock-a-hoop! Cock a snook! Oh my god! Lonely fish weeps in sleep!

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The Turtle And Sparrow. An Elegiac Tale

Behind an unfrequented glade,
Where yew and myrtle mix their shade,
A widow Turtle pensive sat,
And wept her murder'd lover's fate.
The Sparrow chanced that way to walk,
(A bird that loves to chirp and talk)
Be sure he did the Turtle greet,
She answer'd him as she thought meet.
Sparrows and Turtles, by the bye,
Can think as well as you or I;
But how they did their thoughts express
The margin shows by T. and S.

T. My hopes are lost, my joys are fled,
Alas! I weep Columbo dead:
Come, all ye winged Lovers, come,
Drop pinks and daisies on his tomb;
Sing, Philomel, his funeral verse,
Ye pious Redbreasts deck his hearse;
Fair Swans, extend your dying throats,
Columbo's death requires your notes;
For him, my friend, for him I moan,
My dear Columbo, dead and gone.

Stretch'd on the bier Columbo lies,
Pale are his cheeks, and closed his eyes;
Those eyes, where beauty smiling lay,
Those eyes, where Love was used to play;
Ah! cruel Fate, alas how soon
That beauty and those joys are flown!

Columbo is no more: ye floods,
Bear the sad sound to distant woods;
The sound let echo's voice restore,
And say, Columbo is no more.
Ye floods, ye woods, ye echoes, moan
My dear Columbo, dead and gone.

The Dryads all forsook the wood,
And mournful Naiads round me stood,
The tripping Fawns and Fairies came,
All conscious of our mutual flame,
To sigh for him, with me to moan,
My dear Columbo, dead and gone.

Venus disdain'd not to appear,
To lend my grief a friendly ear;
But what avails her kindness now?
She ne'er shall hear my second vow:
The Loves that round their mother flow

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Dead Guy Stickers

In the USA,
They want to put dead guy pictures on cigarette packs.
With that brilliant logic in mind, I say put dead guy stickers on:
car windshields(dead guys in wrecks)
pistol and rifle handles (dead guys shot)
marriage licenses (dead spouses)
hamburger and hot dog wrappers (dead fat guys)
pies, cakes (more dead fat guys)
bathroom doors (thousands of dead guys in bathrooms every year)
bicycles (road kill dead guys)
fire places (burnt dead guys)
swimming pools (drown dead guys)
every electrical outlet (fried dead guys)
air plane tickets (dead passenger guys)
the beach (shark bit dead guys)
cities (shot dead guys)
air (blue dead guys)
fish (poisoned dead guys)
motorcycles (more road kill dead guys)
scarfs (strangled dead guys)
football helmets (brain dead guys)
hot tubs (more drowned dead guys)
and so on.
Just about everything can kill you, such as:
Mothers (dead baby guys plus dead fathers)
Fathers (dead baby guys plus dead mothers)
Police(multiple dead guys and chicks)
Drugs (multiple dead guys and chicks)
and so on.
Once everything has a dead guy sticker on it,
You've been warned and the world will be safer, right?
It shows we care, right?

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As the Crows Gathered

As the Crows Gathered
By: Adam M. Snow

Surrounded by bodies of murder
the flocking and squawk arose.
Score of many rows on girder
feast of death drew the crows.
One to carry souls of many;
one onto life beyond life.
Yet was not the foe-of any-
to leave this world of strife.

The crows they flock,
they flock, they squawk;
flapping their wings tremendously.
They caw, they pecked,
they grew many in score
groups gathered more and more.

Blackened the sky with their endless flutter;
'But what of this? ' I utter.
'My days are long now being nighted.
The crows around have united.'

Feathers falling, covering the ground with black;
everywhere I look, it covers every crack.
The thought of death surrounds us all
before the crows, life will fall.
The ominous bank of crows like a cloud,
covers the world like an endless shroud.
Leaving I, overwhelm with fear
it is death lurking near.

The crows they gathered all in vast;
all is dark than a shadow cast.
They prey the lost and many more,
time has come for death to bore.

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Crows

THEN, suddenly, I was aware indeed
Of what he said, and was revolving it:
How, in the night, crows often take to wing,
Rising from off the tree-tops in Drumbarr,
And flying on: I pictured what he told.

The crows that shake the night-damp off their wings
Upon the stones out yonder in the fields,
The first live things that we see in the mornings;
The crows that march across the fields, that sit
Upon the ash-trees' branches, that fly home
And crowd the elm-tops over in Drumbarr;
The crows we look on at all hours of light,
Growing, and full, and going these black beings have
Another lifetime!

Crows flying in the dark
Blackness in darkness flying; beings unseen
Except by eyes that are like to their own
Trespassers' eyes!

And you, old man, with eyes so quick and sharp,
Who've told me of the crows, my fosterer;
And you, old woman, upon whose lap I've lain
When I was taken from my mother's lap;
And you, young girl, with looks that have come down
From forefathers, my kin ye have another life
I've glimpsed it, I becoming trespasser-
Blackness in darkness flying like the crows!

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Henry Wadsworth Longfellow

The Golden Legend: III. A Street In Strasburg

Night.
PRINCE HENRY _wandering alone, wrapped in a cloak._

_Prince Henry._ Still is the night. The sound of feet
Has died away from the empty street,
And like an artisan, bending down
His head on his anvil, the dark town
Sleeps, with a slumber deep and sweet.
Sleepless and restless, I alone,
In the dusk and damp of these wails of stone,
Wander and weep in my remorse!

_Crier of the dead (ringing a bell)._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Hark! with what accents loud and hoarse
This warder on the walls of death
Sends forth the challenge of his breath!
I see the dead that sleep in the grave!
They rise up and their garments wave,
Dimly and spectral, as they rise,
With the light of another world in their eyes!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Why for the dead, who are at rest?
Pray for the living, in whose breast
The struggle between right and wrong
Is raging terrible and strong,
As when good angels war with devils!
This is the Master of the Revels,
Who, at Life's flowing feast, proposes
The health of absent friends, and pledges,
Not in bright goblets crowned with roses,
And tinkling as we touch their edges,
But with his dismal, tinkling bell,
That mocks and mimics their funeral knell!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Wake not, beloved! be thy sleep
Silent as night is, and as deep!

[...] Read more

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Sugar We're Going Down

Am I more than you bargained for yet
I've been dying to tell you anything you want to hear
Cause that's just who I am this week
Lie in the grass, next to the mausoleum
I'm just a notch in your bedpost
But you're just a line in a song
(A notch in your bedpost, but you're just a line in a song)
Drop a heart, break a name
We're always sleeping in, and sleeping for the wrong team
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
Is this more than you bargained for yet
Oh don't mind me I'm watching you two from the closet
Wishing to be the friction in your jeans
Isn't it messed up how I'm just dying to be him
I'm just a notch in your bedpost
But you're just a line in a song
(Notch in your bedpost, but you're just a line in a song)
Drop a heart, break a name
We're always sleeping in, and sleeping for the wrong team
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
[x2]
Down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it
We're going down, down (down, down)
Down, down (down, down)
We're going down, down (down, down)
A loaded god complex, cock it and pull it
We're going down, down in an earlier round
And Sugar, we're going down swinging
I'll be your number one with a bullet
A loaded god complex, cock it and pull it

song performed by Fall Out BoyReport problemRelated quotes
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Malediction

I am walking in the last rays of the setting sun.
Whistling a hangmans tune with head held high swinging my gun.
I say this little boy is angry, I say this little boy is mad!
This little boy comes to destroy, stone-eyed, cold-faced in swathes of vengeance clad.
And the black cock crows. and a dead wind blows.
In my wake are seven men who tried to steal my soul.
In my belly six wild wolves curse and howl from their foul hole.
I say no earthly will may stop me, I say no earthly will may try.
No earthly will may halt the spill of blood from wounds and tears from craving eyes.
And the black cock crows. and a dead wind blows.
Below me burn the city lights like fires of pearls and jewels.
Im climbling down the city walls, unseen, unfussed - the sentries must be fools.
I say all pleasantries are over, I say all pleasantries are past.
My enemies, you pimps and thieves, prepare to meet your nemesis at last.
And the black cock crows. and the dead wind blows.

song performed by WaterboysReport problemRelated quotes
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Dead Or Alive

Well the new sheriff sent me a letter
Yes the new sheriff sent me a letter
He said, come up and see me dead or alive,
Come up and see me dead or alive.
Well its a hard road dead or alive
Its a hard road dead or alive
Well its a hard road dead or alive
Its a hard road dead or alive
Well I really dont like your hard rock hotel (yeah) sheriff
Well I really dont like your hard rock hotel, sheriff
Dead or alive, no sheriff
Dead or alive, no sheriff
Well its a hard road dead or alive
And its a hard road dead or alive
And its a hard road dead or alive
And its a hard road dead or alive
Well he even sent me my picture
(oh yeah, and hello)
He even sent me my picture
(yeah yeah)
Hey, how do I look boy (wonderful)
Dead or alive?
How do I look boy (sweet) dead or alive?
Its a hard road dead or alive
Its a hard road dead or alive
Well, its a hard road dead or alive
And its a hard road dead or alive
Dead or alive
Dead or alive
Dead or alive
Dead or alive
Dead or alive
Dead or alive

song performed by Van MorrisonReport problemRelated quotes
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