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A false report rides post.

Chinese proverbs
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Tales Of A Wayside Inn : Part. 1. The Musician's Tale; The Saga of King Olaf VI. -- The Wraith Of Odin

The guests were loud, the ale was strong,
King Olaf feasted late and long;
The hoary Scalds together sang;
O'erhead the smoky rafters rang.
Dead rides Sir Morten of Fogelsang.

The door swung wide, with creak and din;
A blast of cold night-air came in,
And on the threshold shivering stood
A one-eyed guest, with cloak and hood.
Dead rides Sir Morten of Fogelsang.

The King exclaimed, 'O graybeard pale!
Come warm thee with this cup of ale.'
The foaming draught the old man quaffed,
The noisy guests looked on and laughed.
Dead rides Sir Morten of Fogelsang.

Then spake the King: 'Be not afraid;
Sit here by me.' The guest obeyed,
And, seated at the table, told
Tales of the sea, and Sagas old.
Dead rides Sir Morten of Fogelsang.

And ever, when the tale was o'er,
The King demanded yet one more;
Till Sigurd the Bishop smiling said,
''T is late, O King, and time for bed.'
Dead rides Sir Morten of Fogelsang.

The King retired; the stranger guest
Followed and entered with the rest;
The lights were out, the pages gone,
But still the garrulous guest spake on.
Dead rides Sir Morten of Fogelsang.

As one who from a volume reads,
He spake of heroes and their deeds,
Of lands and cities he had seen,
And stormy gulfs that tossed between.
Dead rides Sir Morten of Fogelsang.

Then from his lips in music rolled
The Havamal of Odin old,
With sounds mysterious as the roar
Of billows on a distant shore.
Dead rides Sir Morten of Fogelsang.

'Do we not learn from runes and rhymes
Made by the gods in elder times,

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poem by Henry Wadsworth Longfellow
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The Iliad: Book 23

Thus did they make their moan throughout the city, while the
Achaeans when they reached the Hellespont went back every man to his
own ship. But Achilles would not let the Myrmidons go, and spoke to
his brave comrades saying, "Myrmidons, famed horsemen and my own
trusted friends, not yet, forsooth, let us unyoke, but with horse
and chariot draw near to the body and mourn Patroclus, in due honour
to the dead. When we have had full comfort of lamentation we will
unyoke our horses and take supper all of us here."
On this they all joined in a cry of wailing and Achilles led them in
their lament. Thrice did they drive their chariots all sorrowing round
the body, and Thetis stirred within them a still deeper yearning.
The sands of the seashore and the men's armour were wet with their
weeping, so great a minister of fear was he whom they had lost.
Chief in all their mourning was the son of Peleus: he laid his
bloodstained hand on the breast of his friend. "Fare well," he
cried, "Patroclus, even in the house of Hades. I will now do all
that I erewhile promised you; I will drag Hector hither and let dogs
devour him raw; twelve noble sons of Trojans will I also slay before
your pyre to avenge you."
As he spoke he treated the body of noble Hector with contumely,
laying it at full length in the dust beside the bier of Patroclus. The
others then put off every man his armour, took the horses from their
chariots, and seated themselves in great multitude by the ship of
the fleet descendant of Aeacus, who thereon feasted them with an
abundant funeral banquet. Many a goodly ox, with many a sheep and
bleating goat did they butcher and cut up; many a tusked boar
moreover, fat and well-fed, did they singe and set to roast in the
flames of Vulcan; and rivulets of blood flowed all round the place
where the body was lying.
Then the princes of the Achaeans took the son of Peleus to
Agamemnon, but hardly could they persuade him to come with them, so
wroth was he for the death of his comrade. As soon as they reached
Agamemnon's tent they told the serving-men to set a large tripod
over the fire in case they might persuade the son of Peleus 'to wash
the clotted gore from this body, but he denied them sternly, and swore
it with a solemn oath, saying, "Nay, by King Jove, first and mightiest
of all gods, it is not meet that water should touch my body, till I
have laid Patroclus on the flames, have built him a barrow, and shaved
my head- for so long as I live no such second sorrow shall ever draw
nigh me. Now, therefore, let us do all that this sad festival demands,
but at break of day, King Agamemnon, bid your men bring wood, and
provide all else that the dead may duly take into the realm of
darkness; the fire shall thus burn him out of our sight the sooner,
and the people shall turn again to their own labours."
Thus did he speak, and they did even as he had said. They made haste
to prepare the meal, they ate, and every man had his full share so
that all were satisfied. As soon as they had had had enough to eat and
drink, the others went to their rest each in his own tent, but the son
of Peleus lay grieving among his Myrmidons by the shore of the
sounding sea, in an open place where the waves came surging in one

[...] Read more

poem by Homer, translated by Samuel Butler
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October the Post Office Cat

Some thought she was a stray
That had come for scraps along the way
That might be left from the lunch
Of the post office staff; a kindly bunch.
But others knew her for what she was,
October the Post Office Cat.

She had a duty like any employee
To be on time and serve the public daily
And as any other as all know,
Had an official position just so.
October the Post Office Cat.

As soon as the walks were swept
And the doors were opened for the daily visits,
She found her space upon the walk
A bit removed so that none would balk
As they came to do their task or mail whatever.
October the Post Office Cat.

She often times was given the duty
Of minding some child whose custodian
Had business to attend
In dealing with the letters or packages within,
So she laid there carefully in the sun
Till end of day when her work was done.
October the Post Office Cat.

She was known by all who came along that way
Parking carefully throughout the day
Making sure that she was not disturbed
As she, her duties did perform.
Watching and listening to the sounds of pleasure
That only can be bestowed on one to treasure.
Yet adults knew not how to measure.
October the Post Office Cat.

On the post across the way
A yellow sign was placed on display
By the lady who ran the insurance office
Who wanted to be sure that others notice
That this was the path taken each day
As the cat came to begin her official stay.
October the Post Office Cat.

There came a time when she did not appear
And it was certainly a time to fear
That something had befallen this special one
Who worked so hard to please everyone
And the sign was removed so that all would know

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poem by Sidi J. Mahtrow
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XII. The Book and the Ring

Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!

After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.

"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.

[...] Read more

poem by Robert Browning from The Ring and the Book
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Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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poem by Samuel Butler
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Long, Tall Texan

One, two, three, four
Giddy up
Giddy up
Well Im a long tall texan
I ride a big white horse
(he rides from texas on a big white horse)
Well Im a long tall texan
I ride a big white horse
(he rides from texas on a big white horse)
Well people look at me and say
Hurrah hurrah is that your horse?
(he rides from texas on a big white horse)
Yeah
Well Im a long tall texan
I wear a ten gallon hat
(he rides from texas with a ten gallon hat)
Well Im a long tall texan
I wear a ten gallon hat
(he rides from texas with a ten gallon hat)
Well people look at me and say
Hurrah hurrah is that your hat?
(he rides from texas with a ten gallon hat)
Yeah
Well I was walkin down the street
With my shinin badge
My spurs jinglin down at my feet
I seen a man a comin
Comin with a gun
And I just cant be beat
Well Im a long tall texan
I enforce justice for the law
(he rides from texas to enforce the law)
Well Im a long tall texan
I enforce justice for the law
(he rides from texas to enforce the law)
Well people look at me and say
Hurrah hurrah are you the law?
(he rides from texas to enforce the law)

song performed by Beach Boys
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Another One Rides The Bus

(parody of queens another one bites the dust)
Riding in the bus down the boulevard
And the place was pretty packed (yeah!)
Couldnt find a seat so I had to stand
With the perverts in the back
It was smelling like a locker room
There was junk all over the floor
Were already packed in like sardines
But were stopping to pick up more, look out
(chorus)
Another one rides the bus
Another one rides the bus
Another comes on and another comes on
Another one rides the bus
Hey, hes gonna sit by you
Another one rides the bus
Theres a suitcase poking me in the ribs
Theres an elbow in my ear
Theres a smelly old bum standing next to me
Hasnt showered in a year
I think Im missing a contact lens
I think my wallets gone
And I think this bus is stopping again
To let a couple more freaks get on look out
(chorus)
(weird sound effects)
Another one rides the bus
Another one rides the bus
Another one rides the bus ow
Another one rides the bus hey hey
Another one rides the bus hey-ey-ey-ey
The window doesnt open and the fan is broke
And my face is turning blue (yeah)
I havent been in a crowd like this
Since I went to see the who
Well I shouldve got off a couple miles ago
But I couldnt get to the door
There isnt any room for me to breathe
And now were gonna pick up more
(chorus)

song performed by Weird Al Yankovic
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The Columbiad: Book VII

The Argument

Coast of France rises in vision. Louis, to humble the British power, forms an alliance with the American states. This brings France, Spain and Holland into the war, and rouses Hyder Ally to attack the English in India. The vision returns to America, where the military operations continue with various success. Battle of Monmouth. Storming of Stonypoint by Wayne. Actions of Lincoln, and surrender of Charleston. Movements of Cornwallis. Actions of Greene, and battle of Eutaw. French army arrives, and joins the American. They march to besiege the English army of Cornwallis in York and Gloster. Naval battle of Degrasse and Graves. Two of their ships grappled and blown up. Progress of the siege. A citadel mined and blown up. Capture of Cornwallis and his army. Their banners furled and muskets piled on the field of battle.

Thus view'd the Pair; when lo, in eastern skies,
From glooms unfolding, Gallia's coasts arise.
Bright o'er the scenes of state a golden throne,
Instarr'd with gems and hung with purple, shone;
Young Bourbon there in royal splendor sat,
And fleets and moving armies round him wait.
For now the contest, with increased alarms,
Fill'd every court and roused the world to arms;
As Hesper's hand, that light from darkness brings,
And good to nations from the scourge of kings,
In this dread hour bade broader beams unfold,
And the new world illuminate the old.

In Europe's realms a school of sages trace
The expanding dawn that waits the Reasoning Race;
On the bright Occident they fix their eyes,
Thro glorious toils where struggling nations rise;
Where each firm deed, each new illustrious name
Calls into light a field of nobler fame:
A field that feeds their hope, confirms the plan
Of well poized freedom and the weal of man.
They scheme, they theorize, expand their scope,
Glance o'er Hesperia to her utmost cope;
Where streams unknown for other oceans stray,
Where suns unseen their waste of beams display,
Where sires of unborn nations claim their birth,
And ask their empires in those wilds of earth.
While round all eastern climes, with painful eye,
In slavery sunk they see the kingdoms lie,
Whole states exhausted to enrich a throne,
Their fruits untasted and their rights unknown;
Thro tears of grief that speak the well taught mind,
They hail the æra that relieves mankind.

Of these the first, the Gallic sages stand,
And urge their king to lift an aiding hand.
The cause of humankind their souls inspired,
Columbia's wrongs their indignation fired;
To share her fateful deeds their counsel moved,
To base in practice what in theme they proved:
That no proud privilege from birth can spring,
No right divine, nor compact form a king;
That in the people dwells the sovereign sway,
Who rule by proxy, by themselves obey;

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poem by Joel Barlow
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Confessio Amantis. Explicit Liber Primus

Incipit Liber Secundus

Inuidie culpa magis est attrita dolore,
Nam sua mens nullo tempore leta manet:
Quo gaudent alii, dolet ille, nec vnus amicus
Est, cui de puro comoda velle facit.
Proximitatis honor sua corda veretur, et omnis
Est sibi leticia sic aliena dolor.
Hoc etenim vicium quam sepe repugnat amanti,
Non sibi, set reliquis, dum fauet ipsa Venus.
Est amor ex proprio motu fantasticus, et que
Gaudia fert alius, credit obesse sibi.

Now after Pride the secounde
Ther is, which many a woful stounde
Towardes othre berth aboute
Withinne himself and noght withoute;
For in his thoght he brenneth evere,
Whan that he wot an other levere
Or more vertuous than he,
Which passeth him in his degre;
Therof he takth his maladie:
That vice is cleped hot Envie.
Forthi, my Sone, if it be so
Thou art or hast ben on of tho,
As forto speke in loves cas,
If evere yit thin herte was
Sek of an other mannes hele?
So god avance my querele,
Mi fader, ye, a thousend sithe:
Whanne I have sen an other blithe
Of love, and hadde a goodly chiere,
Ethna, which brenneth yer be yere,
Was thanne noght so hot as I
Of thilke Sor which prively
Min hertes thoght withinne brenneth.
The Schip which on the wawes renneth,
And is forstormed and forblowe,
Is noght more peined for a throwe
Than I am thanne, whanne I se
An other which that passeth me
In that fortune of loves yifte.
Bot, fader, this I telle in schrifte,
That is nowher bot in o place;
For who that lese or finde grace
In other stede, it mai noght grieve:
Bot this ye mai riht wel believe,
Toward mi ladi that I serve,
Thogh that I wiste forto sterve,

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poem by John Gower
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Cursum Perficio

Cursum perficio
Cursum perficio
Cursum perficio
Cursum perficio
Cursum perficio
Verbum sapienti (eo plus cupiunt)
Verbum sapienti
Quo plus habent} eo plus cupiunt
Verbum sapienti
Quo plus habent} eo plus cupiunt
Post nubila, phoebus
Post nubila, phoebus
Post nubila, phoebus
Quo plus habent, eo plus cupiunt
Quo plus habent, eo plus cupiunt
Quo plus habent, eo plus cupiunt
Post nubila, phoebus
Post nubila, phoebus
Post nubila, phoebus
Post nubila, phoebus
Post nubila, phoebus
Post nubila, phoebus
Iternum
Iternum
Iternum

song performed by Enya
Added by Lucian Velea
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Whipping Post

I been run down, I been lied to,
I dont know why I let that mean woman make me a fool.
She took all my money, wrecked my new car.
Now shes with one of my goodtime buddies,
Theyre drinkin in some crosstown bar.
Sometimes I feel, sometimes I feel,
Like I been tied to the whipping post,
Tied to the whipping post,
Tied to the whipping post,
Good lord, I feel like Im dyin.
My friends tell me, that Ive been such a fool,
And I have to stand by and take it baby, all for lovin you.
Drown myself in sorrow, and I look at what youve down.
But nothin seems to change, the bad times stay the same,
And I cant run.
Sometimes I feel, sometimes I feel,
Like I been tied to the whipping post
Tied to the whipping post,
Tied to the whipping post,
Good lord, I feel like Im dyin.
Sometimes I feel, sometimes I feel,
Like I been tied to the whipping post
Tied to the whipping post,
Tied to the whipping post,
Good lord, I feel like Im dyin.
Transcribed by rich kulawiec, rsk@ecn.purdue.edu

song performed by Allman Brothers Band
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The Whipping Post

I been run down, i been lied to,
I don't know why i let that mean woman make me a fool.
She took all my money, wrecked my new car.
Now she's with one of my goodtime buddies,
They're drinkin' in some crosstown bar.
Sometimes i feel, sometimes i feel,
Like i been tied to the whipping post,
Tied to the whipping post,
Tied to the whipping post,
Good lord, i feel like i'm dyin'.
My friends tell me, that i've been such a fool,
And i have to stand by and take it baby, all for lovin' you.
Drown myself in sorrow, and i look at what you've down.
But nothin' seems to change, the bad times stay the same,
And i can't run.
Sometimes i feel, sometimes i feel,
Like i been tied to the whipping post
Tied to the whipping post,
Tied to the whipping post,
Good lord, i feel like i'm dyin'.
Sometimes i feel, sometimes i feel,
Like i been tied to the whipping post
Tied to the whipping post,
Tied to the whipping post,
Good lord, i feel like i'm dyin'.
Transcribed by rich kulawiec, rsk@ecn.purdue.edu

song performed by Allman Brothers Band
Added by Lucian Velea
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Report

What is report?
Report is established,
Not demanded.
Seduction to manipulate
Premeditated moves
Will not sit well with someone else
You wish to impress
With what you offer that's approved.
One seeking report
Leaves these aggressions at the door.
If not one will find rejection...
Without another reception.
And having report,
Is what one should never first ignore!

'You mean 'ree'pour? '
Report is like giving a grade.'

And 'ree'pour is like giving what?

'Having class! '

Well,
What do you get in a 'class'?

'A report! '

Let's see...
If you report to class with 'ree'pour',
You'll get a good grade!

poem by Lawrence S. Pertillar
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Orlando Furioso Canto 5

ARGUMENT
Lurcanio, by a false report abused,
Deemed by Geneura's fault his brother dead,
Weening the faithless duke, whom she refused,
Was taken by the damsel to her bed;
And her before the king and peers accused:
But to the session Ariodantes led,
Strives with his brother in disguise. In season
Rinaldo comes to venge the secret treason.

I
Among all other animals who prey
On earth, or who unite in friendly wise,
Whether they mix in peace or moody fray,
No male offends his mate. In safety hies
The she bear, matched with hers, through forest gray:
The lioness beside the lion lies:
Wolves, male and female, live in loving cheer;
Nor gentle heifer dreads the wilful steer.

II
What Fury, what abominable Pest
Such poison in the human heart has shed,
That still 'twixt man and wife, with rage possessed,
Injurious words and foul reproach are said?
And blows and outrage hase their peace molest,
And bitter tears still wash the genial bed;
Not only watered by the tearful flood,
But often bathed by senseless ire with blood?

III
Not simply a rank sinner, he appears
To outrage nature, and his God to dare,
Who his foul hand against a woman rears,
Or of her head would harm a single hair.
But who what drug the burning entrail sears,
Or who for her would knife or noose prepare,
No man appears to me, though such to sight
He seem, but rather some infernal sprite.

IV
Such, and no other were those ruffians two,
Whom good Rinaldo from the damsel scared,
Conducted to these valleys out of view,
That none might wot of her so foully snared.
I ended where the damsel, fair of hue,
To tell the occasion of her scathe prepared,
To the good Paladin, who brought release;
And in conclusion thus my story piece.

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poem by Ludovico Ariosto
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The Sliprails and the Spur

The colours of the setting sun
Withdrew across the Western land --
He raised the sliprails, one by one,
And shot them home with trembling hand;
Her brown hands clung -- her face grew pale --
Ah! quivering chin and eyes that brim! --
One quick, fierce kiss across the rail,
And, `Good-bye, Mary!' `Good-bye, Jim!'
Oh, he rides hard to race the pain
Who rides from love, who rides from home;
But he rides slowly home again,
Whose heart has learnt to love and roam.

A hand upon the horse's mane,
And one foot in the stirrup set,
And, stooping back to kiss again,
With `Good-bye, Mary! don't you fret!
When I come back' -- he laughed for her --
`We do not know how soon 'twill be;
I'll whistle as I round the spur --
You let the sliprails down for me.'

She gasped for sudden loss of hope,
As, with a backward wave to her,
He cantered down the grassy slope
And swiftly round the dark'ning spur.
Black-pencilled panels standing high,
And darkness fading into stars,
And blurring fast against the sky,
A faint white form beside the bars.

And often at the set of sun,
In winter bleak and summer brown,
She'd steal across the little run,
And shyly let the sliprails down.
And listen there when darkness shut
The nearer spur in silence deep;
And when they called her from the hut
Steal home and cry herself to sleep.

. . . . .

{Some editions have four more lines here.}
And he rides hard to dull the pain
Who rides from one that loves him best;
And he rides slowly back again,
Whose restless heart must rove for rest.

poem by Henry Lawson
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The Battle Of The Lake Regillus

A Lay Sung at the Feast of Castor and Pollux on the Ides of Quintilis in the year of the City CCCCLI.

I.
Ho, trumpets, sound a war-note!
Ho, lictors, clear the way!
The Knights will ride, in all their pride,
Along the streets to-day.
To-day the doors and windows
Are hung with garlands all,
From Castor in the Forum,
To Mars without the wall.
Each Knight is robed in purple,
With olive each is crowned;
A gallant war-horse under each
Paws haughtily the ground.
While flows the Yellow River,
While stands the Sacred Hill,
The proud Ides of Quintilis
Shall have such honor still.
Gay are the Martian Kalends,
December's Nones are gay,
But the proud Ides, when the squadron rides,
Shall be Rome's whitest day.

II.
Unto the Great Twin Brethren
We keep this solemn feast.
Swift, swift, the Great Twin Brethren
Came spurring from the east.
They came o'er wild Parthenius
Tossing in waves of pine,
O'er Cirrha's dome, o'er Adria's foam,
O'er purple Apennine,
From where with flutes and dances
Their ancient mansion rings,
In lordly Lacedaemon,
The City of two kings,
To where, by Lake Regillus,
Under the Porcian height,
All in the lands of Tusculum,
Was fought the glorious fight.

III.
Now on the place of slaughter
Are cots and sheepfolds seen,
And rows of vines, and fields of wheat,
And apple-orchards green;
The swine crush the big acorns
That fall from Corne's oaks.

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poem by Thomas Babbington Macaulay
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Sumthin For That Ass

Everybody report to the dance floor,
report to the dance floor
Oooooooooh
Oooooooooh
Oooooooooh
Oooooooooh (come on)
Oooooooooh (heat's keeping us on this dance floor)
Oooooooooh (everybody report to the dance floor)
Oooooooooh (report to the dance floor)
(come on)
What the hell y'all came here for
If y'all ain't out there on that floor
You asked me to bring it so
I brang you more
Give it to you raw,
give it to you hard core,
Lock the terminator gonna keep this pure
Just for y'all, for y'all pleasure (your pleasure, pleasure)
Smoking hot like bim cigars
This goes out to mam in car
Strut
Hey ladies lets get down
Spin your partners round and round (round and round and round)
wait on your back and dosedo
don't say nothin' if you dosedoed
(oh no)
Let's scream and shout
And turn this jamboree-out
Thats just what we're gonna do
'cause I'm proud that it is makin' way for you.
I got sumthin for that a** (I got sumthin for that a**)
You could feel it in the car (you could feel it in the car)
I just want to see you dance (I just want to see you dance)
Nows the time for y'all to move (so come on keep movin')
Let's keep this sh** moving (keep on moving)
Get on down and put the groove in (groove, groove)
This party ain't never gonna end since
right when it stop we're gonna start it again (start again)
The way she always by the ten
and the mens outside and they can't get in
Damn they're so spectacularly
see so much damn a** in here (here, here)
Hey ladies lets get down (lets get down)
Move them fella's round and round
wiggle down your hips and dosedo
don't say nothin' if you dosedoed
let's scream and shout
if your up against the wall get the hell on out
That's n-o-t-o-i-r-o-u-s you just follow your soul and then
I've got somthin for dat a** (I got somthin for dat a**)

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song performed by Black Eyed Peas
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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