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A good cow may hae an ill calf.

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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.


10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.


Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

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The Purple Cow Parodies

Gelett Burgess' original poem…

A Purple Cow

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.


Poem parodied in the
style of…


John Milton


Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!


Percy Bysshe Shelley


Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.

The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.

We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.

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The Bloody Sun

“O WHERE have ye been the morn sae late,
My merry son, come tell me hither?
O where have ye been the morn sae late?
And I wot I hae but anither.”
“By the water-gate, by the water-gate,
O dear mither.”

“And whatten kin’ o’ wark had ye there to make,
My merry son, come tell me hither?
And whatten kin’ o’ wark had ye there to make?
And I wot I hae but anither.”
“I watered my steeds with water frae the lake,
O dear mither.”

“Why is your coat sae fouled the day,
My merry son, come tell me hither?
Why is your coat sae fouled the day?
And I wot I hae but anither.”
“The steeds were stamping sair by the weary banks of clay,
O dear mither.”

“And where gat ye thae sleeves of red,
My merry son, come tell me hither?
And where gat ye thae sleeves of red?
And I wot I hae but anither.”
“I have slain my ae brither by the weary water-head,
O dear mither.”

“And where will ye gang to mak your mend,
My merry son, come tell me hither?
And where will ye gang to mak your mend?
And I wot I hae not anither.”
“The warldis way, to the warldis end,
O dear mither.”

“And what will ye leave your father dear,
My merry son, come tell me hither?
And what will ye leave your father dear?
And I wot I hae not anither.”
“The wood to fell and the logs to bear,
For he’ll never see my body mair,
O dear mither.”

“And what will ye leave your mither dear,
My merry son, come tell me hither?
And what will ye leave your mither dear?
And I wot I hae not anither.”
“The wool to card and the wool to wear,
For ye’ll never see my body mair,
O dear mither.”

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Cow

Aw, go write yer tinklin' jingle, an' yer pretty phrases mingle,
Fer the mamby-pamby girl, all fluffy frill an' shinin' silk.
Them's the sort ter fetch yer trouble, when yer tries 'em, in the double.
Blow yer beauty! Wot's the matter with the maiden 'oo kin milk?
Them there rhymers uv the wattle! An' the bardlet uv the bottle -
'Im that sings uv sparklin' wine, an' does a perish fer the beer;
An' yer slap-dash 'orsey po-it! Garn! If you blokes only know it,
You 'ave missed the single subjec' fit ter rhyme about down 'ere.
An' although I ain't a bard, with bloomin' bays upon me brow,
I kinsider that it's up ter me ter sing about The Cow.
Cow, Cow
(Though it ain't a pretty row,
It's a word that 'ipnertises me; I couldn't tell yer 'ow.)
Though I ain't a gifted rhymer,
Nor a blamed Parnassus climber,
I'm inspired ter sing a tune er two about the Blessed Cow.

0h, the cow-bells are a-tinklin', and the daisies are a twinklin'
Well, that ain't the style ersackly I intended fer to sing.
'Ark, was over music greater then the buzzin' sepy-rater,
Coinin' gaily money daily fer the - no, that's not the thing!
'Omeward comes the cows a-lowin', an' the butter-cups are blowin';
But there's better butter in the - Blarst ! That ain't the proper way
See the pretty milkmaid walkin' - aw, it ain't no use er talkin'.
Listen 'ere, I want ter tell yer this: A cow's ther thing ter pay!
Sell yer 'orses, sell yer arrers, an' yer reapers, an' yer plough;
If yer want yer land ter pay yer, sacrifice yer life ter Cow
Cow, Cow
Sittin' underneath the bough,
With a bail, an' with a pail, an' with a little stool, an' thou
Kickin' when I pull yer teat there,
Swishin' flies, the pretty creatur.
Ah, there ain't no music sweeter - money squirtin' from the Cow.

Take away the wine-cup; take it. An' the foamin' flagon, break it.
Brimmin' cups uv butter-milk'll set yer glowin' thro' an' thro';
An' the reason I'm teetotal is becos me thrifty throat'll
Jest refuse ter swaller stuff that's costin' me a precious sou.
Once I wus a sinful spender. Used ter go a roarin' bender
Used ter often spend a thruppence when ther' wasn't any need.
An' the many ways I've busted money, when I should er trusted
It ter cattle an' erconomy, 'ud cause yer 'eart ter bleed
But I'm glad, me friends, that godliness 'as made me careful now;
Tho' I lorst the thing wot's next it when I cottoned ter the Cow.
Cow, Cow
Trudin' thro' the sloppy slough.
Ah, I once despised the Jews, but I kin under-stand 'em now
When they needed elevatin',
An' ole Moses kep' 'em waitin'
Fer religi'n, they went straight 'n' sorter substichooted Cow.

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Robert Burns

O Tibbie, I Hae Seen The Day

Tune - "Invercauld's Reel, or Strathspey."

Choir. - O Tibbie, I hae seen the day,
Ye wadna been sae shy;
For laik o' gear ye lightly me,
But, trowth, I care na by.

Yestreen I met you on the moor,
Ye spak na, but gaed by like stour;
Ye geck at me because I'm poor,
But fient a hair care I.
O Tibbie, I hae seen the day, &c.

When coming hame on Sunday last,
Upon the road as I cam past,
Ye snufft and ga'e your head a cast-
But trowth I care't na by.
O Tibbie, I hae seen the day, &c.

I doubt na, lass, but ye may think,
Because ye hae the name o' clink,
That ye can please me at a wink,
Whene'er ye like to try.
O Tibbie, I hae seen the day, &c.

But sorrow tak' him that's sae mean,
Altho' his pouch o' coin were clean,
Wha follows ony saucy quean,
That looks sae proud and high.
O Tibbie, I hae seen the day, &c.

Altho' a lad were e'er sae smart,
If that he want the yellow dirt,
Ye'll cast your head anither airt,
And answer him fu' dry.
O Tibbie, I hae seen the day, &c.

But, if he hae the name o' gear,
Ye'll fasten to him like a brier,
Tho' hardly he, for sense or lear,
Be better than the kye.
O Tibbie, I hae seen the day, &c.

But, Tibbie, lass, tak' my advice:
Your daddie's gear maks you sae nice;
The deil a ane wad speir your price,
Were ye as poor as I.
O Tibbie, I hae seen the day, &c.

There lives a lass beside yon park,

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Jock O The Side

Now Liddisdale has ridden a raid,
But I wat they had better staid at hame;
For Mitchell o Winfield he is dead,
And my son Johnie is prisner tane?
With my fa ding diddle, la la dew diddle.

For Mangerton house auld Downie is gane,
Her coats she has kilted up to her knee;
And down the water wi speed she rins,
While tears in spaits fa fast frae her eie.

Then up and bespake the lord Mangerton:
'What news, what news, sister Downie, to me?'
'Bad news, bad news, my lord Mangerton;
Mitchel is killd, and tane they hae my son Johnie.'

'Neer fear, sister Downie,' quo Mangerton;
'I hae yokes of oxen, four-and-twentie,
My barns, my byres, and my faulds, a' weel filld,
And I'll part wi them a' ere Johnie shall die.

'Three men I'll take to set him free,
Weel harnessd a' wi best of steel;
The English rogues may hear, and drie
The weight o their braid swords to feel

'The Laird's Jock ane, the Laird's Wat twa,
O Hobie Noble, thou ane maun be!
Thy coat is blue, thou has been true,
Since England banishd thee, to me.'

Now, Hobie was an English man,
In Bewcastle-dale was bred and born;
But his misdeeds they were sae great,
They banished him neer to return.

Lord Mangerton then orders gave,--
'Your horses the wrang way maun a' be shod;
Like gentlemen ye must not seem,
But look like corn-caugers gawn ae road.

'Your armour gude ye maunna shaw,
Nor ance appear like men o weir;
As country lads be all arrayd,
Wi branks and brecham on ilk mare.'

Sae now a' their horses are shod the wrang way,
And Hobie has mounted his grey sae fine,
Jock his lively bay, Wat's on his white horse behind,
And on they rode for the water o Tyne.

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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST


a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

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I'll Be There

Shane:
Ooh yeah
You and I must make a pact
We must bring salvation back
Where there is love
Ill be there
(Ill be there)
Ill reach out my hand to you
Ill have faith, you know you do
Just call my name
And Ill be there
(Ill be there)
Mark:
Woh oh yeah
All:
Ill be there to comfort you
Ill build my world of dreams around you
Im so glad that Ive found you
Ill be there with love thats strong
Ill be your strength
Ill be holding on and on
Shane:
Oh yes I will
Mark:
Let me fill your heart with joy and laughter
Togetherness
Well thats all Im after
Whenever you need me
Ill be there
(Ill be there)
Ill be there to protect you
With a unselfish love, and respect you
Just call my name
Ill be there
(Ill be there)
All:
Ill be there to comfort you
Ill build my world of dreams around you
Im so glad that Ive found you
Ill be there with love thats strong
Ill be your strength
Ill keep holding on and on
Shane:
Oh yeah
Mark:
If you should ever find someone new
I know he better be good to you oh
Shane:
Cos if he doesnt
Then Ill be there

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Edward, Edward. A Scottish Ballad

MODERN TRANSLATION (original below)

'Why does your sword so drip with blood,
Edward, Edward?
Why does your sword so drip with blood?
And why so sad are ye, O?'
'O, I have killed my hawk so good,
Mother, mother:
O I have killed my hawk so good:
And I had no more but he, O.'

'Your hawk's blood was never so red,
Edward, Edward:
Your hawk’s blood was never so red,
My dear son I tell thee, O.'
'O, I have killed my red-roan steed,
Mother, mother:
O, I have killed my red-roan steed,
That once was so fair and free, O.'

'Your steed was old, and we have got more,
Edward, Edward:
Your steed was old, and we have got more,
Some other evil ye fear, O.'
'O, I have killed my father dear,
Mother, mother:
O, I have killed my father dear,
Alas! and woe is me, O!'

'And what penance will ye suffer for that,
Edward, Edward?
And what penance will ye suffer for that?
My dear son, now tell me, O.'
'I'll set my feet in yonder boat,
Mother, mother:
I’ll set my feet in yonder boat,
And I’ll fare over the sea, O.'

'And what will ye do with your towers and your halls,
Edward, Edward?
And what will ye do with your towers and your halls,
That were sae fair to see, O?'
'I’ll let them stand till they down fall,
Mother, mother:
I’ll let them stand till they down fall,
For here never more may I be, O.'

'And what will ye leave to your children and your wife,
Edward, Edward?
And what will ye leave to your children and your wife

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Robert Burns

Death and Doctor Hornbook

SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n Ministers they hae been kenn’d,
In holy rapture,
A rousing whid, at times, to vend,
And nail’t wi’ Scripture.

But this that I am gaun to tell,
Which lately on a night befel,
Is just as true ’s the Deil’s in hell,
Or Dublin city:
That e’er he nearer comes oursel
’S a muckle pity.

The Clachan yill had made me canty,
I was na fou, but just had plenty;
I stacher’d whyles, but yet took tent ay
To free the ditches;
An’ hillocks, stanes, an’ bushes kenn’d ay
Frae ghaists an’ witches.

The rising Moon began to glowr
The distant Cumnock hills out-owre;
To count her horns, wi’ a’ my pow’r,
I set mysel,
But whether she had three or four,
I cou’d na tell.

I was come round about the hill,
And todlin down on Willie’s mill,
Setting my staff wi’ a’ my skill,
To keep me sicker;
Tho’ leeward whyles, against my will,
I took a bicker.

I there wi’ Something does forgather,
That pat me in an eerie swither;
An awfu’ scythe, out-owre ae shouther,
Clear-dangling, hang;
A three-tae’d leister on the ither
Lay, large an’ lang.

Its stature seem’d lang Scotch ells twa,
The queerest shape that e’er I saw,
For fient a wame it had ava,
And then its shanks,
They were as thin, as sharp an’ sma’
As cheeks o’ branks.

»Guid-een«, quo I; »Friend! hae ye been mawin,

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Edward, Edward

'WHY does your brand sae drop wi' blude,
   Edward, Edward?
Why does your brand sae drop wi' blude,
   And why sae sad gang ye, O?'
'O I hae kill'd my hawk sae gude,
   Mither, mither;
O I hae kill'd my hawk sae gude,
   And I had nae mair but he, O.'

'Your hawk's blude was never sae red,
   Edward, Edward;
Your hawk's blude was never sae red,
   My dear son, I tell thee, O.'
'O I hae kill'd my red-roan steed,
   Mither, mither;
O I hae kill'd my red-roan steed,
   That erst was sae fair and free, O.'

'Your steed was auld, and ye hae got mair,
   Edward, Edward;
Your steed was auld, and ye hae got mair;
   Some other dule ye dree, O.'
'O I hae kill'd my father dear,
   Mither, mither;
O I hae kill'd my father dear,
   Alas, and wae is me, O!'

'And whatten penance will ye dree for that,
   Edward, Edward?
Whatten penance will ye dree for that?
   My dear son, now tell me, O.'
'I'll set my feet in yonder boat,
   Mither, mither;
I'll set my feet in yonder boat,
   And I'll fare over the sea, O.'

'And what will ye do wi' your tow'rs and your ha',
   Edward, Edward?
And what will ye do wi' your tow'rs and your ha',
   That were sae fair to see, O?'
'I'll let them stand till they doun fa',
   Mither, mither;
I'll let them stand till they doun fa',
   For here never mair maun I be, O.'

'And what will ye leave to your bairns and your wife,
   Edward, Edward?
And what will ye leave to your bairns and your wife,
   When ye gang owre the sea, O?'
'The warld's room: let them beg through life,

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Edward, Edward

Why dois your brand sae drap wi' bluid,
Edward, Edward?
Why dois your brand sae drap wi' bluid?
And why sae sad gang ye, O?
O, I hae killed my hauke sae guid,
Mither, mither,
O, I hae killed my hauke sae guid,
And I had nae mair bot hee, O.

Your haukis bluid was nevir sae reid,
Edward, Edward,
Your haukis bluid was nevir sae reid,
My deir son I tell thee, O.
O, I hae killed my reid-roan steid,
Mither, mither,
O, I hae killed my reid-roan steid,
That erst was sae fair and frie, O.

Your steid was auld, and ye hae gat mair,
Edward, Edward,
Your steid was auld, and ye hae gat mair,
Sum other dule ye drie, O.
O, I hae killed my fadir deir,
Mither, mither,
O, I hae killed my fadir deir,
Alas, and wae is mee, O.

And whatten penance wul ye drie for that,
Edward, Edward?
And whatten penance will ye drie for that?
My deir son, now tell me, O.
Ile set my feit in yonder boat,
Mither, mither,
Il set my feit in yonder boat,
And Ile fare ovir the sea, O.

And what wul ye doe wi' your towirs and your ha',
Edward, Edward?
And what wul ye doe wi' your towirs and your ha',
That were sae fair to see, O?
Ile let thame stand tul they doun fa',
Mither, mither,
Ile let thame stand tul they doun fa',
For here nevir mair maun I bee, O.

And what wul ye leive to your bairns and your wife,
Edward, Edward?
And what wul ye leive to your bairns and your wife,
Whan ye gang ovir the sea, O?
The warldis room, late them beg thrae life,

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Milkcow Calf Blues

(Robert Johnson)
Tell me, milk cow, what on earth is wrong with you?
Tell me, milk cow, what on earth is wrong with you?
Well, well, you have a new calf, hoo hoo, and your milk is turnin' blue
Your calf is hungry, and I believe he needs a suck
[Spoken:] Now, you know that calf done got hungry
Your calf is hungry, and I believe he needs a suck
Well, now, but the milk is turnin' blue, hoo hoo, and I believe he's outta luck
Now I feel like milkin' and my, cow won't come
I feel like churnin' it and my, milk won't turn
I'm cryin' plea-hease, please, don't do me wrong
You can give-a right milk and butter, now, baby, you-hoo, will stay at home
My milk cow been ramblin', hoo hoo, for miles around
My milk cow been ramblin', hoo hoo, for miles around
She been troublin' some other bull cow, hoo hoo
Lord, in this man's town

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Be Good Johnny

Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!

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Edward, Edward

'Why does your brand sae drop wi' blude,
Edward, Edward?
Why does your brand sae drop wi' blude
And why sae sad gang ye, O?'
'O I hae killed my hawk sae gude,
Mither, mither;
O I hae killed my hawk sae gude,
And I hae nae mair but he, O.'

'Your hawk's blude was never sae red,
Edward, Edward;
Your hawk's blude was never sae red,
My dear son, I tell thee, O.'
'O I hae killed my red-roan steed,
Mither, mither;
O I hae killed my red-roan steed,
That was sae fair and free, O.'

'Your steed was auld, and ye've plenty mair,
Edward, Edward;
Your steed was auld, and ye've plenty mair;
Some ither dule ye dree, O.'
'O I hae killed my father dear,
Mither, mither;
O I hae killed my father dear,
Alas, and wae is me, O!'

'And whatten penance will ye dree for that,
Edward, Edward?
Whatten penance will ye dree for that?
My dear son, now tell me, O.'
'I'll set my feet in yonder boat,
Mither, mither;
I'll set my feet in yonder boat,
And I'll fare over the sea, O.'

'And what will ye do wi' your tow'rs and your ha',
Edward, Edward?
And what will ye do wi' your tow'rs and your ha',
That were sae fair to see, O?'
'I'll let them stand till they doun fa',
Mither, mither;
I'll let them stand till they doun fa',
For here never mair maun I be, O.'

'And what will ye leave to your bairns and your wife,
Edward, Edward?
And what will ye leave to your bairns and your wife,
When ye gang ower the sea, O?'
'The warld's room: let them beg through life,

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Robert Burns

Auld Farmer's New-Year-Morning Salutation to His Auld Mare, Maggie On giving her the accustomed ripp of corn to hansel in the New-Year, The

A Guide New-year I wish thee, Maggie!
Hae, there's a ripp to thy auld baggie:
Tho' thou's howe-backit now, an' knaggie,
I've seen the day
There could hae gaen like ony staggie,
Out-owre the lay.

Tho' now thou's dowie, stiff an' crazy,
An' thy auld hide as white's a daisie,
I've seen the dappl't, sleek an' glaizie,
A bonie gray:
He should been tight that daur't to raize thee,
Ance in a day.

Thou ance was i' the foremost rank,
A filly buirdly, steeve an' swank;
An' set weel down a shapely shank,
As e'er tread yird;
An' could hae flown out-owre a stank,
Like ony bird.

It's now some nine-an'-twenty year,
Sin' thou was my guid-father's mear;
He gied me thee, o' tocher clear,
An' fifty mark;
Tho' it was sma', 'twas weel-won gear,
An' thou was stark.

When first I gaed to woo my Jenny,
Ye then was trotting wi' your minnie:
Tho' ye was trickie, slee, an funnie,
Ye ne'er was donsie;
But hamely, tawie, quiet, an' cannie,
An' unco sonsie.

That day, ye pranc'd wi' muckle pride,
When ye bure hame my bonie bride:
An' sweet an' gracefu' she did ride,
Wi' maiden air!
Kyle-Stewart I could bragged wide
For sic a pair.

Tho' now ye dow but hoyte and hobble,
An' wintle like a saumont coble,
That day, ye was a jinker noble,
For heels an' win'!
An' ran them till they a' did wauble,
Far, far, behin'!

When thou an' I were young an' skeigh

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Robert Burns

The Auld Farmer's New-Year-Morning Salutation to His Auld Mare , Maggie

A Guide New-year I wish thee, Maggie!
Hae, there's a ripp to thy auld baggie:
Tho' thou's howe-backit now, an' knaggie,
I've seen the day
There could hae gaen like ony staggie,
Out-owre the lay.

Tho' now thou's dowie, stiff an' crazy,
An' thy auld hide as white's a daisie,
I've seen the dappl't, sleek an' glaizie,
A bonie gray:
He should been tight that daur't to raize thee,
Ance in a day.

Thou ance was i' the foremost rank,
A filly buirdly, steeve an' swank;
An' set weel down a shapely shank,
As e'er tread yird;
An' could hae flown out-owre a stank,
Like ony bird.

It's now some nine-an'-twenty year,
Sin' thou was my guid-father's mear;
He gied me thee, o' tocher clear,
An' fifty mark;
Tho' it was sma', 'twas weel-won gear,
An' thou was stark.

When first I gaed to woo my Jenny,
Ye then was trotting wi' your minnie:
Tho' ye was trickie, slee, an funnie,
Ye ne'er was donsie;
But hamely, tawie, quiet, an' cannie,
An' unco sonsie.

That day, ye pranc'd wi' muckle pride,
When ye bure hame my bonie bride:
An' sweet an' gracefu' she did ride,
Wi' maiden air!
Kyle-Stewart I could bragged wide
For sic a pair.

Tho' now ye dow but hoyte and hobble,
An' wintle like a saumont coble,
That day, ye was a jinker noble,
For heels an' win'!
An' ran them till they a' did wauble,
Far, far, behin'!

When thou an' I were young an' skeigh

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