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A good fire gives the cook latitude.

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Five Visions Of Captain Cook

I
COOK was a captain of the Admiralty
When sea-captains had the evil eye,
Or should have, what with beating krakens off
And casting nativities of ships;
Cook was a captain of the powder-days
When captains, you might have said, if you had been
Fixed by their glittering stare, half-down the side,
Or gaping at them up companionways,
Were more like warlocks than a humble man—
And men were humble then who gazed at them,
Poor horn-eyed sailors, bullied by devils' fists
Of wind or water, or the want of both,
Childlike and trusting, filled with eager trust—
Cook was a captain of the sailing days
When sea-captains were kings like this,
Not cold executives of company-rules
Cracking their boilers for a dividend
Or bidding their engineers go wink
At bells and telegraphs, so plates would hold
Another pound. Those captains drove their ships
By their own blood, no laws of schoolbook steam,
Till yards were sprung, and masts went overboard—
Daemons in periwigs, doling magic out,
Who read fair alphabets in stars
Where humbler men found but a mess of sparks,
Who steered their crews by mysteries
And strange, half-dreadful sortilege with books,
Used medicines that only gods could know
The sense of, but sailors drank
In simple faith. That was the captain
Cook was when he came to the Coral Sea
And chose a passage into the dark.
How many mariners had made that choice
Paused on the brink of mystery! 'Choose now!'
The winds roared, blowing home, blowing home,
Over the Coral Sea. 'Choose now!' the trades
Cried once to Tasman, throwing him for choice
Their teeth or shoulders, and the Dutchman chose
The wind's way, turning north. 'Choose, Bougainville!'
The wind cried once, and Bougainville had heard
The voice of God, calling him prudently
Out of a dead lee shore, and chose the north.
The wind's way. So, too, Cook made choice,
Over the brink, into the devil's mouth,
With four months' food, and sailors wild with dreams
Of English beer, the smoking barns of home.
So Cook made choice, so Cook sailed westabout,
So men write poems in Australia.
II

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Fire Ferocious

Fire! Fire! Ferocious fire!
You restless wall of flame.
Fire! Fire! Roaring higher!
Your fury to never tame.

You show no mercy – no regard:
A writhing army uncontrolled.
At least you don’t discriminate,
Selecting to exterminate:
All dealt with equal pain untold.

Fire! Fire! Ferocious fire!
You restless wall of flame.
Fire! Fire! Roaring higher!
Your fury to never tame.

In time of drought you run amok –
An open chimney of the land.
Prefer to scorch than suffocate:
In blinding zeal, incinerate
To blackened vista now unmanned.

Fire! Fire! Ferocious fire!
You restless wall of flame.
Fire! Fire! Roaring higher!
Your fury to never tame.

Destruction be your only goal
For you to vent your jealous wrath
On gentle life with caring soul
And human victims to console:
As you are none, but psychopath.

Fire! Fire! Ferocious fire!
You restless wall of flame.
Fire! Fire! Roaring higher!
Your fury to never tame.

So there it is – you are but flame:
Reacting gases to adorn –
With orange flicks of flailing arms,
You’re flaunting your demonic charms!
Now leave us for bereaved to mourn.

Fire! Fire! Ferocious fire!
You restless wall of flame.
Fire! Fire! Roaring higher!
Your fury to never tame.

So many lives to claim.

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My Chinee Cook

They who say the bush is dull are not so very far astray,
For this eucalyptic cloisterdom is anything but gay;
But its uneventful dulness I contentedly could brook,
If I only could get back my lost, lamented Chinee cook.

We had tried them without number—cooks, to wit—my wife and I;
One a week, then three a fortnight, as my wife can testify;
But at last we got the right one; I may say 'twas by a fluke,
For he dropped in miscellaneous-like, that handy Chinee cook,

He found the kitchen empty, laid his swag down, and commenced;
My wife, surprised, found nothing to say anything against;
But she asked him for how much a year the work he undertook—
“Me workee for me ration,” said that noble Chinee cook.

Then right off from next to nothing such a dinner he prepared,
That the Governor I'm certain less luxuriously fared;
And he waited, too, in spotless white, with such respectful look,
And bowed his head when grace was said, that pious Chinee cook.

He did the work of man and maid—made beds and swept out rooms;
Nor cooled he in his zeal, as is the manner of new brooms:
Oh, he shed celestial brightness on the most sequestered nook,
For his mop and pail were everywhere—my cleanly Chinee cook.

We got fat upon his cooking; we were happy in those days,
For he tickled up our palates in a thousand pleasant ways.
Oh his dinners! Oh his dinners! they were fit for any duke!
Oh delectable Mongolian! Oh celestial Chinee cook!

There was nothing in creation that he didn't put to use,
And the less he got to cook with, all the more he could produce,
All nature was his kitchen range, likewise his cook'ry book—
Neither Soyer nor Meg Dod could teach that knowing Chinee cook.

And day by day upon my wife and me the mystery grew,
How his virtues were so many and his earnings were so few;
And we laid our heads together to find out by hook or crook,
The secret of the cheapness of that priceless Chinee cook.
And still the sense of mystery grew on us day by day,
Till it came to be a trouble, and we wished him well away;
But we could not find a fault in one so far above rebuke—
Ah, we didn't know the value of that valuable cook.

But one day when I was out he brought my wife a lot of things,
Turquoise earrings, opal bracelets, ruby brooches, diamond rings,

And he ran their various prices o'er as glibly as a book,
And dirt cheap, too, were the jewels of that jewel of a cook.

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Looking For A Goose To Cook

When you find that you've been saddled for a ride...
Move your hoofs.
When you find that you've been saddled for a ride...
Someone's got you hooked!

When you find that you've been saddled for a ride...
Move your hoofs.
When you find that you've been saddled for a ride...
Someone's got you hooked!

I know,
When I'm hooked.
I can't,
Move my hoofs.
And I don't want to be,
Saddled down...
By a lover,
Looking for a goose to cook.

I know,
When I'm hooked.
I can't,
Move my hoofs.
And I don't want to be,
Saddled down...
By a lover,
Looking for a goose to cook.

When you find that you've been saddled for a ride...
Move your hoofs.
When you find that you've been saddled for a ride...
Someone's got you hooked!

I know,
When I'm hooked.
I can't,
Move my hoofs.
And I don't want to be,
Saddled down...
By a lover...
Looking for a goose to cook.

Many looking at a saddled goose to cook.
And I don't want to be a saddled goose to cook.
Many looking at a saddled goose to cook.
And I don't want to be a saddled goose to cook.

I know,
When I'm hooked.
I can't,

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Joseph’s Dreams and Reuben's Brethren [A Recital in Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.

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Cook Of The House

Ground rice, sugar, vinegar, seco salt, macaroni too,
Cook of the house,
Im the cook of the house.
No matter where I serve my guests,
They seem to like the kitchen best cause Im the cook of the house,
Cook of the house.
The salads in the bowl,
The rice is on the stove.
Green beans in the colander and where the res is heaven only knows.
Cinnamon, garlic, salt, pepper, corn-bread, curry powder, coffee too,
Cook of the house,
Im the cook of the house.
No, matter where I serve my guests,
They seem to like the kitchen best.
cause Im the cook of the house,
Cook of the house.
Where the rest is heaven only knows.
Matter where I serve my guests,
They seem to like the kitchen best cause Im the cook of the house.
Cook of the house,
Cook of the house,
Im the cook of the house.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Be Good Johnny

Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!

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The Yarn of the Nancy Bell

'Twas on the shores that round our coast
From Deal to Ramsgate span,
That I found alone on a piece of stone
An elderly naval man.

His hair was weedy, his beard was long,
And weedy and long was he,
And I heard this wight on the shore recite,
In a singular minor key:

"Oh, I am a cook and a captain bold,
And the mate of the NANCY brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig."

And he shook his fists and he tore his hair,
Till I really felt afraid,
For I couldn't help thinking the man had been drinking,
And so I simply said:

"Oh, elderly man, it's little I know
Of the duties of men of the sea,
And I'll eat my hand if I understand
However you can be

"At once a cook, and a captain bold,
And the mate of the NANCY brig,
And a bo'sun tight, and a midshipmite,
And the crew of the captain's gig."

Then he gave a hitch to his trousers, which
Is a trick all seamen larn,
And having got rid of a thumping quid,
He spun this painful yarn:

"'Twas in the good ship NANCY BELL
That we sailed to the Indian Sea,
And there on a reef we come to grief,
Which has often occurred to me.

"And pretty nigh all the crew was drowned
(There was seventy-seven o' soul),
And only ten of the NANCY'S men
Said 'Here!' to the muster-roll.

"There was me and the cook and the captain bold,
And the mate of the NANCY brig,
And the bo'sun tight, and a midshipmite,
And the crew of the captain's gig.

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Out Of The Frying Pan

out of the frying pan (and into the fire)
It's only two o'clock and the temperture's beginning to soar
And all around the city you see the walking wounded and the living dead
It's never been this hot and i've never been so bored
And breathing is just no fun anymore
And then i saw you like a summer dream
And you're the answer to every prayer that i ever said
I saw you like a summer dream
And you're the answer to every prayer that i ever said
You can feel the pulse of the pavement racing like a runaway horse
The subways are steaming and the skin of the street is gleaming with sweat
I've seen you sitting on the steps outside
And you were looking so restless and reckless and lost
I think it's time for you to come inside
I'll be waiting here with something that you'll never forget
I think it's time for you to come inside
I'll be waiting here with something that you'll never forget
Come on! come on!
And there'll be no turning back
You were only killing time and it'll kill you right back
Come on! come on!
It's time to burn up the fuse
You've got nothing to do and even less to lose
You've got nothing to do and even less to lose
So wander down the ancient hallway
Taking the stairs only one at a time
Follow the sound of my heartbeat now
I'm in the room at the top, you're at the end of the line
Open the door and lay down on the bed
The sun is just a ball of desire
And i wanna take you out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
And i wanna take you out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
And into the fire! fire! fire!
And into the fire! fire! fire!
And into the fire! fire! fire!
And into the fire!
It's only two o'clock and the tempertures beginning to soar
And all around the city you see the walking wounded and the living dead
It's never been this hot and i've never been so bored
And breathing is just no fun anymore
And then i saw you like a summer dream
And you're the answer to every prayer that i ever said
I saw you like a summer dream
And you're the answer to every prayer that i ever said
Come on! come on!
And there'll be no turning back

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Book VI - Part 02 - Great Meteorological Phenomena, Etc

And so in first place, then
With thunder are shaken the blue deeps of heaven,
Because the ethereal clouds, scudding aloft,
Together clash, what time 'gainst one another
The winds are battling. For never a sound there come
From out the serene regions of the sky;
But wheresoever in a host more dense
The clouds foregather, thence more often comes
A crash with mighty rumbling. And, again,
Clouds cannot be of so condensed a frame
As stones and timbers, nor again so fine
As mists and flying smoke; for then perforce
They'd either fall, borne down by their brute weight,
Like stones, or, like the smoke, they'd powerless be
To keep their mass, or to retain within
Frore snows and storms of hail. And they give forth
O'er skiey levels of the spreading world
A sound on high, as linen-awning, stretched
O'er mighty theatres, gives forth at times
A cracking roar, when much 'tis beaten about
Betwixt the poles and cross-beams. Sometimes, too,
Asunder rent by wanton gusts, it raves
And imitates the tearing sound of sheets
Of paper- even this kind of noise thou mayst
In thunder hear- or sound as when winds whirl
With lashings and do buffet about in air
A hanging cloth and flying paper-sheets.
For sometimes, too, it chances that the clouds
Cannot together crash head-on, but rather
Move side-wise and with motions contrary
Graze each the other's body without speed,
From whence that dry sound grateth on our ears,
So long drawn-out, until the clouds have passed
From out their close positions.
And, again,
In following wise all things seem oft to quake
At shock of heavy thunder, and mightiest walls
Of the wide reaches of the upper world
There on the instant to have sprung apart,
Riven asunder, what time a gathered blast
Of the fierce hurricane hath all at once
Twisted its way into a mass of clouds,
And, there enclosed, ever more and more
Compelleth by its spinning whirl the cloud
To grow all hollow with a thickened crust
Surrounding; for thereafter, when the force
And the keen onset of the wind have weakened
That crust, lo, then the cloud, to-split in twain,
Gives forth a hideous crash with bang and boom.
No marvel this; since oft a bladder small,

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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Good Love

Everytime I get to see you
I get this feelin
Its so fuzzy inside
And as soon as I walk away from you
Im still tasting your kiss
Saving it in my mind
Its not everyday I find
A guy that makes me smile all the time
Not the way that you do
All the guys I thought I used to love
Compared to you they dont match up
They got nothing on you
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
Baby you got somethin special
That has me thinking of settling down
Youre the one my mama told me
Would sooner or later one day finally come around
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
You bring me joy
And you bring me much pleasure
I could never see myself leaving you ever
Your soft touch is good and it cant get no better
You have got my mind so caught up
Im drunk off of your good love
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Nothing So Good

Aint nothin so good
As a sunday morning
When the day is dawnin? kinda makes you feel good
There aint nothing so fine
As a lazy weekend
Just hangin out with your best friend
There aint nothing so good
There aint nothing so good as a good time
Theres nothing so right as the right time
I said please ? dont count on me
Said please ? dont count on me
Theres nothing so good as a good time
Maybe there should
There aint nothing so good
Aint nothin so strong
As the strength of a good love
I cant get enough
Cant ever get too much love
There aint nothing so right
As the sound of your voice
Im gonna make it my choice
And get into something good
There aint nothing so good as a good time
There aint nothing so right as the right time
I said please ? dont count on me
Said please ? dont you count on me
Theres nothing so good as a good time
Maybe there should
There aint nothing so good
Sail away
Cant drift too far
Gotta get away
Be where you are
Sail away, sail away
Sail on far
Gotta find a way
Into your heart
Aint nothin so good
As a sunday morning
When the day is dawning
Kinda makes you feel good
There aint nothing so fine
As a lazy weekend
Just hangin out with your best friend
There aint nothing so good
There aint nothing so good as a good time
Aint nothing so right as the right time
I said please ? dont count on me
Said please ? dont count on me
Theres nothing so good as a good time

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Book I - Part 06 - Confutation Of Other Philosophers

And on such grounds it is that those who held
The stuff of things is fire, and out of fire
Alone the cosmic sum is formed, are seen
Mightily from true reason to have lapsed.
Of whom, chief leader to do battle, comes
That Heraclitus, famous for dark speech
Among the silly, not the serious Greeks
Who search for truth. For dolts are ever prone
That to bewonder and adore which hides
Beneath distorted words, holding that true
Which sweetly tickles in their stupid ears,
Or which is rouged in finely finished phrase.
For how, I ask, can things so varied be,
If formed of fire, single and pure? No whit
'Twould help for fire to be condensed or thinned,
If all the parts of fire did still preserve
But fire's own nature, seen before in gross.
The heat were keener with the parts compressed,
Milder, again when severed or dispersed-
And more than this thou canst conceive of naught
That from such causes could become; much less
Might earth's variety of things be born
From any fires soever, dense or rare.
This too: if they suppose a void in things,
Then fires can be condensed and still left rare;
But since they see such opposites of thought
Rising against them, and are loath to leave
An unmixed void in things, they fear the steep
And lose the road of truth. Nor do they see,
That, if from things we take away the void,
All things are then condensed, and out of all
One body made, which has no power to dart
Swiftly from out itself not anything-
As throws the fire its light and warmth around,
Giving thee proof its parts are not compact.
But if perhaps they think, in other wise,
Fires through their combinations can be quenched
And change their substance, very well: behold,
If fire shall spare to do so in no part,
Then heat will perish utterly and all,
And out of nothing would the world be formed.
For change in anything from out its bounds
Means instant death of that which was before;
And thus a somewhat must persist unharmed
Amid the world, lest all return to naught,
And, born from naught, abundance thrive anew.
Now since indeed there are those surest bodies
Which keep their nature evermore the same,
Upon whose going out and coming in
And changed order things their nature change,

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Geoffrey Chaucer

The Canterbury Tales; The Maunciples Tale

PROLOGUE TO THE MAUNCIPLES TALE

Heere folweth the Prologe of the Maunciples tale.

Woot ye nat where ther stant a litel toun,
Which that ycleped is Bobbe-up-and-doun
Under the Blee, in Caunterbury weye?
Ther gan oure Hooste for to jape and pleye,
And seyde, 'Sires, what, Dun is in the Myre!

Is ther no man for preyere ne for hyre,
That wole awake oure felawe al bihynde?
A theef myghte hym ful lightly robbe and bynde.
See how he nappeth, see how for Cokkes bones,
That he wol falle fro his hors atones.

Is that a Cook of London, with meschaunce?
Do hym com forth, he knoweth his penaunce,
For he shal telle a tale, by my fey,
Although it be nat worth a botel hey.
Awake, thou Cook,' quod he, 'God yeve thee sorwe,

What eyleth thee, to slepe by the morwe?
Hastow had fleen al nyght, or artow dronke?
Or hastow with som quene al nyght yswonke
So that thow mayst nat holden up thyn heed?'
This Cook that was ful pale, and no thyng reed,

Seyde to oure Hoost, 'So God my soule blesse,
As ther is falle on me swich hevynesse,
Noot I nat why, that me were levere slepe
Than the beste galon wyn in Chepe.'
'Wel,' quod the Maunciple, 'if it may doon ese

To thee, Sire Cook, and to no wight displese
Which that heere rideth in this compaignye,
And that oure Hoost wole of his curteisye,
I wol as now excuse thee of thy tale,
For, in good feith, thy visage is ful pale.

Thyne eyen daswen eek, as that me thynketh,
And wel I woot, thy breeth ful soure stynketh.
That sheweth wel thou art nat wel disposed,
Of me, certeyn, thou shalt nat been yglosed.
See how he ganeth, lo, this dronken wight!

As though he wolde swolwe us anonright.
Hoold cloos thy mouth, man, by thy fader kyn,
The devel of helle sette his foot therin.
Thy cursed breeth infecte wole us alle,

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