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A slave must be humble.

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Amusing Trial, in Which a Yankee Lawyer Rendered a Just Verdict.

A Slave sold at Auction.
A time there was, when no one thought
It sin, to hold a slave he'd bought,
And of his strength have the command,
As much as of his house and land.
A Yankee Lawyer long had kept
A negro-man with whom he slept.


And ate, and Sabbath day,
He half the time from church would stay;
When Cuff his master's garments wore.—
'Twas strange you say, but he was poor;
And though he cared not for Cuff's soul,
Yet such the times, that on the whole,


'Disguise thyself as thou wilt, still, slavery, thou art a bitter draught.'—Sterne.
His slave must to the meeting go,
If 'twas for nothing but a show.
They lived on thus for several years—
One would not think, that many tears
Would fall from off that shining face,
So sleek and smooth, or he would trace

Note.—In some parts of the country, slaves are scantily fed, while their masters live in luxury.
Note.—In some parts of the country, slaves are scantily fed, while their masters live in luxury.
The chain which bound, or wish to break,
But choose to stay for his own sake,
Where he so well was clothed and fed,
And shared the lawyer's food and bed,
So well contented he might be,
He'd hardly know but he was free,

Fetters formerly used by the slave traders, to confine the ankles of their victims. The editor has seen some that were actually used by Rhode Island traders.
Fetters formerly used by the slave traders, to confine the ankles of their victims. The editor has seen some that were actually used by Rhode Island traders.
But make the fetters of pure gold.
They're hateful still, they gall, they hold,
And if the pill is sugared o'er,
'Tis still as bitter as before.
Cuff ponder'd much, but did not know,
If he his master left to go,

And seek his fortune, he could find
Another master half so kind,
And who would give so large a share
Of the small pittance he could spare,
And every privilege could grant,
Which he could need or ever want;

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The New Inner-City Slave Plantation

The now-a-day slave or labor force
The ruling-class determines the course
The political master’s pastor contorts
Politics and policy aborts

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

Work like a blind jackass
Support and finance the ruling class
Being bi-partisan-just a mask
Cultured career criminals civilizing crass

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

The political engineers of The Greater Good own
The inner city war-zone
The psychotropic drug sets the tone
Slavery as the new world order is the throne

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

Multi-tasking a labor saving device
Freedom of movement has no right
Monopolized government enslaved all might
The inner city slave- plantation private and prime
Real estate blight

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

The thirteenth amendment of the constitution
On the inner city slave-plantation no social, no economical,
No educational, no political absolution

On the inner city slave-plantation, indentured servants,
Chattel slaves, still considered Black Gold
By the God Fearing slave codes used to control

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

On the new inner city slave-plantation
The American Flag can not wave
Even Democracy is revered as a Black Slave

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Tale XIX

THE CONVERT.

Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to

brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:

[...] Read more

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Humble People

Humble people
We both are
We are humble people
We are happy
We have someone that is watching out for us
Humble people
Are much happier than those who have too much
Humble people have little but they are happy
Humble people are rich in spirit
Humble people have more friends
Than those that are rich
We are not so materialistic either
Humble people
Like to enjoy other humble people also
That is the kind of people they mix with
Humble people don’t wear any expensive clothes
Humble people are good Christians
Humble people are hungry for the word of the Lord

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Not My Slave

With sadness in my heart and joy in my mind
I thought about the ghost that we left behind.
With everyone around telling us what to do
With deafening sound whisper I love you.
The fire in your eyes-- may it never go out.
The sweetness of your tears make it feel like night.
I see no escape from the roles we always play
What do we have to prove on this judgement day
Youre missing the whole point-- youre not my little pet
Dont throw away your life-- the games not over yet
I do not own your soul--dont want you in a cage
I only want your heart to find a special place
Youre mine now but youre not my sister
Youre mine now but youre not my slave
Youre mine but youre not my child
Youre mine now but youre not my slave
Youre mine now but youre not my slave
With sadness in my heart and clounds in my head
I thought about us both and the lives we led.
The pages on a book and pictures on a screen
We shape ourselves like clay from someone elses dream.
One second you are cast just like stones at my feet
But I am not a king please dont worship me.
With everyone around telling us what to do
With deafening sound whisper I love you.
Youre missing the whole point-- youre not my little pet
Dont throw away your life-- the games not over yet
I do not own your soul--dont want you in a cage
I only want your heart to find a special place
Youre mine now but youre not my sister
Youre mine now but youre not my slave
Youre mine but youre not my child
Youre mine now but youre not my slave
Youre mine but youre not my sister
Youre mine now but youre not my slave
Youre mine but youre not my child
Youre mine now but youre not my slave
Youre mine now but youre not my slave
Youre mine now but youre not my slave
Youre mine now but youre not my slave

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Slave 2 The System

Slave) {repeat in song}
Slave, yeah {x2}
Slave 2 the system here before I was born
Slave 2 the master, workin' me till I'm worn
The only penthouse I can count on's a big black ball and chain
Slave 2 the system, the future's all arranged
Oh, U better fetch that water, boy {x2}
Slave 2 the system
Thompson's my last name, but my daddy's name is Lloyd
The farther back I trace it, the more it becomes null and void
All my life I've struggled just 2 be called a boy
Slave 2 the system, oh what a joy
Oh, U better fetch that water, boy
Hell if I do!
(Oh, U better fetch that water, boy)
Oh, I'm just a slave 2 the system
Here before I was born
Slave 2 the master, workin' me till I'm worn
Slave 2 the system

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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.

The Argument


Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.


Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom

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Slave Nation

my allegation
its alright
slave nation
alright
want to tell ya
all is gone
you're a slave nation
right or wrong
tell
oh
take a moment to tell
oh
slave nation
its alright
you're a slave nation
oh my
its cool
its fine
slave nation
alright
tell
tell
tell me not to tell
wanna tell
slave nation
slave nation
slave nation
slave nation
its alright
isolation
right
oh?
its alright
its alright
its alright
Back to Simple Lyrics & Desktop Wallpapers
Back Home

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Rebekkah

When Abraham was weak and old
he forced his slave to swear an oath,
while grasping of his member hold:
“Make sure that Isaac plights his troth
to someone from my ancient clan;
from Canaanites don’t choose a damsel;
in Canaan I believe each man
to be a mamzer, girl a mamzelle.”
Everybody knows a mamzer
is repulsive to the Jews,
a cockroach rather than Greg Samsa,
but mamzelle is a word I choose
instead of mademoiselle, for rhyming;
a lot of members of my tribe
like them a lot when they’re good-timing,
though outlawed by the Bible scribe.

The slave asked God to make it clear,
by giving him a secret sign:
“The first young girl who will appear
and bring me water, not cool wine,
should be for Isaac lifelong mate.”
She came, of Bethuel the daughter,
and didn’t cause the slave to wait
until she brought him ice-cold water.
A prompt response, what he’d been urgin’,
occurred at once, and what is more
she was what he had asked for, virgin,
a miracle, I’d say, encore.
Some water for the camels, too,
she brought, precisely as he’d bid,
although she clearly never knew
it was God’s will, because He hid,
as later He would hide when Ruth
by Boaz was allowed to glean.
His hidden will reveals the truth
like daylight coming through a screen,
a scrim that only may be lifted
by those who’re spiritually gifted.

I ought to mention here a point.
Though Canaanite, the slaveman thought
that Abraham might yet appoint
him as his heir, and therefore sought
to lie with that young girl, he knew
he ought to bring back to his lord
for Isaac as a virgin. Clue
for this interpretation find
in language that describes him as
a man, a word that should remind

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Byron

The Corsair

'O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our soul's as free
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway-
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
whom slumber soothes not - pleasure cannot please -
Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense - the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than zeal,
And where the feebler faint can only feel -
Feel - to the rising bosom's inmost core,
Its hope awaken and Its spirit soar?
No dread of death if with us die our foes -
Save that it seems even duller than repose:
Come when it will - we snatch the life of life -
When lost - what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away:
Heave his thick breath, and shake his palsied head;
Ours - the fresh turf; and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang - one bound - escapes control.
His corse may boast its urn and narrow cave,
And they who loath'd his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,
And cry, Remembrance saddening o'er each brow,
How had the brave who fell exulted now!'

II.
Such were the notes that from the Pirate's isle
Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks along,
And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the brand:

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Jones The Rhythm

Rhythm is both the songs manical and its demoinc charge.
It is the original breath , it is the whisper of unremitting demand.
What do you still want to be said of the singer?
What do you think you can still draw from my lips?
Exact presence that no fantasy can represent.
Purveyor of the old secret, alive with the blood that boils again,
And is pulsing where the rhythm is torn apart.
How your singers blood is incensed at the depth of sound.
Lacerations echo in the mouths open erotic sky where dance together,
The lost trenches of rythm and an imploring immobility...
Ladies and gentlemen...miss grace jones...jones the rhythm.
Slave!!
Slave to the rhythm, dance to the rhythm,
Axe to wood in ancient times, man machine production line,
The fire burns, with heart beats strong,
Sing out loud, the chaing gang song.
Never stop the action, keep it up, keep it up,
Never stop the action, keep it up, keep it up.
Slave to the rhythm, dance to the rhythm,
The rhythm...master...master.
Never stop the action, keep it up,
Never stop the action, keep it up, keep it up.
Slave to the rhythm, work to the rhythm,
Dance to the rhythm, live to the rhythm.
Slave to the rhythm,
Dance to the rhythm, live to the rhythm,
Slave to the rhythm, work...to the rhythm,
To the rhythm, work to the rhythm, to the rhythm.
Slave, slave,
To the rhythm, to the rhythm, to the rhythm.
*grace: oh thats weird [laughs].*
*interviewer: grace jones, welcome.*
*grace: thank you paul [laughs], if youre wondering whats wrong with my voice I just choked on my saliva...so...[laughs].*
*interviewer: now obviously, youre in the bond movie...*

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Slave To Love

You're the hunter, I'm the game
Since we met, I'm not the same
The hunger in you can't be satisfied
You had a secret strategy
To take control and capture me
I lost my will and now I'm paralyzed
We made a slave to love
That's what I'll always be
A victim of your touch
You stole my soul and now I'm just a slave to love, yeah
It took one night at your hotel
To fall from grace into your spell
I can't believe you brought me to my knees
You kiss me once and love me twice
I'm on your mental sacrifice
Your target's touch was hot and aim to please
We made a slave to love
That's what I'll always be
A victim of your touch
You stole my soul and now I'm just a slave to love
Oh, I'm being used
Been held hostage for so long
Is this a one way love affair
Really wrong
We made a slave to love
That's what I'll always be
A victim of your touch
You stole my soul and now I'm just a slave to love
Just a slave to love
Just a slave to love
A victim of your touch

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Rescue The Slave

This song was composed while George Latimer, the fugitive slave, was
confined in Leverett Street Jail, Boston, expecting to be carried back
to Virginia by James B. Gray, his claimant.

Sadly the fugitive weeps in his cell,
Listen awhile to the story we tell;
Listen ye gentle ones, listen ye brave,
Lady fair! Lady fair! weep for the slave.

Praying for liberty, dearer than life,
Torn from his little one, torn from his wife,
Flying from slavery, hear him and save,
Christian men! Christian men! help the poor slave.

Think of his agony, feel for his pain,
Should his hard master e'er hold him again;
Spirit of liberty, rise from your grave,
Make him free, make him free, rescue the slave.

Freely the slave master goes where he will;
Freemen, stand ready, his wishes to fulfil,
Helping the tyrant, or honest or knave,
Thinking not, caring not, for the poor slave.

Talk not of liberty, liberty is dead;
See the slave master's whip over our head;
Stooping beneath it, we ask what he craves,
Boston boys! Boston boys! catch me my slaves.

Freemen, arouse ye, before it's too late;
Slavery is knocking, at every gate,
Make good the promise, your early days gave,
Boston boys! Boston boys! rescue the slave.

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Byron

The Bride of Abydos

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.

THE BRIDE OF ABYDOS

CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

II.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,

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My Other Self

I am your slave, desire,
I am your slave, pride,
I am your slave, vice,
I am your slave, success.

Get rid of desire, desire said,
Get rid of pride, pride said,
Get rid of vices, honor said,
Get rid of competition, success said.

I will still be the slave of sin,
The slave of matter,
The slave of love,
The slave of myself.

Get rid of sin and lust,
Of matter and love,
And you will get rid of yourself,
Said my other self.

Are you proposing suicide, sadly said myself?
No, I would never do that, said my other self.
Then, what are you trying to say?
Just be yourself.

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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The Parish Register - Part I: Baptisms

The year revolves, and I again explore
The simple Annals of my Parish poor;
What Infant-members in my flock appear,
What Pairs I bless'd in the departed year;
And who, of Old or Young, or Nymphs or Swains,
Are lost to Life, its pleasures and its pains.
No Muse I ask, before my view to bring
The humble actions of the swains I sing. -
How pass'd the youthful, how the old their days;
Who sank in sloth, and who aspired to praise;
Their tempers, manners, morals, customs, arts,
What parts they had, and how they 'mploy'd their

parts;
By what elated, soothed, seduced, depress'd,
Full well I know-these Records give the rest.
Is there a place, save one the poet sees,
A land of love, of liberty, and ease;
Where labour wearies not, nor cares suppress
Th' eternal flow of rustic happiness;
Where no proud mansion frowns in awful state,
Or keeps the sunshine from the cottage-gate;
Where young and old, intent on pleasure, throng,
And half man's life is holiday and song?
Vain search for scenes like these! no view appears,
By sighs unruffled or unstain'd by tears;
Since vice the world subdued and waters drown'd,
Auburn and Eden can no more be found.
Hence good and evil mixed, but man has skill
And power to part them, when he feels the will!
Toil, care, and patience bless th' abstemious few,
Fear, shame, and want the thoughtless herd pursue.
Behold the Cot! where thrives th' industrious

swain,
Source of his pride, his pleasure, and his gain;
Screen'd from the winter's wind, the sun's last ray
Smiles on the window and prolongs the day;
Projecting thatch the woodbine's branches stop,
And turn their blossoms to the casement's top:
All need requires is in that cot contain'd,
And much that taste untaught and unrestrain'd
Surveys delighted; there she loves to trace,
In one gay picture, all the royal race;
Around the walls are heroes, lovers, kings;
The print that shows them and the verse that sings.
Here the last Louis on his throne is seen,
And there he stands imprison'd, and his Queen;
To these the mother takes her child, and shows
What grateful duty to his God he owes;

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Tale XII

'SQUIRE THOMAS; OR THE PRECIPITATE CHOICE.

'Squire Thomas flatter'd long a wealthy Aunt,
Who left him all that she could give or grant;
Ten years he tried, with all his craft and skill,
To fix the sovereign lady's varying will;
Ten years enduring at her board to sit,
He meekly listen'd to her tales and wit:
He took the meanest office man can take,
And his aunt's vices for her money's sake:
By many a threat'ning hint she waked his fear,
And he was pain'd to see a rival near:
Yet all the taunts of her contemptuous pride
He bore, nor found his grov'ling spirit tried:
Nay, when she wish'd his parents to traduce,
Fawning he smiled, and justice call'd th' abuse:
'They taught you nothing: are you not at best,'
Said the proud Dame, 'a trifler, and a jest?
Confess you are a fool!'--he bow'd and he

confess'd.
This vex'd him much, but could not always last:
The dame is buried, and the trial past.
There was a female, who had courted long
Her cousin's gifts, and deeply felt the wrong;
By a vain boy forbidden to attend
The private councils of her wealthy friend,
She vow'd revenge, nor should that crafty boy
In triumph undisturb'd his spoils enjoy:
He heard, he smiled, and when the Will was read,
Kindly dismiss'd the Kindred of the dead;
'The dear deceased' he call'd her, and the crowd
Moved off with curses deep and threat'nings loud.
The youth retired, and, with a mind at ease,
Found he was rich, and fancied he must please:
He might have pleased, and to his comfort found
The wife he wish'd, if he had sought around,
For there were lasses of his own degree,
With no more hatred to the state than he;
But he had courted spleen and age so long,
His heart refused to woo the fair and young;
So long attended on caprice and whim,
He thought attention now was due to him;
And as his flattery pleased the wealthy Dame,
Heir to the wealth, he might the flattery claim:
But this the fair, with one accord, denied,
Nor waived for man's caprice the sex's pride.
There is a season when to them is due
Worship and awe, and they will claim it too:
'Fathers,' they cry, 'long hold us in their chain,

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William Cowper

Adam: A Sacred Drama. Act 1.

CHORUS OF ANGELS, Singing the Glory of God.

To Heaven's bright lyre let Iris be the bow,
Adapt the spheres for chords, for notes the stars;
Let new-born gales discriminate the bars,
Nor let old Time to measure times be slow.
Hence to new Music of the eternal Lyre
Add richer harmony and praise to praise;
For him who now his wondrous might displays,
And shows the Universe its awful Sire.
O Thou who ere the World or Heaven was made,
Didst in thyself, that World, that Heaven enjoy,
How does thy bounty all its powers employ;
What inexpressive good hast thou displayed!
O Thou of sovereign love almighty source,
Who knowest to make thy works thy love express,
Let pure devotion's fire the soul possess,
And give the heart and hand a kindred force.
Then shalt thou hear how, when the world began,
Thy life-producing voice gave myriads birth,
Called forth from nothing all in Heaven and Earth
Blessed in thy light Eagles in the Sun.

ACT I.
Scene I. -- God The Father. -- Chorus of Angels.

Raise from this dark abyss thy horrid visage,
O Lucifer! aggrieved by light so potent,
Shrink from the blaze of these refulgent planets
And pant beneath the rays of no fierce sun;
Read in the sacred volumes of the sky,
The mighty wonders of a hand divine.
Behold, thou frantic rebel,
How easy is the task,
To the great Sire of Worlds,
To raise his his empyrean seat sublime:
Lifting humility
Thither whence pride hath fallen.
From thence with bitter grief,
Inhabitant of fire, and mole of darkness,
Let the perverse behold,
Despairing his escape and my compassion,
His own perdition in another's good,
And Heaven now closed to him, to others opened;
And sighing from the bottom of his heart,
Let him in homage to my power exclaim,
Ah, this creative Sire,
(Wretch as I am) I see,
Hath need of nothing but himself alone
To re-establish all.

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Slave

(carly simon/jacob brackman)
Listening for your footsteps
Just waiting like a fool
Burning with a fever
Only you can cool
The clock beside my pillow
Has ticked away the night
Like a heartbeat mocking me
Until the light
Gotta stop these thoughts about you
Gotta learn to live without you
Gotta find some freedom for this weary slave
cause Im hungry for you
And Im longing for you
And Im burning for you
I worship your opinions
I imitate your ways
I try to make you grace me
With a word of praise
However much I tell myself
That Im strong and free and brave
Im just another woman
Raised to be a slave
Slave, nothing but a slave
Mind of a slave
Body of a slave
I find I gave away the soul
That I wanted you to save
Im just another woman
Raised to be a slave
Hungry for you
And longing for you
Burning for you
And Im longing for you
Burning for you
And Im yearning for you
Longing for you

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