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Aged ginger is more pungent.

Chinese proverbs
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Duck an' Fowl

Now, when a bloke 'e cracks a bloke fer insults to a skirt,
An' wrecks a joint to square a lady's name,
They used to call it chivalry, but now they calls it dirt,
An' the end of it is cops an' quod an' shame.
Fer insults to fair Gwendoline they 'ad to be wiped out;
But Rosie's sort is jist fair game-when Ginger ain't about.

It was Jimmie Ah Foo's cook-shop, which is close be Spadger's Lane,
Where a variegated comp'ny tears the scran,
An' there's some is 'tup'ny coloured,' an' some is 'penny plain,'
Frum a lawyer to a common lumper-man.
Or a writer fer the papers, or a slaver on the prowl,
An' noiseless Chows a-glidin' 'round wiv plates uv duck an' fowl.

But if yeh wanted juicy bits that 'ung around Foo's perch
Yeh fetched 'em down an' wolfed 'em in yer place.
An' Foo sat sad an' solim, like an 'oly man in church,
Wiv an early-martyr look upon 'is face;
Wot never changed, not even when a toff upon a jag
Tried to pick up Ginger's Rosie, an' collided wiv a snag.

Ginger Mick's bin at the races, an' 'e'd made a little rise,
'Avin' knowed a bloke wot knowed the trainer's cook.
An' easy money's very sweet, as punters reckernise,
An' sweetest when yeh've prized it orf a 'book.'
So Ginger calls fer Rosic, an' to celerbrate 'is win
'E trots 'er down to Ah Foo's joint to splash a bit uv tin.

There wus lights, an' smells of Asia, an' a strange, Chow-'aunted scene;
Floatin' scraps of forrin lingo 'it the car;
But Rose sails in an' takes 'er scat like any soshul queen
Sich as stokes 'erself wiv foy grass orl the year.
'Duck an' Fowl' 's 'er nomination; so ole Ginger jerks 'is frame
'Cross to git some fancy pickin's, an' to give 'is choice a name.

While Ginger paws the tucker, an' 'as words about the price,
There's a shickered toff slings Rosie goo-goo eyes.
'E's a mug 'oo thinks 'e's 'it a flamin' 'all uv scarlet vice
An' 'e picks on gentle Rosie fer a prize.
Then 'e tries to play at 'andies, an' arrange about a meet;
But Rosie fetches 'im a welt that shifts 'im in 'is seat.

Ginger's busy makin' bargins, an' 'e never seen the clout;
'E is 'agglin' wiv Ah Foo fer 'arf a duck;
But the toff's too shick or silly fer to 'cave 'is carkis out,
An' to fade while goin's good an' 'e's in luck.
Then Ginger clinched 'is bargin, an', as down the room 'e came,
'E seen the toff jump fritm 'is seat, an' call the girl a name.

That done it. Less than larf a mo, an' 'ell got orf the chain;

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poem by Clarence Michael James Stanislaus Dennis
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Ginger's Cobber

''E wears perjarmer soots an' cleans 'is teeth,'
That's wot I reads. It fairly knocked me flat,
'Me soljer cobber, be the name o' Keith.'
Well, if that ain't the limit, strike me fat!
The sort that Ginger Mick would think beneath
'Is notice once. Perjarmers! Cleans 'is teeth?

Ole Ginger Mick 'as sent a billy-doo
Frum somew'ere on the earth where fightin' thick.
The Censor wus a sport to let it thro',
Considerin' the choice remarks o' Mick.
It wus that 'ot, I'm wond'rin' since it came
It didn't set the bloomin' mail aflame.

I'd love to let yeh 'ave it word fer word;
But, strickly, it's a bit above the odds;
An' there's remarks that's 'ardly ever 'eard
Amongst the company to w'ich we nods.
It seems they use the style in Ginger's trench
Wot's written out an' 'anded to the Bench.

I tones the langwidge down to soot the ears
Of sich as me an' you resorts wiv now.
If I should give it jist as it appears
Partic'lar folk might want ter make a row.
But say, yeh'd think ole Ginger wus a pote
If yeh could read some juicy bits 'e's wrote.

It's this noo pal uv 'is that tickles me;
'E's got a mumma, an' 'is name is Keith.
A knut upon the Block le used to be,
'Ome 'ere; the sort that flashes golden teeth,
An' wears 'or socks, an' torks a lot o' guff;
But Ginger sez they're cobbers till they snuff.

It come about like this: Mick spragged 'im first
Fer swankin' it too much abroad the ship.
'E 'ad nice manners an' 'e never cursed;
Which set Mick's teeth on edge, as you may tip.
Likewise, 'e 'ad two silver brushes, w'ich
'Is mumma give 'im, 'cos 'e fancied sich.

Mick pinched 'em. Not, as you will understand,
Becos uv any base desire fer loot,
But jist becos, in that rough soljer band,
Them silver-backed arrangements didn't soot:
An' etiket must be observed always.
(They fetched ten drinks in Cairo, Ginger says.)

That satisfied Mick's honour fer a bit,

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poem by Clarence Michael James Stanislaus Dennis
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GINGER SNAPS...by talile ali

ONE OF THE STRANGEST TRUTHS, I GUESS
I ALWAYS KNOW GIRLS THAT I WANT TO UNDRESS
IT SEEMS KINDA STRANGE, BUT WHAT CAN I SAY
IF THEY LIKE GINGER SNAP'S, I KNOW THAT I'LL GET MY WAY

CHORUS

GINGER SNAPS
GINGER SNAPS
I AM SUCH A FAN OF THOSE GINGER SNAPS
GINGER SNAPS
GINGER SNAPS
SEND ME THE WOMEN I NEED

I SAID IT WAS STRANGE, BUT I'M NOT MAKING IT UP
IF THEY LIKE GINGER SNAPS, I'LL BE EATIN THEM UP
MAYBE IT'S JUST MY THINKIN, BUT I CAN SAY I FEEL
THE SIMPLE FACT TO ME STEPS INTO THE SURREAL

CHORUS

GINGER SNAPS
GINGER SNAPS
I AM SUCH A FAN OF THOSE GINGER SNAPS
GINGER SNAPS
GINGER SNAPS
SEND ME THE WOMEN I NEED

poem by Talile Ali
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Tiriel

1

And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east

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poem by William Blake (1789)
Added by Veronica Serbanoiu
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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored

SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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poem by William Schwenck Gilbert
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The Sexy Ginger Bread Man

On his body is a ginger bread thong
To soften you up he sings a sweet sugar song
If you hit on him he’ll play along

He’s the sexy ginger bread man

He’ll seduce you with candy wine
One a scale from 1-10 he is a 9
Girls look at him and say, “He’s so fine”

He’s the sexy ginger bread man

On his face are peanut butter eyes
He has powdered sugar on his manly thighs
He will reel you in with his seductive lies

He’s the sexy ginger bread man

On this neck is a chain of candy
Around the house he can be handy
If you add frosting he can be pretty randy

He’s the sexy ginger bread man

Out of the batch he is the pick
He has a giant ginger bread stick
It has rainbow sprinkles on it

He’s the sexy ginger bread man

You bite the chain and swallow the thong
Eat the stick which is very long
You gobble him up till he’s all gone

NO MORE sexy ginger bread man

poem by Paul Celano
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Introduction to Ginger Mick

Jist to intraj'uice me cobber, an 'is name is Ginger Mick
A rorty boy, a naughty boy, wiv rude impressions thick
In 'is casu'l conversation, an' the wicked sort o' face
That gives the sudden shudders to the lor-abidin' race.

'Is name is on the records at the Melbourne City Court,
Fer doin' things an' sayin' things no reel nice feller ort;
An 'is name is on the records uv the Army, over there,
Fer doin' things - same sort o' things that rose the Bench's 'air.

They never rung no joy-bells when 'e made 'is first de- boo;
But 'e got free edjication, w'ich they fondly shoved 'im thro';
Then turned 'im loose in Spadger's Lane to 'ang around the street
An' 'elp the cop to re-erlize the 'ardness uv 'is beat.

Then 'e quickly dropped 'is aitches, so as not to be mistook
Fer an edjicated person, 'oo 'is cobbers reckoned crook;
But 'e 'ad a trick wiv figgers that ud make a clerk look sick;
So 'e pencilled fer a bookie; an' 'e 'awked a bit, did Mick.

A bloke can't be partic'lar 'oo must battle fer a crust;
An' some, they pinch fer preference, an' some, becos they must.
When times is 'ard, an' some swell coves is richer than they ort;
Well, it's jist a little gamble fer a rise, agin the Court.

Now, Mick wus never in it as a reel perfeshnal crook,
But sometimes cops 'as slabs uv luck, so sometimes 'e wus took,
An' 'e got a repitation, thro' 'im bein' twice interned;
But 'e didn't skite about it, 'cos 'e felt it wasn't earned.

I reckerlect one time a Beak slings Mick a slab uv guff,
Wiv 'Thirty days or forty bob' (Mick couldn't raise the stuff) -
An' arsts 'im where 'is conshuns is, an' w'y 'e can't be good,
An' Mick jist grins, an' takes it out, an' never understood.

An' that is orl there wus to Mick, wiv orl 'is leery ways.
If I wus up among the 'eads, wiv right to blame or praise,
Whenever some sich bloke as 'im wus tucked away fer good
I'd chalk them words above 'is 'ead: ''E never understood.'

If I wus up among the 'eads, wiv right to judge the game,
I'd look around fer chance to praise, an' sling the flamin' blame;
Fer findin' things in blokes to praise pays divvies either way;
An' wot they're blamed fer yesterd'y brings 'earty cheers to-day.

Yes, 'earty cheers frum thortless coots 'oo feel dead sure their God
Would never 'ave no time fer crooks 'oo does a stretch in quod;
'Oo reckon 'eaven is a place where orl folk tork correck,
An' judgment, where the 'vulgar' gits it solid in the neck.

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poem by Clarence Michael James Stanislaus Dennis
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The Push

Becos a crook done in a prince, an' narked an Emperor,
An' struck a light that set the world aflame;
Becos the bugles East an' West sooled on the dawgs o' war,
A bloke called Ginger Mick 'as found 'is game
Found 'is game an' found 'is brothers, 'oo wus strangers in 'is sight,
Till they shed their silly clobber an' put on the duds fer fight.

Yes, they've shed their silly clobber an' the other stuff they wore
Fer to 'ide the man beneath it in the past;
An' each man is the clean, straight man 'is Maker meant 'im for,
An' each man knows 'is brother man at last.
Shy strangers, till a bugle blast preached 'oly brother'ood;
But mateship they 'ave found at last; an' they 'ave found it good.

So the lumper, an' the lawyer, an' the chap 'oo shifted sand,
They are cobbers wiv the cove 'oo drove a quill;
They knut 'oo swung a cane upon the Block, 'e takes the 'and
Uv the coot 'oo swung a pick on Broken 'Ill;
An' Privit Clord Augustus drills wiv Privit Snarky Jim
They are both Australian soljers, w'ich is good enough fer 'im.

It's good enough fer orl uv 'em, as orl uv 'em 'ave seen
Since they got the same glad clobber next their skins;
An' the bloke 'oo 'olds the boodle an' the coot wivout a bean,
Why, they knock around like little Kharki twins.
An' they got a common lingo, w'ich is growin' mighty thick
Wiv ixpressive contributions frum the stock uv Ginger Mick.

'E 'as struck it fer a moral. Ginger's found 'is game at last,
An' 'e's took to it like ducklin's take to drink;
An' 'is slouchin' an' 'is grouchin' an' 'is loafin' uv the past
'E's done wiv 'em, an' dumped 'em down the sink.
'E's a bright an' shinin' sample uv a the'ry that I 'old:
That ev'ry 'eart that ever pumped is good fer chunks o' gold.

Ev'ry feller is a gold mine if yeh take an' work 'im right:
It is shinin' on the surface now an' then;
An' there's some is easy sinkin', but there's some wants dynermite,
Fer they looks a 'opeless prospect - yet they're men.
An' Ginger - 'ard-shell Ginger's showin' signs that 'e will pay;
But it took a flamin' world-war fer to blarst 'is crust away.

But they took 'im an' they drilled 'im an' they shipped 'im overseas
Wiv a crowd uv blokes 'e never met before.
'E rowed wiv 'em, an' scrapped wiv 'em, an' done some tall C.B.'s,
An' 'e lobbed wiv 'em on Egyp's sandy shore.
Then Pride o' Race lay 'olt on 'im, an' Mick shoves out 'is chest
To find 'imself Australian an' blood brothers wiv the rest.

So I gits some reel good readin' in the letter wot 'e sent

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poem by Clarence Michael James Stanislaus Dennis
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The Straight Griffin

''Eroes? Orright. You 'ave it 'ow yeh like.
Throw up yer little 'at an' come the glad;
But not too much 'Three-'Earty-Cheers' fer Mike;
There's other things that 'e'll be wantin' bad.
The boys won't 'ave them kid-stakes on their mind
Wivout there's somethin' solider be'ind.'

Now that's the dinkum oil frum Ginger Mick,
In 'orspital, somew'ere be'ind the front;
Plugged in the neck, an' lately pretty sick,
But now right on the converlescent stunt.
'I'm on the mend,' 'e writes, 'an' nearly doo
To come the 'ero act agen - Scene two.'

I'd sent some papers, knowin' 'ow time drags
Wiv blokes in blankits, waitin' fer a cure.
'An' 'Struth!' Mick writes, 'the way they et them rags
Yeh'd think that they'd bin weaned on litrachure.
They wrestled thro' frum 'Births' to 'Lost and Found';
They even give the Leaders 'arf a round.'

Mick spent a bonzer day propped up in bed,
Soothin' 'is soul wiv ev'ry sportin' page;
But in the football noos the things 'e read
Near sent 'im orf 'is top wiv 'oly rage;
The way 'is team 'as mucked it earned 'is curse;
But 'e jist swallered it - becos uv nurse.

An' then this 'eadline 'it 'im wiv bokays;
'Australian Heroes!' is the song it makes.
Mick reads the boys them ringin' words o' praise;
But they jist grins a bit an' sez 'Kid stakes!'
Sez Mick to nurse, 'You tumble wot I am?
A bloomin' little 'ero. Pass the jam!'

Mick don't say much uv nurse; but 'tween the lines -
('Im bein' not too strong on gushin' speech)
I seem to see some tell-tale sort o' signs.
Sez 'e, 'Me nurse-girl is a bonzer peach,'
An' then 'e 'as a line: ''Er sad, sweet look.'
'Struth! Ginger must 'a' got it frum a book.

Say, I can see ole Ginger, plain as plain,
Purrin' to feel the touch u'v 'er cool 'and,
Grinnin' a bit to kid 'is wound don't pain,
An' yappin' tork she don't 'arf understand,
That makes 'er wonder if, back where she lives,
They're all reel men be'ind them ugly chivs.

But that's orright. Ole Ginger ain't no flirt.

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poem by Clarence Michael James Stanislaus Dennis
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The Call Of Stoush

Wot price ole Ginger Mick? 'E's done a break -
Gone to the flamin' war to stoush the foe.
Wus it fer glory, or a woman's sake?
Ar, arst me somethin' easy! I dunno.
'Is Kharki clobber set 'im off a treat,
That's all I know; 'is motive's got me beat.

Ole Mick 'e's trainin' up in Cairo now;
An' all the cops in Spadger's Lane is sad.
They miss 'is music in the midnight row
Wot time the pushes mix it good an' glad.
Fer 'e wus one o' them, you understand,
Wot 'soils the soshul life uv this fair land.'

A peb wus Mick; a leery bloke wus 'e,
Low down, an' given to the brinnin' cup;
The sort o' chap that coves like you an' me
Don't mix wiv, 'cos of our strick bringin's-up.
An' 'e wus sich becos unseein' Fate
Lobbed 'im in life a 'undred years too late.

'E wus a man uv vierlence, wus Mick,
Coarse wiv 'is speech an' in 'is manner low,
Slick wiv 'is 'ands, an' 'andy wiv a brick
When bricks wus needful to defeat a foe.
An' now 'e's gone an' mizzled to the war,
An' some blokes 'as the nerve to arst 'Wot for? '

Wot for? gawstruth! 'E wus no patriot
That sits an' brays advice in days uv strife;
'E never flapped no flags nor sich like rot;
'E never sung 'Gawsave' in all 'is life.
'E wus dispised be them that make sicg noise:
But now - O strike! - 'e's 'one uv our brave boys.'

'E's one uv our brave boys, all right, all right.
'Is early trainin' down in Spadgers Lane
Done 'im no 'arm fer this 'ere orl-in fight:
'Is loss o' culcher is 'is country's gain.
'Im wiv 'is carst-ir'n chiv an' leery ways -
An' swell tarts 'eavin' 'im sweet words o' praise.

Why did 'e go? 'E 'ad a decent job,
'Is tart an' 'im they could 'a' made it right.
Why does a wild bull fight to guard the mob?
Why does a bloomin' bull-ant look fer fight?
Why does a rooster scrap an' flap an' crow?
'E went becos 'e dam well 'ad to go.

'E never spouted no 'igh-soundin' stuff

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poem by Clarence Michael James Stanislaus Dennis
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In Silence No More

Aged 1
Aged 2
Aged 3
Aged 4
At 5 my life changed forever more,
Aged 6
Aged 7
Aged 8
Aged 9
By 10 he’d touched me a thousand times,
Aged 41
42
43
44
But now I’m not suffering in silence,
In silence anymore,
For now I’m chatting and talking,
Not crawling I’m walking,
Even though he’s still stalking,
I’m not suffering in silence,
Suffering in silence,
I’m not suffering in silence,
In silence no more.

poem by Darren Harris
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Berrathah

ARGUMENT.

Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.

The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.

BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.

Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"

Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!

His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"

But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"

And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!

The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!

Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.

Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.

"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"

The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!

The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.

We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"

"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"

I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"

Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"

She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"

Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.

On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."

Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.

Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.

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poem by James Macpherson
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In Spadger's Lane

Ole Mother Moon 'oo yanks 'er beamin' dile
Acrost the sky when we've grown sick o' day,
She's like some fat ole Jane 'oo loves to smile
On all concerned, an' smooth our faults away;
An', like a woman, tries to 'ide again
The sores an' scars crool day 'as made too plain.

To all the earth she gives the soft glad-eye;
She picks no fav'rits in this world o' men;
She peeps in nooks, where 'appy lovers sigh,
To make their job more bonzer still; an' then,
O'er Spadger's Lane she waves a podgy 'and,
An' turns the scowlin' slums to Fairyland.

Aw, strike! I'm gettin' soft in my ole age!
I'm growin' mushy wiv the passin' years.
Me! that 'as called it weakness to ingage
In sloppy thorts that coax the pearly tears.
But say, me state o' mind I can't ixplain
When I seen Rose lars' night in Spadger's Lane.

'Twas Spadger's Lane where Ginger Mick 'ung out
Before 'e took to follerin' the Flag;
The Lane that echoed to 'is drunken shout
When 'e lobbed 'omeward on a gaudy jag.
Now Spadger's Lane knows Ginger Mick no more,
Fer 'e's become an 'ero at the War.

A flamin' 'ero at the War, that's Mick.
An' Rose - 'is Rose, is waitin' in the Lane,
Nursin' 'er achin' 'eart, an' lookin' sick
As she crawls out to work an' 'ome again,
Givin' the bird to blokes 'oo'd be 'er 'friend,'
An' prayin', wiv the rest, fer wars to end.

Quite right; I'm growin' sloppy fer a cert;
But I must git it orf me chest or bust.
So 'ere's a song about a grievin' skirt,
An' love, an' Ginger Mick, an' maiden trust!
The choky sort o' song that fetches tears
When blokes is full o' sentiment-or beers.

Lars' night, when I sneaks down to taste again
The sights an' sounds I used to know so well,
The moon wus shinin' over Spadger's Lane,
Sof'nin' the sorrer where 'er kind light fell:
Sof'nin' an' soothin', like it wus 'er plan
To make ixcuses fer the sins uv man.

Frum shadder inter shadder, up the street,

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poem by Clarence Michael James Stanislaus Dennis
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Peruvian Tales: Aciloe, Tale V

Character of ZAMOR , a bard--His passion for ACILOE , daughter of the Cazique who rules the valley--The Peruvian tribe prepare to defend themselves--A battle--The PERUVIANS are vanquished--ACILOE'S father is made a prisoner, and ZAMOR is supposed to have fallen in the engagement--ALPHONSO becomes enamoured of ACILOE --Offers to marry her--She rejects him--In revenge he puts her father to the torture--She appears to consent, in order to save him--Meets ZAMOR in a wood--LAS CASAS joins them--Leads the two lovers to ALPHONSO , and obtains their freedom--ZAMOR conducts ACILOE and her father to Chili--A reflection on the influence of Poetry over the human mind.

In this sweet scene, to all the virtues kind,
Mild ZAMOR own'd the richest gifts of mind;
For o'er his tuneful breast the heav'nly muse
Shed from her sacred spring inspiring dews;
She loves to breathe her hallow'd strain where art
Has never veil'd the soul, or warp'd the heart;
Where fancy glows with all her native fire,
And passion lives on the exulting lyre.
Nature, in terror rob'd or beauty dreast,
Could thrill with dear enchantment ZAMOR'S breast;
He lov'd the languid sigh the zephyr pours,
He lov'd the placid rill that feeds the flowers--
But more the hollow sound the wild winds form,
When black upon the billow hangs the storm;
The torrent rolling from the mountain steep,
Its white foam trembling on the darken'd deep--
And oft on Andes' heights with earnest gaze
He view'd the sinking sun's reflected rays
Glow like unnumber'd stars, that seem to rest
Sublime upon his ice-encircled breast.
Oft his wild warblings charm'd the festal hour,
Rose in the vale, and languish'd in the bower;
The heart's reponsive tones he well could move,
Whose song was nature, and whose theme was love.
ACILOE'S beauties his fond soul confest,
Yet more ACILOE'S virtues warm'd his breast.

Ah stay, ye tender hours of young delight,
Suspend, ye moments, your impatient flight;
Prolong the charm when passion's pure controul
Unfolds the first affections of the soul!
This gentle tribe ACILOE'S sire obey'd,
Who still in wisdom and in mercy sway'd.
From him the dear illusions long had fled
That o'er the morn of life enchantment shed;
But virtue's calm remembrance cheer'd his breast,
And life was joy serene, and death was rest:
Bright is the blushing Summer's glowing ray,
Yet not unlovely Autumn's temper'd day.
Now stern IBERIA'S ruthless sons advance,
Roll the fierce eye, and shake the pointed lance.
PERUVIA'S tribe behold the hostile throng
With desolating fury pour along;
The hoary chief to the dire conflict leads
His death-devoted train--the battle bleeds.
ACILOE'S searching eye can now no more
The form of ZAMOR or her sire explore;

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poem by Helen Maria Williams
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Croma

Malvina, the daughter of Toscar, is overheard by Ossian lamenting the death of Oscar her lover. Ossian, to divert her grief, relates his own actions in expedition which he undertook, at Fingal's command, to aid Crothar the petty king of Croma, a country in Ireland, against Rothmar, who invaded his dominions. The story is delivered down thus in tradition. Crothar, king of Croma, being blind with age, and his son too young for the field, Rothmar, the chief of Tromo resolved to avail himself of the opportunity offered of annexing the dominions of Crothar to his own. He accordingly marched into the country subject to Crothar, but which he held of Arth or Artho, who was, at the time, supreme king of Ireland.

Crothar being, on account of his age and blindness unfit for action, sent for aid to Fingal, king of Scotland; who ordered his son Ossian to the relief of Crothar. But before his arrival Fovargormo, the son of Crothar, attacking Rothmar, was slain himself, and his forces totally defeated. Ossian renewed the war; came to battle, killed Rothmar, and routed his army. Croma being thus delivered of its enemies, Ossian returned to Scotland.

"It was the voice of my love! seldom art thou in the dreams of Malvina! Open your airy halls, O father of Toscar of shields! Unfold the gates of your clouds: the steps of Malvina are near. I have heard a voice in my dream. I feel the fluttering of my soul. Why didst thou come, O blast! from the dark-rolling face of the lake? Thy rustling wing was in the tree; the dream of Malvina fled. But she beheld her love when his robe of mist flew on the wind. A sunbeam was on his skirts, they glittered like the gold of the stranger. It was the voice of my love! seldom comes he to my dreams!

"But thou dwellest in the soul of Malvina, son of mighty Ossian! My sighs arise with the beam of the east; my tears descend with the drops of night. I was a lovely tree, in thy presence, Oscar, with all my branches round me; but thy death came like a blast from the desert, and laid my green head low. The spring returned with its showers; no leaf of mine arose! The virgins saw me silent in the hall; they touched the harp of joy. The tear was on the cheek of Malvina: the virgins beheld me in my grief. Why art thou sad, they said, thou first of the maids of Lutha! Was he lovely as the beam of the morning, and stately in thy sight?"

Pleasant is thy song in Ossian's ear, daughter of streamy Lutha! Thou hast heard the music of departed bards in the dream of thy rest, when sleep fell on thine eyes, at the murmur of Moruth. When thou didst return from the chase in the day of the sun, thou hast heard the music of bards, and thy song is lovely! It is lovely, O Malvina! but it melts the soul. There is a joy in grief when peace dwells in the breast of the sad. But sorrow wastes the mournful, O daughter of Toscar! and their days are few! They fall away, like the flower on which the sun hath looked in his strength, after the mildew has passed over it, when its head is heavy with the drops of night. Attend to the tales of Ossian, O maid! He remembers the days of his youth!

The king commanded; I raised my sails, and rushed into the bay of Croma; into Croma's sounding bay in lovely Inisfail. High on the coast arose the towers of Crothar king of spears; Crothar renowned in the battles of his youth; but age dwelt then around the chief. Rothmar had raised the sword against the hero; and the wrath of Fingal burned. He sent Ossian to meet Rothmar in war, for the chief of Croma was the friend of his youth. I sent the bard before me with songs. I came into the hall of Crothar. There sat the chief amidst the arms of his fathers, but his eyes had failed. His gray locks waved around a staff which the warrior leaned. He hummed the song of other times; when the sound of our arms reached his ears Crothar rose, stretched his aged hand, and blessed the son of Fingal.

"Ossian!" said the hero, "the strength of Crothar's arm has failed. O could I lift the sword, as on the day that Fingal fought at Strutha! He was the first of men; but Crothar had also his fame. The king of Morven praised me; he placed on my arm the bossy shield of Calthar, whom the king had slain in his wars. Dost thou not behold it on the wall? for Crothar's eyes have failed. Is thy strength like thy father's, Ossian! let the aged feel thine arm!"

I gave my arm to the king; he felt it with his aged hands. The sigh rose in his breast, and his tears came down. "Thou art strong, my son," he said, "but not like the king of Morven! But who is like the hero among the mighty in war? Let the feast of my hall be spread; and let my bards exalt the song. Great is he that is within my walls, ye sons of echoing Croma!" The feast is spread. The harp is heard; and joy is in the hall. But it was joy covering a sigh, that darkly dwelt in every breast. It was like the faint beam of the moon spread on a cloud in heaven. At length the music ceased, and the aged king of Croma spoke; he spoke without a tear, but sorrow swelled in the midst of his voice.

" Son of Fingal! beholdest thou not the darkness of Crothar's joy? My soul was not sad at the feast, when my people lived before me. I rejoiced in the presence of strangers, when my son shone in the hall. But, Ossian, he is a beam that is departed. He left no streak of light behind. He is fallen, son of Fingal! in the wars of his father. Rothmar the chief of grassy Tromlo heard that these eyes had failed; he heard that my arms were fixed in the hall, and the pride of his soul arose! He came towards Croma; my people fell before him. I took my arms in my wrath, but what could sightless Crothar do? My steps were unequal; my grief was great. I wished for the days that were past. Days! wherein I fought; and won in the field of blood. My son returned from the chase: the fair haired Fovargormo. He had not lifted his sword in battle, for his arm was young. But the soul of the youth was great; the fire of valor burned in his eyes. He saw the disordered steps of his father, and his sigh arose — "King of Croma," he said, "is it because thou hast no son; is it for the weakness of Fovargormo's arm that thy sighs arise? I begin, my father, to feel my strength; I have drawn the sword of my youth; and I have bent the bow. Let me meet this Rothmar, with the sons of Croma: let me meet him, O my father? I feel my burning soul!" — "And thou shalt meet him," I said, "son of the sightless Crothar! But let others advance before thee that I may hear the tread of thy feet at thy return; for my eyes behold thee not, fair haired Fovargormo!" He went; he met the foe; he fell. Rothmar advances to Croma. He who slew my son is near, with all his pointed spears."

This is no time to fill the shell, I replied, and took my spear! My people saw the fire of my eyes; they all arose around. Through night we strode along the heath. Gray morning rose in the east. A green narrow vale appeared before us; nor wanting are its winding streams. The dark host of Rothmar are on its banks with all their glittering arms. We fought along the vale. They fled. Rothmar sunk beneath my sword! Day had not descended in the west, when I brought his arms to Crothar. The aged hero felt them with his hands; and joy brightened over all his thoughts.

The people gather to the hall! The shells of the feast are heard. Ten harps are strung; five bards advance, and sing, by turns, the praise of Ossian; they poured forth their burning souls, and the string answered to their voice. The joy of Croma was great; for peace returned to the land. The night came on with silence; the morning returned with joy. No foe came in darkness with his glittering spear. The joy of Croma was great; for the gloomy Rothmar had fallen!

I raised my voice for Fovargormo, when they laid the chief in earth. The aged Crothar was there, but his sigh was not heard. He searched for the wound of his son, and found it in his breast. Joy rose in the face of the aged. He came and spoke to Ossian. "King of spears!" he said, "my son has not fallen without his fame. The young warrior did not fly; but met death as he went forward in his strength. Happy are they who die in youth, when their renown is heard! The feeble will not behold them in the hall; or smile at their trembling hands. Their memory shall be honored in song; the young tear of the virgin will fall. But the aged wither away by degrees; the fame of their youth, while yet they live, is all forgot. They fall in secret. The sigh of their son is not heard. Joy is around their tomb; the stone of their fame is placed without a tear. Happy are they who die in their youth, when their renown is around them!"

poem by James Macpherson
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Lathmon

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

SELMA, thy halls are silent. There is no sound in the woods of Morven. The wave tumbles along on the coast. The silent beam of the sun is on the field. The daughters of Morven come forth, like the bow of the shower; they look towards green Erin for the white sails of the king. He had promised to return, but the winds of the north arose!

Who pours from the eastern hill, like a stream of darkness? It is the host of Lathmon. He has heard of the absence of Fingal. He trusts in the winds of the north. His soul brightens with joy. Why dost thou come, O Lathmon? The mighty are not in Selma. Why comest thou with thy forward spear? Will the daughters of Morven fight? But stop, O mighty stream, in thy course! Does not Lathmon behold these sails? Why dost thou vanish, Lathmon, like the mist of the lake? But the squally storm is behind thee; Fingal pursues thy steps!

The king of Morven had started from sleep, as we rolled on the dark-blue wave. He stretched his hand to his spear, his heroes rose around. We knew that he had seen his fathers, for they often descended to his dreams, when the sword of the foe rose over the land and the battle darkened before us. "Whither hast thou fled, O wind?" said the king of Morven. "Dost thou rustle in the chambers of the south? pursuest thou the shower in other lands? Why dost thou not come to my sails? to the blue face of my seas? The foe is in the land of Morven, and the king is absent far. But let each bind on his mail, and each assume his shield. Stretch every spear over the wave; let every sword be unsheathed. Lathmon is before us with his host; he that fled from Fingal on the plains of Lona. But he returns like a collected stream, and his roar is between our hills."

Such were the words of Fingal. We rushed into Carmon's bay. Ossian ascended the hill! he thrice struck his bossy shield. The rock of Morven replied: the bounding roes came forth. The foe was troubled in my presence: he collected his darkened host. I stood like a cloud on the hill, rejoicing in the arms of my youth.

Morni sat beneath a tree on the roaring waters of Strumon: his locks of age are gray: he leans forward on his staff; young Gaul is near the hero, hearing the battles of his father. Often did he rise in the fire of his soul, at the mighty deeds of Morni. The aged heard the sound of Ossian's shield; he knew the sign of war. He started at once from his place. His gray hair parted on his back. lie remembered the deeds of other years.

"My son," he said, to fair-haired Gaul, "I hear the sound of war. The king of Morven is returned; his signals are spread on the wind. Go to the halls of Strumon; bring his arms to Morni. Bring the shield of my father's latter years, for my arm begins to fail. Take thou thy armor, O Gaul! and rush to the first of thy battles. Let thine arm reach to the renown of thy fathers. Be thy course in the field like the eagle's wing. Why shouldst thou fear death, my son? the valiant fall with fame; their shields turn the dark stream of danger away; renown dwells on their aged hairs. Dost thou not see, O Gaul! low the steps of my age are honored? Morni moves forth. and the young men meet him, with silent joy, on his course. But I never fled from danger, my son! my sword lightened through the darkness of war. The stranger melted before me; the mighty were blasted in my presence."

Gaul brought the arms to Morni: the aged warrior is covered with steel. He took the spear in his hand, which was stained with the blood of the valiant. He came towards Fingal; his son attended his steps. The son of Comhal arose before him with joy, when he came in his locks of age.

"Chief of the roaring Strumon!" said the rising soul of Fingal; "do I behold thee in arms, after thy strength has failed? Often has Morni shone in fight, like the beam of the ascending sun; when he disperses the storms of the hill, and brings peace to the glittering fields. But why didst thou not rest in thine age? Thy renown is in the song. The people behold thee, and bless the departure of mighty Morni. Why didst thou not rest in thine age? The foe will vanish before Fingal!"

"Son of Comhal," replied the chief, "the strength of Morni's arm has failed. I attempt to draw the sword of my youth, but it remains in its place. I throw the spear, but it falls short of the mark. I feel the weight of my shield. We decay like the grass of the hill; our strength returns no more. I have a son, O Fingal! his soul has delighted in Morni's deeds; but his sword has not been lifted against a foe, neither has his fame begun. I come with him to the war; to direct his arm in fight. His renown will be a light to my soul in the dark hour of my departure. O that the name of Morni were forgot among the people! that the heroes would only say, 'Behold the father of Gaul!'"

"King of Strumon," Fingal replied, "Gaul shall lift the sword in fight. But he shall lift it before Fingal; my arm shall defend his youth. But rest thou in the halls of Selma, and hear of our renown. Bid the harp to be strung, and the voice of the bard to arise, that those who fall may rejoice in their fame, and the soul of Morni brighten with joy. Ossian, thou hast fought in battles: the blood of strangers is on thy spear: thy course be with Gaul in the strife; but depart not from the side of Fingal, lest the foe should find you alone, and your fame fail in my presence."

[Ossian speaks ] "I saw Gaul in his arms; my soul was mixed with his. The fire of the battle was in his eyes! he looked to the foe with joy. We spoke the words of friendship in secret; the lightning of our swords poured together; for we drew them behind the wood, and tried the strength of our arms on the empty air!"

Night came down on Morven. Fingal sat at the beam of the oak. Morni sat by his side with all his gray-waving locks. Their words were of other times, of the mighty deeds of their fathers. Three bards, at times, touched the harp: Ullin was near with his song. He sung of the mighty Comhal; but darkness gathered on Morni's brow. He rolled his red eye on Ullin: at once ceased the song of the bard. Fingal observed the aged hero, and he mildly spoke: "Chief of Strumon, why that darkness? Let the days of other years be forgot. Our fathers contended in war; but we meet together at the feast. Our swords are turned on the foe of our land: he melts before us on the field. Let the days of our fathers be forgot, hero of mossy Strumon!"

King of Morven," replied the chief, "I remember thy father with joy. He was terrible in battle, the rage of the chief was deadly. My eyes were full of tears when the king of heroes fell. The valiant fall, O Fingal! the feeble remain on the hills! How many heroes have passed away in the days of Morni! Yet I did not shun the battle; neither did I fly from the strife of the valiant. Now let the friends of Fingal rest, for the night is around, that they may rise with strength to battle against car-borne Lathmon. I hear the sound of his host, like thunder moving on the hills. Ossian! and fair-haired Gaul! ye are young and swift in the race. Observe the foes of Fingal from that woody hill. But approach them not: your fathers are near to shield you. Let not your fame fall at once. The valor of youth may fail!"

We heard the words of the chief with joy. We moved in the clang of our arms. Our steps are on the woody hill. Heaven burns with all its stars. The meteors of death fly over the field. The distant noise of the foe reached our ears. It was than Gaul spoke, in his valor: his hand half unsheathed his sword.

"Son of Fingal!" he said, "why burns the soul of Gaul? my heart beats high. My steps are disordered; my hand trembles on my sword. When I look towards the foe, my soul lightens before me. I see their sleeping host. Tremble thus the souls of the valiant in battles of the spear? How would the soul of Morni rise if we should rush on the foe? Our renown should grow in song: our steps would be stately in the eyes of the brave."

"Son of Morni," I replied, "my soul delights in war. I delight to shine in battle alone, to give my name to the bards. But what if the foe should prevail? can I behold the eyes of the king? They are terrible in his displeasure, and like the flames of death. But I will not behold them in his wrath! Ossian shall prevail or fall. But shall the fame of the vanquished rise? They pass like a shade away. But the fame of Ossian shall rise! His deeds shall be like his father's. Let us rush in our arms; son of Morni, let us rush to fight. Gaul, if thou shouldst return, go to Selma's lofty hall. Tell to Everallin that I fell with fame; carry this sword to Branno's daughter. Let her give it to Oscar, when the years of his youth shall arise."

"Son of Fingal," Gaul replied with a sigh, "shall I return after Ossian is low? What would my father say? what Fingal, the king of men? The feeble would turn their eyes and say, 'Behold Gaul, who left his friend in his blood!' Ye shall not behold me, ye feeble, but in the midst of my renown! Ossian, I have heard from my father the mighty deeds of heroes; their mighty deeds when alone! for the soul increases in danger!"

"Son of Morni," I replied, and strode before him on the heath, "our fathers shall praise our valor when they mourn our fall. A beam of gladness shall rise on their souls, when their eyes are full of tears. They will, say, 'Our sons have not fallen unknown: they spread death around them.' But why should we think of the narrow house? The sword defends the brave. But death pursues the flight of the feeble; their renown is never heard."

We rushed forward through night; we came to the roar of a stream, which bent its blue course round the foe, through trees that echoed to its sound. We came to the bank of the stream, and saw the sleeping host. Their fires were decayed on the plain: the lonely steps of their scouts were distant far. I stretched my spear before me, to support my steps over the stream. But Gaul took my hand, and spoke the words of the brave. "Shall the son of Fingal rush on the sleeping foe? Shall he come like a blast by night, when it overturns the young trees in secret? Fingal did no receive his fame, nor dwells renown on the gray hairs of Morni, for actions like these. Strike, Ossian, strike the shield, and let their thousands rise! Let them meet Gaul in his first battle, that he may try the strength of his arm."

My soul rejoiced over the warrior; my bursting tears came down. "And the foe shall meet thee, Gaul," I said: "the fame of Morni's son shall arise. But rush not too far, my hero: let the gleam of thy steel be near to Ossian. Let our hands join in slaughter. Gaul! dost thou not behold that rock? Its gray side dimly gleams to the stars. Should the foe prevail, let our back be towards the rock. Then shall they fear to approach our spears; for death is in our hands!"

I struck thrice my echoing shield. The startling foe arose. We rushed on in the sound of our arms. Their crowded steps fly over the heath. They thought that the mighty Fingal was come. The strength of their arms withered away. The sound of their flight was like that of flame, when it rushes through the blasted groves. It was then the spear of Gaul flew in its strength; it was then his sword arose. Cramo fell; and mighty Leth! Dunthormo struggled in his blood. The steel rushed through Crotho's side, as bent he rose on his spear; the black stream poured from the wound, and hissed on the half-extinguished oak. Cathmin saw the steps of the hero behind him: he ascended a blasted tree; but the spear pierced him from behind. Shrieking, panting, he fell. Moss and withered branches pursue his fall, and strew the blue arms of Gaul.

Such were thy deeds, son of Morni, in the first of thy battles. Nor slept the sword by thy side, thou last of Fingal's race! Ossian rushed forward in his strength; the people fell before him; as the grass by the stall of the boy, when he whistles along the field, and the gray beard of the thistle falls. But careless the youth moves on; his steps are towards the desert. Gray morning rose around us; the winding streams are bright along the heath. The foe gathered on a bill; and the rage of Lathmon rose. He bent the red eye of his wrath: he is silent in his rising grief. He often struck his bossy shield: and his steps are unequal on the heath. I saw the distant darkness of the hero, and I spoke to Morni's son.

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poem by James Macpherson
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Temora - Book I

ARGUMENT.

Cairbar, the son of Borbar-duthul, lord of Atha, in Connaught, the most Potent chief of the race of the Fir-bolg, having murdered, at Temora, the royal palace, Cormac, the son of Artho, the young king of Ireland, usurped the throne. Cormac was lineally descended from Conar, the son of Trenmor, the great-grandfather of Fingal, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the behavior of Cairbar, and resolved to pass over into Ireland with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cathmor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledonian invaders appeared on the coast of Ulster.

The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brought him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Moma, haughtily despises the enemy; and is reprimanded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Olla, he invites Oscar, the son of Ossian; resolving to pick a quarrel with that hero, and so have some pretext for killing him. Oscar came to the feast; the quarrel happened; the followers of both fought, and Cairbar and Oscar fell by mutual wounds. The noise of the battle reached Fingal's army. The king came on to the relief of Oscar, and the Irish fell back to the army of Cathmor, who was advanced to the banks of the river Lubar, on the heath of Moi-lena. Fingal, after mourning over his grandson, ordered Ullin, the chief of his bards, to carry his body to Morven, to be there interred. Night coming on, Althan, the son of Conachar, relates to the king the particulars of the murder of Cormac. Fillan, the son of Fingal, is sent to observe the motions of Cathmor, by night, which concludes the action of the first day. The scene of this book is a plain, near the hill of Mora, which rose on the borders of the heath of Moi-lena in Ulster.

THE blue waves of Erin roll in light. The mountains are covered with day. Trees shake their dusky heads in the breeze. Gray torrents pour their noisy streams. Two green hills, with aged oaks, surround a narrow plain. The blue course of a stream is there. On its banks stood Cairbar of Atha. His spear supports the king: the red eye of his fear is sad. Cormac rises in his soul, with all his ghastly wounds. The gray form of the youth appears in darkness. Blood pours from his airy side. Cairbar thrice threw his spear on earth. Thrice he stroked his beard. His steps are short. He often stops. He tosses his sinewy arms. He is like a cloud in the desert, varying its form to every blast. The valleys are sad around, and fear, by turns, the shower! The king at length resumed his soul. He took his pointed spear. He turned his eye to Moi-lena. The scouts of blue ocean came. They came with steps of fear, and often looked behind. Cairbar knew that the mighty were near. He called his gloomy chiefs.

The sounding steps of his warriors came. They drew at once their swords. There Morlath stood with darkened face. Hidalla's long hair sighs in the wind. Red-haired Cormar bends on his spear, and rolls his sidelong-looking eyes. Wild is the look of Malthos, from beneath two shaggy brows. Foldath stands, like an oozy rock, that covers its dark sides with foam. His spear is like Slimora's fir, that meets the wind of heaven. His shield is marked with the strokes of battle. His red eye despises danger. These, and a thousand other chiefs, surrounded the king of Erin, when the scout of ocean came, Mor-annal, from streamy Moi-lena, His eyes hang forward from his face. His lips are trembling pale!

"Do the chiefs of Erin stand," he said, "silent as the grove of evening? Stand they, like a silent wood, and Fingal on the coast? Fingal, who is terrible in battle, the king of streamy Morven!" "Hast thou seen the warrior?" said Cairbar with a sigh. "Are his heroes many on the coast? Lifts he the spear of battle? or comes the king in peace?" "In peace be comes not, king of Erin; I have seen his forward spear. It is a meteor of death. The blood of thousands is on its steel. He came first to the shore, strong in the gray hair of age. Full rose his sinewy limbs, as he strode in his might. That sword is by his side, which gives no second wound. His shield is terrible, like the bloody moon, ascending through a storm. Then came Ossian, king of songs. Then Morni's son, the first of men. Connal leaps forward on his spear. Dermid spreads his dark-brown locks. Fillan bends his bow, the young hunter of streamy Moruth. But who is that before them, like the terrible course of a stream? It is the son of Ossian, bright between his locks! His long hair falls on his back. His dark brows are half enclosed in steel. His sword hangs loose on his side. His spear glitters as he moves. I fled from his terrible eyes, king of high Temora!"

"Then fly, thou feeble man," said Foldath's gloomy wrath. "Fly to the gray streams of thy land, son of the little soul! Have not I seen that Oscar? I beheld the chief in war. He is of the mighty in danger: but there are others who lift the spear. Erin has many sons as brave, king of Temora of groves. Let Foldath meet him in his strength. Let me stop this mighty stream. My spear is covered with blood. My shield is like the wall of Tura!"

"Shall Foldath alone meet the foe?" replied the dark-browed Malthos? "Are they not on our coast, like the waters of many streams? Are not these the chiefs who vanquished Swaran, when the sons of green Erin fled? Shall Foldath meet their bravest hero? Foldath of the heart of pride! Take the strength of the people! and let Malthos come. My sword is red with slaughter, but who has heard my words?"

"Sons of green Erin," said Hidalla, "let not Fingal hear your words. The foe might rejoice, and his arm be strong in the land. Ye are brave, O warriors! Ye are tempests in war. Ye are like storms, which meet the rocks without fear, and overturn the woods! But let us move in our strength, slow as a gathered cloud! Then shall the mighty tremble; the spear shall fall from the hand of the valiant. We see the cloud of death, they will say, while shadows fly over their face. Fingal will mourn in his age. He shall behold his flying fame. The steps of his chiefs will cease in Morven. The moss of years shall grow in Selma!"

Cairbar heard their words in silence, like the cloud of a shower: it stands dark on Cromla, till the lightning bursts its side. The valley gleams with heaven's flame; the spirits of the storm rejoice. So stood the silent king of Temora; at length his words broke forth. "Spread the feast on Moi-lena. Let my hundred bards attend. Thou red-haired Olla, take the harp of the king. Go to Oscar, chief of swords. Bid Oscar to our joy. To-day we feast and hear the song; to-morrow break the spears! Tell him that I have raised the tomb of Cathol; that bards gave his friend to the winds. Tell him that Cairbar has heard of his fame, at the stream of resounding Carun. Cathmor, my brother, is not here. He is not here with his thousands, and our arms are weak. Cathmor is a foe to strife at the feast! His soul is bright as that sun! But Cairbar must fight with Oscar, chiefs of woody Temora, His words for Cathol were many! the wrath of Cairbar burns! He shall fall on Moi-lena. My fame shall rise in blood!"

Their faces brightened round with joy. They spread over Moi-lena. The feast of shells is prepared. The songs of bards arise. The chiefs of Selma heard their joy. We thought that mighty Cathmor came. Cathmor, the friend of strangers! the brother of red-haired Cairbar. Their souls were not the same. The light of heaven was in the bosom of Cathmor. His towers rose on the banks of Atha: seven paths led to his halls. Seven chiefs stood on the paths, and called the stranger to the feast! But Cathmor dwelt in the wood, to shun the voice of praise!

Olla came with his songs. Oscar went to Cairbar's feast. Three hundred warriors strode along Moi-lena of the streams. The gray dogs bounded on the heath: their howling reached afar. Fingal saw the departing hero. The soul of the king was sad. He dreaded Cairbar's gloomy thoughts, amidst the feast of shells. My son raised high the spear of Cormac. A hundred bards met him with songs. Cairbar concealed, with smiles, the death that was dark in his soul. The feast is spread. The shells resound. Joy brightens the face of the host. But it was like the parting beam of the sun, when he is to hide his red head in a storm!

Cairbar rises in his arms. Darkness gathers on his brow. The hundred harps cease at once. The clang of shields is heard. Far distant on the heath Olla raised a song of wo. My son knew the sign of death; and rising seized his spear. "Oscar," said the dark-red Cairbar, "I behold the spear of Erin. The spear of Temora glitters in thy hand, son of woody Morven! It was the pride of a hundred kings. The death of heroes of old. Yield it, son of Ossian, yield it to car-borne Cairbar!"

"Shall I yield," Oscar replied, "the gift of Erin's injured king; the gift of fair-haired Cormac, when Oscar scattered his foes? I came to Cormac's halls of joy, when Swaran fled from Fingal. Gladness rose in the face of youth. He gave the spear of Temora. Nor did he give it to the feeble: neither to the weak in soul. The darkness of thy face is no storm to me: nor are thine eyes the flame of death. Do I fear thy clanging shield? Tremble I at Olla's song? No Cairbar, frighten the feeble; Oscar is a rock!"

"Wilt thou not yield the spear?" replied the rising pride of Cairbar." Are thy words so mighty, because Fingal is near? Fingal with aged locks, from Morven's hundred groves! He has fought with little men. But he must vanish before Cairbar, like a thin pillar of mist before the winds of Atha!" — "Were he who fought with little men, near Atha's haughty chief, Atha's chief would yield green Erin to avoid his rage! Speak not of the mighty, O Cairbar! Turn thy sword on me. Our strength is equal: but Fingal is renowned! the first of mortal men!"

Their people saw the darkening chiefs. Their crowding steps are heard. Their eyes roll in fire. A thousand swords are half unsheathed. Red-haired Olla raised the song of battle. The trembling joy of Oscar's soul arose: the wonted joy of his soul when Fingal's horn was heard. Dark as the swelling wave of ocean before the rising winds, when it bends its head near the coast, came on the host of Cairbar!

Daughter of Toscar! why that tear? He is not fallen yet. Many were the deaths of his arm before my hero fell!

Behold they fall before my son, like groves in the desert; when an angry ghost rushes through night, and takes their green heads in his hand! Morlath falls. Maronnan dies. Conachar trembles in his blood. Cairbar shrinks before Oscar's sword! He creeps in darkness behind a stone. He lifts the spear in secret, he pierces my Oscar's side! He falls forward on his shield, his knee sustains the chief. But still his spear is in his hand! See, gloomy Cairbar falls! The steel pierced his forehead, and divided his red hair behind. He lay like a shattered rock, which Cromla shakes from its shaggy side, when the green-valleyed Erin shakes its mountains from sea to sea!

But never more shall Oscar rise! He leans on his bossy shield. His spear is in his terrible hand. Erin's sons stand distant and dark. Their shouts arise, like crowded streams. Moi-lena echoes wide. Fingal heard the sound. He took the spear of Selma. His steps are before us on the heath. He spoke the words of wo. "I hear the noise of war. Young Oscar is alone. Rise, sons of Morven: join the hero's sword!"

Ossian rushed along the heath. Fillan bounded over Moi-lena. Fingal strode in his strength. The light of his shield is terrible. The sons of Erin saw it far distant. They trembled in their souls. They knew that the wrath of the king arose: and they foresaw their death. We first arrived. We fought. Erin's chiefs withstood our rage. But when the king came, in the sound of his course, what heart of steel could stand? Erin fled over Moi-lena. Death pursued their flight. We saw Oscar on his shield. We saw his blood around. Silence darkened on every face. Each turned his back and wept. The king strove to hide his tears. His gray beard whistled in the wind. He bends his head above the chief. His words are mixed with sighs.

"Art thou fallen, O Oscar! in the midst of thy course? the heart of the aged beats over thee! He sees thy coming wars! The wars which ought to come he sees! They are cut off from thy fame! When shall joy dwell at Selma? When shall grief depart from Morven? My sons fall by degrees: Fingal is the last of his race. My fame begins to pass away. Mine age will be without friends. I shall sit a gray cloud in my hall. I shall not hear the return of a son, in his sounding arms. Weep, ye heroes of Morven! never more shall Oscar rise!"

And they did weep, O Fingal! Dear was the hero to their souls. He went out to battle, and the foes vanished. He returned in peace, amidst their joy. No father mourned his son slain in youth: no brother his brother of love. They fell without tears, for the chief of the people is low! Bran is howling at his feet: gloomy Luath is sad; for he had often led them to the chase; to the bounding roe of the desert!

When Oscar saw his friends around, his heaving breast arose. "The groans," he said, "of aged chiefs; the howling of my dogs; the sudden bursts of the song of grief, have melted Oscar's soul. My soul, that never melted before. It was like the steel of my sword. Ossian, carry me to my hills! Raise the stones of my renown. Place the horn of a deer: place my sword by my side; The torrent hereafter may raise the earth: the hunter may find the steel, and say, 'This has been Oscar's sword, the pride of other years!'" "Fallest thou, son of my fame? shall I never see thee, Oscar? When others hear of their sons, shall I not hear of thee? The moss is on thy four gray stones. The mournful wind is there. The battle shall be fought without thee. Thou shalt not pursue the dark-brown hinds. When the warrior returns from battles, and tells of other lands; 'I have seen a tomb,' he will say, 'by the roaring stream, the dark dwelling of a chief. He fell by car-borne Oscar, the first of mortal men.' I, perhaps, shall hear his voice. A beam of joy will rise in my soul."

Night would have descended in sorrow, and morning returned in the shadow of grief. Our chiefs would have stood, like cold-dropping rocks on Moi-lena, and have forgot the war; did not the king disperse his grief, and raise his mighty voice. The chiefs, as new-wakened from dreams, lift up their heads around.

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poem by James Macpherson
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Release From Locked Up Cages Aged

Release from locked up cages,
Aged.
Release from locked up cages,
Aged.
Release from locked up cages...
Aged.

Release from locked up cages.

Come everyone...
Release from locked up cages.
Come under the Sun...
Release from locked up cages.
Come feel the breezes.
With fresh air to keep!
And make it yours,
In your mind.
Get more than you need.
And...
Release from locked up cages.
Shake off the rust.

Release from locked up cages.
What's there to lust?

Or trust.

Worthy of your cussing.

Come everyone...
Release from locked up cages.
Come under the Sun...
Release from locked up cages.
Come feel the breezes.
With fresh air to keep!
And make it yours,
In your mind.
Get more than you need.

And...
Release from locked up cages,
Aged.
Release from locked up cages,
Aged.
Release from locked up cages...
Aged.

Release!
Be freed,
From locked up cages aged.

poem by Lawrence S. Pertillar
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The Great Adventure Of Max Breuck

1

A yellow band of light upon the street
Pours from an open door, and makes a wide
Pathway of bright gold across a sheet
Of calm and liquid moonshine. From inside
Come shouts and streams of laughter, and a snatch
Of song, soon drowned and lost again in mirth,
The clip of tankards on a table top,
And stir of booted heels. Against the patch
Of candle-light a shadow falls, its girth
Proclaims the host himself, and master of his shop.

2

This is the tavern of one Hilverdink,
Jan Hilverdink, whose wines are much esteemed.
Within his cellar men can have to drink
The rarest cordials old monks ever schemed
To coax from pulpy grapes, and with nice art
Improve and spice their virgin juiciness.
Here froths the amber beer of many a brew,
Crowning each pewter tankard with as smart
A cap as ever in his wantonness
Winter set glittering on top of an old yew.

3

Tall candles stand upon the table, where
Are twisted glasses, ruby-sparked with wine,
Clarets and ports. Those topaz bumpers were
Drained from slim, long-necked bottles of the Rhine.
The centre of the board is piled with pipes,
Slender and clean, the still unbaptized clay
Awaits its burning fate. Behind, the vault
Stretches from dim to dark, a groping way
Bordered by casks and puncheons, whose brass stripes
And bands gleam dully still, beyond the gay tumult.

4

'For good old Master Hilverdink, a toast!'
Clamoured a youth with tassels on his boots.
'Bring out your oldest brandy for a boast,
From that small barrel in the very roots
Of your deep cellar, man. Why here is Max!
Ho! Welcome, Max, you're scarcely here in time.

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poem by Amy Lowell
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A Message: Armistice Day 1936

I got dreamin' that a message come in some mysterious way
From one ole pal of mine, gone West this many an' many a day,
A bloke the name of Ginger Mick, a fightin' cove I knoo.
(But 'e's Digger Corporal Mick Esquire, late A.I.F., to you)
'E got 'is on Gallipoli, an' sleeps there with the best,
Not leavin' very much be'ind, excep' one small request.
'Look after things,' was all 'e said, when 'e was mortal 'urt.
Dead sure 'is mates - that's me an' you - would never do 'im dirt.

(Think of it in the Silence, with yer 'eads bowed low:
Do we keep the unspoke compact with the men we used to know?)

For I dreams it in the silence of a dark Remembrance Eve;
An' the message seems to tell me it is gettin' late to grieve.
'But if you seem to miss us still, then get the sob-stuff o'er,
An' think about the things wot we went an' fought a war.
Send up a pray`r an' dropp a tear an' bend a reverent knee -
(Says Digger Corporal Ginger Mick, A.I.F., says 'e)
But is them things we fought for still the things most dear to you:
The honor an' the glory an' the mateship that we knew?'

(Think of it in the Silence, when the Last Post plays -
The splendid glimpse of Truth we 'ad, once, in the bitter days)

'Grief is a passin' compliment,' the message seems to say;
But tears don't carry on the job for men that drift away.
We 'ad small time or taste for such where guns was raisin' 'ell,
When we got busy plantin' blokes an' wishin' 'em farewell.
We blowed sad music over 'em - plain Digs, or Brass 'at Knuts -
But we played a quick-step comin' back, to show we 'ad the guts.
Our speech was rough, our ways was tough - tough as our bloody game.
Are the rough, tough, lads still honored, like when the Terror came?'

(Think of it, in the Silence, when their spirits hover near:
The vision and the vows that held while still the land knew fear.)

'E's sleepin' on Gallipoli. At least, 'is bones is there:
Bones worth a ton of livin' flesh that won't play fair -
Not till the Terror comes again. 'An' when it does,' says 'e,
If gods you've worshipped let you down, well, don't blame me.'
'E's seen a lot, an' learned a lot most like, where 'e 'as gone;
An' 'eaven 'elp us when we meet if we ain't carried on.
A vulgar person, Ginger Mick, a fightin' cove I knoo -
(But Digger Corporal Ginger Mick, if you please, to you.)

(Think of it in the Silence; an', if you pray, pray deep
That all we 'ave an' all we are old loyalties shall keep.

poem by Clarence Michael James Stanislaus Dennis
Added by Poetry Lover
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