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Know, cabbages, that there is spinach in the stew.

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Brent River Bride

Flow proudly fair river,
For one who fell under
Your spell was the liver
Doc, Gershon - asunder
Found all his plans, muddled
By nymphs of the water -
He greatly befuddled
Then married the daughter
Of Count Joe of Wandle
Far south of the city
And went on to fondle
Her milk flowing titty.
I send this wet letter
To Brentische planners;
Such amour is better
Than yekkishe manners.

LRH
6.5.06 In reply to GWH's Bride of Brent of 6.5.06

Bride of Brent

Unlike Lucia from far Lammermoor,
fair Linda, hailing from far Chaumonix,
excels when she’s preparing salmon or
deep-frying spuds and spinach that aren’t gammony.

She tried to keep the frog which wooing went
outside the net she guarded as a goalie
till she became the Bride of River Brent
and played the role of Princess Rowley-Powley.

The frog, he always used to say “Heigh-ho, '
because he knew that he could never find a
more lovely princess once she’d kissed him so
he was more charmed than Chaumonix by Linda.

Inspired by Linda, who married me at the Brent Bridge Hotel in August 1996, and by “A frog he would a-wooing go”: [Old folk song].

A Frog he would a-wooing go,
Heigho! says Rowley,
Whether his mother would let him or no.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.

So off he set with his opera hat,
Heigho! says Rowley,
And on the way he met with a Rat.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.

[...] Read more

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Test My Appetite

Some prefer and choose perfection,
To convey ideals...
Promoted to instill.
With a showing of a knowledge...
In a hope that this appeals.

And then there are those,
Who have chosen to be real.
Grounded and solid of sound minds.
To find they are critiqued...
By those of the pretentious kind.

'It is not proper etiquette,
To dip biscuits in stew.'

~Hey...
I am here to eat.
Not to see what others do.
And IF you're looking for a silver spoon.
To eat your stew?
You go and do that.
And my biscuits will be in your stew too!

In these times,
I will nourish first...
Before rehearsing any refinement,
I've learned from the past.
But today does not work.~

'It is not proper etiquette,
To dip biscuits in stew.'

~Hey...
I am here to eat.
Not to see what others do.
And IF you're looking for a silver spoon.
To eat your stew?
You go and do that.
And my biscuits will be in your stew too!

Go ahead!
Test my appetite!
I dare you.
Leave that stew.
And I'll show you what can be done with it.~

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The Ballad[e] Of Imitation

If they hint, O Musician, the piece that you played
Is nought but a copy of Chopin or Spohr;
That the ballad you sing is but merely 'conveyed'
From the stock of the Arnes and the Purcells of yore;
That there's nothing, in short, in the words or the score
That is not as out-worn as the 'Wandering Jew,'
Make answer-Beethoven could scarcely do more-
That the man who plants cabbages imitates, too!

If they tell you, Sir Artist, your light and your shade
Are simply 'adapted' from other men's lore;
That-plainly to speak of a 'spade' as a 'spade'-
You've 'stolen' your grouping from three or from four;
That (however the writer the truth may deplore),
'Twas Gainsborough painted your 'Little Boy Blue';
Smile only serenely-though cut to the core-
For the man who plants cabbages imitates, too!

And you too, my Poet, be never dismayed
If they whisper your Epic-'Sir Eperon d'Or'-
Is nothing but Tennyson thinly arrayed
In a tissue that's taken from Morris's store;
That no one, in fact, but a child could ignore
That you 'lift' or 'accommodate' all that you do;
Take heart-though your Pegasus' withers be sore-
For the man who plants cabbages imitates, too!

POSTSCRIPTUM-And you, whom we all so adore,
Dear Critics, whose verdicts are always so new!-
One word in your ear. There were Critics before . . .
And the man who plants cabbages imitates, too!

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

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To F.W.F.

Farrar, when o’er Goodwin’s page
Late I found thee poring,
From the hydrostatic Sage
Leaky Memory storing,
Or when groaning yesterday
Needlessly distracted
By some bright erratic ray,
Through a sphere refracted,—

Then the quick words, oft suppressed,
In my fauces fluttered;
Thoughts not yet in language drest
Pleasing to be uttered.
He that neatly gilds the pill
Hides the drug but vainly,
So, in chance-sown words, I will
Speak the matter plainly.

Men there are, whose patient minds,
In one object centred,
Wait, till through their darkened blinds
Truth has burst and entered.
Then, that ray so barely caught
Joyfully absorbing,
They behold the realms of Thought
Into Science orbing.

Thus they wait, and thus they toil,
Thus they end in knowing,
Like good seed in kindly soil
Taking root and growing.
Men there are whose ambient souls,
In rapt Intuition,
Seize Creation as it rolls,
Whole, without partition.

Not for them the darkened room,
Lens, and perforation;
Enemies are they to gloom,
Foes to Insulation.
Theirs the light of perfect Day,
Theirs the sense of Freedom;
Dungeons, and the tortured ray,
Serve for those that need ’em.

Song to them of right belongs,
Eloquently flowing;
Sweeping down time-honoured wrongs,
Surging, burning, glowing.
Songs in which all hearts rejoice,

[...] Read more

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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We couldn’t find spinach anywhere

We couldn’t find spinach anywhere,
not at the Fruit and Veg
or other green grocers
or even at chain stores
like Pick-a-Pay, Checkers,
Shoprite and Woolworths.

“It must be out of season, ”
I told my darling
who had returned the green beans
and so we didn’t have
any green vegetables
and joking I told her
that we will get scurvy.

Passing a traffic light
in the inner city
she saw a hawker
selling vegetables
with packets and packets of spinach.

She told me to stop
and I parked next
to the road
across from him,
but before I could get out
of the car
he was already there
with a selection
of vegetables
at great prices.

That night my darling
prepared her special dish
with chicken, spinach
and feta cheese
fried in a great sauce
and served it with a bottle
of St. Anna wine
and my thoughts went to
the little smiling hawker
who made our day.

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If It Makes A Better Stew

Medicate to get your groove on,
If it makes a better stew.
And the taste of it is 'super',
With a knowing of this too.

Medicate to get your groove on,
If it makes a better stew.
And the taste of it is 'super',
With a knowing of this too.

Why not,
Create your own stupor.
Why not,
Pace inside your coop.
Why not,
Minimize beliefs.
And...
Maximize that duping,
To yourself that you do.

Medicate to get your groove on,
If it makes a better stew.
And the taste of it is 'super',
With a knowing of this too.
Why not,
Create your own stupor.
Why not,
Pace inside your coop.
Why not,
Maximize that duping,
To yourself that you do.

Why not,
Minimize beliefs.
And...
Maximize that duping,
To yourself that you do.
Why not,
If the taste is 'super',
And this makes a better stew.

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

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You Know My Name

You know my name
Look up the number
You know my name
Look up the number
You you know you know my name
You you know you know my name
Good evening and welcome to slaggers
Featuring denis o'bell
Come on ringo, let's hear it for denis
Good evening
You know my name
Better look up the number
You know my name
(that's right) look up the number
You you know you know my name
You you know you know my name
You know my name
Ba ba ba ba ba ba ba ba ba
Look up my number
You know my name
That's right look up the number
Oh you know you know
You know my name you know you know you know my name.
Huh huh huh huh
You know my name
Ba ba ba pum
Look up the number
You know my name
Look up the number
You-a you know you know my name
Baby you-a you know you know my name
You know my name you know you know you know my name
Go on denis, let's hear it for denis o'bell
You know my name you know you know you know you know you know my name
Prrr you know my name and the number
You know my name and the number you know you know my name
Look up me number
You know my number three you know my number two
You know my number three you know my number four
You know my name you know number too
You know my name you know my number
What's up with you?
You know my name
That's right
Yeah.

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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

[...] Read more

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La Fontaine

Neighbour Peter's Mare

A CERTAIN pious rector (John his name),
But little preached, except when vintage came;
And then no preparation he required
On this he triumphed and was much admired.
Another point he handled very well,
Though oft'ner he'd thereon have liked to dwell,
And this the children of the present day,
So fully know, there's naught for me to say:
John to the senses things so clearly brought,
That much by wives and husbands he was sought,
Who held his knowledge of superior price,
And paid attention to his sage advice.
Around, whatever conscience he might find,
To soft delights and easy ways inclined,
In person he would rigidly attend,
And seek to act the confessor and friend;
Not e'en his curate would he trust with these;
But zealously he tried to give them ease,
And ev'ry where would due attention show,
Observing that divines should always know
Their flocks most thoroughly and visit round;
To give instruction and the truth expound.

AMONG the folks, to whom he visits paid,
Was neighbour Peter, one who used the spade;
A villager that God, in lieu of lands,
Had furnished only with a pair of hands,
To dig and delve, and by the mattock gain
Enough his wife and children to maintain.
Still youthful charms you in his spouse might trace;
The weather injured solely had her face,
But not the features which were perfect yet:
Some wish perhaps more blooming belles to get;
The rustick truly me would ne'er have pleased;
But such are oft by country parsons seized,
Who low amours and dishes coarse admire,
That palates more refined would not desire.

THE pastor John would often on her leer,
just as a cur, when store of bones are near,
That would good pickings for his teeth afford,
Attentively behold the precious hoard,
And seem uneasy; move his feet and tail;
Now prick his ears; then fear he can't prevail,
The eyes still fixed upon the bite in sight,
Which twenty times to these affords delight,
Ere to his longing jaws the boon arrives,
However anxiously the suitor strives.

SELF-TORMENTS solely parson John obtained;

[...] Read more

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

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You And I Know

They ask why do we live love die do we
Take a chance maybe ask a dance do we
Risk the pain never quite regain never
Oh we bleed the dark never miss the mark never

Well you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know

They don't know of the place we go lover
All the blues are green nothing in between lover
And when the darkness falls through the fine glass walls lover
Oh it makes the sound of the outward bound lover

But you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know
Oh

Well they're looking right through me
And back into themselves
And I'm thinking that they knew me
When they laugh at someone else

Well you and I know I know you and I know you and I know
You and I know I know you and I know you and I know
You and I know I know you and I know you and I know
Oh I know you and I know you and I know
Oh I know you and I know you and I know
I know
Yes

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A Beef Steak

i know you have decided to take the
code of the vegetarian
in the party
the host is warned to serve
veggies, not to disappoint you
the important one
the celeries, the lettuce
apples and peaches
pineapples and papayas
spinach and cabbages
your taste of the leaves
and the pulp
and some fresh juices
your body has become
frail less the bulk
of the muscle and the
meat
somehow, you glitter
and glow like a
traffic light when
you see me alone
with my fitting blue jeans
and my bulging
spare parts
you like it
i give the signal
i am blank
you can fill me up
with an answer
true, yes, go,
take me

i am your beefcake
i taste like your
irresistable beef steak
take me tonight
i am obliging in love
eat me
take me to the warmest
part of
your throat

i am your man
i keep your secret

on some expensive
equivalents, you know.

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Mike On The Mic

I met this girl last night with a peculiar cackle
I laid the bait and then she took the tackle
Had too much to drink at the Red Lobster
Now the room is spinning around like the blades of a helicopter
I never met a girl that was too finicky
If the press has their way then they're going to finish me
You might know this but you've never been this see
If I ate spinach then I'd be called Spinach D
I shed light like cats shed fur
Ride around town like Raymond Burr
I'm so high that they call me Your Highness
If you don't know me then pardon my shyness
I live in the Village wherever I go I walk to
Keepin' my friends around so I have someone to talk to
I play my music loud because you know it's got clout to it
It's a trip it's got a funky beat and I can bug out to it

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Sue In The Stew

In my "Stew" my "Stew of Goo" I will have control over you.
Yes, I will control you with my evil spell,
I will control this doll with named Mel.
I will say things that are not NICE,
you see I took your Power and I control the Dice!
Everything is "neat" in this "Game of Deceit"
This Game where I control everything.
Yes, I took your power that you willfully gave to me,
that was Deal, don't you see? ? ?
Don't tell me you want your Power intact,
You chose me as your mother! !
So I can talk behind your back! !
Now, now, you say "Why would I do that? "
You had to find yourself and get back on track...
See how would you ever know who you really are.
"Why, you think you came into this world complete like Sarah Star? ? ? "
You needed my "Evil" ways to make you strong,
you can thank ME when I am long gone...
Now, now you realize it wasn't about ME,
why it was all about YOU,
Yes you finding You—"YOU in the Stew"

Written By Suzae Chevalier in 2006 & 2010

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You In The Stew

In my “Stew” my “Stew of Goo” I will have control over you.

Yes, I will control you with my evil spell, I will control this doll with named
Mel.

I will say things that are not NICE, because you see I took your Power
and I control the Dice!

Everything is “neat” in this “Game of Deceit”

This Game where I control everything.

Yes, I took your power that you willfully gave to me,

that was Deal, don’t you see? ? ?

Don’t tell me you want your Power in tack,

You chose me as your mother! !

So I can talk behind your back! !

Now, now, you say “Why would I do that? ”

Because you had to find

yourself and get back on track…

See how would you ever know who you really are,

Why, you think you came into this world “Complete” like Sarah Star? ? ?

You needed my “Evil” ways to make you strong,

Sooo someday

You can thank ME when I am long gone…

Now, now you realize it wasn’t about ME,

why it was all about

YOU,

yes you finding You—

“YOU in the Stew

Written 2006 & 2010 By Christina Sunrise

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You Know Where You Went Wrong

(tennant/lowe)
---------------
Two men on the street
Drinking something cheap
No home, no family
Its cold, nowhere to sleep
Passers-by never catch their eye
Anywhere, one man drinks, the other swears
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
The old man cant understand
No one will shake his hand
I gave security, bombs and colour tv
It cost a few lives
Someones son always dies
No one shakes his hand
He dont understand
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world
Of every boy and every girl
Who dont understand whats going on anymore
The history of the world
Of every boy and every girl
Who dont understand whats going on anymore
(whats going on? )
Two girls have a photograph
One looks, the other laughs
He could have been mine
Why did I change my mind?
Then hands on hips
The other girl says: admit! admit!
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world (of the world)
Of every boy and every girl
Who dont (who dont) understand (understand)
Whats going on anymore (whats going on? )

[...] Read more

song performed by Pet Shop BoysReport problemRelated quotes
Added by Lucian Velea
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Good Life

real life
still life do
good life
real life
an art dealer's stew

good life
a shut up life
keep the breath
skin tight

good life
paint life
portrait hanging loose

good life
tune life
a melody
to choose

good life
food life
keep the stew up boil
good life
feel life
wrapped in arty's foil

good life
real life
still life do
good life
real life
an art of dealer's stew

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