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Plenty, is na Dainty.

Scotch proverbs
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Dainty Davie

Now rosy May comes in wi' flowers,
To deck her gay, green-spreading bowers;
And now comes in the happy hours,
To wander wi' my Davie.

Meet me on the warlock knowe,
Dainty Davie, Dainty Davie;
There I'll spend the day wi' you,
My ain dear Dainty Davie.

The crystal waters round us fa',
The merry birds are lovers a',
The scented breezes round us blaw,
A wandering wi' my Davie.

Meet me on the warlock knowe,
Dainty Davie, Dainty Davie;
There I'll spend the day wi' you,
My ain dear Dainty Davie.

As purple morning starts the hare,
To steal upon her early fare,
Then thro' the dews I will repair,
To meet my faithfu' Davie.

Meet me on the warlock knowe,
Dainty Davie, Dainty Davie;
There I'll spend the day wi' you,
My ain dear Dainty Davie.

When day, expiring in the west,
The curtain draws o' Nature's rest,
I flee to his arms I loe' the best,
And that's my ain dear Davie.

Meet me on the warlock knowe,
Dainty Davie, Dainty Davie;
There I'll spend the day wi' you,
My ain dear Dainty Davie.

poem by Robert Burns
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Plenty

[Chorus One: Erykah Badu]
When she wants plenty, she gets plenty
When she wants plenty, she gets plenty
When she wants plenty, she gets plenty
then she gets plenty more, uhh
{repeat Chorus One}
[Guru]
Uhh
Watchin her drivin by, in her new whip so fly
Wish she could sing me a lullaby, to scoop her I've got to try
In her eyes, there's a flame that burns right through my soul
Can't pretend to be cool, about to lose my control
Yeah I know she's got plenty; admirers, she's got many
Like an exotic fantasy, into a frenzy she sends me
Wow I have to sit down, and gather my wits now
I wanna caress those hips now, wanna kiss those lips now
[Badu]
Hello? Hey babyyy
I know you called and I didn't answer twice
But baby that's oh-kay it's nice
for you to call anyway see, okay, see uhh
Hey babyyy
You know it's okay if you don't call me
anymore cause I got a-plenty
truckload of niggaz like you at my door {*dial tone*}
[Chorus One]
[Guru]
Yup
And every day is her day, and every year is her year
Anyone tried to violate, they could straight dissapear
She don't care if you play yourself, tryin to step to her
The illest of gangsters, I show and respect to her
Truly glamourous, she ain't impressed and it shows
She don't like your new clothes, she don't care about your playa pose
Do you suppose I could hook up and spend time with her?
She's just how I dreamed - I'll bust my nine for her
[Chorus Two: Erykah Badu]
When she gets plenty, she gets plenty
When she gets plenty, she gets plenty
When she wants plenty, she gets plenty
any damn thang she wants, uhh
[Guru]
Uhh
Surgeon General - I provide vit

song performed by Erykah Badu
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Doodles

I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.

I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.

I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.

I've got plenty made doodles.
Some done and some new doodles too.
I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.

I've got plenty made doodles.
And doing those doodles is what I choose,
When doing those doodles I choose to do.

I've got plenty made doodles.
And...
Doing those doodles is what I choose,
When doing those doodles I choose to do.

I've got plenty made doodles.
And...
Doing those doodles is what I choose,
When doing those doodles I choose to do.
Doing those doodles is what I choose,
When doing those doodles I choose to do.
Doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles
I've got plenty made doodles.
And...
Doing those doodles is what I choose,
When doing those doodles I choose to do.
I've got plenty made doodles.
I've got plenty made doodles.
I...
Do all my doodles with doodles done.

[...] Read more

poem by Lawrence S. Pertillar
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King Billy Chips In

Boss Oberseer, Dat BULLUMTIN! Goo' day, boss Plurry 'ot!
Bloke tell me writum BULLUMTIN, bin plenty bacca got.
'You Billy, makum writin'-yabber,' bloke he say to me;
'Him quick bin pay fer writin' - plenty tsugar plenty tea.'

S'pose mine write it pretty good, you gib it two t'ree poun'?
Bin teachum mishum station plenty good write yabber down.
Mine jes' bin readin' BULLUMTIN alonga scrub. Ma word!
Mine tink it Gub'mint yabber 'bout de bee' de kin I heard.

Mine tink it pitcher budgerry - dat Lin'say an' dat Hop.
Mine tink it dem corrob'ree songs been alla same up top.
Bin plenty good, dat lubra yabber; Red Page, berry fine;
Dat White Australia policy jes' same alonga mine.

But, tell you straight, boss, all dat talk 'bout 'possum, 'roo and snake,
Bin pull your leg, mine tink it. It bin all a plurry fake.
Mine s'pose dem blokes bin walkabout dat bush down Sydney way.
Bin talkum t'ro' dere ploomin' hat 'bout eberyting dey say!

Bin catchum snake, mine tink it, outer bottle, longa pub.
Too much dam lie about dem tings dey neber seen in scrub.
Ma wud! Mine plenty bin in bush; bin plenty much out back,
But neber meet dem pfellers anywhere alonga track.

Mine tink dey catchum too much corns dey walk alonga scrub,
Dey don't bin losum sight of bed an' plenty pfeller grub.
Mine neber meet dat 'Dandalup' or 'Wang,' or 'William Cann.'
Dat 'Quan,' mine tink, drive butcher cart, an' 'Snell' bin tramway man.

Mine tell you, boss, dem blokes no good; dey all bin habin' you.
Mine tink dat 'Chimmie Pannican' bin plurry chackeroo!
So boss, you listen longa me; you make quick catchum sack,
An' Billy him bin send you plenty yabber 'bout outback.

S'pose you gib it glasserrum, mine writum Wil' Cat too.
You gib it bottle rum, mine run whole plurry show for you.
Don' bin forgettum bacca, rum, when you bin writin' nex';
Mine wantum plenty bad; ma wud! Mine bin yours, BILLY REX.

poem by Clarence Michael James Stanislaus Dennis
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Baby Bell

I

Have you not heard the poets tell
How came the dainty Baby Bell
Into this world of ours?
The gates of heaven were left ajar:
With folded hands and dreamy eyes,
Wandering out of Paradise,
She saw this planet, like a star,
Hung in the glistening depths of even -
Its bridges, running to and fro,
O'er which the white-winged Angels go,
Bearing the holy Dead to heaven.
She touched a bridge of flowers - those feet,
So light they did not bend the bells
Of the celestial asphodels,
They fell like dew upon the flowers:
Then all the air grew strangely sweet.
And thus came dainty Baby Bell
Into this world of ours.

II

She came and brought delicious May;
The swallows built beneath the eaves;
Like sunlight, in and out the leaves
The robins went, the livelong day;
The lily swung its noiseless bell;
And on the porch the slender vine
Held out its cups of fairy wine.
How tenderly the twilights fell!
Oh, earth was full of singing-birds
And opening springtide flowers,
When the dainty Baby Bell
Came to this world of ours.

III

O Baby, dainty Baby Bell,
How fair she grew from day to day!
What woman-nature filled her eyes,
What poetry within them lay -
Those deep and tender twilight eyes,
So full of meaning, pure and bright
As if she yet stood in the light
Of those oped gates of Paradise.
And so we loved her more and more:
Ah, never in our hearts before
Was love so lovely born:
We felt we had a link between

[...] Read more

poem by Thomas Bailey Aldrich
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I Got Plenty O Nuttin

I got plenty of nothing
And nothings plenty for me
I got no car - got no mule
I got no misery
Folks with plenty of plenty
Theyve got a lock on the door
Afraid somebodys gonna rob em
While there out (a) making more - what for
I got no lock on the door - thats no way to be
They can steal the rug from the floor - thats ok with me
cause the things that I prize - like the stars in the skies - are all free
I got plenty of nothing
And nothings plenty for me
I got my gal - got my song
(I) got heaven the whole day long
- got my gal - got my love - got my song

song performed by Ella Fitzgerald
Added by Lucian Velea
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I Dont Depend On You

The night
So young
You could lose
You could gain
Your temperatures rising
Better pull into the outside lane
You always say youre not the jealous kind
Then you tell all your friends that Ive got one thing on my mind
Ive played this scene before, you had one foot in the door
But theres always plenty more, dont try to use me
I dont depend on you, Ive got my own friends too
Ill never be your wife, dont try to use me
Ive played this scene before, you had one foot in the door
But theres always plenty more, dont try to use me
Its cruel but its true, I dont depend on you
Its cruel but its true, go back to the end of the queue
Ive played this scene before, you had one foot in the door
But theres always plenty more, dont try to use me
I dont depend on you, Ive got my own friends too
Ill never be your wife, dont try to use me
Ive played this scene before, you had one foot in the door
But theres always plenty more, dont try to use me
The night, so young
You could lose, you could gain
Your temperatures rising
Better pull into the outside lane
You always say youre not the jealous kind
Then you tell all your friends that Ive got one thing on my mind
Ive played this scene before, you had one foot in the door
But theres always plenty more, dont try to use me
I dont depend on you, Ive got my own friends too
Ill never be your wife, dont try to use me
Ive played this scene before, you had one foot in the door
But theres always plenty more, dont try to use me
Its cruel but its true, I dont depend on you
Its cruel but its true, go back to the end of the queue
Its cruel but its true, I dont depend on you
Its cruel but its true, go back to the end of the queue

song performed by Human League
Added by Lucian Velea
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Beethoven Street

Baby used to be a rock n roller
In the night time
She used to use all of my money
To have a good time
I gave her plenty of good times
She gave me plenty of heartaches
She was planning a getaway
Oh take me
To beethoven street
Thats where I want to be
Yeah take me
To beethoven street
Thats where I want to be
Babys given up rock n roll
And I can hardly keep control
Take me to beethoven street
Mr. I want to be there
Who cut the power on you
I just dont know
Who pulled the switch her heartbeat
She wouldnt let me know
I gave her plenty of good times
She gave me plenty of heartaches
She was planning a getaway
Take me to beethoven street
Thats where I want to be
Take me to beethoven street
Mr. I want to be there
Who cut the power on you baby
I just dont know
Who pulled the power on you
I just dont know
I gave her plenty of good times
She gave me plenty of heartaches
She was planning a getaway
Take me to beethoven street
Thats where I want to be
Take me to beethoven street
Mr. I want to be there
Take me to beethoven street

song performed by Rick Springfield
Added by Lucian Velea
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Underwater

It's in her head, it's in her mind.
She can't believe it,
Can't believe she's running out of time.
And any hold that she can find.
Something to lean on.
Everybody fails her half the time.
Nothing to be,
She's already been
Oh, in plenty of time.
Plenty of time...
Plenty of time...
She lights her candle, six A.M.
Starting a new one.
Every new one hits her just the same.
Just like clock work,
She climbs down into her bottle.
Yeah, and no one down there cares to know her name.
She's underwater, nowhere now.
She's underwater, upside down.
The rising tide won't find her now.
She's lost and found.
Underwater...
She's underwater.
She's underwater, but she won't drown.
She can't believe it,
And everyone she meets feels just the same.
It takes all day to get to tonight.
What makes the sunset,
And what makes it go back to where it came?
Nothing to be.
She's already been
In plenty of time.
Plenty of time...
Plenty of time...
She's underwater, nowhere now.
She's underwater, upside down.
The rising tide won't find her now.
She's lost and found.
Now she's upside down.
Now she's six feet down.
Underwater...
Underwater...
Underwater...

song performed by Switchfoot
Added by Lucian Velea
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Le Masque (The Mask)

Statue allégorique dans le goût de la Renaissance

Contemplons ce trésor de grâces florentines;
Dans l'ondulation de ce corps musculeux
L'Elégance et la Force abondent, soeurs divines.
Cette femme, morceau vraiment miraculeux,
Divinement robuste, adorablement mince,
Est faite pour trôner sur des lits somptueux
Et charmer les loisirs d'un pontife ou d'un prince.

— Aussi, vois ce souris fin et voluptueux
Où la Fatuité promène son extase;
Ce long regard sournois, langoureux et moqueur;
Ce visage mignard, tout encadré de gaze,
Dont chaque trait nous dit avec un air vainqueur:
«La Volupté m'appelle et l'Amour me couronne!»
À cet être doué de tant de majesté
Vois quel charme excitant la gentillesse donne!
Approchons, et tournons autour de sa beauté.

Ô blasphème de l'art! ô surprise fatale!
La femme au corps divin, promettant le bonheur,Par le haut se termine en monstre bicéphale!

— Mais non! ce n'est qu'un masque, un décor suborneur,
Ce visage éclairé d'une exquise grimace,
Et, regarde, voici, crispée atrocement,
La véritable tête, et la sincère face
Renversée à l'abri de la face qui ment
Pauvre grande beauté! le magnifique fleuve
De tes pleurs aboutit dans mon coeur soucieux
Ton mensonge m'enivre, et mon âme s'abreuve
Aux flots que la Douleur fait jaillir de tes yeux!

— Mais pourquoi pleure-t-elle? Elle, beauté parfaite,
Qui mettrait à ses pieds le genre humain vaincu,
Quel mal mystérieux ronge son flanc d'athlète?

— Elle pleure insensé, parce qu'elle a vécu!
Et parce qu'elle vit! Mais ce qu'elle déplore
Surtout, ce qui la fait frémir jusqu'aux genoux,
C'est que demain, hélas! il faudra vivre encore!
Demain, après-demain et toujours! — comme nous!

The Mask

Allegorical Statue in the Style of the Renaissance

Let us gaze at this gem of Florentine beauty;

[...] Read more

poem by Charles Baudelaire
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Villanelle of His Lady’s Treasures

I took her dainty eyes, as well
As silken tendrils of her hair:
And so I made a Villanelle!

I took her voice, a silver bell,
As clear as song, as soft as prayer;
I took her dainty eyes as well.

It may be, said I, who can tell,
These things shall be my less despair?
And so I made a Villanelle!

I took her whiteness virginal
And from her cheek two roses rare:
I took her dainty eyes as well.

I said: “It may be possible
Her image from my heart to tear!”
And so I made a Villanelle.

I stole her laugh, most musical:
I wrought it in with artful care;
I took her dainty eyes as well;
And so I made a Villanelle.

poem by Ernest Christopher Dowson
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A Dainty Thing's The Villanelle

A DAINTY thing's the Villanelle,
Sly, musical, a jewel in rhyme,
It serves its purpose passing well.

A double-clappered silver bell
That must be made to clink in chime,
A dainty thing's the Villanelle;

And if you wish to flute a spell,
Or ask a meeting 'neath the lime,
It serves its purpose passing well.

You must not ask of it the swell
Of organs grandiose and sublime--
A dainty thing's the Villanelle;

And, filled with sweetness, as a shell
Is filled with sound, and launched in time,
It serves its purpose passing well.

Still fair to see and good to smell
As in the quaintness of its prime,
A dainty thing's the Villanelle,
It serves its purpose passing well.

poem by William Ernest Henley
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Villanelle

A dainty thing's the Villanelle.
Sly, musical, a jewel in rhyme,
It serves its purpose passing well.

A doublc-clappered silver bell
That must be made to clink in chime,
A dainty thing's the Villanelle;

And if you wish to flute a spell,
Or ask a meeting 'neath the lime,
It serves its purpose passing well.

You must not ask of it the swell
Of organs grandiose and sublime-
A dainty thing's the Villanelle;

And, filled with sweetness, as a shell
Is filled with sound, and launched in time,
It serves its purpose passing well.

Still fair to see and good to smell
As in the quaintness of its prime,
A dainty thing's the Villanelle,
It serves its purpose passing well.

poem by William Ernest Henley
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Economy, A Rhapsody, Addressed to Young Poets

Insanis; omnes gelidis quaecunqne lacernis
Sunt tibi, Nasones Virgiliosque vides.
~Mart.
Imitation.

--Thou know'st not what thou say'st;
In garments that scarce fence them from the cold
Our Ovids and our Virgils you behold.

Part first.

To you, ye Bards! whose lavish breast requires
This monitory lay, the strains belong;
Nor think some miser vents his sapient saw,
Or some dull cit, unfeeling of the charms
That tempt profusion, sings; while friendly Zeal,
To guard from fatal ills the tribe he loves,
Inspires the meanest of the Muse's train!
Like you I loathe the grovelling progeny,
Whose wily arts, by creeping time matured,
Advance them high on Power's tyrannic throne,
To lord it there in gorgeous uselessness,
And spurn successless Worth that pines below!
See the rich churl, amid the social sons
Of wine and wit, regaling! hark, he joins
In the free jest delighted! seems to show
A meliorated heart! he laughs, he sings!
Songs of gay import, madrigals of glee,
And drunken anthems, set agape the board,
Like Demea, in the play, benign and mild,
And pouring forth benevolence of soul,
Till Micio wonder; or, in Shakspeare's line,
Obstreperous Silence, drowning Shallow's voice,
And startling Falstaff, and his mad compeers.
He owns 'tis prudence, ever and anon
To smooth his careful brow, to let his purse
Ope to a sixpence's diameter!
He likes our ways; he owns the ways of wit
Are ways of pleasance, and deserve regard.
True, we are dainty good society,
But what art thou? Alas! consider well,
Thou bane of social pleasure, know thyself:
Thy fell approach, like some invasive damp
Breathed through the pores of earth from Stygian caves
Destroys the lamp of mirth; the lamp which we,
Its flamens, boast to guard: we know not how,
But at thy sight the fading flame assumes
A ghastly blue, and in a stench expires.
True, thou seem'st changed; all sainted, all enskied:
The trembling tears that charge thy melting eyes

[...] Read more

poem by William Shenstone
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
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Memories In The Old Brain

-the smell of water
a scent hanging in the air
a trail through parched, barren land
now greened by rain
in a time of plenty.

the taste of marrow
fresh from the cracked bone,
touched by a fire
that lights the way
to a time of plenty

the sight of a day
over savanna grass,
sight without mystery
without awe
or the art to feel the dawn
and see the light with a new eye
in a time of plenty

the sound of a wild call,
a beast
stirring the heart,
a heart yet to be gripped
by the savage's siren call
to a time of plenty.

Memories deep in my core
of scent, taste, sight, sound
water, fire, light, howl
-memories from a time undefined
-before memory shaped
light and dark into day and night
-before memory became
slave and master of time.

I am a child of these memories,
before and after.

Dancing to the rhythm of time

I am old
in a time of plenty.

poem by Ronald Shields
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On Queen Anne's Peace, Anno 1713

Mother of plenty, daughter of the skies,
Sweet Peace, the troubl'd world's desire, arise;
Around thy poet weave thy summer shades,
Within my fancy spread thy flow'ry meads,
Amongst thy train soft ease and pleasure bring,
And thus indulgent sooth me whilst I sing.

Great Anna claims the song; no brighter name
Adorns the list of never-dying fame,
No fairer soul was ever form'd above,
None e'er was more the grateful nation's love
Nor lov'd the nation more. I fly with speed
To sing such lines as Bolingbroke may read,
On war dispers'd, on faction trampled down,
On all the peaceful glories of the crown.
And if I fail in too confin'd a flight,
May the kind world upon my labours write;
'So fell the lines which strove for endless fame,
'Yet fell attempting on the noblest theme.

Now twelve revolving years has Britain stood
With loss of wealth and vast expence of blood
Europa's Guardian; still her gallant arms
Secur'd Europa from impending harms.
Fair honour, full success, and just applause,
Pursu'd her marches, and adorn'd her cause;
Whilst Gaul, aspiring to erect a throne
O'er other empires, trembled for her own,
Bemoan'd her cities won, her armies slain,
And sunk the thought of universal reign.

When thus reduc'd the world's Invaders lie,
The fears which rack'd the nations, justly die:
Pow'r finds its balance, giddy motions cease
In both the scales, and each inclines to peace.
This fair occasion Providence prepares,
To answer pious Anna's hourly pray'rs,
Which still on warm Devotion's wings arose,
And reaching Heav'n obtain'd the world's repose.

Within the vast expansion of the sky,
Where Orbs of gold in fields of Azure lie,
A glorious palace shines, whose silver ray
Serenely flowing lights the milky way,
The road of angels. Here with speedy care
The summon'd Guardians of the world repair.
When Britain's Angel on the message sent
Speaks Anna's pray'rs and Heaven's supream intent,
That war's destructive arm shou'd humble Gaul,
Spain's parted realms to diff'rent monarchs fall,

[...] Read more

poem by Thomas Parnell
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The Cap And Bells; Or, The Jealousies: A Faery Tale -- Unfinished

I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.

II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.

III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.

IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.

V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;

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poem by John Keats
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Part II

So, they ring bell, give orders, pay, depart
Amid profuse acknowledgment from host
Who well knows what may bring the younger back.
They light cigar, descend in twenty steps
The 'calm acclivity,' inhale—beyond
Tobacco's balm—the better smoke of turf
And wood fire,—cottages at cookery
I' the morning,—reach the main road straitening on
'Twixt wood and wood, two black walls full of night
Slow to disperse, though mists thin fast before
The advancing foot, and leave the flint-dust fine
Each speck with its fire-sparkle. Presently
The road's end with the sky's beginning mix
In one magnificence of glare, due East,
So high the sun rides,—May's the merry month.
They slacken pace: the younger stops abrupt.
Discards cigar, looks his friend full in face.

"All right; the station comes in view at end;
Five minutes from the beech-clump, there you are!
I say: let's halt, let's borrow yonder gate
Of its two magpies, sit and have a talk!
Do let a fellow speak a moment! More
I think about and less I like the thing—
No, you must let me! Now, be good for once!
Ten thousand pounds be done for, dead and damned!
We played for love, not hate: yes, hate! I hate
Thinking you beg or borrow or reduce
To strychnine some poor devil of a lord
Licked at Unlimited Loo. I had the cash
To lose—you knew that!—lose and none the less
Whistle to-morrow: it's not every chap
Affords to take his punishment so well!
Now, don't be angry with a friend whose fault
Is that he thinks—upon my soul, I do—
Your head the best head going. Oh, one sees
Names in the newspaper—great this, great that,
Gladstone, Carlyle, the Laureate:—much I care!
Others have their opinion, I keep mine:
Which means—by right you ought to have the things
I want a head for. Here's a pretty place,
My cousin's place, and presently my place.
Not yours! I'll tell you how it strikes a man.
My cousin's fond of music and of course
Plays the piano (it won't be for long!)
A brand-new bore she calls a 'semi-grand,'
Rosewood and pearl, that blocks the drawing-room.
And cost no end of money. Twice a week
Down comes Herr Somebody and seats himself.
Sets to work teaching—with his teeth on edge—

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poem by Robert Browning from The Inn Album (1875)
Added by Veronica Serbanoiu
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A Story at Dusk

An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

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poem by Ada Cambridge
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