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Sore is the mouth that loses its first tooth.

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Eye 4 An Eye (Silencer Mix)

Even now in heaven
There were angels carrying savage weapons
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
Is that room been fit to earth?
Doesn't help the ??? to grow sunshine?
Is this darkness all you'll take?
Have you'd passed through this life?
Run, run, run, but you sure can't hide...(hide, hide...)
Where you're going you're not coming back from
Run, run, run, but you sure can't hide...(hide, hide...)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
This grain evil
Where is it come from?
Had still the end of the world?
Who's doing this?
Who's killed us?
Marking us with the sign of the holy mighty man
Run, run, run...(run, run...)
Run, run, run...(run, run...)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run, but you sure can't hide...(hide...hide)
An eye for an eye...(for an eye...)
A tooth for a tooth...(for a tooth...)
Run, run, run,
But you sure can't hide...(hide...hide)
(An eye for an eye...)
Are you righteous?
(A tooth for a tooth...)
Kind?
(Run, run, run but you sure can't hide...)
Does your confidence lie in this?
(An eye for an

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Tooth And Nail

I'm tired of all this cheap talk
When you walk next to me
They say I ain't good enough for you
Why don't they come and tell me
When they see us out in the night
They can't wait to tear us apart
Now I hear them saying lovin' you ain't right
Well they'd better be ready 'cause honey I'll be there
I will fight tooth and nail
Count on me, I will not fail you
I will fight tooth and nail
They say I'm always breaking promises
And I'm just fooling with you
Then they try and come between the two of us
Man, that's a bad thing to do
I can say I had more than enough
But I ain't gonna take it too hard
I said hey, they want to play rough
Well let's see who backs down when the trouble starts
I will fight tooth and nail
Count on me, I will not fail you
I will fight tooth and nail
Come on try me, I won't give in
They take advantage, but they can't win
I'll be your man, baby, wait and see
Ain't nobody, nobody take your love from me
I will fight tooth and nail
I was wrong, I will not fail you
I will fight tooth and nail
I'll be your man, baby, wait and see
Ain't nobody, nowhere take your love away from me
I will fight tooth and nail
Count on me, I will not fail you
I will fight tooth and nail
Right now, tooth and nail
I am waiting for the fight
Tooth and nail
Right now, c'mon, tooth and nail
Right now, tooth and nail
C'mon, tooth and nail
Ah fight
Tooth and nail
Right now, c'mon, tooth and nail
C'mon, right now, tooth and nail

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Tooth & Nail

Im tired of all this cheap talk
When you walk next to me
They say I aint good enough for you
Why dont they come and tell me
When they see us out in the night
They cant wait to tear us apart
Now I hear them saying lovin you aint right
Well theyd better be ready cause honey Ill be there
I will fight tooth and nail
Count on me, I will not fail you
I will fight tooth and nail
They say Im always breaking promises
And Im just fooling with you
Then they try and come between the two of us
Man, thats a bad thing to do
I can say I had more than enough
But I aint gonna take it too hard
I said hey, they want to play rough
Well lets see who backs down when the trouble starts
I will fight tooth and nail
Count on me, I will not fail you
I will fight tooth and nail
Come on try me, I wont give in
They take advantage, but they cant win
Ill be your man, baby, wait and see
Aint nobody, nobody take your love from me
I will fight tooth and nail
I was wrong, I will not fail you
I will fight tooth and nail
Ill be your man, baby, wait and see
Aint nobody, nowhere take your love away from me
I will fight tooth and nail
Count on me, I will not fail you
I will fight tooth and nail
Right now, tooth and nail
I am waiting for the fight
Tooth and nail
Right now, cmon, tooth and nail
Right now, tooth and nail
Cmon, tooth and nail
Ah fight
Tooth and nail
Right now, cmon, tooth and nail
Cmon, right now, tooth and nail

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The Regiment of Princes

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost
That he with thoght was bet than I aqweynted,
For to the deeth he wel ny hath me feynted.

Bysyly in my mynde I gan revolve
The welthe unseur of every creature,
How lightly that Fortune it can dissolve
Whan that hir list that it no lenger dure;
And of the brotilnesse of hir nature
My tremblynge herte so greet gastnesse hadde
That my spirites were of my lyf sadde.

Me fil to mynde how that nat longe agoo
Fortunes strook doun thraste estat rial
Into mescheef, and I took heede also
Of many anothir lord that hadde a fal.
In mene estat eek sikirnesse at al
Ne saw I noon, but I sy atte laste
Wher seuretee for to abyde hir caste.

In poore estat shee pighte hir pavyloun
To kevere hir fro the storm of descendynge 2
For shee kneew no lower descencion
Sauf oonly deeth, fro which no wight lyvynge
Deffende him may; and thus in my musynge
I destitut was of joie and good hope,
And to myn ese nothyng cowde I grope.

For right as blyve ran it in my thoght,
Thogh poore I be, yit sumwhat leese I may.
Than deemed I that seurtee wolde noght
With me abyde; it is nat to hir pay
Ther to sojourne as shee descende may.
And thus unsikir of my smal lyflode,
Thoght leide on me ful many an hevy lode.

I thoghte eek, if I into povert creepe,
Than am I entred into sikirnesse;

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Mouth To Mouth

Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
You tied the knot,
Peeled your skin off,
Leave a bungle of nerves
I give you a wet noodle,
You swear that it was my tongue
A sharp one
Instead of that same old
Mouth to mouth to mouth to mouth
I can dress up the dead man, I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life ...
This is getting old

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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

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Termarter Sorce

It wasn't kid stakes. I 'ad no crook lurk
To act deceivin', or to treat 'er mean.
I'm old enough to know them games don't work
Not with Doreen.
Besides, deceit ain't in me bag uv tricks.
I got a few; but there is some that sticks.

Sticks in me gizzard. Some blokes sees no wrong
In workin' points, an' thinks it bonzer sport
To trifle with a wife's belief, so long
As they ain't cort.
But, when yeh play the game on dead straight lines,
It 'urts to be accused uv base designs.

It starts this mornin'. I wake with a tooth
That's squirmin' like a basketful uv snakes.
Per'aps I groan a bit, to tell the truth;
An' then she wakes,
An' arsts me wot I'm makin' faces for.
I glare at 'er, an' nurse me achin' jor.

That was no very 'appy mornin' song.
I ain't excusin' my end uv the joke;
But, after that, things seem to go all wrong.
She never spoke
One narsty word; but, while the chops she serves,
'Er shrieks uv silence fair got on me nerves.

She might 'ave arst wot ailed me. Spare me days I
She seen that I was crook. She seen me face
Swelled like a poisoned pup's. She only says,
'Please to say grace.'
I mumbles ... Then, in tones that wakes brute force,
She twitters, 'Will yeh take termarter sorce?'

I could n't eat no breakfast. Just the sight
Uv sweet things give me tooth a new, worse ache.
Sez she: 'You seem to lost yer apetite.
'Ave some seed cake.'
Seed cake! Gawstruth! I'm there in agerny,
An' she, 'oo swore to love, sits mockin' me.

At last, when our small son gits orf to school,
I goes an' sits down sulkin' on a couch.
''Ave you a toothache, Bill?' sez she, quite cool,
'Or jist plain grouch?
Yer face looks funny. P'raps yer gittin' fat.'
I glare at 'er an' answer, 'Huh!' . . like that.

That one word, 'Huh,' said in a certain way,

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Heaven In My Mouth Tonight

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

The Kingdom of our God is here
Heaven is in my heart
The presence of his majesty
Heaven is in my heart
And in his presence joy abounds
Heaven is in my heart
The light of holiness surround
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

We are a temple for his throne
Heaven is in my heart
And Christ is the foundation stone
Heaven is in my heart
He will return to take us home
Heaven is in my heart
The Spirit and the Bride say come
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

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Orlando Furioso Canto 22

ARGUMENT
Atlantes' magic towers Astolpho wight
Destroys, and frees his thralls from prison-cell.
Bradamant finds Rogero, who in fight
O'erthrows four barons from the warlike sell,
When on their way to save an errant knight
Doomed to devouring fire: the four who fell
For impious Pinnabel maintained the strife,
Whom, after, Bradamant deprives of life.

I
Ye courteous dames, and to your lovers dear,
You that are with one single love content;
Though, 'mid so many and many, it is clear
Right few of you are of such constant bent;
Be not displeased at what I said whilere,
When I so bitterly Gabrina shent,
Nor if I yet expend some other verse
In censure of the beldam's mind perverse.

II
Such was she; and I hide not what is true;
So was enjoined me for a task by one
Whose will is law; therefore is honour due
To constant heart throughout my story done.
He who betrayed his master to the Jew
For thirty pence, nor Peter wronged, nor John,
Nor less renowned is Hypermnestra's fame,
For her so many wicked sisters' shame.

III
For one I dare to censure in my lays,
For so the story wills which I recite,
On the other hand, a hundred will I praise,
And make their virtue dim the sun's fair light;
But turning to the various pile I raise,
(Gramercy! dear to many) of the knight
Of Scotland I was telling, who hard-by
Had heard, as was rehearsed, a piercing cry.

IV
He entered, 'twixt two hills, a narrow way,
From whence was heard the cry; nor far had hied,
Ere to a vale he came shut out from day,
Where he before him a dead knight espied.
Who I shall tell; but first I must away
From France, in the Levant to wander wide,
Till I the paladin Astolpho find,
Who westward had his course from thence inclined.

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Mouth

You gave me this
made me give
your silver grin
still sticking it in
you have soul machine
soul machine
the longest kiss
peeling furniture days
drift madly to you
pollute my heart drain
you have broken at me
broken me
all your mental armor drags me down
nothing hurts like your mouth
your loaded smiles
pretty just desserts
wish it all for you
so much it never hurts
you have soul machine
stone at me
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
we've been missing long before
never found our way home
we've been missing long before
where we'll find our way
you gave me this
made me give
you have soul machine
broken free
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
all your mental armor
all your mental armor
and your mouth
mouth

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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

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Orlando Furioso Canto 19

ARGUMENT
Medoro, by Angelica's quaint hand,
Is healed, and weds, and bears her to Catay.
At length Marphisa, with the chosen band,
After long suffering, makes Laiazzi's bay.
Guido the savage, bondsman in the land,
Which impious women rule with civil sway,
With Marphisa strives in single fight,
And lodges her and hers at full of night.

I
By whom he is beloved can no one know,
Who on the top of Fortune's wheel is seated;
Since he, by true and faithless friends, with show
Of equal faith, in glad estate is greeted.
But, should felicity be changed to woe,
The flattering multitude is turned and fleeted!
While he who loves his master from his heart,
Even after death performs his faithful part.

II
Were the heart seen as is the outward cheer,
He who at court is held in sovereign grace,
And he that to his lord is little dear,
With parts reversed, would fill each other's place;
The humble man the greater would appear,
And he, now first, be hindmost in the race.
But be Medoro's faithful story said,
The youth who loved his lord, alive or dead.

III
The closest path, amid the forest gray,
To save himself, pursued the youth forlorn;
But all his schemes were marred by the delay
Of that sore weight upon his shoulders born.
The place he knew not, and mistook the way,
And hid himself again in sheltering thorn.
Secure and distant was his mate, that through
The greenwood shade with lighter shoulders flew.

IV
So far was Cloridan advanced before,
He heard the boy no longer in the wind;
But when he marked the absence of Medore,
It seemed as if his heart was left behind.
'Ah! how was I so negligent,' (the Moor
Exclaimed) 'so far beside myself, and blind,
That I, Medoro, should without thee fare,
Nor know when I deserted thee or where?'

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

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Pain and Sore

What is pain
What is Sore
Let me define the too
They mean when a soul is dead

When there is nothing left
But emptiness
Where is pain
Where is sore

For me pain is everywhere
But for the sore
Thats only in my eyes
Where I cry all the time

How is pain
How is sore
Pain slowly kills a body
Sore is worse then words can explain

Who is pain
And who is sore
Pain is the enemies-thy sisters
As for the sore that would be my heart

When is pain
And when is sore
Pain is when you call
And sore is seeing everyone cry

All these are symbolizing one thing
That thing is whats inside
What hurts and is unbarriable
So thats what, where, how, who, when
Pain and Sore are

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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A Tightwad Tooth Fairy Called Griselda

There was a tightwad tooth fairy
and Griselda was her name.
When you had your teeth out
and put them under the pillow
she would come along and pinch them
and leave nothing in return.
You would wake up in the morning;
look under your pillow for some dosh,
but under your pillow was empty there.
As you looked at the empty space,
you knew straight away
that Griselda the tightwad tooth fairy
had been about.
Complaints followed complaints
to fairly land
about this tightwad tooth fairy.
The fairy council
had never heard of such a thing.
A tightwad tooth fairy.
Oh, this could never be.
They had never had a case
of a tooth fairy leaving no money.
Something had to be done.
Griselda was called
and stood before the council
and asked to explain why
she was a tightwad
and left no money behind.
The miserly tooth fairy
thought for a moment.
She was saving some money
to buy herself a fairy yacht,
only it took a lot of teeth
to purchase one of them.
For her crimes,
she was sent to work with Santa’s Elves.
She sits in the toy factory
banging happily away,
because if the truth were known
she didn’t want to be a tooth fairy anyway.

5 May 2008

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Sight For Sore Eyes

Goin downtown, goin down, goin down
neath the city, eatin ground round
Underground is pretty gritty
I turned the screw she held the light
Thats when I knew she was a
Sight for sore eyes
She was a sight for sore eyes
Playin no fair, sleepin under stairs
Downtowns a pity, takin fair square
Under where its pretty gritty
I turned the screw, she held the knife
Oh, holy jesus, shes a sight for sore eyes
Sight for sore eyes
Shes a nitty grutty
Turnin in style, walk a mile for your titty
Naked foul while under there
Under where its pretty gritty
Hey, dont you know people
Shes a love lust hussy
She left, oh she rust me
Dear old girl
She was a sight for sore eyes
But she was sittin pretty
A sight for sore eyes
She was a nitty gritty
Sight for sore eyes
Peeled back and parted
Even at the start it was delight or demise
I feel like a leopard king
Sight for sore eyes
She was a sight for sore eyes

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Orlando Furioso Canto 18

ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.

I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.

II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.

III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.

IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.

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