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The gentle calf sucks all the cows.

Portuguese proverbs
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Langwidge

'The flamin' cows!' 'e ses; 'e did, an' worse;
'Twas 'orrible the langwidge that 'e used.
It made me blood run cold to 'ear 'im curse;
An' me that taken-back-like an' confused;
W'ile them poor beasts 'e belted an' abused.
'They couldn't shift,' 'e ses, 'a blanky 'earse!
The flamin' cows!'

'The flamin' cows!' You oughter 'eard 'im curse.
You would a bin that shocked. . . . An' the idear!
'Im usin' such remarks about a 'earse;
An' 'is own brother buried not a year.
'Not move a blanky 'earee!' 'e ses. My dear,
You 'ardly could imagine langwidge worse.
'The flamin' cows!'

'The flamin' cows!' Wot would the parson say?
An' 'im so friendly-like with 'im an' 'er.
I pity 'er; I do, 'cos, in 'er way.
She is respectable. But 'i! It's fur
From me, as you well know, to cast a slur,
On anyone; but wot I 'eard that day. . . .
'The flamin' cows!'

'The flamin' cows!' I know quite well that we
Ain't wot you'd call thin-skinned; and nasty pride
Is wot I never 'ad.... But 'er! ... W'y she
She's allus that stuck-up an' full o' side;
A sorter thing I never could abide.
An' all the time 'er 'usband.... Goodness me!
'The flamin' cows!'

'The flamin' cows!' O' course 'e never knowed
That I was list'nin' to 'im all the w'ile.
'E muster bin a full hour on the road;
An', Lord, you could 'a' 'eard 'im for a mile.
Jes' cos they stuck 'im in that boggy sile:
'If they ain't blanky swine,' 'e ses, 'I'm blowed!
The flamin' cows!'

'The flamin' cows!' W'y, if it 'ad occurred,
An' me not 'eard, I'd 'ardly think it true.
An', you know well, I wouldn't breathe a word
Against a livin' soul, I don't care 'oo;
Not if the Queen of Hingland arst me to.
But, oh! that langwidge! If you only 'eard!
'The flamin' cows!'

'The flamin' cows!' 'e ses,, an' more besides.
An' fancy! 'Im! To think that 'e would swear!

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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Reality Sucks

O.k. maybe you know it better
Oh oh reality sucks
Nobody helps you to make it feel better
Oh oh reality sucks
And youre a dropout that stays away
Might be that evil took over
Oh oh reality sucks
Youre getting to old now
To cause a stampede
Oh oh reality sucks
So youre boozing your life away
Youre blown your brain away
Reality sucks
Oho reality sucks
Now you see your life has passed you by
Oh oh reality sucks
You took a shortcut
Through the junkyard of life
Maybe thats why reality sucks
Now youre boozing your life away
Blowing your head away
But dreams didnt make your day
cause reality sucks
Oh oh reality sucks
Reality sucks

song performed by Fury In The Slaughterhouse
Added by Lucian Velea
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Stop That Gentle Rocking Of My Cradle

Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking,
Will you stop that gentle rocking.
Will you stop that gentle rocking of my cradle.

Children now programmed to download.
Stop that gentle rocking of my cradle.
Children now exposed and overdosed...
On,
Crime...
Treason!
And...
Denial.

Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking,
Will you stop that gentle rocking.
Will you stop that gentle rocking of my cradle.

Children now programmed to download.
Stop that gentle rocking of my cradle.
Children now exposed and overdosed...
On,
Crime...
Treason!
And...
Denial.

Stop that gentle rocking of my cradle.
Children now exposed and overdosed...
Stop that gentle rocking of my cradle.
On,
Stop that gentle rocking of my cradle.
Crime...
Stop that gentle rocking of my cradle.
Treason!
And...
Denial.

Zzzzz
Zzzzz
Oo ooh,
Poppa why you sleepin' so long?
Ooooh,
Poppa why you sleepin' so long?
Zzzzz

[...] Read more

poem by Lawrence S. Pertillar
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The Odyssey: Book 12

"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird

[...] Read more

poem by Homer, translated by Samuel Butler
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A Drought Idyll

It was the middle of the drought; the ground was hot and bare,
You might search for grass with a microscope, but nary grass was there;
The hay was done, the cornstalks gone, the trees were dying fast,
The sun o'erhead was a curse in read and the wind was a furnace blast;
The waterholes were sun-baked mud, the drays stood thick as bees
Around the well, a mile away, amid the ringbarked trees.

McGinty left his pumpkin-pie and gazed upon the scene:
His cows stood propped 'gainst tree and fence wherever they could lean;
The horse he'd fixed with sapling forks had fallen down once more;
The fleas were hopping joyfully on stockyard, path, and floor;
The flies in thousands buzzed about before his waving hand;
The hungry pigs squealed as he said, 'Me own, me native land!'

'Queensland, me Mother! Ain't yer well?' he asked. 'Come tell me how's -'
'Dry up! Dry up!' yelled Mrs Mac, 'Go out and feed the cows.'
'But where's the feed?' McGinty cried, 'The sugarcane's all done -
It wasn't worth the bally freight we paid for it per ton.
I'll get me little axe and go with Possum and the mare
For 'arf a ton of apple-tree or a load of prickly-pear.'

'The prickly-pear'll kill the cows unless yer bile it right,'
Cried Mrs Mac, 'and I don't mean to bile it all the night.
They tell me fer a bob a bag the brewery will sell
Their refuse stuff, like Simpson 'ad - his cows is doin' well.
Yer get the loan of Bampston's dray and borrer Freeny's nags,
And fetch along a decent load, McGinty - thirty bags.

McGinty borrowed Bampston's dray and hitched up Freeney's nags
And drove like blazes into town and fetched back thirty bags.
The stuff was mellow, soft, and brown; and if you came too near
It shed around a lovely scent till the air seemed full of beer,
McGinty fetched each feedbox out and filled it to the brim,
Then lit his pipe and fell asleep. That was the style of him.

The cows, they lurched off fence and tree and staggered in to feed,
The horses tottered after them - old, feeble, and knock-kneed.
But when they smelt that sacred stuff in boxes on the ground
They smiled and neighed and lowed and twirled their hungry tails around.
You would have walked a hundred miles or more to see and hear
They way McGinty's stock attacked that stuff that smelt like beer…

'Wake up! Wake up! McGinty man! Wake up!' yelled Mrs Mac.
She held a broom and every word was followed by a whack.
McGinty had been dreaming hard that it was Judgement Day
And he was drafted with the goats and being driven away;
The Devil with a toasting fork was jabbing at his jaw,
He rose and yelled and fled outside - and this is what he saw:

The brindle cow, with spotted tail, was trying to climb a tree;

[...] Read more

poem by George Essex Evans
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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST

a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

[...] Read more

poem by O. Anna Niemus
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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

[...] Read more

poem by Patrick Kavanagh
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Slipknot

Pentex sucks! Pentex sucks!!
They drain the life force of my tribe
Pentex sucks!

Bonegnawers suck! Bonegnawers suck!!
They roll around in garbage bins
All Bonegnawers suck!!

(Pentex is bleeding but night is falling)

The Black Hand sucks! The Black Hand sucks!!
Those wyrm-tainted bastard leeches
Black Hand sucks!

If I had my way! If I had my way!
I'd rend them all ripped and torn
ALL THAT SUCKS DIES!!

(Sweet smell bleeding glow is melting me)

I bring my klave into battle
Shifting into Crinos - I slay wyrmfoe
Then I step sideways....

You can't see me

song performed by Slipknot from Mate.Feed.Kill.Repeat
Added by Lucian Velea
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A Famous Dog Story

The story I am about to tell you it well may be true
For the one who told it to me for to give him his due
Is one who does not make up stories nor neither is he
One prone to imagine it would seem to me.

We were swapping dog stories myself and old Lew
Of dogs we heard tell of and dogs that we knew
Of dogs who are honoured in story and rhyme
The history of their greatness has lived on in time.

But the best dog story he told me was one I heard before
When I was a young school-boy going back five decades or more
The greatest dog story that he can recall
Perhaps is the greatest dog story of all.

A story from early Spring the weather was cold
The red shorthorn calf had strayed from her mother a young five days old
In the field by the farm-yard the cow bellowed around
But her calf did not reply and was not to be found.

The farmer searched for her with Shep his brown cattle dog
But no trace of the calf in the field by the bog
He then thought the calf may have strayed and in a bog hole drown
Still no trace of the young heifer though the bog he searched up and down.

But in the gray dawning of the very next day
Old Shep the brown dog to the yard made his way
With the red heifer calf suckling on the end of his tail
That the clever dog had dipped into a full milk pail.

The mother cow was delighted her calf she did lick
And none more relieved than the old farmer Mick
As he patted his dog you're a hero he did say
This a famous dog story that lives on today.

poem by Francis Duggan
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Insect Assassins

Injects no survive. Efforts control the
Animal survive. Survive. Animal survive. Survive. Injects no survive.

In nasty spitting eye cost. This
Assassin spitting spitting assassin spitting spitting in nasty spitting

Insectivorous nutriment species encounter Charles to
Are species species are species species insectivorous nutriment species

Into notoriety. Sweeping eastern capture testimony
As sweeping sweeping as sweeping sweeping into
notoriety. Sweeping

Interest nervous succumb easily: composed tube
Adhesive succumb succumb adhesive succumb succumb interest
nervous succumb

It near spider East closes thorax.
And spider spider and spider spider it near spider

Its needle. Specialized enlarged? Cutting tough
A specialized specialized a specialized specialized its needle.
Specialized

Is nontoxic secretion extremely contains that
Assassin-bug secretion secretion assassin-bug secretion secretion
is nontoxic secretion

I needle-like snake. Enzymes compound TENDON
ANCHORING snake, snake, ANCHORING snake, snake, I
needle-like snake,

INLET not significant, effect cockroach. Thus
About significant, significant, about significant, significant,
INLET not significant,

Insect "natural" surround enzyme constituents time
After surround surround after surround surround insect "natural"
surround

Internal nerve. Sucks especially contents through.
Against sucks sucks. Against sucks sucks. Internal nerve. Sucks

Immediate now share extinguishing controlling them.
Arises: share share arises: share share immediate now share

Insecticide? Needs. Sap; episode. Cimicidae thoroughly
Attributed sap; sap; attributed sap; sap; insecticide? Needs. Sap;

Insects numbing seconds. Each channels. They.

[...] Read more

poem by Jackson Mac Low
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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.

10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

[...] Read more

poem by Jonathan Robin
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The Purple Cow Parodies

Gelett Burgess' original poem…

A Purple Cow

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.

Poem parodied in the
style of…

John Milton

Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!

Percy Bysshe Shelley

Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.

The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.

We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.

[...] Read more

poem by Carolyn Wells
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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The Shepherd's Week : Monday; or the Squabble

Lobbin Clout, Cuddy, Cloddipole

Lobbin Clout.
Thy younglings, Cuddy, are but just awake,
No thrustles shrill the bramble-bush forsake
No chirping lark the welkin sheen invokes,
No damsel yet the swelling udder strokes;
O'er yonder hill does scant the dawn appear,
Then why does Cuddy leave his cott so rear?

Cuddy.
Ah Lobbin Clout! I ween, my plight is guest,
'For he that loves, a stranger is to rest;'
If swains belye not, thou hast prov'd the smart
And Blouzelinda's mistress of thy heart.
This rising rear betokeneth well thy mind,
Those arms are folded for thy Blouzelind.
And well, I trow, our piteous plights agree,
Thee Blouzelinda smiles, Buxoma me.

Lobbin Clout.
Ah Blouzelind! I love thee more by half,
Than does their fawns, or cows the new-fallen calf;
Wo worth the tongue! may blisters sore it gall,
That names Buxoma, Blouzelind withal.

Cuddy.
Hold, witless Lobbin Clout, I thee advise,
Lest blisters sore on thy own tongue arise.
Lo yonder Cloddipole, the blithesome swain,
The wisest lout of all the neighbouring plain!
From Cloddipole we learnt to read the skies,
To know when hail will fall, or winds arise.
He taught us erst the heifer's tail to view,
When stuck aloft, that show'rs would straight ensue;
He first that useful secret did explain,
That pricking corns foretold the gath'ring rain.
When swallows fleet soar high and sport in air,
He told us that the welkin would be clear.
Let Cloddipole then hear us twain rehearse,
And praise his sweetheart in alternate verse.
I'll wager this same oaken staff with thee,
That Cloddipole shall give the prize to me.

Lobbin Clout.
See this tobacco-pouch that's lin'd with hair,
Made of the skin of sleekest fallow deer.
This pouch, that's tied with tape of reddest hue,
I'll wager, that the prize shall be my due.

[...] Read more

poem by John Gay
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The Shepherds Calendar - July

Daughter of pastoral smells and sights
And sultry days and dewy nights
July resumes her yearly place
Wi her milking maiden face
Ruddy and tand yet sweet to view
When everywhere's a vale of dew
And raps it round her looks that smiles
A lovly rest to daily toils
Wi last months closing scenes and dins
Her sultry beaming birth begins

Hay makers still in grounds appear
And some are thinning nearly clear
Save oddly lingering shocks about
Which the tithman counteth out
Sticking their green boughs where they go
The parsons yearly claims to know
Which farmers view wi grudging eye
And grumbling drive their waggons bye
In hedge bound close and meadow plains
Stript groups of busy bustling swains
From all her hants wi noises rude
Drives to the wood lands solitude
That seeks a spot unmarkd wi paths
Far from the close and meadow swaths
Wi smutty song and story gay
They cart the witherd smelling hay
Boys loading on the waggon stand
And men below wi sturdy hand
Heave up the shocks on lathy prong
While horse boys lead the team along
And maidens drag the rake behind
Wi light dress shaping to the wind
And trembling locks of curly hair
And snow white bosoms nearly bare
That charms ones sight amid the hay
Like lingering blossoms of the may
From clowns rude jokes they often turn
And oft their cheeks wi blushes burn
From talk which to escape a sneer
They oft affect as not to hear
Some in the nooks about the ground
Pile up the stacks swelld bellying round
The milking cattles winter fare
That in the snow are fodderd there
Warm spots wi black thorn thickets lind
And trees to brake the northern wind
While masters oft the sultry hours
Will urge their speed and talk of showers
When boy from home trotts to the stack

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poem by John Clare
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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poem by Caroline Elizabeth Sarah Norton
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The Calf and the Giraffe

Once upon a time was born a gentle brown-eyed calf

Who lived near a zoo and met a tall, wise giraffe.

The calf said to the tall, wise giraffe, “Come and run with me.”

The giraffe replied, “I can’t since I live within these walls you see.”

The confused brown-eyed calf asked, “Can’t they let you out.”

The giraffe smiled and asked, “Do you know what a zoo’s about? ”

The gentle calf said, “You did something wrong so you’re in jail.”

The wise giraffe laughed and explained that his was a happy tale.

He said, “For everyone who visits the zoo there’s so much joy I give.

As one day you’ll love your babies and teach them how to live.

So let’s enjoy every day and look forward to what’s in store.

Then both of us can give to others since that’s what life is for.”

poem by Gregory Huyette
Added by Poetry Lover
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Ohio (Come Back To Texas)

She said, she needed a break
A little time to think
But then she went to Cleveland
With some guy named Leeland
That she met at the bank
There's nothing wrong with Ohio
Except the snow and the rain
I really like Drew Carey
And I'd love to see the Rock n' Rock Hall of Fame
So when you're done doing whatever
And when you're through doing whoever
You know, Denton County will be right here waiting for you
Come back to Texas
It's just not the same since you went away
Before you lose your accent
And forget all about the Lonestar State
There's a seat for you at the rodeo
And I've got every slow dance saved
Besides, the Mexican food sucks north of here anyway
I think I made a mistake
It's not that easy to take
She went to make a deposit
Then she cleaned out her closet
Guess I'll sit here and wait
For her to come back home (I wish you'd come back home)
It shouldn't take very long (so long, so long)
I bet she misses the sunrise
And Mrs. Baird fruit pies, but I could be wrong
So when you're done doing whatever
And when you're through doing whoever
You know, Denton County will be right here waiting for you
Come back to Texas
It's just not the same since you went away
I bet you missed your exit
And drove right on through the Lonestar State
There's a seat for you at the rodeo
And I've got every slow dance saved
Besides, the Mexican food sucks north of here anyway
Troy Aikman wants you back
Willie Nelson wants you back
NASA wants you back
And the Bush Twins want you back
Pantera wants you back
And Bluebell wants you back
I got a premonition
I'm taking a petition
And the whole state's gonna sign
Come back to Texas
It's just not the same since you went away
Before you lose your accent

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song performed by Bowling For Soup
Added by Lucian Velea
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Sentimental Lady

Written by bob welch.
You are here and warm
But I could look away and youd be gone
Cause we live in a time
When meaning falls in splinters from our lives
And thats why Ive travelled far
Cause I come so together where you are
And all of the things that I said that I wanted
Come rushing by in my head when Im with you
14 joys and a will to be merry
And all of the things that we say are very
Sentimental gentle wind
Blowing through my life again
Sentimental lady
Gentle one
Now you are here today
But easily you might just go away
Cause we live in a time
When paintings have no color, words dont rhyme
And thats why Ive travelled far
Cause I come so together where you are
And all of the things that I said that I wanted
Come rushing by in my head when Im with you
14 joys and a will to be merry
And all of the things that we say are very
Sentimental gentle wind
Blowing through my life again
Sentimental lady
Gentle one
You are here and warm
But I could look away and youd be gone
Cause we live in a time
When meaning falls in splinters from our lives
And thats why Ive travelled far
Cause I come so together where you are
Yes and all of the things that I said that I wanted
Come rushing by in my head when Im with you
14 joys and a will to be merry
And all of the things that we say are very
Sentimental gentle wind
Blowing through my life again
Sentimental lady
Gentle one
Sentimental gentle wind
Blowing through my life again
Sentimental lady
Gentle one
Sentimental gentle wind
Blowing through my life again
Sentimental lady

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song performed by Fleetwood Mac
Added by Lucian Velea
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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms

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poem by Caroline Elizabeth Sarah Norton
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