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The ghosts gossip among each other.

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Devils Radio

Devils radio
Gossip, gossip
Gossip, gossip
I heard it in the night
Words that thoughtless speak
Like vultures swooping down below
On the devils radio
I hear it through the day
Airwaves gettin filled
With gossip broadcast to and fro
On the devils radio
Oh yeah, gossip
Gossip, oh yeah
Hes in the clubs and bars
And never turns it down
Talking about what he dont know
On the devils radio
Hes in your tv set
Wont give it a rest
That soul betraying so and so
The devils radio
Gossip, gossip
Gossip, gossip
(oh yeah) gossip, (gossip) oh yeah
(gossip) oh yeah, (oh yeah) gossip
Its white and black like industrial waste
Pollution of the highest degree
You wonder why I dont hang out much
I wonder how you cant see
Hes in the films and songs
And on all your magazines
Its everywhere that you may go
The devils radio
Oh yeah, gossip
Gossip, oh yeah
Runs thick and fast, no one really sees
Quite what bad it can do
As it shapes you into something cold
Like an eskimo igloo
Its all across our lives
Like a weed its spread
till nothing else has space to grow
The devils radio
Can creep up in the dark
Make us hide behind shades
And buzzing like a dynamo
The devils radio
(gossip) oh yeah, (gossip) oh yeah
(gossip) gossip, (gossip) gossip
Oh yeah, gossip I heard you on satans wireless

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Innuendo, Gossip 'And' LIES!

Isn't it easy for you to sit and criticize?
With nothing you do to be held accountable to.
With no responsibility...
But to approve or disapprove as you choose.
And say what you like and dislike about others.
And who you have chosen to agonize and despise.
With innuendo, gossip and lies!

'Oh my...
Innuendo, gossip 'and' lies? '

That's right...
Innuendo, gossip 'and' LIES!

'Ewww...
That's awful! '

Isn't it easy for you to sit and criticize?
Without one effort made to create and strategize.
And those all day and night sleepless work binges...
Could not approach or touch,
Your lazy appetite for life!

Since what you do best,
Is make attempts to initiate unrest!
With innuendo, gossip and lies!

'Oh my...
Innuendo, gossip 'and' lies? '

That's right...
Innuendo, gossip 'and' LIES!

'Oh my...'

Isn't it easy for you to sit and criticize?
With nothing you do to be held accountable to.
With no responsibility...
But to approve or disapprove as you choose.
And say what you like and dislike about others.
And who you have chosen to agonize and despise.

'Don't say it!
Not with...'

Yep,
That's right...
Innuendo, gossip 'and' LIES!

'Oh my...

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Homer

The Odyssey: Book 11

Then, when we had got down to the sea shore we drew our ship into
the water and got her mast and sails into her; we also put the sheep
on board and took our places, weeping and in great distress of mind.
Circe, that great and cunning goddess, sent us a fair wind that blew
dead aft and stayed steadily with us keeping our sails all the time
well filled; so we did whatever wanted doing to the ship's gear and
let her go as the wind and helmsman headed her. All day long her sails
were full as she held her course over the sea, but when the sun went
down and darkness was over all the earth, we got into the deep
waters of the river Oceanus, where lie the land and city of the
Cimmerians who live enshrouded in mist and darkness which the rays
of the sun never pierce neither at his rising nor as he goes down
again out of the heavens, but the poor wretches live in one long
melancholy night. When we got there we beached the ship, took the
sheep out of her, and went along by the waters of Oceanus till we came
to the place of which Circe had told us.
"Here Perimedes and Eurylochus held the victims, while I drew my
sword and dug the trench a cubit each way. I made a drink-offering
to all the dead, first with honey and milk, then with wine, and
thirdly with water, and I sprinkled white barley meal over the
whole, praying earnestly to the poor feckless ghosts, and promising
them that when I got back to Ithaca I would sacrifice a barren
heifer for them, the best I had, and would load the pyre with good
things. I also particularly promised that Teiresias should have a
black sheep to himself, the best in all my flocks. When I had prayed
sufficiently to the dead, I cut the throats of the two sheep and let
the blood run into the trench, whereon the ghosts came trooping up
from Erebus- brides, young bachelors, old men worn out with toil,
maids who had been crossed in love, and brave men who had been
killed in battle, with their armour still smirched with blood; they
came from every quarter and flitted round the trench with a strange
kind of screaming sound that made me turn pale with fear. When I saw
them coming I told the men to be quick and flay the carcasses of the
two dead sheep and make burnt offerings of them, and at the same
time to repeat prayers to Hades and to Proserpine; but I sat where I
was with my sword drawn and would not let the poor feckless ghosts
come near the blood till Teiresias should have answered my questions.
"The first ghost 'that came was that of my comrade Elpenor, for he
had not yet been laid beneath the earth. We had left his body
unwaked and unburied in Circe's house, for we had had too much else to
do. I was very sorry for him, and cried when I saw him: 'Elpenor,'
said I, 'how did you come down here into this gloom and darkness?
You have here on foot quicker than I have with my ship.'
"'Sir,' he answered with a groan, 'it was all bad luck, and my own
unspeakable drunkenness. I was lying asleep on the top of Circe's
house, and never thought of coming down again by the great staircase
but fell right off the roof and broke my neck, so my soul down to
the house of Hades. And now I beseech you by all those whom you have
left behind you, though they are not here, by your wife, by the father
who brought you up when you were a child, and by Telemachus who is the

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The War of the Ghosts

Three Ghosts that haunt me have I,
Three Ghosts in my soul that fight,
Three grandsire Ghosts in my soul,
That haunt me by day and by night.

The first was a dark mountaineer,
Who hunted with arrow and knife,
To whom the turf was a bed,
And the wind of the moorland was life.
And the next was a mariner rude,
Whose home and whose grave was the sea,
For whom the land was a prison
And only the ocean was free.
And the last was a shrunken recluse,
Who lived with the dust and the gloom
And wrote of the Saints and of Him
Who went for us to His doom.

And all through the days and years
These ancient Ghosts contend,
And my soul is a battle-field
Of passions that pierce and rend.
And whenever a sunbeam alights
All gleaming and fresh on my page,
I am wild for the hills and the bush,
I am torn with the hunter's rage.
I am sick of the smell of a book,
I am off with the dogs or a gun,
Or I gallop my fifty miles
Before the set of the sun.
And yet from some loftier peak
When I look on the sea from afar,
I feel like one in a grave;
And I long for a ship full-sailed
And an ocean wide on the lee
I choke on the solid land
For the lift of the undulant sea.

Yet ever the battle goes on,
And ever there rises a day
When the Ghosts of the wave and the wood
To the Ghost of the cell give way.
Then the land is a wilderness drear,
And dismal and vast is the sea,
But cloistered in peace with my books
My soul is uplifted and free.

Three Ghosts that haunt me have I,
Three Ghosts in my soul that fight,
Three grandsire Ghosts in my soul,

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Haunted

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they -
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts, -
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:
You'll find their names on the architrave
Of that charnel-house, Society.

Black Monday - black as its school-room ink -
With its dismal boys that snivel and think
Of its nauseous messes to eat and drink,
And its frozen tank to wash in.
That was the first that brought me grief,
And made me weep, till I sought relief
In an emblematical handkerchief,
To choke such baby bosh in.

First and worst in the grim array-
Ghosts of ghosts that have gone their way,
Which I wouldn't revive for a single day
For all the wealth of PLUTUS -
Are the horrible ghosts that school-days scared:
If the classical ghost that BRUTUS dared
Was the ghost of his "Caesar" unprepared,
I'm sure I pity BRUTUS.

I pass to critical seventeen;
The ghost of that terrible wedding scene,
When an elderly Colonel stole my Queen,
And woke my dream of heaven.
No schoolgirl decked in her nurse-room curls
Was my gushing innocent Queen of Pearls;
If she wasn't a girl of a thousand girls,
She was one of forty-seven!

I see the ghost of my first cigar,
Of the thence-arising family jar -
Of my maiden brief (I was at the Bar,
And I called the Judge "Your wushup!")
Of reckless days and reckless nights,

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They Know That They Don't Know

They know that they don't know!
And their opinions discloses the evidence.
Most of their knowledge has been obtained,
By innuendos and nonsense.
Leaving them exposed,
To an ignorance that shows.

They know that they don't know!
And any actions taken to comprehend...
Becomes entrapped by an inferiority,
Felt within them.

And that which escapes their understanding...
Is left out of their reach.
Although very close...
Are those answers they seek most.
But quick they fold their arms to their chests,
With stubborn hands to express...
Their choice not to hear,
What for them is best!

Declaring they wish not to listen...
Because facts distracts,
A consciousness they lack!

They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it...
And spread those rumors made to fit,
Those ears that are as limited!

They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it...
And spread those rumors made to fit,
Those ears that are as limited!

They know that they don't know,
With their minds closed.
They know that they don't know,
With their minds closed.
They know that they don't know,
With their minds closed.
And spread those rumors made to fit,

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Movement Ii - School

Boys
Were here in school today to get a perfect education,
Yes, were going up.
Were keen to learn the rules and laws that civilization taught us
Yes, were growing up.
Not for ourselves, b
But for the whole world were we born.
And we were born in liverpool.
Our teachers say that ignorance will always drag us down,
Its like a nagging cough.
Shanty (thrown away)
But I can say that looking back,
The most important thing I found was sagging off!
Not for the whole world.
But for yourself were you born.
And you were...
Shanty and boys
Born in liverpool.
Boys
Not birmingham
Nor edinburgh.
Not manchester
Or sunderland.
Shanty
Being born where you were born
Carries with it certain responsibilities.
Boys
This school is good for us.
Shanty
This school is only good for those
Who want to learn from books.
Youll lose your sense of purpose...
Boys
But we dare not answer back,
Were scared of teachers looks.
Not for ourselves,
But for the whole world were we born.
And we were born in liverpool.
Shanty
Not coventry
Headmaster
Or solihull.
Boys
Not scarborough
Shanty
Nor inverness.
Being born where you were born
Carries with it certain responsibilities.
Headmaster
Walk in single file out of the classroom,

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Movement Vii - Crises

(mary dee and shantys home)
Mary dee (alone in bedroom)
The world youre coming into,
Is no easy place to enter.
Every day is haunted
By the echoes of the past.
Funny thoughts and wild; wild dreams
Will find their way into your mind.
The clouds that hang above us,
May be full of rain and thunder.
But in time they slide away
To find the sun still there.
Lazy days and wild. wild flowers
Will bring some joy into your heart.
And I will always love you,
Ill welcome you into this world.
Mary dee and boy solo
You-re mine and I will love you.
Shanty
]where-s my dinner?
Ive been working hard all day
And a man can work up quite an appetite that way.
Whats for dinner?
Something nourishing and hot?
I could tackle quite a lot of you know what
And all Ive got to say to you is why no dinner?
Ive got nothing on my plate.
Its expected of a mate.
Whyd ya have to make me wait?
Wheres my...
Mary dee
This is the way we put out the candle.
Farewell to childhood.
Deep in the wild wood a fire goes out,
And what are we left with
Now we are grown up?
Shanty
This is the way we pull up the anchor.
Goodbye to romance.
Out on the ocean a good ship is lost,
And what are we left with
Now we are grown up?
Mary dee
Time to be thinking of real life feelings.
I must get on.
Shanty
Time to be buying those little trinkets
I cant afford.
Lord knows
I want to give her the best.

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The Ghost Of The New World

'_There are no ghosts in America._'


There are no ghosts, you say,
To haunt her blaze of light;
No shadows in her day,
No phantoms in her night.
Columbus' tattered sail
Has passed beyond our hail.

What? On that magic coast,
Where Raleigh fought with fate,
Or where that Devon ghost
Unbarred the Golden Gate,
No dark, strange, ear-ringed men
Beat in from sea again?

No ghosts in Salem town
With silver buckled shoon?
No lovely witch to drown
Or burn beneath the moon?
Not even a whiff of tea,
On Boston's glimmering quay.

O, ghostly Spanish walls,
Where brown Franciscans glide,
Is there no voice that calls
Across the Great Divide,
To pilgrims on their way
Along the Santa Fe?

Then let your Pullman cars
Go roaring to the West,
Till, watched by lonelier stars,
The cactus lifts its crest.
There, on that painted plain,
One ghost will rise again.

Majestic and forlorn,
Wreck of a dying race,
The Red Man, half in scorn,
Shall raise his haughty face,
Inscrutable as the sky,
To watch our ghosts go by.

What? Is earth dreaming still?
Shall not the night disgorge
The ghosts of Bunker Hill
The ghosts of Valley Forge,
Or, England's mightiest son,

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Cathlin Of Clutha

An address to Malvina, the daughter of Toscar. The poet relates the arrival of Cathlin in Selma, to solicit aid against Duth-carmor of Cluba, who had killed Cathmol for the sake of his daughter Lanul. Fingal declining to make a choice among his heroes, who were all claiming the command of the expedition, they retired "each to his hill of ghosts," to be determined by dreams. The spirit of Trenmor appears to Ossian and Oscar. They sail from the bay of Carmona, and on the fourth day, appear off the valley of Rath-col, in Inis-huna, where Duth-carmor had fixed his residence. Ossian despatches a bard to Duth-carmor to demand battle. Night comes on. The distress of Cathlin of Clutha. Ossian devolves the command on Oscar, who, according to the custom of the kings of Morven, before battle, retired to a neighboring hill. Upon the coming on of day, the battle joins. Oscar carries the mail and helmet of Duth-carmor to Cathlin, who had retired from the field. Cathlin is discovered to be the daughter of Cathmol in disguise, who had been carried off by force by, and had made her escape from, Duth-carmor.

COME, thou beam that art lonely, from watching in the night! The squalling winds are around thee, from all their echoing hills. Red, over my hundred streams, are the light-covered paths of the dead. They rejoice on the eddying winds, in the season of night. Dwells there no joy in song, white-hand of the harps of Lutha? Awake the voice of the string; roll my soul to me. It is a stream that has failed. Malvina, pour the song.

I hear thee from thy darkness in Selma, thou that watchest lonely by night! Why didst thou withhold the song from Ossian's falling soul? As the falling brook to the ear of the hunter, descending from his storm-covered hill, in a sunbeam rolls the echoing stream, he hears and shakes his dewy locks: such is the voice of Lutha to the friend of the spirits of heroes. My swelling bosom beats high. I look back on the days that are past. Come, thou beam that art lonely, from watching in the night!

In the echoing bay of Carmona we saw one day the bounding ship. On high hung a broken shield; it was marked with wandering blood. Forward came a youth in arms, and stretched his pointless spear. Long, over his tearful eyes, hung loose his disordered locks. Fingal gave the shell of kings. The words of the stranger arose. "In his hall lies Cathmol of Clutha, by the winding of his own dark streams. Duth-carmor saw white-bosomed Lanul, and pierced her father's side. In the rushy desert were my steps. He fled in the season of night. Give thine aid to Cathlin to revenge his father. I sought thee not as a beam in a land of clouds. Thou, like the sun, art known, king of echoing Selma!"

Selma's king looked around. In his presence we rose in arms. But who should lift the shield? for all had claimed the war. The night came down; we strode in silence, each to his hill of ghosts, that spirits might descend in our dreams to mark us for the field. We struck the shield of the dead: we raised the hum of songs. We thrice called the ghosts of our fathers. We laid us down in dreams. Trenmor came, before mine eyes, the tall form of other years! His blue hosts were behind him in half-distinguished rows. — Scarce seen is their strife in mist, or the stretching forward to deaths. I listened, but no sound was there. The forms were empty wind!

I started from the dream of ghosts. On a sudden blast flew my whistling hair. Low sounding. in the oak, is the departure of the dead. I took my shield from its bough. Onward came the rattling of steel. It was Oscar of Lego. He had seen his fathers. As rushes forth the blast on the bosom of whitening waves, so careless shall my course be, through ocean, to the dwelling of foes. I have seen the dead, my father! My beating soul is high! My fame is bright before me, like the streak of light on a cloud, when the broad sun comes forth, red traveller of the sky!"

" Grandson of Branno," I said, "not Oscar alone shall meet the foe. I rush forward, through ocean, to the woody dwelling of heroes. Let us contend, my son, like eagles from one rock, when they lift their broad wings against the stream of winds." We raised our sails in Carmona. From three ships they marked my shield on the wave, as I looked on nightly Ton-thena, red traveller between the clouds. Four days came the breeze abroad. Lumon came forward in mist. In winds were its hundred groves. Sunbeams marked at times its brown side. White leapt the foamy streams from all its echoing rocks.

A green field, in the bosom of hills, winds silent with its own blue stream. Here, "midst the waving of oaks, were the dwellings of kings of old." But silence, for many dark-brown years, had settled in grassy Rath-col; for the race of heroes had failed along the pleasant vale. Duth-carmor was here, with his people, dark rider of the wave! Ton-thena had hid her head in the sky. He bound his white-bosomed sails. His course is on the hills of Rath-col to the seats of roes. We came. I sent the bard, with songs, to call the foe to fight. Duth-carmor heard him with joy. The king's soul was like a beam of fire; a beam of fire, marked with smoke, rushing, varied through the bosom of night. The deeds of Duth-carmor were dark, though his arm was strong.

Night came with the gathering of clouds. By the beam of the oak we sat down. At a distance stood Cathlin of Clutha. I saw the changeful soul of the stranger. As shadows fly over the field of grass, so various is Cathlin's cheek. It was fair within locks, that rose on Rath-col's wind. I did not rush, amidst his soul, with my words. I bade the song to rise.

"Oscar of Lego," I said, "be thine the secret hill to-night. Strike the shield like Morven's kings. With day thou shalt lead in war. From my rock I shall see thee, Oscar, a dreadful form ascending in fight, like the appearance of ghosts amidst the storms they raise. Why should mine eyes return to the dim times of old, ere yet the song had bursted forth, like the sudden rising of winds? But the years that are past are marked with mighty deeds. As the nightly rider of waves looks up to Ton-thena of beams, so let us turn our eyes to Trenmor the father of kings."

"Wide, in Caracha's echoing field, Carmal had poured his tribes. They were a dark ridge of waves. The gray-haired bards were like moving foam on their face. They kindle the strife around with their red-rolling eyes. Nor alone were the dwellers of rocks; a son of Loda was there, a voice in his own dark land, to call the ghosts from high. On his hill he had dwelt in Lochlin, in the midst of a leafless grove. Five stones lifted near their heads. Loud roared his rushing stream. He often raised his voice to the winds, when meteors marked their nightly wings, when the dark-robed moon was rolled behind her hill. Nor unheard of ghosts was he! They came with the sound of eagle-wings. They turned battle, in fields, before the kings of men.

" But Trenmor they turned not from battle. He drew forward that troubled war: in its dark skirt was Trathal, like a rising light. It was dark, and Loda's son poured forth his signs on night. The feeble were not before thee, son of other lands! Then rose the strife of kings about the hill of night; but it was soft as two summer gales, shaking their light wings on a lake. Trenmor yielded to his son, for the fame of the king had been heard. Trathal came forth before his father, and the foes failed in echoing Caracha. The years that are past, my son, are marked with mighty deeds."

In clouds rose the eastern light. The foe came forth in arms. The strife is mixed on Rath-col, like the roar of streams. Behold the contending of kings! They meet beside the oak. In gleams of steel the dark forms are lost; such is the meeting of meteors in a vale by night: red light is scattered round, and men foresee the storm! — Duth-carmor is low in blood! The son of Ossian overcame! Not harmless, in battle, was he, Malvina, hand of harps!

Nor, in the field, were the steps of Cathlin. The strangers stood by secret stream, where the foam of Rath-col skirted the mossy stones. Above bends the branchy birch, and strews its leaves on wind. The inverted spear of Cathlin touched at times the stream. Oscar brought Duth-carmor's mail: his helmet with its eagle-wing. He placed them before the stranger, and his words were heard. " The foes of thy father have fallen. They are laid in the field of ghosts. Renown returns to Morven like a rising wind. Why art thou dark, chief of Clutha? Is there cause for grief?"

" Son of Ossian of harps, my soul is darkly sad. I behold the arms of Cathmol, which lie raised in war. Take the mail of Cathlin, place it high in Selma's hall, that thou mayest remember the hapless in thy distant land." From white breasts descended the mail. It was the race of kings: the soft-handed daughter of Cathmol, at the streams of Clutha! Duth-carmor saw her bright in the hall; he had come by night to Clutha. Cathmol met him in battle, but the hero fell. Three days dwelt the foe with the maid. On the fourth she fled in arms. She remembered the race of kings, and felt her bursting soul!

Why, maid of Toscar of Lutha, should I tell how Cathlin failed? Her tomb is at rushy Lumon, in a distant land. Near it were the steps of Sul-malla, in the days of grief. She raised the song for the daughter of strangers, and touched the mournful harp.

Come from the watching of night, Malvina, lonely beam!

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You Set This Mood For Me To Scare You

It's demonical.
It's demonical.

Slow breaths heard and creaking on the steps.
It's demonical.
Closing doors and cats sniffing for rats.
It's demonical.
Breezing winds through trees on windows tap.
It's demonical.
And all alone you feel unsafe and trapped.
It's demonical.

As ghosts boo,
A devil pursues.
'Darkness looms upon the land.'
As ghosts boo.
'Shadows from the corners start to stand.'
As ghosts boo.
'Bats begin to fly and then you scream.
As ghosts boo.
'And an evil devil starts to sing...
You Set This Mood For Me To Scare You'

Slow breaths heard and creaking on the steps.
It's demonical.
Closing doors and cats sniffing for rats.
It's demonical.
Breezing winds through trees on windows tap.
It's demonical.
And all alone you feel unsafe and trapped.
It's demonical.

As ghosts boo,
A devil pursues.
'Darkness looms upon the land.'
As ghosts boo.
'Shadows from the corners start to stand.'
As ghosts boo.
'Bats begin to fly and then you scream.
As ghosts boo.
'And an evil devil starts to sing...
You Set This Mood For Me To Scare You'

It's demonical.
It's demonical.
It's demonical.
'But...
You Set This Mood For Me To Scare You'

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Glee -- The Ghosts

In life three ghostly friars were we,
And now three friarly ghosts we be.
Around our shadowy table placed,
The spectral bowl before us floats:
With wine that none but ghosts can taste,
We wash our unsubstantial throats.
Three merry ghosts--three merry ghosts--
three merry ghosts are we:
Let the ocean be Port, and we'll think it good sport
To be laid in that Red Sea.

With songs that jovial spectres chaunt,
Our old refectory still we haunt.
The traveller hears our midnight mirth:
"O list!" he cries, "the haunted choir!
"The merriest ghost that walks the earth, "
"Is sure the ghost of a ghostly friar."
Three merry ghosts--three merry ghosts--
three merry ghosts are we:
Let the ocean be Port, and we'll think it good sport
To be laid in that Red Sea.

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Los Reyes Catolicos

When time is like a needle
And night is the longest day
A home is a cathedral
A place where a king can pray

Ghosts all gone
Ghosts all gone
To another plane
Los Reyes Catolicos
Los Reyes Catolicos
Los Reyes Catolicos
Los Reyes Catolicos

Ghosts all gone
Ghosts all gone
To another plane
Los Reyes Catolicos
Los Reyes Catolicos

A home is like a castle
A place where a king can reign
Los Reyes Catolicos
Raoul and The Kings of Spain
Ghosts all gone

Ghosts all gone
Ghosts all gone
To another plane

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Old Trails

(WASHINGTON SQUARE)


I met him, as one meets a ghost or two,
Between the gray Arch and the old Hotel.
“King Solomon was right, there’s nothing new,”
Said he. “Behold a ruin who meant well.”

He led me down familiar steps again,
Appealingly, and set me in a chair.
“My dreams have all come true to other men,”
Said he; “God lives, however, and why care?

“An hour among the ghosts will do no harm.”
He laughed, and something glad within me sank.
I may have eyed him with a faint alarm,
For now his laugh was lost in what he drank.

“They chill things here with ice from hell,” he said;
“I might have known it.” And he made a face
That showed again how much of him was dead,
And how much was alive and out of place.

And out of reach. He knew as well as I
That all the words of wise men who are skilled
In using them are not much to defy
What comes when memory meets the unfulfilled.

What evil and infirm perversity
Had been at work with him to bring him back?
Never among the ghosts, assuredly,
Would he originate a new attack;

Never among the ghosts, or anywhere,
Till what was dead of him was put away,
Would he attain to his offended share
Of honor among others of his day.

“You ponder like an owl,” he said at last;
“You always did, and here you have a cause.
For I’m a confirmation of the past,
A vengeance, and a flowering of what was.

“Sorry? Of course you are, though you compress,
With even your most impenetrable fears,
A placid and a proper consciousness
Of anxious angels over my arrears.

“I see them there against me in a book
As large as hope, in ink that shines by night

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Patrick White

Flowers Are The Clocks Of The Light

Flowers are the clocks of the light.
Spring grey. Clouds. Half smoke, half crocus.
The rivulets are carrying last November's leaves away
like long lines of ants bearing the gnostic gospels
of the snow thawing into a spiritual life of water
back to the shrine of their colony
to be chewed over by the divines
masticating the mystery into something
like an edible orthodoxy of mystic impiety.

My heart is a bruised apple with purple blood today.
Neither passionate, nor aloof, clinging
nor unwilling to let go if that's what I must do.
One foot on shore. One in a lifeboat.
O what funny bridges we make as if
we were trying to balance the axis
of heaven and earth upon our nose
like the calves of giraffes learning to walk on stilts.
But there you go. What are you going to do?
That's the way it seems.
You've got to look up and stick your neck out
if you want to graze on the stars.
Same way with dreams. You've got to
risk waking up if you don't want to lose them.

I've wandered off from the carnage
of my doomed holy war of one with my heart
into a peaceful valley where I can sit
on a glacial skull of prophetic rock
and sheathe my sword in the wound I drew it from
like fire from the ore of a crippled dragon
that walked with a limp out of the war
weary of winning these honourable surrenders
like Jacob wrestling with the angel in the way.

Soft here. Easy on the eyes. A gentle touch.
The air on the verge of tears and the trees
about to see who's a skeleton and who's a survivor.
Who made it through the winter, and who
dreamed they died in their sleep and did,
and who, the ghost amputee of the limbs they lost.
I have a mindful heart and a warrior's compassion
for lost lovers, friends, suicides, martyrs, heretics,
neglected gods, defrocked saints, those
who fell half crazy on the broken panes
of their own clarity, committing hara kiri
on the splintered plinths of their own love-crossed stars.
One-eyed artists riding a pair of red bicycle glasses
in a high-wire act without safety nets
like a dropp of dew on a spider's thread

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Ghosts Of Cape Horn

All around old cape horn
Ships of the line, ships of the morn
Some who wish theyd never been born
They are the ghosts of cape horn
Fal deral da riddle de rum
With a rim dim diddy
And a rum dum dum
Sailing away at the break of morn
They are the ghosts of cape horn
See them all in sad repair
Demons dance everywhere
Southern gales, tattered sails
And none to tell the tales
Come all of you rustic old sea dogs
Who follow the great southern cross
You were rounding the horn
In the eye of a storm
When ya lost er one day
And you read all yer letters
From oceans away
Then you took them to the bottom of the sea
All around old cape horn
Ships of the line, ships of the morn
Those who wish theyd never been born
They are the ghosts of cape horn
Fal deral da riddle de rum
With a rim dim diddy
And a rum dum dum
Sailing away at the break of morn
They are the ghosts of cape horn
Come all you old sea dogs from devon
Southampton, penzance, and kinsale
You were caught by the chance
Of a sailors last dance
It was not meant to be
And ya read all yer letters
Cried anchor aweigh
Then ya took them to the bottom of the sea
All around old cape horn
Ships of the line, ships of the morn
Those who wish theyd never been born
They are the ghosts of cape horn
Fal deral da riddle de rum
With a rim dim diddy
And a rum dum dum
Sailing away at the break of morn
They are the ghosts of cape horn

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Ghosts

Some ghosts are women,
neither abstract nor pale,
their breasts as limp as killed fish.
Not witches, but ghosts
who come, moving their useless arms
like forsaken servants.

Not all ghosts are women,
I have seen others;
fat, white-bellied men,
wearing their genitals like old rags.
Not devils, but ghosts.
This one thumps barefoot, lurching
above my bed.

But that isn't all.
Some ghosts are children.
Not angels, but ghosts;
curling like pink tea cups
on any pillow, or kicking,
showing their innocent bottoms, wailing
for Lucifer.

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Homer

The Odyssey: Book 24

Then Mercury of Cyllene summoned the ghosts of the suitors, and in
his hand he held the fair golden wand with which he seals men's eyes
in sleep or wakes them just as he pleases; with this he roused the
ghosts and led them, while they followed whining and gibbering
behind him. As bats fly squealing in the hollow of some great cave,
when one of them has fallen out of the cluster in which they hang,
even so did the ghosts whine and squeal as Mercury the healer of
sorrow led them down into the dark abode of death. When they had
passed the waters of Oceanus and the rock Leucas, they came to the
gates of the sun and the land of dreams, whereon they reached the
meadow of asphodel where dwell the souls and shadows of them that
can labour no more.
Here they found the ghost of Achilles son of Peleus, with those of
Patroclus, Antilochus, and Ajax, who was the finest and handsomest man
of all the Danaans after the son of Peleus himself.
They gathered round the ghost of the son of Peleus, and the ghost of
Agamemnon joined them, sorrowing bitterly. Round him were gathered
also the ghosts of those who had perished with him in the house of
Aeisthus; and the ghost of Achilles spoke first.
"Son of Atreus," it said, "we used to say that Jove had loved you
better from first to last than any other hero, for you were captain
over many and brave men, when we were all fighting together before
Troy; yet the hand of death, which no mortal can escape, was laid upon
you all too early. Better for you had you fallen at Troy in the
hey-day of your renown, for the Achaeans would have built a mound over
your ashes, and your son would have been heir to your good name,
whereas it has now been your lot to come to a most miserable end."
"Happy son of Peleus," answered the ghost of Agamemnon, "for
having died at Troy far from Argos, while the bravest of the Trojans
and the Achaeans fell round you fighting for your body. There you
lay in the whirling clouds of dust, all huge and hugely, heedless
now of your chivalry. We fought the whole of the livelong day, nor
should we ever have left off if Jove had not sent a hurricane to
stay us. Then, when we had borne you to the ships out of the fray,
we laid you on your bed and cleansed your fair skin with warm water
and with ointments. The Danaans tore their hair and wept bitterly
round about you. Your mother, when she heard, came with her immortal
nymphs from out of the sea, and the sound of a great wailing went
forth over the waters so that the Achaeans quaked for fear. They would
have fled panic-stricken to their ships had not wise old Nestor
whose counsel was ever truest checked them saying, 'Hold, Argives, fly
not sons of the Achaeans, this is his mother coming from the sea
with her immortal nymphs to view the body of her son.'
"Thus he spoke, and the Achaeans feared no more. The daughters of
the old man of the sea stood round you weeping bitterly, and clothed
you in immortal raiment. The nine muses also came and lifted up
their sweet voices in lament- calling and answering one another; there
was not an Argive but wept for pity of the dirge they chaunted. Days
and nights seven and ten we mourned you, mortals and immortals, but on
the eighteenth day we gave you to the flames, and many a fat sheep

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Elizabeth Barrett Browning

Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by from Aurora Leigh (1856)Report problemRelated quotes
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Kitchen Bitches

Round table they all meet, set up in the kitchen.
They had a book highlighted with their so call friends name,
They all did their homework report and came to tell about the information that they've gather.
Pour their tea ready to talk about anecdotes,
the conversation is backbiting about their friends life

The kitchens bitches spread intimating rumors about they friends who live way better than the kitchen bitches

They begin with 'word of the mouth is! '
They love to gossip, it is like a rush they need every week,
this meeting make them feel good about themselves and also put them in the right mood

'Gossip conference is over, so next week lets meet at a new location! '
Their small minds discuss people, but they're blind to see that they own life is more mess up than anyone on the block.

Kitchen bitches only dislike gossip is when you gossip about them.
Ever member of the kitchen bitches even talk about the misssing member when they move to a different kitchen.

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