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The harp dispels care.

Latin proverbs
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Rokeby: Canto V.

I.
The sultry summer day is done,
The western hills have hid the sun,
But mountain peak and village spire
Retain reflection of his fire.
Old Barnard's towers are purple still,
To those that gaze from Toller-hill;
Distant and high, the tower of Bowes
Like steel upon the anvil glows;
And Stanmore's ridge, behind that lay,
Rich with the spoils of parting day,
In crimson and in gold array'd,
Streaks yet awhile the closing shade,
Then slow resigns to darkening heaven
The tints which brighter hours had given.
Thus aged men, full loth and slow,
The vanities of life forego,
And count their youthful follies o'er,
Till Memory lends her light no more.

II.
The eve, that slow on upland fades,
Has darker closed on Rokeby's glades,
Where, sunk within their banks profound,
Her guardian streams to meeting wound.
The stately oaks, whose sombre frown
Of noontide made a twilight brown,
Impervious now to fainter light,
Of twilight make an early night.
Hoarse into middle air arose
The vespers of the roosting crows,
And with congenial, murmurs seem
To wake the Genii of the stream;
For louder clamour'd Greta's tide,
And Tees in deeper voice replied,
And fitful waked the evening wind,
Fitful in sighs its breath resign'd.
Wilfrid, whose fancy-nurtured soul
Felt in the scene a soft control,
With lighter footstep press'd the ground,
And often paused to look around;
And, though his path was to his love,
Could not but linger in the grove,
To drink the thrilling interest dear,
Of awful pleasure check'd by fear.
Such inconsistent moods have we,
Even when our passions strike the key.

III.
Now, through the wood's dark mazes past,

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poem by Sir Walter Scott
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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I Don't Care Anymore

Well you can tell ev'ryone I'm a down disgrace
So drag my name all over the place.
I don't care anymore. (I don't care)
You can tell ev'rybody 'bout the state I'm in
You won't catch me crying 'cos I just can't win.
I don't care anymore I don't care anymore
I don't care what you say
I don't play the same games you play.
'Cos I've been talking to the people that you call your friends
And it seems to me there's a means to and end.
They don't care anymore. (they don't care)
And as for me I can sit here and bide my time
I got nothing to lose if I speak my mind.
I don't care anymore I don't care no more
I don't care what you say
We never played by the same rules anyway.
I won't be there anymore
Get out of my way
Let me by
I got better things to do with my time
I don't care anymore I don't care anymore
I don't care anymore I don't care anymore
Well, I don't care now what you say (I don't care what you say)
'Cos ev'ry day (everyday)
I'm feeling fine with myself (I'm feeling fine with myself)
And I don't care now what you say (I don't care what you say)
Hey I'll do alright by myself (I'll be alright by myself)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care anymore
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
'Cos I remember all the times I tried so hard
And you laughed in my face 'cos ya held all the cards.
I don't care anymore.

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song performed by Kelis
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Sir Orfeo

We often read and written find,
as learned men do us remind,
that lays that now the harpers sing
are wrought of many a marvellous thing.
Some are of weal, and some of woe,
and some do joy and gladness know;
in some are guile and treachery told,
in some the deeds that chanced of old;
some are of jests and ribaldry,
and some are tales of Faërie.
Of all the things that men may heed
'tis most of love they sing indeed.

In Britain all these lays are writ,
there issued first in rhyming fit,
concerning adventures in those days
whereof the Britons made their lays;
for when they heard men anywhere
tell of adventures that there were,
they took their harps in their delight
and made a lay and named it right.

Of adventures that did once befall
some can I tell you, but not all.
Listen now, lordings good and true,
and 'Orfeo' I will sing to you.

Sir Orfeo was a king of old,
in England lordship high did hold;
valour he had and hardihood,
a courteous king whose gifts were good.
His father from King Pluto came,
his mother from Juno, king of fame,
who once of old as gods were named
for mighty deeds they did and claimed.
Sir Orfeo, too, all things beyond
of harping's sweet delight was fond,
and sure were all good harpers there
of him to earn them honour fair;
himself he loved to touch the harp
and pluck the strings with fingers sharp.
He played so well, beneath the sun
a better harper was there none;
no man hath in this world been born
who would not, hearing him, have sworn
that as before him Orfeo played
to joy of Paradise he had strayed
and sound of harpers heavenly,
such joy was there and melody.
This king abode in Tracience,

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poem by Anonymous Olde English
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A Chanuka and Christmas Carol

Chanukah and Christmas – Let's celebrate the light
The Grace of God Eternal dispels the dark of night.

Daniel had prophesied the Desolation
False idols in the temple: 'twas the Desecration
Little lamp oil remained for the altar dedication
So God provided the light to this and every earthly nation.

Chanukah and Christmas – Let's celebrate the light
The Grace of the Father dispels the dark of night.

NesGadolHayahSham – A Great Miracle Happened there
The star of Bethlehem lit the way to a little manger where
The miracle of Jesus birth in the creche of a mare.
Hosanna, Alleluia, the Angel Chorus does declare.

Chanukah and Christmas – Let's celebrate the light
The Light of the Messiah dispels the dark of night.

At the time of Chanukah on the porch of Solomon
The Messiah was revealed, Jesus is the Father's son.
Sheep follow the shepherd and unto him ye run,
And recognize the works which show that He and God are one.

Chanukah and Christmas – Let's celebrate the light
The Light of the Good Shepherd dispels the dark of night.

The rededication lacked the glory of the Ark
But when Immanuel came, He dispelled the dark.
So worship not in a building cold and stark.
But in Spirit and in Truth – Jesus the eternal bulwark.

Chanukah and Christmas – Let's celebrate the light
The Light of the Holy Spirit dispels the dark of night.

The eternal sacrifice, His body: temple stones and bricks.
Like the shammus which lights all menorrah wicks.
Jesus, the servant-king, lights our spirit-candle sticks
That we may be His beacons, His light our hearts affix.

Chanukah and Christmas – Let's celebrate the light
The Light of the World dispels the dark of night.

Based on Daniel 8: 11 9: 27 11: 31 12: 11 and John 10: 23

Copyright 2007 (c) Daniel Partlow

poem by Daniel Partlow
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Book III: The Harp of Alfred

In a tree that yawned and twisted
The King's few goods were flung,
A mass-book mildewed, line by line,
And weapons and a skin of wine,
And an old harp unstrung.

By the yawning tree in the twilight
The King unbound his sword,
Severed the harp of all his goods,
And there in the cool and soundless woods
Sounded a single chord.

Then laughed; and watched the finches flash,
The sullen flies in swarm,
And went unarmed over the hills,
With the harp upon his arm,
Until he came to the White Horse Vale
And saw across the plains,
In the twilight high and far and fell,
Like the fiery terraces of hell,
The camp fires of the Danes--

The fires of the Great Army
That was made of iron men,
Whose lights of sacrilege and scorn
Ran around England red as morn,
Fires over Glastonbury Thorn--
Fires out on Ely Fen.

And as he went by White Horse Vale
He saw lie wan and wide
The old horse graven, God knows when,
By gods or beasts or what things then
Walked a new world instead of men
And scrawled on the hill-side.

And when he came to White Horse Down
The great White Horse was grey,
For it was ill scoured of the weed,
And lichen and thorn could crawl and feed,
Since the foes of settled house and creed
Had swept old works away.

King Alfred gazed all sorrowful
At thistle and mosses grey,
Then laughed; and watched the finches flash,
Till a rally of Danes with shield and bill
Rolled drunk over the dome of the hill,
And, hearing of his harp and skill,
They dragged him to their play.

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poem by G.K. Chesterton from The Ballad of the White Horse (1911)
Added by Veronica Serbanoiu
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The Harp Of Hoel

It was a high and holy sight,
When Baldwin and his train,
With cross and crosier gleaming bright,
Came chanting slow the solemn rite,
To Gwentland's pleasant plain.

High waved before, in crimson pride,
The banner of the Cross;
The silver rood was then descried,
While deacon youths, from side to side,
The fuming censer toss.

The monks went two and two along,
And winding through the glade,
Sang, as they passed, a holy song,
And harps and citterns, 'mid the throng,
A mingled music made.

They ceased; when lifting high his hand,
The white-robed prelate cried:
Arise, arise, at Christ's command,
To fight for his name in the Holy Land,
Where a Saviour lived and died!

With gloves of steel, and good broadsword,
And plumed helm of brass,
Hoel, Landoga's youthful lord,
To hear the father's holy word,
Came riding to the pass.

More earnestly the prelate spake:
Oh, heed no earthly loss!
He who will friends and home forsake,
Now let him kneel, and fearless take
The sign of the Holy Cross.

Then many a maid her tresses rent,
And did her love implore:
Oh, go not thou to banishment!
For me, and the pleasant vales of Gwent,
Thou never wilt see more.

And many a mother, pale with fears,
Did kiss her infant son;
Said, Who will shield thy helpless years,
Who dry thy widowed mother's tears,
When thy brave father's gone?

GOD, with firm voice the prelate cried,
God will the orphan bless;

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poem by William Lisle Bowles
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The Lay of the Last Minstrel: Canto I

Introduction.

The way was long, the wind was cold,
The Minstrel was infirm and old;
His wither'd cheek, and tresses gray,
Seem'd to have known a better day;
The harp, his sole remaining joy,
Was carried by an orphan boy.
The last of all the Bards was he,
Who sung of Border chivalry;
For, welladay! their date was fled,
His tuneful brethren all were dead;
And he, neglected and oppress'd,
Wish'd to be with them, and at rest.
No more on prancing palfrey borne,
He caroll'd, light as lark at morn;
No longer courted and caress'd,
High placed in hall, a welcome guest,
He pour'd, to lord and lady gay,
The unpremeditated lay:
Old times were changed, old manners gone;
A stranger filled the Stuarts' throne;
The bigots of the iron time
Had call'd hs harmless art a crime.
A wandering Harper, scorn'd and poor,
He begg'd his bread from door to door.
And timed, to please a peasant's ear,
The harp, a king had loved to hear.

He pass'd where Newark's stately tower
Looks out from Yarrow's birchen bower:
The Minstrel gazed with wishful eye-
No humbler resting-place was nigh,
With hesitating step at last,
The embattled portal arch he bunny'd,
Whose ponderous grate and massy bar
Had oft roll'd back the tide of war,
But never closed the iron door
Against the desolate and poor.
The Duchess marked his weary pace,
His timid mien, and reverend face,
And bade her page the menials tell,
That they should tend the old man well:
For she had known adversity,
Though born in such a high degree;
In pride of power, in beauty's bloom,
Had wept o'er Monmouth's bloody tomb!

When kindness had his wants supplied,
And the old man was gratified,

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poem by Sir Walter Scott
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Idylls of the King: The Last Tournament (excerpt)

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear."

"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given--
Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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poem by Alfred Lord Tennyson
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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'

To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear.'

`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as given-
Slid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

[...] Read more

poem by Alfred Lord Tennyson
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The Lady of the Lake: Canto II. - The Island

I.
At morn the black-cock trims his jetty wing,
'T is morning prompts the linnet's blithest lay,
All Nature's children feel the matin spring
Of life reviving, with reviving day;
And while yon little bark glides down the bay,
Wafting the stranger on his way again,
Morn's genial influence roused a minstrel gray,
And sweetly o'er the lake was heard thy strain,
Mixed with the sounding harp, O white-haired Allan-bane!

II.
Song.

'Not faster yonder rowers' might
Flings from their oars the spray,
Not faster yonder rippling bright,
That tracks the shallop's course in light,
Melts in the lake away,
Than men from memory erase
The benefits of former days;
Then, stranger, go! good speed the while,
Nor think again of the lonely isle.

'High place to thee in royal court,
High place in battled line,
Good hawk and hound for sylvan sport!
Where beauty sees the brave resort,
The honored meed be thine!
True be thy sword, thy friend sincere,
Thy lady constant, kind, and dear,
And lost in love's and friendship's smile
Be memory of the lonely isle!

III.
Song Continued.

'But if beneath yon southern sky
A plaided stranger roam,
Whose drooping crest and stifled sigh,
And sunken cheek and heavy eye,
Pine for his Highland home;
Then, warrior, then be thine to show
The care that soothes a wanderer's woe;
Remember then thy hap erewhile,
A stranger in the lonely isle.

'Or if on life's uncertain main
Mishap shall mar thy sail;
If faithful, wise, and brave in vain,

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poem by Sir Walter Scott
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The Last Rhyme Of True Thomas

The King has called for priest and cup,
The King has taken spur and blade
To dub True Thomas a belted knight,
And all for the sake o' the songs he made.

They have sought him high, they have sought him low,
They have sought him over down and lea;
They have found him by the milk-white thorn
That guards the gates o' Faerie.

'Twas bent beneath and blue above,
Their eyes were held that they might not see
The kine that grazed beneath the knowes,
Oh, they were the Queens o' Faerie!

"Now cease your song," the King he said,
"Oh, cease your song and get you dight
To vow your vow and watch your arms,
For I will dub you a belted knight.

"For I will give you a horse o' pride,
Wi' blazon and spur and page and squire;
Wi' keep and tail and seizin and law,
And land to hold at your desire."

True Thomas smiled above his harp,
And turned his face to the naked sky,
Where, blown before the wastrel wind,
The thistle-down she floated by.

"I ha' vowed my vow in another place,
And bitter oath it was on me,
I ha' watched my arms the lee-long night,
Where five-score fighting men would flee.

"My lance is tipped o' the hammered flame,
My shield is beat o' the moonlight cold;
And I won my spurs in the Middle World,
A thousand fathom beneath the mould.

"And what should I make wi' a horse o' pride,
And what should I make wi' a sword so brown,
But spill the rings o' the Gentle Folk
And flyte my kin in the Fairy Town?

"And what should I make wi' blazon and belt,
Wi' keep and tail and seizin and fee,
And what should I do wi' page and squire
That am a king in my own countrie?

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poem by Rudyard Kipling
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Berrathah

ARGUMENT.

Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.

The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.

BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.

Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"

Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!

His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"

But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"

And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!

The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!

Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.

Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.

"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"

The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!

The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.

We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"

"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"

I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"

Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"

She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"

Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.

On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."

Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.

Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.

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poem by James Macpherson
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Why should I Care

Back in the day
When I was younger
I wasn't afraid
Of giving my heart to you
Now and again
I get sentimental
But I know it's just a phase
I'm going throuth
And every time I start to slip
I just remind myself
I need only think of it
I went throuth so much hell
You say ya wanna get things back
The way they used to be
Can you give me one good reason
Why should I darlin'

Why should i care
Why should I care for you
Why should i care
Why should I care for you
Why should I care
Why should i care
Why should I care for you
Why should I care
Why should I care

Back in the day
I shoulda been wiser
But what can I say
I shoulda been onto you
But I was afraid
That you'd break my hert in two
Fate would it that you broke it anyway baby
And every time I close my eyes
I just remind myself
You told about a million lies
You put my heart throuth hell
And now you wanna get with me
Just for old times sake
Well I am not about to make that same mistake

Why should I care
Why should I care for you
Why should I care
Why should I care for you
Why should I care
Why should I care for you
Why should I care
Why should I care

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song performed by Toni Braxton from Secrets
Added by Lucian Velea
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The Ballad Of The Harp-Weaver

"Son," said my mother,
When I was knee-high,
"you've need of clothes to cover you,
and not a rag have I.

"There's nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.

"There's nothing in the house
But a loaf-end of rye,
And a harp with a woman's head
Nobody will buy,"
And she began to cry.

That was in the early fall.
When came the late fall,
"Son," she said, "the sight of you
Makes your mother's blood crawl,—

"Little skinny shoulder-blades
Sticking through your clothes!
And where you'll get a jacket from
God above knows.

"It's lucky for me, lad,
Your daddy's in the ground,
And can't see the way I let
His son go around!"
And she made a queer sound.

That was in the late fall.
When the winter came,
I'd not a pair of breeches
Nor a shirt to my name.

I couldn't go to school,
Or out of doors to play.
And all the other little boys
Passed our way.

"Son," said my mother,
"Come, climb into my lap,
And I'll chafe your little bones
While you take a nap."

And, oh, but we were silly
For half and hour or more,
Me with my long legs,

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poem by Edna St. Vincent Millay
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Temora - Book V1

ARGUMENT

This book opens with a speech of Fingal, who sees Cathmor descending to the assistance of his flying army. The king despatches Ossian to the relief of Fillan. He himself retires behind the rock of Cormul, to avoid the sight of the engagement between his son and Cathmor. Ossian advances. The descent of Cathmor described. He rallies the army, renews the battle, and, before Ossian could arrive, engages Fillan himself. Upon the approach of Ossian, the combat between the two heroes ceases. Ossian and Cathmor prepare to fight, but night coming on pre vents them. Ossian returns to the place where Cathmor and Fillan fought. He finds Fillan mortally wounded, and leaning against a rock. Their discourse. Fillan dies, his body is laid, by Ossian, in a neighboring cave. The Caledonian army return to Fingal. He questions them about his son, and understanding that he was killed, retires, in silence, to the rock of Cormul. Upon the retreat of the army of Fingal, the Fir-bolg advance. Cathmor finds Bran, one of the dogs of Fingal, lying on the shield of Fillan, before the entrance of the cave, where the body of that hero lay. His reflection thereupon. He returns, in a melancholy mood, to his army. Malthos endeavors to comfort him, by the example of his father, Borbar-duthul. Cathmor retires to rest. The song of Sul-malla concludes the book, which ends about the middle of the third night from the opening of the poem.

"Cathmor rises on his hill! Shall Fingal take the sword of Luna? But what shall become of thy fame, son of white-bosomed Clatho? Turn not thine eyes from Fingal, fair daughter of Inis-tore. I shall not quench thy early beam. It shines along my soul. Rise, wood-skirted Mora, rise between the war and me! Why should Fingal behold the strife, lest his dark -haired warrior should fall? Amidst the song, O Carril, pour the sound of the trembling harp! Here are the voices of rocks! and there the bright tumbling of waters. Father of Oscar! lift the spear! defend the young in arms. Conceal thy steps from Fillan. He must not know that I doubt his steel. No cloud of mine shall rise, my son, upon thy soul of fire!"

He sunk behind his rock, amid the sound of Carril's song. Brightening in my growing soul, I took the spear of Temora. I saw, along Moi-lena, the wild tumbling of battle; the strife of death, in gleaming rows, disjointed and broken round. Fillan is a beam of fire. From wing to wing is his wasteful course. The ridges of war melt before him. They are rolled, in smoke, from the fields!

Now is the coming forth of Cathmor, in the armor of kings! Dark waves the eagle's wing, above his helmet of fire. Unconcerned are his steps, as if they were to the chase of Erin. He raises, at times, his terrible voice. Erin, abashed, gathers round. Their souls return back, like a stream. They wonder at the steps of their fear. He rose, like the beam of the morning, on a haunted heath: the traveller looks back, with bending eye, on the field of dreadful forms! Sudden from the rock of Moi-lena, are Sul-malla's trembling steps. An oak takes the spear from her hand. Half bent she looses the lance. But then are her eyes on the king, from amid her wandering locks! No friendly strife is before thee! No light contending of bows, as when the youth of Inis-huna come forth beneath the eye of Conmor!

As the rock of Runo, which takes the passing clouds as they fly, seems growing, in gathered darkness, over the streamy heath; so seems the chief of Atha taller, as gather his people around. As different blasts fly over the sea, each behind its dark-blue wave; so Cathmor's words, on every side, pour his warriors forth. Nor silent on his hill is Fillan. He mixes his words with his echoing shield. An eagle be seemed, with sounding wings, calling the wind to his rock, when he sees the coming forth of the roes, on Lutha's rushy field!

Now they bend forward in battle. Death's hundred voices arise. The kings, on either side, were like fires on the souls of the host. Ossian bounded along. High rocks and trees rush tall between the war and me. But I hear the noise of steel, between my clanging arms. Rising, gleaming on the hill, I behold the backward steps of hosts: their backward steps on either side, and wildly-looking eyes. The chiefs were met in dreadful fight! The two blue-shielded kings! Tall and dark, through gleams of steel, are seen the striving heroes! I rush. My fears for Fillan fly, burning, across my soul!

I come. Nor Cathmor flies; nor yet comes on; he sidelong stalks along. An icy rock, cold, tall, he seems. I call forth all my steel. Silent awhile we stride, on either side of a rushing stream: then, sudden turning, all at once, we raise our pointed spears. We raise our spears, but night comes down. It is dark and silent round; but where the distant steps of hosts are sounding over the heath.

I come to the place where Fillan fought. Nor voice nor sound is there. A broken helmet lies on earth, a buckler cleft in twain. Where, Fillan, where art thou, young chief of echoing Morven? He hears me, leaning on a rock, which bends its gray head over the stream. He hears; but sullen, dark he stands. At length. I saw the hero.

"Why standest thou, robed in darkness, son of woody Selma! Bright is thy path, my brother in this dark-brown field! Long has been thy strife in battle! Now the horn of Fingal is heard. Ascend to the cloud of thy father, to his hill of feasts. In the evening mists he sits, and hears the sound of Carril's harp. Carry joy to the aged, young breaker of the shields!"

"Can the vanquished carry joy? Ossian, no shield is mine! It lies broken on the field. The eagle-wing of my helmet is torn. It is when foes fly before them, that fathers delight in their sons. But their sighs burst forth, in secret, when their young warriors yield. No: Fillan shall not behold the king! Why should the hero mourn?"

"Son of blue-eyed Clatho! O Fillan, awake not my soul! Wert thou not a burning fire before him? Shall he not rejoice? Such fame belongs not to Ossian; yet is the king still a sun to me. He looks on my steps with joy. Shadows never rise on his face. Ascend, O Fillan, to Mora! His feast is spread in the folds of mist."

"Ossian! give me that broken shield: those feathers that are rolled in the wind. Place them near to Fillan, that less of his fame may fall. Ossian, I begin to fail. Lay me in that hollow rock. Raise no stone above, lest one should ask about my fame. I am fallen in the first of my fields, fallen without renown. Let thy voice alone send joy to my flying soul. Why should the bard know where dwells the lost beam of Clatho?"

"Is thy spirit on the eddying winds, O Fillan, young breaker of shields. Joy pursue my hero, through his folded clouds. The forms of thy fathers, O Fillan, bend to receive their son! I behold the spreading of their fire on Mora: the blue-rolling of their wreaths. Joy meet thee, my brother! But we are dark and sad! I behold the foe round the aged. I behold the wasting away of his fame. Thou art left alone in the field, O gray-haired king of Selma!"

I laid him in the hollow rock, at the roar of the nightly stream. One red star looked in on the hero. Winds lift, at times, his locks. I listen. No sound is heard. The warrior slept! as lightning on a cloud, a thought came rushing along my soul. My eyes roll in fire: my stride was in the clang of steel. "I will find thee, king of Erin! in the gathering of thy thousands find thee. Why should that cloud escape, that quenched our early beam? Kindle your meteors on your hills, my fathers. Light my daring steps. I will consume in wrath. — But should not I return? The king is without a son, gray-haired among his foes! His arm is not as in the days of old. His fame grows dim in Erin. Let me not behold him, laid low in his latter field — But can I return to the king? Will he not ask about his son?" Thou oughtest to defend young Fillan." — Ossian will meet the foe! Green Erin, thy sounding tread is pleasant to my ear. I rush on thy ridgy host, to shun the eyes of Fingal. I hear the voice of the king, on Mora's misty top! He calls his two sons! I come, my father, in my grief. I come like an eagle, which the flame of night met in the desert, and spoiled of half his wings!

Distant, round the king, on Mora, the broken ridges of Morven are rolled. They turned their eyes: each darkly bends, on his own ashen spear. Silent stood the king in the midst. Thought on thought rolled over his soul: as waves on a secret mountain lake, each with its back of foam. He looked; no son appeared, with his long-beaming spear. The sighs rose, crowding, from his soul; but he concealed his grief. At length I stood beneath an oak. No voice of mine was heard.! What could I say to Fingal in this hour of wo? His words rose, at length, in the midst: the people shrunk backward as he spoke.

"Where is the son of Selma; he who led in war? I behold not his steps, among my people, returning from the field. Fell the young bounding roe, who was so stately on my hills? He fell! for ye are silent. The shield of war is cleft in twain. Let his armor be near to Fingal; and the sword of dark-brown Luno. I am waked on my hills; with morning I descend to war!"

High on Cormul's rock, an oak is flaming to the wind. The gray skirts of mist are rolled around; thither strode the king in his wrath. Distant from the host he always lay, when battle burnt within his soul. On two spears hung his shield on high; the gleaming sign of death! that shield, which he was wont to strike, by night, before he rushed to war. It was then his warriors knew when the king was to lead in strife; for never was his buckler heard, till the wrath of Fingal arose. Unequal were his steps on high, as ho shone on the beam of the oak; he was dreadful as the form of the spirit of night, when he clothes, on his wild gestures with mist, and, issuing forth, on the troubled ocean, mounts the car of winds.

Nor settled, from the storm, is Erin's sea of war! they glitter, beneath the moon, and, low humming, still roll on the field. Alone are the steps of Cathmor, before them on the heath: he hangs forward, with all his arms, on Morven's flying host. Now had he come to the mossy cave, where Fillan lay in night. One tree was bent above! the stream, which glittered over the rock. There shone to the moon the broken shield of Clatho's son; and near it, on grass, lay hairy-footed Bran. He had missed the chief on Mora, and searched him along the wind. He thought that the blue-eyed hunter slept; he lay upon his shield. No blast came over the heath unknown to bounding Bran.

Cathmor saw the white-breasted dog; he saw the broken shield. Darkness is blown back on his soul; he remembers the falling away of the people. They came, a stream; are rolled away; another race succeeds. But some mark the fields, as they pass, with their own mighty names. The heath, through dark brown years, is theirs; some blue stream winds to their fame. Of these be the chief of Atha, when he lays him down on earth. Often may the voice of future times meet Cathmor in the air; when he strides from wind to wind, or folds himself in the wing of a storm.

Green Erin gathered round the king to hear the voice of his power. Their joyful faces bend unequal, forward, in the light of the oak. They who were terrible, were removed; Lubar winds again in their host. Cathmor was that beam from heaven, which shone when his people were dark. He was honored in the midst. Their souls arose with ardor around! The king alone no gladness showed; no stranger he to war!

"Why is the king so sad?" said Malthos, eagle-eyed. "Remains there a foe at Lubar t Lives there among them who can lift the spear? Not so peaceful was thy father, Borbar-duthul, king of spears. His rage was a fire that always burned: his joy over fallen foes was great. Three days feasted the gray-haired hero, when he heard that Calmar fell: Calmar who aided the race of Ullin, from Lara of the streams. Often did he feel, with his hands, the steel which they said had pierced his foe. He felt it with his hands, for Borbar-duthul's eyes had failed. Yet was the king a sun to his friends; a gale to lift their branches round. Joy was around him in his halls: he loved the sons of Bolga. His name remains in Atha, like the awful memory of ghosts whose presence was terrible; but they blew the storm away. Now let the voices of Erin raise the soul of the king; he that shone when war was dark, and laid the mighty low. Fonar, from that gray-browed rock pour the tale of other times: pour it on wide-skirted Erin, as it settles round.

"To me," said Cathmor, "no song shall rise; nor Fonar sit on the rock of Lubar. The mighty there are laid low. Disturb not their rushing ghosts. Far, Malthos, far remove the sound of Erin's song. I rejoice not over the foe, when he ceases to lift the spear. With morning we pour our strength abroad. Fingal is wakened on his echoing hill."

Like waves, blown back by sudden winds, Erin retired, at the voice of the king. Deep, rolled into the field of night, they spread their humming tribes. Beneath his own tree, at intervals, each bard sat down with his harp. They raised the song, and touched the string: each to the chief he loved. Before a burning oak Sul-malla touched, at times, the harp. She touched the harp, and heard, between, the breezes in her hair. In darkness near lay the king of Atha, beneath an aged tree. The beam of the oak was turned from him; he saw the maid, but was not seen. His soul poured forth, in secret, when he beheld her fearful eye. "But battle is before thee, son of Borbar-duthul."

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poem by James Macpherson
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Saul

I.

Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.

II.

``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''

III.

Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness---the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.

IV.

He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,---so agonized Saul, drear and stark, blind and dumb.

V.

Then I tuned my harp,---took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide---those sunbeams like swords!

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poem by Robert Browning
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Too Much Too Soon

Hey this bottles empty, you got 2 bucks?
Cmon, well buy a bottle
Alright, Im headin to the store and Im gonna buy smokes
Hot damn"
Every night, I go out and get in my car, oh yeah
I push on the peddle but you know I go too far
Therere parties everywhere that I can see
Usin myself will be the death of me
Ya see every night I get a call on the telephone
My sweet little baby beggin me just to come home
But I know that everyday I gotta have me some fun
With Suzy to the left and Sally to my right
I know that I need just more than one
Chorus
Said its too much too fast
I dont care if I wont last
Said its too much too soon
I dont care, get outta my room
Said its too much too fast
I dont care if I wont last
Said its too much too soon
I dont care, get outta my room
Lets go
When the night goes on and I seem to see some friends / Now a buck for the car for the gas goes so fast? / With friends like that tell me whos gonna last / Well the citys hot but tonight Im not / I want everything that everybodys got / Not a badge in the pan or a legend hand / Just give me one more, one last dance
Said its too much too fast
I dont care if I wont last
Said its too much too soon
I dont care, get outta my room
Said its too much too fast
I dont care if I wont last
Said its too much too soon
I dont care, get outta my room
Lets go
Take the car, take the keys
Said my money dont grow on trees
You make me stumble and fall
T'ill I'm bloody at my knees?
I climbed back up to find that all my money's gone
Too much too soon not know since its been so long?
You can drive me to the edge but I really dont mind
Ya see when Im in my car I leave you behind
Theres another girl thats waitin down the road
When Im out the door you know thats just where Ill go
Said its too much too fast
I dont care if I wont last
Said its too much too soon
I dont care, get outta my room
Said its too much too fast
I dont care if I wont last
Said its too much too soon

[...] Read more

song performed by Guns N' Roses
Added by Lucian Velea
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Why Should I Care?

Back in the day
When I was younger
I wasnt afraid
Of giving my heart to you
Now and again
I get sentimental
But I know its just a phase Im going through
And every time I start to slip
I just remind myself
I need only think of it
I went through so much hell
You say ya wanna get things back
The way they used to be
Can you give me one good reason
Why should I darlin
Why should I care
Why should I care for you
Why should I care
Why should I care for you
Why should I care
Why should I care for you
Why should I care
Why should I care
Back in the day
I shoulda been wiser
But what can I say
I shoulda been onto you
But I was afraid
That youd break my heart in two
Fate would have it that you broke it anyway baby
And every time I close my eyes
I just remind myself
You told about a million lies
You put my heart through hell
And now you wanna get with me
Just for old times sake
Well I am not about to make that same mistake
Why should I care
Why should I care for you
Why should I care
Why should I care for you
Why should I care
Why should I care for you
Why should I care
Why should I care
You see a girl that you gave all your love
I see a girl you took advantage of
You see a girl that you cannot forget
I see a man that I cannot forgive
Tell me why

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song performed by Toni Braxton
Added by Lucian Velea
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May-Day

Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,

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poem by Ralph Waldo Emerson
Added by Poetry Lover
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