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The unmarried don't know about labor pains.

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Unmarried

Unmarried; when we kissed; we felt the waves of untamed passion rise to the ultimate crescendo of fulfillment; whilst when after Marriage; we felt it to be just routinely boring ritual to be inevitably done; just to spuriously appease each other,

Unmarried; when we listened to each other; our eyes interlocked for hours immemorial as we became oblivious to every other sound in the atmosphere; whilst after Marriage; the words seemed to irately pound like a billion unwashed boulders; upon the extremely tempestuous chords of our eardrums,

Unmarried; when we philandered together; we almost seemed to unanimously admire and appreciate each natural creation of the Lord Almighty; whilst after Marriage; we sat taut and haughty in stony silence; even as the most majestically virile sceneries and greeneries passed by,

Unmarried; when we confronted any problem; both of us earnestly put in our the last droplet of our sweat to emerge unitedly victorious; whilst when after Marriage; each of us left it wholesomely on the other to get out of the inexplicable disaster,

Unmarried; when we sipped wine; we cheered a toast umpteenth number of times in the sensuous wilderness of the night; whilst after Marriage; each of us chimed our glasses just once for the sake of the sanctimonious society; and that too with profound abhorrence lingering in our eyes; and time and again casting sneering glances at the bottle price,

Unmarried; when we slept; we were aware and fondly traced even the tiniest creak of our bodies with our uninhibitedly wandering fingers; whilst after marriage we indifferently slept poles apart; thunderously snoring till eternity; even as either one of us was being crucified by the swords of diabolical hell,

Unmarried; when we sat to eat supper; each one of us altruistically waited for marathon moments before the other devoured to his/her hearts content; whilst after marriage both of us made a barbarous beeline for the singleton dish; at times ending with raw gashes of unsavory blood; on our profusely scratched hands and face,

Unmarried; when we wrote each others names; we felt the most pricelessly blessed organisms alive perpetually possessing each other in our hearts; whilst after marriage we never disclosed it to anyone that we even had a lifepartner; specially if it was someone of the opposite sex,

Unmarried; when we swam in the choppy ocean; even the most infinitesimal vein of our body was so perennially entwined that it was impossible to separate us even in the fiercest of storm; whilst after marriage we deliberately used each others heads as a lifeboat; drowning the other in our attempt to stay triumphantly afloat and selfishly alive,

Unmarried; when we awoke; the very first thing that we did in the morning was to bow down to each other’s feet as we found our ultimate liberator in each of ourself; whilst after marriage we strangulated each other’s senses for uncannily waking up early in the morning; and hideously disrupting the heavenliness of bountiful sleep,

Unmarried; when we were wounded; we compassionately ran every contour of our fervent lips to those parts which hurt till there was not the tiniest of pain; whilst after marriage all that we could hedonistically muster; was indigenous salt to apply on the agonizingly crimson streams of blood,

Unmarried; when we laughed; it was as if to trace and assimilate even the most insouciant bit of ecstasy hidden in our unconscious veins; whilst after marriage we invidiously chortled and exploited each other’s idiosyncrasies; even at the cost of an infinite tears which unstoppably flowed,

Unmarried; when we sketched; all we could capture on our barren canvases was every conceivable shade of our passionately exuberant silhouettes; whilst after marriage if ever we used our drawing pens; then it was to spew blood of intolerance and unfathomable hatred,

Unmarried; when we were lost; we rediscovered and reborn each other in our very own unassailably redolent breaths; whilst after marriage we heartlessly abandoned each other; leaping at the beams of hope who came searching us; and at the first opportunity,

Unmarried; when we sobbed for our loved ones; the innermost realms of our souls united for an infinite lifetimes to share our grief and ameliorate ourselves to the highest epitome of the Sun; whilst after marriage we sadistically used each other’s tears to bathe; incase the overhead tank was empty,

Unmarried; when we created something; we mutually congratulated each other till the aisles of endless infinity whether there came or not; the tiniest of soul from the outside world; whilst after marriage the same creation became the ultimate reason in our route to divorce,

Unmarried; when we saw suffering on the streets; we selflessly extricated even the last ounce of blood from our veins; endeavoring our best to serve humanity; whilst after marriage we greedily amassed our own wealth; career; identity and fame; in order to royally exist in separate palaces of gold soaked in innocent blood,
Unmarried; when we met after office; we embraced each other with so much passion and intensity that the most gigantic of structures and creation around humbly tumbled to our toes; whilst after marriage we rapaciously preferred to frequent the prostitutes dwelling to placate our heinous desires; as well as stay forever away from our robotically boring faces,


Therefore it is my nimble plea to you O! Omnipresent Lord; to let our love forever immortalize into a cloud of unbreakable compassion; to let our love forever become the ultimate guiding beacon for every other true lover born; and thus for all this to consolidate into a timeless reality; leave us best as UNMARRIED

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Bible in Poetry: 1 Corinthians 7

Marriage:

1’Tis good for man, not to marry.
2 With so much immorality,
Each man should have his own, one wife,
And each woman, own, one husband.
3 The husband should fulfill to wife,
His marital duty always;
And likewise, wife to her husband.
4 Wife's body doesn’t belong to her
Alone, but to her husband too.
In the same way, husband's body
Does not belong to him alone
But also to his wife as well.
5 Do not deprive each other then,
Except by mutual consent and
For just sometime, so that you may
Devote yourselves to some prayer.
Then come again together for
As Satan will not tempt you for
Your lack of self-control in life.
6 I say this as a concession,
And this is not a command then.
7 I wish all men were as I am.
Each man has his own gift from God;
One has this gift, another, that.
8 Now to unmarried and widows:
’Tis good to stay unmarried too.
9 If they can’t control themselves then,
’Tis better they should get married
Than, burn with passion in your life.
10 Lord’s command to the married ones:
A wife must not separate from husband.
11 But if she does, she must stay unmarried,
Or else be reconciled to her husband.
A husband mustn’t divorce his wife.

12 To rest I say (I, not the Lord) :

If any brother has a wife,
Who isn’t a believer but then,
She is willing to live with him,
He must not divorce her, as yet.
13 And if a woman has husband,
Who isn’t a believer as yet,
But is willing to live with her,
She must not divorce him as well.
14 For the unbelieving husband
Has been sanctified through his wife,
And the unbelieving wife too,

[...] Read more

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The Lay Of The Bell

Fast, in its prison-walls of earth,
Awaits the mould of baked clay.
Up, comrades, up, and aid the birth
The bell that shall be born to-day!
Who would honor obtain,
With the sweat and the pain,
The praise that man gives to the master must buy.--
But the blessing withal must descend from on high!

And well an earnest word beseems
The work the earnest hand prepares;
Its load more light the labor deems,
When sweet discourse the labor shares.
So let us ponder--nor in vain--
What strength can work when labor wills;
For who would not the fool disdain
Who ne'er designs what he fulfils?
And well it stamps our human race,
And hence the gift to understand,
That man within the heart should trace
Whate'er he fashions with the hand.

From the fir the fagot take,
Keep it, heap it hard and dry,
That the gathered flame may break
Through the furnace, wroth and high.
When the copper within
Seeths and simmers--the tin,
Pour quick, that the fluid that feeds the bell
May flow in the right course glib and well.

Deep hid within this nether cell,
What force with fire is moulding thus,
In yonder airy tower shall dwell,
And witness wide and far of us!
It shall, in later days, unfailing,
Rouse many an ear to rapt emotion;
Its solemn voice with sorrow wailing,
Or choral chiming to devotion.
Whatever fate to man may bring,
Whatever weal or woe befall,
That metal tongue shall backward ring,
The warning moral drawn from all.

See the silvery bubbles spring!
Good! the mass is melting now!
Let the salts we duly bring
Purge the flood, and speed the flow.
From the dross and the scum,
Pure, the fusion must come;

[...] Read more

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Online II

Unmarried fathers,
Unmarried mothers,
And, children are born left and right! !
But, who is now online?

Babies,
With unmarried fathers and unmarried mothers;
Babies,
With married fathers and married mothers;
But, this issue is now investigated with care,
Because, other accessibilities are now found at various locations!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Edward Bulwer-Lytton

The Land of Promise: a Fable

I.

A pilgrim folk, o'er leagues of pathless sand
Long journeying patiently from far away,
Lured by the promise of a fairer land,
Reach'd ere the close of one eventful day
The craggy shore of a capacious stream:
And lo! the Promised Land before them lay
All in a golden sunset, whose last gleam
Reveal'd between the rovers and their rest
No barrier save that river's bridgeless breast.


II.

Each sufferer, sick and footsore from the waste,
Hail'd with reviving hope the blissful sight.
About the river-beach they pitch'd in haste
Their evening tents, and roam'd in dreams all night
The Land of Promise. At the dawn, however,
The signal trumpet sounded, summoning
The tribe to council. For that rock-bound river
Was broad, and deep, and rapid. The first thing
On which their pilgrim parliament decided
Was to preserve intact, to a community
Whose best opinions might be much divided,
The necessary strength of social unity.
And so it ruled that they should all agree
To recognize as final the authority
Of whatsoever plan might chance to be
Adopted by the vote of the majority.


III.

Scarce was this salutary rule laid down,
Ere one brisk leader of the emigration
(Whose dauntless spirit was to all well known)
Sprang forward with a shout of exultation;
And, from the shoulder of the stony shore
Pointing where every gaze instinctive turn'd,
"Brothers," he cried, "procrastinate no more!
The Promised Land, long arduously earn'd,
Before us lies. Why linger, then, the brave?
What need of projects and of plans? To me
Nature hard muscles and a man's heart gave,
Nor need I more to grasp the good I see.
Forward! Who follows? Fate befriends the bold!"
Without a pause he plunged into the wave
That 'twixt the wanderers and their wishes roll'd;

[...] Read more

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Langston Hughes

Freedom's Plow

When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man’s dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and booty seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,

[...] Read more

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

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Kids!

Kids!
Hundreds of 'em for the farmer! Kids of an imported brand;
Thousands of 'em for the country! Lo, the man upon the land
Bids
Loud for England's surplus youngster - five whole bob a week, 'tis said;
And their value to the nation stands at many pounds a head.
But the nation never riz 'em.
That 'would tend to Socialism';
So we have to fetch 'em over from the country where they're bred.
Kids!
Send us kids from good old Britain - sons of men who won't be slaves
From the land where countless paupers seek dishonorable graves
Quids!
We're prepared to offer for them. Ship them out across the deep,
From that dear old Freetrade country where the cost of labor's cheap.
While, of our unmarried workers
(Married men are costly shirkers)
We will take a meagre hundred at a pound a week and keep.
Kids?
We can't raise 'em in Australia, where employers by the score
For the bloke without a missus in the labor depôts roar
Bids.
Ship 'em out! The noble farmer yearns to mould their bright young lives.
Ship 'em young that for a dozen years they may not seek for wives.
When they think of getting married
Maybe they'll regret they tarried
Where the kid-encumbered worker vainly for a billet strives.
Kids?
We don't want 'em when they're babies, for their raisin' costs a heap.
We don't want 'em when they're married, with their own young broods to keep.
Skids
And brakes upon the wheels of progress are such futile folk. Just look
At the bob advertisement. You'll see their chance of work is 'crook.'
Ship 'em out in handy sizes
For the cove that advertises
For the unencumbered couple
' Man to milk and wife to cook.'
Kids?
Spare our days! Why should we raise 'em? We can get 'em ready-made
From a land where there's a surplus, thanks to good old BULL's Freetrade.
Quids
It will save the careful farmer. He can give his man the sack
Costly man who owns a missus and a child or two to whack.
Ship 'em out, he's yearnin' for 'em;
While they're young he'll just adore 'em
Then, when they grow up and marry, someone else can ship 'em back.
Ships
Pass in with cheap boy labor - 'badly needed farming hand';
Shps pass out with young Australians seeking work in other lands.
Hips

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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Tu Boca (Your Mouth)

Spanish

Yo hacía una divina labor, sobre la roca
Creciente del Orgullo. De la vida lejana,
Algún pétalo vívido me voló en la mañana,
Algún beso en la noche. Tenaz como una loca,
Sequía mi divina labor sobre la roca.

Cuando tu voz que funde como sacra campana
En la nota celeste la vibración humana,
Tendió su lazo do oro al borde de tu boca;

—Maravilloso nido del vértigo, tu boca!
Dos pétalos de rosa abrochando un abismo…—

Labor, labor de gloria, dolorosa y liviana;
¡Tela donde mi espíritu su fue tramando él mismo!
Tú quedas en la testa soberbia de la roca,

Y yo caigo, sin fin, en el sangriento abismo!


English

I was at my divine labor, upon the rock
Swelling with Pride. From a distance,
At dawn, some bright petal came to me,
Some kiss in the night. Upon the rock,
Tenacious a madwoman, I clung to my work.

When your voice, like a sacred bell,
A celestial note with a human tremor,
Stretched its golden lasso from the edge of your mouth;

—Marvelous nest of vertigo, your mouth!
Two rose petals fastened to an abyss…—

Labor, labor of glory, painful and frivolous;
Fabric where my spirit went weaving herself!
You come to the arrogant head of the rock,

And I fall, without end, into the bloody abyss!

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An Old Man Medicates His Pains Away

AN OLD MAN MEDICATES HIS PAINS AWAY

An old man medicates his pains away
He wants to live in his mind
As if his body can be temporarily forgotten-
He tries to be as he once was
Easy in the skin of himself -

But the pains the pains the pains
They come from different directions
They interrupt they remind they dismay
The pains the pains
They may go away for a time
But they dont forget to sharpen again-

An old man does not want to think of his body as his enemy
He is no pure mind and does not dream to be
But the pains
When so many come at once
And when no medication can really put a stop to them-
They will defeat him -

Drugged into restless sleep
He will not be able to die without them.

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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The Aeneid of Virgil: Book 12

WHEN Turnus saw the Latins leave the field,
Their armies broken, and their courage quell’d,
Himself become the mark of public spite,
His honor question’d for the promis’d fight;
The more he was with vulgar hate oppress’d, 5
The more his fury boil’d within his breast:
He rous’d his vigor for the last debate,
And rais’d his haughty soul to meet his fate.
As, when the swains the Libyan lion chase,
He makes a sour retreat, nor mends his pace; 10
But, if the pointed jav’lin pierce his side,
The lordly beast returns with double pride:
He wrenches out the steel, he roars for pain;
His sides he lashes, and erects his mane:
So Turnus fares; his eyeballs flash with fire, 15
Thro’ his wide nostrils clouds of smoke expire.
Trembling with rage, around the court he ran,
At length approach’d the king, and thus began:
“No more excuses or delays: I stand
In arms prepar’d to combat, hand to hand, 20
This base deserter of his native land.
The Trojan, by his word, is bound to take
The same conditions which himself did make.
Renew the truce; the solemn rites prepare,
And to my single virtue trust the war. 25
The Latians unconcern’d shall see the fight;
This arm unaided shall assert your right:
Then, if my prostrate body press the plain,
To him the crown and beauteous bride remain.”
To whom the king sedately thus replied: 30
“Brave youth, the more your valor has been tried,
The more becomes it us, with due respect,
To weigh the chance of war, which you neglect.
You want not wealth, or a successive throne,
Or cities which your arms have made your own: 35
My towns and treasures are at your command,
And stor’d with blooming beauties is my land;
Laurentum more than one Lavinia sees,
Unmarried, fair, of noble families.
Now let me speak, and you with patience hear, 40
Things which perhaps may grate a lover’s ear,
But sound advice, proceeding from a heart
Sincerely yours, and free from fraudful art.
The gods, by signs, have manifestly shown,
No prince Italian born should heir my throne: 45
Oft have our augurs, in prediction skill’d,
And oft our priests, a foreign son reveal’d.
Yet, won by worth that cannot be withstood,
Brib’d by my kindness to my kindred blood,
Urg’d by my wife, who would not be denied, 50

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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My Pains In Spring

My pains have four seasons
A spring, an autumn, a winter and a summer.
My spring triumphs over the rest.

In the spring of my pains
I am surrounded by smiles of sweet pathos within
And in my garden the blossoming pains flutter in the morning.

In the autumn of my pains
I am preceded by the hills of hopes mounted
And in my groves the pale pathos shed tears in the noon.

In the winter of my pains
I am hidden by the mist of dejected aims
And on my snow hills the sliding glaciers ensure a fall in the evening.

In the summer of pains
I am blasted by the heat waves of scattered dreams
And on my anvil of my poetry new lines are made.

I like my spring of pains
For I too have a human heart
And my garden of dreams will ever be there.....

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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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You Know My Name

You know my name
Look up the number
You know my name
Look up the number
You you know you know my name
You you know you know my name
Good evening and welcome to slaggers
Featuring denis o'bell
Come on ringo, let's hear it for denis
Good evening
You know my name
Better look up the number
You know my name
(that's right) look up the number
You you know you know my name
You you know you know my name
You know my name
Ba ba ba ba ba ba ba ba ba
Look up my number
You know my name
That's right look up the number
Oh you know you know
You know my name you know you know you know my name.
Huh huh huh huh
You know my name
Ba ba ba pum
Look up the number
You know my name
Look up the number
You-a you know you know my name
Baby you-a you know you know my name
You know my name you know you know you know my name
Go on denis, let's hear it for denis o'bell
You know my name you know you know you know you know you know my name
Prrr you know my name and the number
You know my name and the number you know you know my name
Look up me number
You know my number three you know my number two
You know my number three you know my number four
You know my name you know number too
You know my name you know my number
What's up with you?
You know my name
That's right
Yeah.

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The Aeneid of Virgil: Book 9

WHILE these affairs in distant places pass’d,
The various Iris Juno sends with haste,
To find bold Turnus, who, with anxious thought,
The secret shade of his great grandsire sought.
Retir’d alone she found the daring man, 5
And op’d her rosy lips, and thus began:
“What none of all the gods could grant thy vows,
That, Turnus, this auspicious day bestows.
Æneas, gone to seek th’ Arcadian prince,
Has left the Trojan camp without defense; 10
And, short of succors there, employs his pains
In parts remote to raise the Tuscan swains.
Now snatch an hour that favors thy designs;
Unite thy forces, and attack their lines.”
This said, on equal wings she pois’d her weight, 15
And form’d a radiant rainbow in her flight.
The Daunian hero lifts his hands and eyes,
And thus invokes the goddess as she flies:
“Iris, the grace of heav’n, what pow’r divine
Has sent thee down, thro’ dusky clouds to shine? 20
See, they divide; immortal day appears,
And glitt’ring planets dancing in their spheres!
With joy, these happy omens I obey,
And follow to the war the god that leads the way.”
Thus having said, as by the brook he stood, 25
He scoop’d the water from the crystal flood;
Then with his hands the drops to heav’n he throws,
And loads the pow’rs above with offer’d vows.
Now march the bold confed’rates thro’ the plain,
Well hors’d, well clad; a rich and shining train. 30
Messapus leads the van; and, in the rear,
The sons of Tyrrheus in bright arms appear.
In the main battle, with his flaming crest,
The mighty Turnus tow’rs above the rest.
Silent they move, majestically slow, 35
Like ebbing Nile, or Ganges in his flow.
The Trojans view the dusty cloud from far,
And the dark menace of the distant war.
Caicus from the rampire saw it rise,
Black’ning the fields, and thick’ning thro’ the skies. 40
Then to his fellows thus aloud he calls:
“What rolling clouds, my friends, approach the walls?
Arm! arm! and man the works! prepare your spears
And pointed darts! the Latian host appears.”
Thus warn’d, they shut their gates; with shouts ascend 45
The bulwarks, and, secure, their foes attend:
For their wise gen’ral, with foreseeing care,
Had charg’d them not to tempt the doubtful war,
Nor, tho’ provok’d, in open fields advance,
But close within their lines attend their chance. 50

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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

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