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The whetstone in a village does no blunt the knife.

Bajan proverbs
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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poem by Henry Wadsworth Longfellow
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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend

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poem by Jonathan Robin
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Knife Party

My knife - its sharp and chrome
Come see inside my bones
All of the fiends are on the block
Im the new king, Ill take the queen
cause in here were all anemic
In here - anemic and sweet...so...
Go get your knife, go get your knife
And come in
Go get your knife, go get your knife
And lay down
Go get your knife, go get your knife
Now kiss me
Oooh...well I can float here forever
In this room we cant touch the floor
In here were all anemic
In here - anemic and sweet...so...
Go get your knife, go get your knife
And come in
Go get your knife, go get your knife
And lay down
Go get your knife, go get your knife
Now kiss me
Ohh... I could float here forever
Ohh... anemic and sweet
Ohh... I could float here forever
Ohh... anemic and sweet...so...
Go get your knife, go get your knife
And come in
Go get your knife, go get your knife
And lay down
Go get your knife, go get your knife
Get filthy
Go get your knife, go get your knife
And kiss me...

song performed by Deftones
Added by Lucian Velea
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The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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poem by Henry Wadsworth Longfellow
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Bleeding

Stop bleeding said the knife
I would if I could said the cut.
Stop bleeding you make me messy with the blood.
I'm sorry said the cut.
Stop or I will sink in farther said the knife.
Don't said the cut.
The knife did not say it couldn't help it but
it sank in farther.
If only you didn't bleed said the knife I wouldn't
have to do this.
I know said the cut I bleed too easily I hate
that I can't help it I wish I were a knife like
you and didn't have to bleed.
Well meanwhile stop bleeding will you said the knife.
Yes you are a mess and sinking in deeper said the cut I
will have to stop.
Have you stopped by now said the knife.
I've almost stopped I think.
Why must you bleed in the first place said the knife.
For the same reason maybe that you must do what you
must do said the cut.
I can't stand bleeding said the knife and sank in farther.
I hate it too said the cut I know it isn't you it's
me you're lucky to be a knife you ought to be glad about that.
Too many cuts around said the knife they're
messy I don't know how they stand themselves.
They don't said the cut.
You're bleeding again.
No I've stopped said the cut see you are coming out now the
blood is drying it will rub off you'll be shiny again and clean.
If only cuts wouldn't bleed so much said the knife coming
out a little.
But then knives might become dull said the cut.
Aren't you still bleeding a little said the knife.
I hope not said the cut.
I feel you are just a little.
Maybe just a little but I can stop now.
I feel a little wetness still said the knife sinking in a
little but then coming out a little.
Just a little maybe just enough said the cut.
That's enough now stop now do you feel better now said the knife.
I feel I have to bleed to feel I think said the cut.
I don't I don't have to feel said the knife drying now
becoming shiny.

poem by May Swenson
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Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

poem by Henry Wadsworth Longfellow
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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Evangeline: Part The First. I.

IN the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pré
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended.
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of chestnut,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the door-way.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street, and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
Mingled their sound with the whir of the wheels and the songs of the maidens.
Solemnly down the street came the parish priest, and the children
Paused in their play to kiss the hand he extended to bless them.
Reverend walked he among them; and up rose matrons and maidens,
Hailing his slow approach with words of affectionate welcome.
Then came the laborers home from the field, and serenely the sun sank
Down to his rest, and twilight prevailed. Anon from the belfry
Softly the Angelus sounded, and over the roofs of the village
Columns of pale blue smoke, like clouds of incense ascending,
Rose from a hundred hearths, the homes of peace and contentment.
Thus dwelt together in love these simple Acadian farmers,-
Dwelt in the love of God and of man. Alike were they free from
Fear, that reigns with the tyrant, and envy, the vice of republics.
Neither locks had they to their doors, nor bars to their windows;
But their dwellings were open as day and the hearts of the owners;
There the richest was poor, and the poorest lived in abundance.

Somewhat apart from the village, and nearer the Basin of Minas,
Benedict Bellefontaine, the wealthiest farmer of Grand-Pré,
Dwelt on his goodly acres; and with him, directing his household,
Gentle Evangeline lived, his child, and the pride of the village.
Stalworth and stately in form was the man of seventy winters;
Hearty and hale was he, an oak that is covered with snow-flakes;
White as the snow were his locks, and his cheeks as brown as the oak-leaves.
Fair was she to behold, that maiden of seventeen summers.
Black were her eyes as the berry that grows on the thorn by the wayside,
Black, yet how softly they gleamed beneath the brown shade of her tresses!
Sweet was her breath as the breath of kine that feed in the meadows.

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poem by Henry Wadsworth Longfellow
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Village Green

Out in the country,
Far from all the soot and noise of the city,
Theres a village green.
Its been a long time
Since I last set eyes on the church with the steeple
Down by the village green.
twas there I met a girl called daisy
And kissed her by the old oak tree.
Although I loved my daisy, I saw fame,
And so I left the village green.
I miss the village green,
And all the simple people.
I miss the village green,
The church, the clock, the steeple.
I miss the morning dew, fresh air and sunday school.
And now all the houses
Are rare antiquities.
American tourists flock to see the village green.
They snap their photographs and say gawd darn it,
Isnt it a pretty scene?
And daisys married tom the grocer boy,
And now he owns a grocery.
I miss the village green,
And all the simple people.
I miss the village green,
The church, the clock, the steeple.
I miss the morning dew, fresh air and sunday school.
And I will return there,
And Ill and daisy,
And well sip tea, laugh,
And talk about the village green.
We will laugh and talk about the village green.

song performed by Kinks
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The Deserted Village

Sweet Auburn! loveliest village of the plain,
Where health and plenty cheered the labouring swain,
Where smiling spring its earliest visits paid,
And parting summer's lingering blooms delayed:
Dear lovely bowers of innocence and ease,
Seats of my youth, where every sport could please,
How often have I loitered o'er your green,
Where humble happiness endeared each scene;
How often have I paused on every charm,
The sheltered cot, the cultivated farm,
The never-failing brook, the busy mill,
The decent church that topped the neighbouring hill,
The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made;
How often have I blessed the coming day,
When toil remitting lent its turn to play,
And all the village train, from labour free,
Led up their sports beneath the spreading tree:
While many a pastime circled in the shade,
The young contending as the old surveyed;
And many a gambol frolicked o'er the ground,
And sleights of art and feats of strength went round;
And still as each repeated pleasure tired,
Succeeding sports the mirthful band inspired;
The dancing pair that simply sought renown
By holding out to tire each other down!
The swain mistrustless of his smutted face,
While secret laughter tittered round the place;
The bashful virgin's sidelong look of love,
The matron's glance that would those looks reprove:
These were thy charms, sweet village; sports like these,
With sweet succession, taught even toil to please;
These round thy bowers their cheerful influence shed,
These were thy charms—But all these charms are fled.

Sweet smiling village, loveliest of the lawn,
Thy sports are fled, and all thy charms withdrawn;
Amidst thy bowers the tyrant's hand is seen,
And desolation saddens all thy green:
One only master grasps the whole domain,
And half a tillage stints thy smiling plain:
No more thy glassy brook reflects the day,
But choked with sedges works its weedy way.
Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest;
Amidst thy desert walks the lapwing flies,
And tires their echoes with unvaried cries.
Sunk are thy bowers, in shapeless ruin all,
And the long grass o'ertops the mouldering wall;
And, trembling, shrinking from the spoiler's hand,

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poem by Oliver Goldsmith
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He Entered Into Battle With A Blunt Edged Sword

He entered into battle with a blunt edged sword,
But he did not know quite why.
His sword selection was done without motive,
To battle and kill his fellow man.

So subconsciously he picked out this sword.
This sword not of this world, not out to cut to bleed.
But this innocent man didn't wish to realize,
What prize he would pay.

In midst of this battle, recieving the swiftest,
Blows from his enemy,
This soldier just kept getting hurt.
Five, six and seven more blows made him hit back,

This soldier proudly used his blunt sword,
Till his nemesis bearing a razor sharp one,
Came along and challenged the already fallen one,
Who gave a swift plunge into his enemy's heart.

But the enemy did not stagger or fall.
Neither did the soldier with the blunt sword.
This soldier's enemy left the battleground,
When he saw that the one with the blunt sword,

Knew all along the possibility of his death.
Still he fought, so he himself could die,
Which the other soldier was saddened by that man's stance.

He told that man, 'if we all fought battles with a blunt
sword,
Then we would all truly win,
For the battleground would know no mortality.

He further told him, 'because of you, your side
Truly wins. But so does our.
We love you,
Blunt edged sword soldier man.'

poem by Vera Sidhwa
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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Paradise Knife & Gun Club

(chick rains)
Joe bob was rough as a cob
And prone to blow his stack
Kenny dean was in a suicide scene
Sneaking behind joes back
Sneaking around with joes girl, june
She liked the boys in the band
And when they all got together on saturday night
It was easy to understand why
They called it saturday night at the paradise knife and gun club
And theres drinking and dancing to the music of bobby lee and the blackjacks
It was saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
Now the only other place was a man named jack
And he wouldnt take talking back
He was married to a woman named may
She took up the slack
Well he knocked you out and shed drag you out
And leave you in the parking lot
And when you wake up in the morning with a busted head
Youre just happy that was all you got
On saturday night at the paradise knife and gun club
And theres drinking and dancing to the music of bobby lee and the blackjacks
It was saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
Well the night joe bob found out
That kenny dean was sneaking around with june
He caught bobby lee and the band
In the middle of an old hank williams tune
Bobby lee cried out your cheatin heart
And that was just the spark it took
And when the fighting got started
Everybody took part and that whole damn building shook
Until the sheriff came out and stopped the bout
Hauled everybody to jail
When the judge saw the blood and the chewed up ears
He turned a whiter shade of pale
He said, good God yall
Whats happened here, somebody start a wwiii
Well kenny dean just grinned the best he could
Said your honor it seems to me
Like it was just another saturday night at the paradise knife and gun club
And theres drinking and dancing to the music of bobby lee and the blackjacks
It was saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
On saturday night at the paradise knife and gun club
And theres drinking and dancing to the music of bobby lee and the blackjacks
It was saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
On saturday night at the paradise knife and gun club

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song performed by Lonestar
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Mogg Megone - Part I.

Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!

But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.

The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.

Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,

[...] Read more

poem by John Greenleaf Whittier
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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

[...] Read more

poem by George Crabbe
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The Sorcerer: Act II

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers

(Twelve hours are supposed to elapse between Acts I and II)

ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight

Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.

Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.

TRIO--ALEXIS, ALINE, and MR. WELLS

'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!

ALEXIS. But stay, my father is not here!

ALINE. And pray where is my mother dear?

MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,

[...] Read more

poem by William Schwenck Gilbert
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The Vineyard Of Dionysus

Dionysus walks his vineyard, his beloved;
Two women in dark clothing - two vintagers - follow him.
Dionysus tells the two mournful guards - The vintagers:
"Take your sharp knife, my vintners, Grief and Torment;
Harvest, Grief and Torment, my beloved grapes!
Gather the blood of scarlet bunches, the tears of my golden clusters -
Take the victim of bliss to the whetstone of grief,
The purple of suffering to the whetstone of bliss;
Pour the fervent liquid of scarlet delights into my ardent Grail!"

poem by Vyacheslav Ivanovich Ivanov
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Paradise Knife And Gun Club

Joe Bob was as rough as they come and prone to blow his stack
Kenny Dean was in the suicide scene and sneakin' behind Joe's back
Sneakin' around with Joe's girl June she liked the boys in the band
And when they all got together on Saturday night it was easy to understand why
They called it Saturday night at the paradise knife and gun club
There's drinking and dancing to the music of Bobby Lee and The Blackjacks
It was Saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
Now the owner of the place was a man named Jack and he wouldn't take talking back
He was married to a woman named Mae she took up the slack
He knocked ya out and she'd drag ya out and leave ya in the parking lot
And when you'd wake up in the mornin' with a busted head you're just happy that was all you got
Come Saturday night at the paradise knife and gun club
There's was drinking and dancing to the music of Bobby Lee and The Blackjacks
It was Saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
Well the night that Joe Bob found out that Kenny Dean was sneakin' around with June
He caught Bobby Lee in the band in the middle of an old Hank William's tune
Bobby Lee cried out your cheatin' heart that was just the spark it took
And when the fighting got started everybody took part and that whole damn building shook
Till the sheriff came out and he stopped the bout hauled everybody to jail
When the judge saw the blood and the chewed up ears he turned a whiter shade of pale
He said good God ya'll what's happened here somebody started World War III
Kenny Dean just grinned the best he could and said your Honor it seems to me like it was just another
Saturday night at the paradise knife and gun club
They was drinking and dancing to the music of Bobby Lee and The Blackjacks
It was Saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
Saturday night at the paradise knife and gun club
They was drinking and dancing to the music of Bobby Lee and The Blackjacks
It was Saturday night at the paradise knife and gun club
If you was looking for some trouble you could find it I guarantee
Lord if you was looking for some trouble you could find it I guarantee

song performed by Lonestar
Added by Lucian Velea
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One On One

Verse one:
In the rotten apple, take a bite taste the worm
Embrace the world of reality were faced to learn
Coke connection drug bust, graveyards where thugs rest
I keep my mug blessed, the evil is illegal substance sold
Roll mob deep, guns in the black jeep
Mac-11s and legends, cracks in the streets
Patroller, gold money-folder, gun happy soldiers
Never sober takin over, my blood is colder
Niggaz respect violence so I become it
Im from it, I even done it blunted so run it
Yeah son, you know what this is
Take it off [come on dunn, dont even come at me like that]
[dunn, come on dunn]
Chorus:
Imagine this, no guns no knife
Its a one on one so now we gots to fight, son
Imagine this, no gun no knife
Its a one on one now we got to fight, yeah
Imagine that, no gun no knife
Its a one on one now we got to fight, yeah
Imagine this, no gun no knife
Its a one on one, son
Verse two:
Yo Im a cream fiend, with a mean dream
Brain full of schemes, my crews rollin fresh out the greens
Give you what you never seen, the ips on the mac-10
Its 2:10 in the a.m. in the streets of queens
Try hard and die hard
Chances of survivin the game is like tryin to feed allah lard
A walk a piece with a deadly shadow
They want to blow me with the double barrel, found no sorrow
I brawl with blanka, caught bison in a thinker
Dont make hell your new home, with the blue chrome
Mistakes want me, sauve fellow but raunchy
The soul of a cold body haunts me, I flee the country
But only to shed tears for years
Too wild for my own self, hopin help is near
Street fightin was cool but in school I brought a new tool
Toolin with the devil, a rebel, a fool
Chorus:
Imagine this no guns no knife
Just a one on one where we got to fight, yeah
Imagine this no gun no knife
Just a one on one where we got to fight, yeah
Imagine this no gun no knife
Just a one on one where we got to fight, yeah
Imagine this no gun no knife
Just a one on one, a one on one
Yeah, take it to the bridge -- queensbridge

[...] Read more

song performed by Nas
Added by Lucian Velea
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Village Idiot

Did you see the lad, on the corner
He was standing drinking wine
Wears his overcoat in the summer
And short sleeves in the winter time
Takes his holidays, down at the bookies
Well he knows how to pick a horse
Village tramping round the countryside
He wears a smile, but he doesnt say much
Village idiot, hes complicated
Village idiot, simple mind
Village idiot, he does know something
But hes just not saying
Dont you know hes onto something
You can see it, you can see it in his eyes
Sometimes he looks so happy
As he goes strolling by
Oh village idiot, hes complicated
Village idiot, hes got a simple mind
Village idiot, must know something
But hes just not saying
Well you all know hes onto something
You can see it in his eyes
Sometimes he looks so happy
When he goes walking by
Sometimes he looks so happy
When he goes walking by
Sometimes he looks so happy
When he goes walking by.

song performed by Van Morrison
Added by Lucian Velea
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