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Weapons are of no use to the fearful.

Sicilian proverbs
Added by Lucian Velea
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No More Fearful Innuendos

No more...fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.

And...
The truth is there.
Staring in your face.
And...
The truth is there.
Staring in your face.

Get from your windows.
Your neighbors can now see...what you do.
No need to whisper what you're feeling.
If it's there it will be seen like you!

Open your closed doors.
Your enemies perceived have never been.
That gossip was to get you to accept it.
While the thieves were stealing truth from under you.

Oh! Oh...
Come out of hiding.
Look at all the damage that's been done.
Don't you think that this has been intentional?
To have suspicions laid on everyone.

Oh! Oh,
No more...
Fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.

No more...fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.
No more fearful innuendos.
No more. No more.
No more fearful innuendos.

[...] Read more

poem by Lawrence S. Pertillar
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Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

[...] Read more

poem by Charles Baudelaire
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What is the only provocation that could bring about the use of nuclear weapons? Nuclear weapons. What is the priority target for nuclear weapons? Nuclear weapons. What is the only established defense against nuclear weapons? Nuclear weapons. How do we prevent the use of nuclear weapons? By threatening the use of nuclear weapons. And we can't get rid of nuclear weapons, because of nuclear weapons. The intransigence, it seems, is a function of the weapons themselves.

quote by Martin Amis
Added by Veronica Serbanoiu
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The Undying One' - Canto I

MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
Heavily falls!
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!

Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--

In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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The Forest Sanctuary - Part I.

I.
The voices of my home!-I hear them still!
They have been with me through the dreamy night-
The blessed household voices, wont to fill
My heart's clear depths with unalloy'd delight!
I hear them still, unchang'd:-though some from earth
Are music parted, and the tones of mirth-
Wild, silvery tones, that rang through days more bright!
Have died in others,-yet to me they come,
Singing of boyhood back-the voices of my home!

II.
They call me through this hush of woods, reposing
In the grey stillness of the summer morn,
They wander by when heavy flowers are closing,
And thoughts grow deep, and winds and stars are born;
Ev'n as a fount's remember'd gushings burst
On the parch'd traveller in his hour of thirst,
E'en thus they haunt me with sweet sounds, till worn
By quenchless longings, to my soul I say-
Oh! for the dove's swift wings, that I might flee away,

III.
And find mine ark!-yet whither?-I must bear
A yearning heart within me to the grave.
I am of those o'er whom a breath of air-
Just darkening in its course the lake's bright wave,
And sighing through the feathery canes -hath power
To call up shadows, in the silent hour,
From the dim past, as from a wizard's cave!-
So must it be!-These skies above me spread,
Are they my own soft skies?-Ye rest not here, my dead!

IV.
Ye far amidst the southern flowers lie sleeping,
Your graves all smiling in the sunshine clear,
Save one!-a blue, lone, distant main is sweeping
High o'er one gentle head-ye rest not here!-
'Tis not the olive, with a whisper swaying,
Not thy low ripplings, glassy water, playing
Through my own chesnut groves, which fill mine ear;
But the faint echoes in my breast that dwell,
And for their birth-place moan, as moans the ocean-shell.

V.
Peace!-I will dash these fond regrets to earth,
Ev'n as an eagle shakes the cumbering rain
From his strong pinion. Thou that gav'st me birth,
And lineage, and once home,-my native Spain!
My own bright land-my father's land-my child's!

[...] Read more

poem by Felicia Dorothea Hemans
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The Giaour

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;

Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande—that where Nature loved to trace,
As if for Gods, a dwelling place,

[...] Read more

poem by Byron (1813)
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The Abencerrage : Canto I.

Lonely and still are now thy marble halls,
Thou fair Alhambra! there the feast is o'er;
And with the murmur of thy fountain-falls,
Blend the wild tones of minstrelsy no more.

Hushed are the voices that in years gone by
Have mourned, exulted, menaced, through thy towers,
Within thy pillared courts the grass waves high,
And all uncultured bloom thy fairy bowers.

Unheeded there the flowering myrtle blows,
Through tall arcades unmarked the sunbeam smiles,
And many a tint of softened brilliance throws
O'er fretted walls and shining peristyles.

And well might Fancy deem thy fabrics lone,
So vast, so silent, and so wildly fair,
Some charmed abode of beings all unknown,
Powerful and viewless, children of the air.

For there no footstep treads the enchanted ground,
There not a sound the deep repose pervades,
Save winds and founts, diffusing freshness round,
Through the light domes and graceful colonnades.

For other tones have swelled those courts along,
In days romance yet fondly loves to trace;
The clash of arms, the voice of choral song,
The revels, combats, of a vanished race.

And yet awhile, at Fancy's potent call,
Shall rise that race, the chivalrous, the bold;
Peopling once more each fair, forsaken hall,
With stately forms, the knights and chiefs of old.

- The sun declines - upon Nevada's height
There dwells a mellow flush of rosy light;
Each soaring pinnacle of mountain snow
Smiles in the richness of that parting glow,
And Darro's wave reflects each passing dye
That melts and mingles in the empurpled sky.
Fragrance, exhaled from rose and citron bower,
Blends with the dewy freshness of the hour:
Hushed are the winds, and Nature seems to sleep
In light and stillness; wood, and tower, and steep,
Are dyed with tints of glory, only given
To the rich evening of a southern heaven;
Tints of the sun, whose bright farewell is fraught
With all that art hath dreamt, but never caught.
-Yes, Nature sleeps; but not with her at rest

[...] Read more

poem by Felicia Dorothea Hemans
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The Giaour: A Fragment Of A Turkish Tale

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande-that where Nature loved to trace,
As if for Gods, a dwelling place,
And every charm and grace hath mixed

[...] Read more

poem by Byron
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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

[...] Read more

poem by Ludovico Ariosto
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Let Us Begin

This song was first released on the one world album. it is the only album it appears on.
I am the son of a grassland farmer
Western oklahoma nineteen forty three
I always felt grateful to live in the land of the free
I gave up my father to south korea
The mind of my brother to vietnam
Now there's a banker who says i must give up my land
There are four generations of blood in this topsoil
Four generations of love on this farm
Before i give up i would gladly give up my right arm
What are we making weapons for
Why keep on feeding the war machine
We take it right out of the mouths of our babies
Take it away from the hands of the poor
Tell me, what are we making weapons for
I had a son and my son was a soldier
He was so like my father, he was so much like me
To be a good comrade was the best that he dreamed he could be
He gave up his future to revolution
His life to a battle that just can't be won
For this is not living, to live at the point of a gun
I remember the nine hundred days of leningrad
The sound of the dying, the cut of the cold
I remember the moments i prayed i would never grow old
What are we making weapons for
Why keep on feeding the war machine
We take it right out of the mouths of our babies
Take it away from the hands of the poor
Tell me, what are we making weapons for
For the first time in my life i feel like a prisoner
A slave to the ways of the powers that be
And i fear for my children, as i fear for the for the future i see
Tell me how can it be we're still fighting each other
What does it take for a people to learn
If our song is not sung as a chorus, we surely will burn
What are we making weapons for
Why keep on feeding the war machine
We take it right out of the mouths of our babies
Take it away from the hands of the poor
Tell me, what are we making weapons for
Have we forgotten
All the lives that were given
All the vows that were taken
Saying never again
Now for the first time
This could be the last time
If peace is our vision
Let us begin
Have we forgotten
All the lives that were given

[...] Read more

song performed by John Denver
Added by Lucian Velea
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Put Down Your Weapons!

Put down your weapons...
And the ammunition fed,
To spread your hatred!

On whose souls do you believe,
Are crushed to bleed as you succeed...
In what?
To do what for who and why?
The selling of an advance life...
To live in a living hell to dwell?
To raise more of it as you see fit?

Put down your weapons.
What peace is received by depleting the Earth?
With a mental disease perceiving a self worth.
What is it you think is being achieved?
In an atmosphere of religious differences...
With falsities conceived
To reveal racist contempt!
From misconceived interpretations meant,
To explore your won destruction?

To allow a rise to the top to breathe,
Hollow victories...
That leaves a quality of life left to bleed.
To say there has been 'something' conquered.

Put down your weapons!
Confess your digressions.
Put down your weapons!
At let God restore your mind...
To a peace you say you fight to find.

Put down your weapons.
Or all life once known,
Will be left behind to rot to dust...
From which the Earth it came!
Before your selfishness grew to be shown!
To display your degradations?

Last chance!

PUT
DOWN
YOUR
WEAPONS

Put them down!
And learn from past lessons.
They are all around.

[...] Read more

poem by Lawrence S. Pertillar
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Who Are The Real War Profiteers?

it is hard to understand
why some internationally esteemed

tabloids magazines
television stations

join the crusade
to slay the voices
of peace

Why slay the peace makers?
Why slay peace protesters?
Why slay anti-war demonstrators?

once war was only small time
a million dollar a minute industry
war has grown up since then

corporations producing weapons
of war now flex more corporate muscles
in policies silencing exterminating

bothersome peace protesters
swatting peace protesters like flies
are nations built on war profits

some innocently build state weapons?
nationalistic weapons of mass destruction
some merely promote weapons sales?

some are Lords Of War gun runners arms dealers
armies are promoted as hero savior soldiers?
patriotic heroes who pull triggers push buttons

war profiteers are not just weapons designers
inventors of weapons key industry producers
war profiteers are also advertising managers

reaping in advertising cash revenues
lucrative profitable worthwhile deals
benefits of political spin promoting wars

owners of media innocently sit back team smiles
board policy toasted piling up latest pro war profits
is good for all untraceable billionaire bank balances

But who really supports
justifies war profiteers?
Is it not people people?

[...] Read more

poem by Terence George Craddock
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The Driver

"What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me,
May keep it henceforward,--his own it shall be."

Thus speaks the king, and he hurls from the height
Of the cliffs that, rugged and steep,
Hang over the boundless sea, with strong might,
The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,--
As to plunge in these billows that wildly roar?"

And the vassals and knights of high degree
Hear his words, but silent remain.
They cast their eyes on the raging sea,
And none will attempt the goblet to gain.
And a third time the question is asked by the king:
"Is there none that will dare in the gulf now to spring?"

Yet all as before in silence stand,
When a page, with a modest pride,
Steps out of the timorous squirely band,
And his girdle and mantle soon throws aside,
And all the knights, and the ladies too,
The noble stripling with wonderment view.

And when he draws nigh to the rocky brow,
And looks in the gulf so black,
The waters that she had swallowed but now,
The howling Charybdis is giving back;
And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.

And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave presses hard upon wave without end.
And the ocean will never exhausted be,
As if striving to bring forth another sea.

But at length the wild tumult seems pacified,
And blackly amid the white swell
A gaping chasm its jaws opens wide,
As if leading down to the depths of hell:
And the howling billows are seen by each eye
Down the whirling funnel all madly to fly.

Then quickly, before the breakers rebound,

[...] Read more

poem by Friedrich Schiller
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Thoughts On Jesus Christ's Decent Into Hell

WHAT wondrous noise is heard around!
Through heaven exulting voices sound,

A mighty army marches on
By thousand millions follow'd, lo,
To yon dark place makes haste to go

God's Son, descending from His throne!
He goes--the tempests round Him break,

As Judge and Hero cometh He;
He goes--the constellations quake,
The sun, the world quake fearfully.

I see Him in His victor-car,
On fiery axles borne afar,

Who on the cross for us expired.
The triumph to yon realms He shows,--
Remote from earth, where star ne'er glows,

The triumph He for us acquired.
He cometh, Hell to extirpate,

Whom He, by dying, wellnigh kill'd;
He shall pronounce her fearful fate
Hark! now the curse is straight fulfill'd.

Hell sees the victor come at last,
She feels that now her reign is past,

She quakes and fears to meet His sight;
She knows His thunders' terrors dread,
In vain she seeks to hide her head,

Attempts to fly, but vain is flight;
Vainly she hastes to 'scape pursuit

And to avoid her Judge's eye;
The Lord's fierce wrath restrains her foot
Like brazen chains,--she cannot fly.

Here lies the Dragon, trampled down,
He lies, and feels God's angry frown,

He feels, and grinneth hideously;
He feels Hell's speechless agonies,
A thousand times he howls and sighs:

"Oh, burning flames! quick, swallow me!"

[...] Read more

poem by Johann Wolfgang von Goethe
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The Sale of Saint Thomas

A quay with vessels moored

Thomas
To India! Yea, here I may take ship;
From here the courses go over the seas,
Along which the intent prows wonderfully
Nose like lean hounds, and tack their journeys out,
Making for harbours as some sleuth was laid
For them to follow on their shifting road.
Again I front my appointed ministry. --
But why the Indian lot to me? Why mine
Such fearful gospelling? For the Lord knew
What a frail soul He gave me, and a heart
Lame and unlikely for the large events. --
And this is worse than Baghdad! though that was
A fearful brink of travel. But if the lots,
That gave to me the Indian duty, were
Shuffled by the unseen skill of Heaven, surely
That fear of mine in Baghdad was the same
Marvellous Hand working again, to guard
The landward gate of India from me. There
I stood, waiting in the weak early dawn
To start my journey; the great caravan's
Strange cattle with their snoring breaths made steam
Upon the air, and (as I thought) sadly
The beasts at market-booths and awnings gay
Of shops, the city's comfortable trade,
Lookt, and then into months of plodding lookt.
And swiftly on my brain there came a wind
Of vision; and I saw the road mapt out
Along the desert with a chalk of bones;
I saw a famine and the Afghan greed
Waiting for us, spears at our throats, all we
Made women by our hunger; and I saw
Gigantic thirst grieving our mouths with dust,
Scattering up against our breathing salt
Of blown dried dung, till the taste eat like fires
Of a wild vinegar into our sheathèd marrows;
And a sudden decay thicken'd all our bloods
As rotten leaves in fall will baulk a stream;
Then my kill'd life the muncht food of jackals. --
The wind of vision died in my brain; and lo,
The jangling of the caravan's long gait
Was small as the luting of a breeze in grass
Upon my ears. Into the waiting thirst
Camels and merchants all were gone, while I
Had been in my amazement. Was this not
A sign? God with a vision tript me, lest
Those tall fiends that ken for my approach

[...] Read more

poem by Lascelles Abercrombie
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Coombe-Ellen

Call the strange spirit that abides unseen
In wilds, and wastes, and shaggy solitudes,
And bid his dim hand lead thee through these scenes
That burst immense around! By mountains, glens,
And solitary cataracts that dash
Through dark ravines; and trees, whose wreathed roots
O'erhang the torrent's channelled course; and streams,
That far below, along the narrow vale,
Upon their rocky way wind musical.
Stranger! if Nature charm thee, if thou lovest
To trace her awful steps, in glade or glen,
Or under covert of the rocking wood,
That sways its murmuring and mossy boughs
Above thy head; now, when the wind at times
Stirs its deep silence round thee, and the shower
Falls on the sighing foliage, hail her here
In these her haunts; and, rapt in musings high,
Think that thou holdest converse with some Power
Invisible and strange; such as of yore
Greece, in the shades of piney Maenalaus,
The abode of Pan, or Ida's hoary caves,
Worshipped; and our old Druids, 'mid the gloom
Of rocks and woods like these, with muttered spell
Invoked, and the loud ring of choral harps.
Hast thou oft mourned the chidings of the world,
The sound of her disquiet, that ascends
For ever, mocking the high throne of GOD!
Hast thou in youth known sorrow! Hast thou drooped,
Heart-stricken, over youth's and beauty's grave,
And ever after thought on the sad sound
The cold earth made, which, cast into the vault,
Consigned thy heart's best treasure--dust to dust!
Here, lapped into a sweet forgetfulness,
Hang o'er the wreathed waterfall, and think
Thou art alone in this dark world and wide!
Here Melancholy, on the pale crags laid,
Might muse herself to sleep; or Fancy come,
Witching the mind with tender cozenage,
And shaping things that are not; here all day
Might Meditation listen to the lapse
Of the white waters, flashing through the cleft,
And, gazing on the many shadowing trees,
Mingle a pensive moral as she gazed.
High o'er thy head, amidst the shivered slate,
Behold, a sapling yet, the wild ash bend,
Its dark red berries clustering, as it wished
In the clear liquid mirror, ere it fell,
To trace its beauties; o'er the prone cascade,
Airy, and light, and elegant, the birch
Displays its glossy stem, amidst the gloom

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poem by William Lisle Bowles
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Metamorphoses: Book The First

OF bodies chang'd to various forms, I sing:
Ye Gods, from whom these miracles did spring,
Inspire my numbers with coelestial heat;
'Till I my long laborious work compleat:
And add perpetual tenour to my rhimes,
Deduc'd from Nature's birth, to Caesar's times.
The Creation of Before the seas, and this terrestrial ball,
the World And Heav'n's high canopy, that covers all,
One was the face of Nature; if a face:
Rather a rude and indigested mass:
A lifeless lump, unfashion'd, and unfram'd,
Of jarring seeds; and justly Chaos nam'd.
No sun was lighted up, the world to view;
No moon did yet her blunted horns renew:
Nor yet was Earth suspended in the sky,
Nor pois'd, did on her own foundations lye:
Nor seas about the shores their arms had thrown;
But earth, and air, and water, were in one.
Thus air was void of light, and earth unstable,
And water's dark abyss unnavigable.
No certain form on any was imprest;
All were confus'd, and each disturb'd the rest.
For hot and cold were in one body fixt;
And soft with hard, and light with heavy mixt.
But God, or Nature, while they thus contend,
To these intestine discords put an end:
Then earth from air, and seas from earth were
driv'n,
And grosser air sunk from aetherial Heav'n.
Thus disembroil'd, they take their proper place;
The next of kin, contiguously embrace;
And foes are sunder'd, by a larger space.
The force of fire ascended first on high,
And took its dwelling in the vaulted sky:
Then air succeeds, in lightness next to fire;
Whose atoms from unactive earth retire.
Earth sinks beneath, and draws a num'rous throng
Of pondrous, thick, unwieldy seeds along.
About her coasts, unruly waters roar;
And rising, on a ridge, insult the shore.
Thus when the God, whatever God was he,
Had form'd the whole, and made the parts agree,
That no unequal portions might be found,
He moulded Earth into a spacious round:
Then with a breath, he gave the winds to blow;
And bad the congregated waters flow.
He adds the running springs, and standing lakes;
And bounding banks for winding rivers makes.
Some part, in Earth are swallow'd up, the most
In ample oceans, disembogu'd, are lost.

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poem by Ovid
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Orlando Furioso Canto 18

ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.

I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.

II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.

III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.

IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.

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poem by Ludovico Ariosto
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Pharsalia - Book VI: The Fight Near Dyrhachium. Scaeva's Exploits. The Witch Of Thessalia.

Now that the chiefs with minds intent on fight
Had drawn their armies near upon the hills
And all the gods beheld their chosen pair,
Caesar, the Grecian towns despising, scorned
To reap the glory of successful war
Save at his kinsman's cost. In all his prayers
He seeks that moment, fatal to the world,
When shall be cast the die, to win or lose,
And all his fortune hang upon the throw.
Thrice he drew out his troops, his eagles thrice,
Demanding battle; thus to increase the woe
Of Latium, prompt as ever: but his foes,
Proof against every art, refused to leave
The rampart of their camp. Then marching swift
By hidden path between the wooded fields
He seeks, and hopes to seize, Dyrrhachium's fort;
But Magnus, speeding by the ocean marge,
First camped on Petra's slopes, a rocky hill
Thus by the natives named. From thence he keeps
Watch o'er the fortress of Corinthian birth
Which by its towers alone without a guard
Was safe against a siege. No hand of man
In ancient days built up her lofty wall,
No hammer rang upon her massive stones:
Not all the works of war, nor Time himself
Shall undermine her. Nature's hand has raised
Her adamantine rocks and hedged her in
With bulwarks girded by the foamy main:
And but for one short bridge of narrow earth
Dyrrhachium were an island. Steep and fierce,
Dreaded of sailors, are the cliffs that bear
Her walls; and tempests, howling from the west,
Toss up the raging main upon the roofs;
And homes and temples tremble at the shock.

Thirsting for battle and with hopes inflamed
Here Caesar hastes, with distant rampart lines
Seeking unseen to coop his foe within,
Though spread in spacious camp upon the hills.
With eagle eye he measures out the land
Meet to be compassed, nor content with turf
Fit for a hasty mound, he bids his troops
Tear from the quarries many a giant rock:
And spoils the dwellings of the Greeks, and drags
Their walls asunder for his own. Thus rose
A mighty barrier which no ram could burst
Nor any ponderous machine of war.
Mountains are cleft, and level through the hills
The work of Caesar strides: wide yawns the moat,
Forts show their towers rising on the heights,

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poem by Marcus Annaeus Lucanus
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Let Us Begin (What Are We Making Weapons For?)

I am the son of a grassland farmer
Western Oklahoma nineteen forty three
I always felt grateful to live in the land of the free
I gave up my father to South Korea
The mind of my brother to Vietnam
Now theres a banker who says I must give up my land
There are four generations of blood in this topsoil
Four generations of love on this farm
Before I give up I would gladly give up my right arm
What are we making weapons for
Why keep on feeding the war machine
We take it right out of the mouths of our babies
Take it away from the hands of the poor
Tell me, what are we making weapons for
I had a son and my son was a soldier
He was so like my father, he was so much like me
To be a good comrade was the best that he dreamed he could be
He gave up his future to revolution
His life to a battle that just cant be won
For this is not living, to live at the point of a gun
I remember the nine hundred days of Leningrad
The sound of the dying, the cut of the cold
I remember the moments I prayed I would never grow old
What are we making weapons for
Why keep on feeding the war machine
We take it right out of the mouths of our babies
Take it away from the hands of the poor
Tell me, what are we making weapons for
For the first time in my life I feel like a prisoner
A slave to the ways of the powers that be
And I fear for my children, as I fear for the for the future I see
Tell me how can it be were still fighting each other
What does it take for a people to learn
If our song is not sung as a chorus, we surely will burn
What are we making weapons for
Why keep on feeding the war machine
We take it right out of the mouths of our babies
Take it away from the hands of the poor
Tell

song performed by John Denver
Added by Lucian Velea
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