Whatever has bloomed, has bloomed from the very bud.
Kashmiri proverbs
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Nip It In The Bud
From the time the lights come on,
And from dusk 'til dawn...
You're giving me the lip!
I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.
Why can't you nip it in the bud, baybay.
Why can't you handle it?
Nip it in the bud.
Why can't you take a walk as I lay?
Do whatever it takes!
But don't bother me with it!
I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.
Why can't you take a walk as I lay?
Do whatever it takes!
And don't bother me with it!
Why can't you nip it in the bud, baybay.
Why can't you handle it?
Nip it in the bud.
Why can't you take a walk as I lay?
Do whatever it takes!
But don't bother me with it!
From the time the lights come on,
And from dusk 'til dawn...
You're giving me the lip!
I don't need the clock to ding-a-dong,
Since my peace is gone.
And in my ear you babble lip.
Why can't you nip this in the bud, baybay.
Why can't you handle it?
Nip it in the bud.
Why can't you take a walk as I lay?
Do whatever it takes!
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poem by Lawrence S. Pertillar
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The Old-Home Folks
Such was the Child-World of the long-ago--
The little world these children used to know:--
Johnty, the oldest, and the best, perhaps,
Of the five happy little Hoosier chaps
Inhabiting this wee world all their own.--
Johnty, the leader, with his native tone
Of grave command--a general on parade
Whose each punctilious order was obeyed
By his proud followers.
But Johnty yet--
After all serious duties--could forget
The gravity of life to the extent,
At times, of kindling much astonishment
About him: With a quick, observant eye,
And mind and memory, he could supply
The tamest incident with liveliest mirth;
And at the most unlooked-for times on earth
Was wont to break into some travesty
On those around him--feats of mimicry
Of this one's trick of gesture--that one's walk--
Or this one's laugh--or that one's funny talk,--
The way 'the watermelon-man' would try
His humor on town-folks that wouldn't buy;--
How he drove into town at morning--then
At dusk (alas!) how he drove out again.
Though these divertisements of Johnty's were
Hailed with a hearty glee and relish, there
Appeared a sense, on his part, of regret--
A spirit of remorse that would not let
Him rest for days thereafter.--Such times he,
As some boy said, 'jist got too overly
Blame good fer common boys like us, you know,
To '_so_ciate with--less'n we 'ud go
And jine his church!'
Next after Johnty came
His little tow-head brother, Bud by name.--
And O how white his hair was--and how thick
His face with freckles,--and his ears, how quick
And curious and intrusive!--And how pale
The blue of his big eyes;--and how a tale
Of Giants, Trolls or Fairies, bulged them still
Bigger and bigger!--and when 'Jack' would kill
The old 'Four-headed Giant,' Bud's big eyes
Were swollen truly into giant-size.
And Bud was apt in make-believes--would hear
His Grandma talk or read, with such an ear
And memory of both subject and big words,
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poem by James Whitcomb Riley
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- quotes about elders
- quotes about cooking
- quotes about drawing
- quotes about boys
- quotes about literature
- quotes about apples
- quotes about students
- quotes about sound
[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
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poem by Mahendra Bhatnagar
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Nip This In the Bud and Split
Let's take a 'trip' over the border.
And spread our wings quick,
With unlimited ease.
To fly above what others believe...
To soar,
And reach.
And...
Let's take a 'trip' over the border.
And spread our wings quick,
With unlimited ease.
To fly above what others believe...
To soar,
And reach.
You and I out of hiding can be free.
To get rid of any darkness...
Holding onto us to suppress.
And...
You and I can slip from a safety net.
That has us boxed in perceiving,
All our needs will be met,
If a trusted faith we leave...
Behind us!
Clipped and sitting and afraid to take risks.
Ready to give up.
Ready to quit.
Clipped and sitting and afraid to take risks.
Ready to give up.
Ready to quit.
Clipped and sitting and afraid to take risks.
Ready to give up.
Ready to quit.
No one who trys to fly is bored!
Let's take a 'trip' over the border.
And spread our wings quick,
With unlimited ease.
To fly above what others believe...
To soar,
And reach.
Clipped and sitting and afraid to take risks.
Ready to give up.
Ready to quit.
Nip this in the bud and split.
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poem by Lawrence S. Pertillar
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Marjory
Spring Stornelli.
THE RIVULET.
OH clear smooth rivulet, creeping through our bridge
With backward waves that cling around the shore,
And is thy world beyond the dim blue ridge
More dear than this, or does it need thee more?
Oh lingering stream, upon thy ceaseless way
Glide to to-morrow; yet 'tis fair to-day:
Beyond the hills and haze to-morrows hide;
To-day is fair; glide lingering, ceaseless tide.
SPRING AND SUMMER.
And summer time is good; but at its heat
The fair poor blossoms wither for the fruit,
And song-birds go that made our valley sweet
With useless ecstasies, and the boughs are mute.
And I would keep the blossoms and the song,
And I would have it spring the whole year long:
And I would have my life a year-long spring
To never pass from hopes and blossoming.
THE PRIMROSE.
Dear welcome, sweet pale stars of hope and spring,
Young primroses, blithe with the April air;
My darlings, waiting for my gathering,
Sit in my bosom, nestle in my hair.
But, oh! the fairest laughs behind the brook,
I cannot have it, I can only look:
Oh happy primrose on the further beach,
One can but look on thee, one cannot reach.
LINNET AND LARK.
Oh buoyant linnet in the flakes of thorn,
Sing thy loud lay; for joy and song are one.
Oh skylark floating upwards into morn,
Pour out thy carolling music of the sun.
Sing, sing; be voices of the life-ful air,
Glad things that never knew the cage nor snare:
Be voices of the air, and fill the sky,
Glad things that have no heed of by-and-by.
Summer Stornelli.
THE BEES IN THE LIME.
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poem by Augusta Davies Webster
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A Rose-bud advises man…
I asked a rose-bud, ‘who gave you your beauty? ’
And it replied, ‘my mother’s sap gave me! ’
I asked again, ‘who gave your mother plant, its sap? ’
It said, ‘the soil and rain by roots, the sun through leaves! ’
I asked the rose-bud, ‘who gave the soil, sun and rain such abilities? ’
It replied, ‘the One who made all things, and you and me! ’
And now the rose-bud asked me, ‘But why do you ask such questions?
Are you not made beautiful too by the same One,
Who made me, the moon, sky, soil and sun?
And yet, like you, we cannot walk or run! ’
It continued, ‘we plants feel sad we cannot move like how you do! ’
‘We buds grow bigger by each dawn;
The Maker feels so happy when we’re born,
And smiles on seeing us each morn,
Turning ecstatic, when we blossom on,
The landscape to perfume and to adorn –
By morrow, most of us are almost gone! ’
I asked the rose-bud, ‘are the dew-drops then because you cry? ’
And it replied, ‘they are the tears of joy and sadness of God on high,
Who knows we are born to sooner die.’
But tell me man, such questions, you ask, ‘why? ’
The rose-bud went on:
‘God gave you man, woman, a long life-span;
And do many things, you surely can! ’
God made you far more beautiful!
Be satisfied and be dutiful;
God is our Master One, most wonderful!
Praise Him, thank Him for all His gifts to you, bountiful! ’
Copyright by Dr John Celes 2-2-2010
poem by John Celes
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The Idols
An Ode
Luce intellettual, piena d' amore
Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.
Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.
Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?
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poem by Robert Laurence Binyon
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The Wedding of Jenny McGill
There were red roses, and white roses
At the wedding of Jenny McGill,
For she was a Roman Catholic,
And he of the other ilk,
But the priest had refused the Catholic Church
In the way that it was, back then,
For she was a Roman Catholic,
And he Presbyterian.
But her love had bloomed like a red, red rose
And his love had bloomed as well,
For love is the great uniting force
Of the Lord, this side of hell.
So she baked the bread with her loving hands
And he broke the bread with his,
The love shone out of his Protestant eyes
At the thought of wedded bliss.
Now she'd been raised in West Belfast
And he on the Shankill Road,
They were never supposed to fall in love
Like this, so they'd been told,
For the Orange Lord is an English Lord
And shunned, in the Irish way,
While the Lord of the Green is an Irish Lord,
So said the I.R.A.
They warned her once, they warned her twice
This wedding could never be,
For he was a Presbyterian
This John McGonachy,
And children had to be brought up right,
Believe in the Catholic scene,
And fight to unite dear Ireland
For St. Patrick and the Green.
McGonachy was told as well,
No good would come of this,
For he was a Presbyterian
And Jenny a Catholic.
His parents threatened to cut him off,
His friends just said: 'We'll see! '
He even got a visit at work
From the uniformed R.U.C.
But love should break down barriers,
And love should reign supreme,
They looked for a church to wed them both,
The Presbyterian.
She looked a picture when down the aisle
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poem by David Lewis Paget
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Ballet Of Lips
BALLET OF LIPS
esspeecee [21.03.09.]
Your lips…
Wanting. What?
To say
Rose buds…
Oh dear
Bloom for us.
Your lips
Saying go not
In stealth
O Rose buds
We’re for your
Blooming blush.
Your lips
Waiting to
Murmur the
Subtle melody
Of just bloomed
O you
Rose bud.
When lips make
Ballet movements
Singing in chorus
With melody of
Music of fragrance
O you
Rose bud.
Let me stand
Like a trunkless rock
On me the rose tree
And your subtle
Foot prints
I’ll embosom
O you - Rose bud
Oh you - Of yours.
Copyright reserved by the Author
poem by Dr. Sakti P. Chakravorty
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
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poem by Robert Browning from The Ring and the Book
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Mother and Daughter- Sonnet Sequence
I
Young laughters, and my music! Aye till now
The voice can reach no blending minors near;
'Tis the bird's trill because the spring is here
And spring means trilling on a blossomy bough;
'Tis the spring joy that has no why or how,
But sees the sun and hopes not nor can fear--
Spring is so sweet and spring seems all the year.
Dear voice, the first-come birds but trill as thou.
Oh music of my heart, be thus for long:
Too soon the spring bird learns the later song;
Too soon a sadder sweetness slays content
Too soon! There comes new light on onward day,
There comes new perfume o'er a rosier way:
Comes not again the young spring joy that went.
ROME, November 1881.
II
That she is beautiful is not delight,
As some think mothers joy, by pride of her,
To witness questing eyes caught prisoner
And hear her praised the livelong dancing night;
But the glad impulse that makes painters sight
Bids me note her and grow the happier;
And love that finds me as her worshipper
Reveals me each best loveliness aright.
Oh goddess head! Oh innocent brave eyes!
Oh curved and parted lips where smiles are rare
And sweetness ever! Oh smooth shadowy hair
Gathered around the silence of her brow!
Child, I'd needs love thy beauty stranger-wise:
And oh the beauty of it, being thou!
III
I watch the sweet grave face in timorous thought
Lest I should see it dawn to some unrest
And read that in her heart is youth's ill guest,
The querulous young sadness, born of nought,
That wearies of the strife it has not fought,
And finds the life it has not had unblest,
And asks it knows not what that should be best,
And till Love come has never what it sought.
But she is still. A full and crystal lake
So gives it skies their passage to its deeps
In an unruffled morn where no winds wake,
And, strong and fretless, 'stirs not, nor yet sleeps.
My darling smiles and 'tis for gladness' sake;
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poem by Augusta Davies Webster
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Daphne
Musing on the fate of Daphne,
Many feelings urged my breast,
For the God so keen desiring,
And the Nymph so deep distrest.
Never flashed thro' sylvan valley
Visions so divinely fair!
He with early ardour glowing,
She with rosy anguish rare.
Only still more sweet and lovely
For those terrors on her brows,
Those swift glances wild and brilliant,
Those delicious panting vows.
Timidly the timid shoulders
Shrinking from the fervid hand!
Dark the tide of hair back-flowing
From the blue-veined temples bland!
Lovely, too, divine Apollo
In the speed of his pursuit;
With his eye an azure lustre,
And his voice a summer lute!
Looking like some burnished eagle
Hovering o'er a fluttered bird;
Not unseen of silver Naiad,
And of wistful Dryad heard!
Many a morn the naked beauty
Saw her bright reflection drown
In the flowing smooth-faced river,
While the god came sheening down.
Down from Pindus bright Peneus
Tells its muse-melodious source;
Sacred is its fountained birthplace,
And the Orient floods its course.
Many a morn the sunny darling
Saw the rising chariot-rays,
From the winding river-reaches,
Mellowing in amber haze.
Thro' the flaming mountain gorges
Lo, the River leaps the plain;
Like a wild god-stridden courser,
Tossing high its foamy mane.
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poem by George Meredith
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The Day Of The Daughter Of Hades
I
He who has looked upon Earth
Deeper than flower and fruit,
Losing some hue of his mirth,
As the tree striking rock at the root,
Unto him shall the marvellous tale
Of Callistes more humanly come
With the touch on his breast than a hail
From the markets that hum.
II
Now the youth footed swift to the dawn.
'Twas the season when wintertide,
In the higher rock-hollows updrawn,
Leaves meadows to bud, and he spied,
By light throwing shallow shade,
Between the beam and the gloom,
Sicilian Enna, whose Maid
Such aspect wears in her bloom
Underneath since the Charioteer
Of Darkness whirled her away,
On a reaped afternoon of the year,
Nigh the poppy-droop of Day.
O and naked of her, all dust,
The majestic Mother and Nurse,
Ringing cries to the God, the Just,
Curled the land with the blight of her curse:
Recollected of this glad isle
Still quaking. But now more fair,
And momently fraying the while
The veil of the shadows there,
Soft Enna that prostrate grief
Sang through, and revealed round the vines,
Bronze-orange, the crisp young leaf,
The wheat-blades tripping in lines,
A hue unillumined by sun
Of the flowers flooding grass as from founts:
All the penetrable dun
Of the morn ere she mounts.
III
Nor had saffron and sapphire and red
Waved aloft to their sisters below,
When gaped by the rock-channel head
Of the lake, black, a cave at one blow,
Reverberant over the plain:
A sound oft fearfully swung
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poem by George Meredith
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The Four Seasons : Spring
Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!
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poem by James Thomson
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I Be Or Don't Be (A Song)
I be or don’t be
Would be spreading whiff
As a blossom, As a bud
In the orchard of love
I be or don‘t be
Whatever the weather
I always will be there
To keep the orchard fresh
And in colour of desire
Will be watering it ever
As a blossom as a bud
The orchard of love
I be or don’t be
I will unfurl my shirt
And sway in the breeze
Will glow like flower
On the blossom trees
Would spread fragrance
As a blossom as a bud
In the garden of love
I be or don’t be
When I won’t be there
Her eyes with tears
Would be finding me
She would stop in reverie
Where I will meet her
As a blossom, as a bud
In the orchard of love
I be or don’t be
poem by S.D. Tiwari
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Malcolm's Katie: A Love Story - Part I.
Max plac'd a ring on little Katie's hand,
A silver ring that he had beaten out
From that same sacred coin--first well-priz'd wage
For boyish labour, kept thro' many years.
'See, Kate,' he said, 'I had no skill to shape
Two hearts fast bound together, so I grav'd
Just K. and M., for Katie and for Max.'
'But, look; you've run the lines in such a way,
That M. is part of K., and K. of M.,'
Said Katie, smiling. 'Did you mean it thus?
I like it better than the double hearts.'
'Well, well,' he said, 'but womankind is wise!
Yet tell me, dear, will such a prophecy
Not hurt you sometimes, when I am away?
Will you not seek, keen ey'd, for some small break
In those deep lines, to part the K. and M.
For you? Nay, Kate, look down amid the globes
Of those large lilies that our light canoe
Divides, and see within the polish'd pool
That small, rose face of yours,--so dear, so fair,--
A seed of love to cleave into a rock,
And bourgeon thence until the granite splits
Before its subtle strength. I being gone--
Poor soldier of the axe--to bloodless fields,
(Inglorious battles, whether lost or won).
That sixteen summer'd heart of yours may say:
''I but was budding, and I did not know
My core was crimson and my perfume sweet;
I did not know how choice a thing I am;
I had not seen the sun, and blind I sway'd
To a strong wind, and thought because I sway'd,
'Twas to the wooer of the perfect rose--
That strong, wild wind has swept beyond my ken--
The breeze I love sighs thro' my ruddy leaves.'
'O, words!' said Katie, blushing, 'only words!
You build them up that I may push them down;
If hearts are flow'rs, I know that flow'rs can root--
'Bud, blossom, die--all in the same lov'd soil;
They do so in my garden. I have made
Your heart my garden. If I am a bud
And only feel unfoldment--feebly stir
Within my leaves: wait patiently; some June,
I'll blush a full-blown rose, and queen it, dear,
In your lov'd garden. Tho' I be a bud,
My roots strike deep, and torn from that dear soil
Would shriek like mandrakes--those witch things I read
Of in your quaint old books. Are you content?'
'Yes--crescent-wise--but not to round, full moon.
Look at yon hill that rounds so gently up
From the wide lake; a lover king it looks,
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poem by Isabella Valancy Crawford
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Floretty's Musical Contribution
All seemed delighted, though the elders more,
Of course, than were the children.--Thus, before
Much interchange of mirthful compliment,
The story-teller said _his_ stories 'went'
(Like a bad candle) _best_ when they went _out_,--
And that some sprightly music, dashed about,
Would _wholly_ quench his 'glimmer,' and inspire
Far brighter lights.
And, answering this desire,
The flutist opened, in a rapturous strain
Of rippling notes--a perfect April-rain
Of melody that drenched the senses through;--
Then--gentler--gentler--as the dusk sheds dew,
It fell, by velvety, staccatoed halts,
Swooning away in old 'Von Weber's Waltz.'
Then the young ladies sang 'Isle of the Sea'--
In ebb and flow and wave so billowy,--
Only with quavering breath and folded eyes
The listeners heard, buoyed on the fall and rise
Of its insistent and exceeding stress
Of sweetness and ecstatic tenderness ...
With lifted finger _yet_, Remembrance--List!--
'_Beautiful isle of the sea!_' wells in a mist
Of tremulous ...
... After much whispering
Among the children, Alex came to bring
Some kind of _letter_--as it seemed to be--
To Cousin Rufus. This he carelessly
Unfolded--reading to himself alone,--
But, since its contents became, later, known,
And no one '_plagued_ so _awful_ bad,' the same
May here be given--of course without full name,
Fac-simile, or written kink or curl
Or clue. It read:--
'Wild Roved an indian Girl
Brite al Floretty'
deer freind
I now take
*this* These means to send that _Song_ to you & make
my Promus good to you in the Regards
Of doing What i Promust afterwards,
the _notes_ & _Words_ is both here _Printed_ SOS
you *kin* can git _uncle Mart_ to read you *them* those
& cousin Rufus you can git to _Play_
the _notes_ fur you on eny Plezunt day
His Legul Work aint *Pressin* Pressing.
Ever thine
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poem by James Whitcomb Riley
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Bud Free - Anagram Acrostic
BUD FREE!
BEYOND YE BOND which terrifies
UNITE! UNTIE! shed all disguise,
DRAW joy WARD off, REEF FREE dark skies.
Knit I AM AIM to WE IS - WISE.
ROSE, SORE, RETWINS, WINTERS defies.
IN ONE I NONE FILE LIFE. Arise!
STREAM MASTER – HEART ART HE supplies
The SMILE which MILES DROPS, PRODS surprise.
Your WOLF’S growl grows FLOWS fertilize.
PART is a TRAP, - LO US! - SOUL ties
In knots HER 'MY' - in RHYME it dies.
The PAGE does GAPE? Just realize
ALL mirrors ALL in different guise
FOR TUNES trump FORTUNE’S flighty eyes.
READ, DEAR, SURE RUSE personifies
Each VERSE to SERVE sans compromise.
Each REVERSE REVERES replies,
Vocation EVIL VILE denies, -
END Lion’s DEN, REEF FREE, cease sighs
RESPOND PONDERS, Reaction dies.
Sight clear can LEAP, PEAL off past lies....
Each THEME MET, HE, GAME MAGE, gains prize!
5 April 2005
robi03_1150_robi03_0000 AQX_EIX
Initial version of Serve Verse 12 April 2005
robi30_1197_robi03_0000 AQW_EIJ
Bud Free poem © Jonathan Robin
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIII
SERVE VERSE!
BUD FREE IN TIME, SHAPE YOUR HEART'S VISION THROUGH VERSE
BEYOND YE BOND which terrifies
UNITE! UNTIE! PROD, DROP disguise,
DRAW joy WARD off REEF, FREE dark skies.
FOR TUNES trump FORTUNE’S flighty eyes.
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poem by Jonathan Robin
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The flower bloomed today
The flower bloomed today
It’s a yellow sunflower
Through the ground it made its way
The flower bloomed today
The petals fall as they may
Until the plant’s final hour
The flower bloomed today
It’s a yellow sunflower
poem by Amanda Dickerman
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Seasonal Cycle - Chapter 03 - Pre Autumn
"On the departure of rainy season bechanced is autumn with a heart-pleasingly bloomed lotus as her face, betokening the heart-pleasing face of a new bride, and the autumnal fields of white grass with whitish flowers as her apparel, which betoken the whitish bridal apparel of a new bride, and the amorously clucking clucks of swans that have just returned from Lake Maanasa as rains have gone, are the jingling anklets of autumn, which betoken the delightful jingles of anklets of new bride, and now the rice is ready to ripe and thus the tenuous stalks of rice, which have their necks a little bent down, betoken the obeisant face of a new docile bride...
"Blanched is the earth with whitish grass and the nights with silvery and coolant moonbeams of the moon, and the rivers with white swans, lakes with white-lotuses, and that forest up to its fringes with whitish jasmine flowers and with somewhat whitish seven-leaved banana plants that are swagging under the weight of their flowers...
"Presently the rivers are journeying slowly with a strutting of prideful lovely girls, for the raising and falling fishes of rivers seem to be the delightful sets of strings at the waistlines of rivers, like the sets of girdle-strings on the waists of girls, and the ranges of white waterfowls on riverbanks seem to be the whitish pearly pendants of rivers, like the pearly pendants around the bosoms of prideful girls, more so the broad sand-dunes at edges of those rivers appear to be the roundish fundaments of those rivers like that of those girls...
"With clouds that have doled out their waters, the vault of heaven is silvern somewhere, it is like the whitish conch shell elsewhere, and somewhere else it is palish like the stalks of lotuses, and the clouds on achieving their levity and moved by the speed of wind, they are splintered into hundreds of pieces and journeying away, and thus the sky appears to be a king fanned with royal-fans, called the swerving, splintering, and silvery clouds...
"The sky is looking like well-kneaded knoll of black mascara, and the earth is delightfully inscribed with the vermilion colour of safflowers that are flowered up to the visible horizon, and the swaths and even the ravines of earth are surrounded with charming lotuses... and on visualising such an environ, which heart of which adolescent person doesn't get up to a lot of ecstasy...
"When the slothful wind is slothfully stirring up the upper branches of red-golden coloured trees, that are most lovely with peaking tender leaflets, and with muchly outcropped flowers, from which nectar is muchly trickling, that which is overly drunk by the honeybees, and when such a sylvan scenery is seen, whose heart won't be riven...
"A girl burgeons as a damsel day by day, so the autumnal night is lengthening its night-time day by day, and as a damsel wears shiny jewellery on her nubility, this damsel, called the autumnal night, is wearing clusters of twinkling stars as her jewellery, as the veil of a damsel will be unveiled frequently presenting her face, these veils called clouds on the skyscape are now being unveiled to present the moonlike face of this autumnal damsel, and a damsel starts to wear raiment with unblemished whiteness at her pubescence, so also, this autumnal damsel's wraparound is the immaculate moonshine...
"Inaccessible were those rivers in rainy season even for the waterfowls, barring the people, for they were ferocious and feculent, but this autumn made them placid and pure, and hence the rows of ripples of their water are pecked with the beaks of partridges for their feed, and all over on their banks and riversides, flocks and flocks of cranes and drakes are bustling, and muchly cackling are the swans, and the rivers themselves are reddened with the red-pollen grains of red-lotuses, thus those spectacular rivers, riverbanks, and riversides are rejoicingly accessible even for the people...
"These days the moon is an eye-festival and heart-stealing with his profuse moonbeams, and he is the real gladdener for he is the sprinkler of fresh and coolant dewdrops through those moonbeams, but nowadays he alone is becoming an inflamer, for he is burning the bodies of the women, who are already felled by the arrow of Love-god, which arrow is daubed with the venom, which venom is nothing but their own lusting after their itinerant husbands, that are now separated from them...
"The wind being the prime mover in nature is now wiggling the well-ripened rows of rice stalks that are curvy under the weight of their cobs, and the same wind is waggling the best trees that are saggy under the weight of their flowers, and he alone is wobbling the fully bloomed clumps of lotuses in the lakes, moreover, thus he is vehemently wriggling the hearts of young men, with his lilting breezing and lively freshness...
"The limpid waters of lakes are refurbished with bevies of couples of voluptuous swans, amongst the just bloomed white and blue lotuses that elaborate lakes, and the rows of ripples of lake-water are undulated by the oncoming slowish morning breeze, as well as by the ruffles made by swans, thus the all-time ripply lakes are ecstasizing hearts, in a trice...
"Presently evanished are the rainbows in the bellies of clouds, and indiscernible are the skyey flags, called flashes of lightning, and un-winnowed is the aerospace with the windage of wings of cranes, and peacocks are unseeing the sky with their upraised faces, agog for rains...
"The Love-god is drawing nigh of melodiously singing swans, leaving off the peacocks that have ceased to dance anymore, as there is no rain, while the grandeur of the flowers of trees like Kadamba, Kutaja, Arjuna, Sarja, Niipa already drew nigh of the seven-leaved banana plants, that flower and flourish at this time...
"The fragrance of flowers of white-flower trees is heart-stealing, and nowadays birds are not scorched by the sun, thus they are there in fine fettle, and they are calling each other reciprocally, thus those birds and their callings are heart-stealing, and the eyes of she-deer that are abiding all over there are like black-lotuses, thus with all them the woodlands and their fringes beyond ken, are ecstasizing the hearts of men...
"The dawn time breeze on recurrently winnowing the red-lotuses, white-lotuses, and the lotuses that bloom at sunrise, is in contact with those lotuses and thus acquiring more coolness, more so, on sifting the dewdrops that are clinging at the edges of leaves, that auroral breeze is very much exhilarating...
"The precincts of earth are surrounded with exuberant stretches of rice-crops, and they are glistering with stocks of cattle available there, that are robust and multiplying, and that is even reverberated with the callings of swans and drakes, thereby those interior places within the apparent horizon are thus causing an euphoric state to the spectators in this pre-autumnal season...
"The womenfolk's very lissom gait is won by the svelte steps of swans, and moonshine of their faces is won by the efflorescent whiteness of white-lotuses, and their lustful, wily, and sidelong glances are won by the swings and sways of blue-lotuses, and even their eyebrows' subtle flutters are won by rocks and rolls of thin ripples... thus this season is outmoding the most famous beauty of the nature, namely the womenfolk...
"The Shyaamaa climbers are decorated with their tender leaves and flowers, and by the weight these they are flexed and look like the curvaceous arms of women, that are decorated with many an ornament, flowery bracelets and leaf-thin bangles and the like, but stolen is that shine of those arms of women by these climbers of this season... and this broadly smiling season, with red Ashoka flowers as its lips and with delightful and sparkly whitish new jasmine buds as its teeth, is stealing the splendour of toothy grins of womenfolk, with their jasmine budlike teeth and roseate lips...
"These days women are furling up their longish, thickish, and blackish hair termini into buns and overstuffing them with new jasmines, and even if their ears are already inserted with best golden budlike ear-hangings, they are now inserting divers black-lotuses into their hairdo, at the back of their ears...
These days the ladies are with highly gladdened hearts for the climate is equable, thus they are decorating their globelike busts with emulsions of sandal-paste and with pendants of pearls and gold, and their girth-lines are decorated with sets of golden girdles festooned with golden tassels, and even their lotus-like feet are decorated with best anklets that have jingling bells...
"These days the vault of heaven similes with the vast of earth in their forms of exalted splendour... on the earth the lakes are bejewelled with emeraldine waters, similar is the sky with somewhat emeraldine hue... such water is overspread with white-lotuses, similar is the cloudless sky overlaid with stars... these waters are overprotective to kingly swans, similarly the vault of cloudless heaven is holding out the moon, the king of the nights...
"In this pre-autumn its ingredients are heart-pleasing, for the breezes breeze cool for touch by their association with white-lotuses, and the divisions and subdivisions of quarters can be descried, for dissipated are the clouds, and the waters can be enjoyed, for they are devoid of slush, and walkable is the earth, for its slime is dried up, and in nights the welkin is with the moon, with his immaculate moonbeams and medley of stars...
"These days when the sun arouses the lotuses with his sunrays at daybreak, they are shining forth like best damsels with flourishing visages, but when the spherule of moon has gone into faintness at dawn, even those lotuses are becoming smileless and subduing, as with the smiles of youthful women, whose lovers have journeyed away, and who grin and bear it...
"Nowadays the itinerants on noticing the splendour of eyes of their ladyloves with blackish mascara, in black-lotuses, and the chinks of their golden girdle-strings in the clucks of lustily swans, and the endearing gleam of their lower lips in the reddish flowers, they are bewailing disconcertedly, unsure of their homecoming in this season...
"The pleasing exquisiteness that has arrived with this pre-autumnal Sharat season is beating a retreat to somewhere else, on leaving the grandeur of its autumnal moon on the faces of women, and the clucky speeches of swans in their gemmy anklets, and the safflower like flower's reddish hue on their beautiful lips...
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poem by Kalidasa
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