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Who arrives at the mill first, grinds.

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Twa Sisters O' Binnorie

There were twa sisters sat in a bow'r;
(Binnorie, O Binnorie!)
A knight cam' there, a noble wooer,
By the bonny mill-dams o' Binnorie.
He courted the eldest wi' glove and ring,
(Binnorie, O Binnorie!)
But he lo'ed the youngest aboon a' thing,
By the bonny mill-dams o' Binnorie.
The eldest she was vexed sair,
(Binnorie, O Binnorie!)
And sair envìed her sister fair,
By the bonny mill-dams o' Binnorie.

Upon a morning fair and clear,
(Binnorie, O Binnorie !)
She cried upon her sister dear,
By the bonny mill-dams o' Binnorie.

`O sister, sister, tak' my hand,'
(Binnorie, O Binnorie!)
`And let's go down to the river-strand,'
By the bonny mill-dams o' Binnorie.

She's ta'en her by the lily hand,
(Binnorie, O Binnorie!)
And down they went to the river-strand
By the bonny mill-dams o' Binnorie.

The youngest stood upon a stane,
(Binnorie, O Binnorie!)
The eldest cam' and pushed her in,
By the bonny mill-dams o' Binnorie.

'O sister, sister, reach your hand!'
(Binnorie, O Binnorie!)
'And ye sall be heir o' half my land'--
By the bonny mill-dams o' Binnorie.

'O sister, reach me but your glove!'
(Binnorie, O Binnorie!)
'And sweet William sall be your love'--
By the bonny mill-dams o' Binnorie.

Sometimes she sank, sometimes she swam,
(Binnorie, O Binnorie!)
Till she cam' to the mouth o' yon mill-dam,
By the bonny mill-dams o' Binnorie

Out then cam' the miller's son
(Binnorie, O Binnorie!)

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The King's Daughter

WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.

We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.

The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.

The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.

The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.

The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.

We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.

By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.

“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.

He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.

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The Death of Yazdagird

From the Shahnameh
There was a paladin, a Turk by race,
A man of influence and named Bizhan;
He dwelt within the coasts of Samarkand
Where he had many kin. Ill-starred Mahwi,
Becoming self-assertive, wrote to him:-
'Thou prosperous scion of the paladins!
A strife hath risen that will bring thee profit:
The Sháh is of all places here at Marv
And with no troops! His head and crown and state,
Wealth, throne, and host, are thine if thou wilt come.
Recall the vengeance owing to thy sires,
And give this unjust race its just reward.'

Bizhan, considering the letter, saw
That insolent Mahwi would win the world,
Then spake thus to his minister: 'Thou chief
Of upright men! what sayest thou to this?
If I lead forth a host to aid Mahwi
'Twill be my ruin here.'

The minister
Replied: 'O lion-hearted warrior!
'Twere shame to help Mahwi and then withdraw.
Command Barsám to set forth with a host
To aid upon this scene of strife. The sage
Will term thee daft to go and fight in person
At the insistence of this man of Súr.'

Bizhan replied: ''Tis well, I will not go
Myself.'

He therefore bade Barsám to lead
Ten thousand valiant cavaliers and swordsmen
To Marv with all the implements of war
If haply he might take the Sháh. That host
Went like a flying pheasant from Bukhárá
To Marv within one week. One night at cock-crow
The sound of tymbals went up from the plain.
How could the king of kings suspect Mahwi
Of Súr to be his enemy? Shouts rose.
A cavalier reached Yazdagird at dawn
To say: 'Mahwi said thus: 'A host of Turks
Hath come. What is the bidding of the Sháh?
The Khán and the Faghfúr of Chin command:
Earth is not able to support their host!''

The Sháh wroth donned his mail. The armies ranged.
He formed his troops to right and left, and all
Advanced to battle. Spear in hand he held

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Bouche-Mignonne

BOUCHE-MIGNONNE lived in the mill,
Past the vineyards shady,
Where the sun shone on a rill
Jewelled like a lady.

Proud the stream with lily-bud,
Gay with glancing swallow;
Swift its trillion-footed flood
Winding ways to follow;

Coy and still when flying wheel
Rested from its labour;
Singing when it ground the meal,
Gay as lute or tabor.

'Bouche-Mignonne,' it called, when red
In the dawn were glowing
Eaves and mill-wheel, 'leave thy bed;
Hark to me a-flowing!'

Bouche-Mignonne awoke, and quick
Glossy tresses braided.
Curious sunbeams clustered thick;
Vines her casement shaded

Deep with leaves and blossoms white
Of the morning-glory,
Shaking all their banners bright
From the mill-eaves hoary.

Swallows turned their glossy throats,
Timorous, uncertain,
When, to hear their matin notes,
Peeped she thro' her curtain.

Shook the mill-stream sweet and clear
With its silvery laughter;
Shook the mill, from flooring sere
Up to oaken rafter.

'Bouche-Mignonne!' it cried, 'come down;
Other flowers are stirring:
Pierre, with fingers strong and brown,
Sets the wheel a-birring.'

Bouche-Mignonne her distaff plies
Where the willows shiver;
Round the mossy mill-wheel flies;
Dragon-flies, a-quiver,

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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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Hanchen, the Maid of the Mill

Near the village of Udorf, on the banks of the Rhine,
There lived a miller and his family, once on a time;
And there yet stands the mill in a state of decay,
And concerning the miller and his family, attend to my lay.

The miller and his family went to Church one Sunday morn,
Leaving behind their darling child, the youngest born,
In charge of brave Hanchen, the servant maid,
A kind-hearted girl and not the least afraid.

As Hanchen was engaged preparing dinner for the family
She chanced to turn round, and there she did see
Heinrich Bottler, her lover, and she sincerely loved him,
Then she instantly got him something to eat and bade him begin.

And in the midst of her business she sat down beside him,
While he did justice to the meat and thought it no sin,
But while he was eating he let fall his knife,
Then he commanded Hanchen to pick it up or else he'd take her life.

Then as she stooped down to pick up the knife,
The villain caught her by the throat, and swore he'd take her life,
Then he drew a dagger from under his coat,
Crying, tell me where your master's money is, or I'll cut your throat.

And still he threatened to kill her with the dagger in his hand,
If the poor girl didn't comply with his demand,
While in his choking grasp her breath was fleeting faster and faster,
Therefore she had no other choice but to die or betray her master.

Then she cried, mercy, for Heaven's sake let go thy hold.
And I'll tell thee where my master keeps his gold;
Then he let go his hold without delay,
And she unto him thus boldly did say.

Here, take this axe and use it, while I run upstairs,
To gather all my money, besides all my wares,
Because I'm resolved to fly along with you,
When you've robbed my master of his gold and bid France adieu.

Then deceived by her plan he allowed her to leave the room,
Telling her to make haste and come back very soon,
Then to her master's bedroom she led the way,
And showed him the coffer where her master's money lay

Then Heinrich with the axe broke the coffer very soon,
While Hanchen instead of going upstairs to her room,
Bolted all the doors upon him without dismay,
While Heinrich was busy preparing to carry her master's money away.

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Grind Me In The Gears

Im holding my last breath
Its burning in my lungs
Clenching up my eyes
Bloody up my tongue
For the words that might escape
Are ringing in my ears
Grinds me to a pulp
Grind me in the gears
My frozen spirit aches
I slip another day
Start to lose my grip
Find another way
For the life that might escape
Has been echoing for years
Grinds me to a pulp
Grind me in the gears
Ive seen all the faces
They mirror me
And Ive felt the tearing tearing of the teeth
Ive given up my ghosts
Barely breathe your name
Offer up myself
Pray youll do the same
For the love that might escape
Well thats the biggest fear
Grinds me to a pulp
Grinds me in the gears

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Grinding Slowly

I will never understand...
A mind closed off,
And afraid of challenges.
One that accepts,
And sees life the way it is!

Even though the way it is,
Shouldn't be that way at all.
If a point of view introduced...
Is not what the 'crowd' selects?
Mindsets become trapped.
And a growth becomes stalled.

I see an increase of regret on faces.
I see a reality that comes to them all!
I see a lifestyle that decreases immensely.
And I see an absence of acknowledging...
Their way of life and how it's lived,
Grinds slowly to a fall!

I wish I could remove deceptions,
From the eyes and minds of some.
They could influence those they knew...
Of a consciousness,
With a higher awareness that comes to everyone!

They would understand mankind can demand,
An ending to things by taking a stand!
But a conformity that has been fed on greed...
Only breeds on selfishness that is held in one's hand!

I see an increase of regret on faces.
I see a reality that comes to them all!
I see a lifestyle that decreases immensely.
And I see an absence of acknowledging...
Their way of life and how it's lived,
Grinds slowly to a fall!

I will never understand...
A mind closed off,
And afraid of challenges.
One that accepts,
And sees life the way it is!

I see an increase of regret on faces.
I see a reality that comes to them all!
I see a lifestyle that decreases immensely.
And I see an absence of acknowledging...
Their way of life and how it's lived,
Grinds slowly to a fall!

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Enoch Arden

Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.

Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.

A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.

But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home

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Kingry's Mill

On old Brandywine-- about
Where White's Lots is now laid out,
And the old crick narries down
To the ditch that splits the town--,
Kingry's Mill stood. Hardly see
Where the old dam ust to be;
Shallor, long, dry trought o' grass
Where the old race ust to pass!

That's be'n forty years ago--
Forty years o' frost and snow--
Forty years o' shade and shine
Sence them boyhood-days o' mine--!
All the old landmarks o' town.
Changed about, er rotted down!
Where's the Tanyard? Where's the Still?
Tell me where's old Kingry's Mill?

Don't seem furder back, to me,
I'll be dogg'd! Than yisterd'y,
Since us fellers, in bare feet
And straw hats, went through the wheat,
Cuttin' 'crost the shortest shoot
Fer that-air old ellum root
Jest above the mill-dam-- where
The blame' cars now crosses there!

Through the willers down the crick
We could see the old mill stick
Its red gable up, as if
It jest knowed we'd stol'd the skiff!
See the winders in the sun
Blink like they wuz wonderun'
What the miller ort to do
With sich boys as me and you!

But old Kingry--! Who could fear
That old chap, with all his cheer--?
Leanin' at the window-sill,
Er the half-door o' the mill,
Swoppin' lies, and pokin' fun,
'N jigglin' like his hoppers done--
Laughin' grists o' gold and red
Right out o' the wagon-bed!

What did he keer where we went--?
'Jest keep out o' devilment,
And don't fool around the belts,
Bolts, ner burrs, ner nothin' else
'Bout the blame machinery,

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William Blake

The Marriage of Heaven and Hell

THE ARGUMENT

RINTRAH roars and shakes his
fires in the burdenM air,
Hungry clouds swag on the deep.

Once meek, and in a perilous path

The just man kept his course along

The Vale of Death.

Roses are planted where thorns grow,

And on the barren heath

Sing the honey bees.

Then the perilous path was planted,
And a river and a spring
On every cliff and tomb;

5

THE MARRIAGE OF

And on the bleached bones
Red clay brought forth:
Till the villain left the paths of ease
To walk in perilous paths, and drive
The just man into barren climes.

Now the sneaking serpent walks
In mild humility ;

And the just man rages in the wilds
Where Uons roam.

Rintrah roars and shakes his fires in

the burdened air,
Hungry clouds swag on the deep.

As a new heaven is begun, and it is
now thirty-three years since its advent,
the Eternal Hell revives. And lo!
Swedenborg is the angel sitting at
the tomb: his writings are the Unen

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He Arrives

He arrives,
To apply a different tactic.
And at His will.
You may not notice this at first,
By the way it was achieved.
With a quiet precisioned skill!

You have been accustomed,
To seeing life from one dimension.
From a point of view,
With an indoctrination pursued.
And His intention although not mentioned,
Is to shatter all limitations too!

He arrives,
In your heart, soul and mind.
And once your eyes have been opened wide,
You will realized the depth of those lies told to you.
Why and the reason...
They were fed to control everything done you do!

He arrives,
To gift you with the truth.
With an absoluteness you can not refuse.
Since He is the One that comes who can do this.
The only One to get a detoxing done.
The One who introduces the kind of truth that stuns.

He arrives,
And those conditioned,
To hiding behind their lies...
Find themselves without protection,
Into shelters after a run.
Or tongues to twist,
A truth for all to see that exists!

He arrives,
No need to prepare with prayer.
He arrives and when He comes...
You wont see Him,
But you will know He is there.
His eyes are upon you...everywhere!

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The Parish Register - Part I: Baptisms

The year revolves, and I again explore
The simple Annals of my Parish poor;
What Infant-members in my flock appear,
What Pairs I bless'd in the departed year;
And who, of Old or Young, or Nymphs or Swains,
Are lost to Life, its pleasures and its pains.
No Muse I ask, before my view to bring
The humble actions of the swains I sing. -
How pass'd the youthful, how the old their days;
Who sank in sloth, and who aspired to praise;
Their tempers, manners, morals, customs, arts,
What parts they had, and how they 'mploy'd their

parts;
By what elated, soothed, seduced, depress'd,
Full well I know-these Records give the rest.
Is there a place, save one the poet sees,
A land of love, of liberty, and ease;
Where labour wearies not, nor cares suppress
Th' eternal flow of rustic happiness;
Where no proud mansion frowns in awful state,
Or keeps the sunshine from the cottage-gate;
Where young and old, intent on pleasure, throng,
And half man's life is holiday and song?
Vain search for scenes like these! no view appears,
By sighs unruffled or unstain'd by tears;
Since vice the world subdued and waters drown'd,
Auburn and Eden can no more be found.
Hence good and evil mixed, but man has skill
And power to part them, when he feels the will!
Toil, care, and patience bless th' abstemious few,
Fear, shame, and want the thoughtless herd pursue.
Behold the Cot! where thrives th' industrious

swain,
Source of his pride, his pleasure, and his gain;
Screen'd from the winter's wind, the sun's last ray
Smiles on the window and prolongs the day;
Projecting thatch the woodbine's branches stop,
And turn their blossoms to the casement's top:
All need requires is in that cot contain'd,
And much that taste untaught and unrestrain'd
Surveys delighted; there she loves to trace,
In one gay picture, all the royal race;
Around the walls are heroes, lovers, kings;
The print that shows them and the verse that sings.
Here the last Louis on his throne is seen,
And there he stands imprison'd, and his Queen;
To these the mother takes her child, and shows
What grateful duty to his God he owes;

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Of Pacchiarotto, and How He Worked in Distemper

I
Query: was ever a quainter
Crotchet than this of the painter
Giacomo Pacchiarotto
Who took "Reform" for his motto?

II
He, pupil of old Fungaio,
Is always confounded (heigho!)
With Pacchia, contemporaneous
No question, but how extraneous
In the grace of soul, the power
Of hand,—undoubted dower
Of Pacchia who decked (as we know,
My Kirkup!) San Bernardino,
Turning the small dark Oratory
To Siena's Art-laboratory,
As he made its straitness roomy
And glorified its gloomy,
With Bazzi and Beccafumi.
(Another heigho for Bazzi:
How people miscall him Razzi!)

III
This Painter was of opinion
Our earth should be his dominion
Whose Art could correct to pattern
What Nature had slurred—the slattern!
And since, beneath the heavens,
Things lay now at sixes and sevens,
Or, as he said, sopra-sotto—
Thought the painter Pacchiarotto
Things wanted reforming, therefore.
"Wanted it"—ay, but wherefore?
When earth held one so ready
As he to step forth, stand steady
In the middle of God's creation
And prove to demonstration
What the dark is, what the light is,
What the wrong is, what the right is,
What the ugly, what the beautiful,
What the restive, what the dutiful,
In Mankind profuse around him?
Man, devil as now he found him,
Would presently soar up angel
At the summons of such evangel,
And owe—what would Man not owe
To the painter Pacchiarotto?
Ay, look to thy laurels, Giotto!

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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The Tin-Pot Mill

QUITE a proud and happy man is Finn the Packer
Since he built his crazy mill upon the rise,
And he stands there in the gully, chewing ‘backer,’
With a sleepy sort of comfort in his eyes,
Gazin’ up to where the antiquated jigger
Is a-wheezing and a-hopping on the hill,
For up here my lord the Gov’nor isn’t bigger
Than the owner of the Federation Mill.

She goes biff, puff, bang, bump, cutter-clatter, smash,
And she rattles on for half a shift, and lets up with a crash;
And then silence reigns a little while, and all the land is still
While they’re tinkering awkward patches on the tin-pot mill.

It’s a five-head plant, and mostly built of lumber,
’Twas erected by a man that didn’t know,
And we’ve never had a decent spell of slumber
Since that battery of Finn’s was got to go;
For she raises just the most infernal clatter,
And we guessed the Day of Judgment had come down
When the tin-pot mill began to bang and batter
Like an earthquake in a boiler-metal town.

All the heads are different sizes, and the horses
Are so crazy that the whole caboodle rocks,
And each time a stamper thunders down it forces
Little spirtings through the crannies in the box.
Then the feed pipe’s mostly plugged and aggravating,
And the pump it suffers badly from a cough;
Every hour or so they burst a blooming grating,
And the shoes are nearly always coming off.

Mickey drives her with a portable, a ruin
That they used for donkeying cargo in the Ark.
When she’s got a little way on, and is doing,
You should hear that spavined coffee-grinder bark.
She is loose in all her joints, and, through corrosion,
Half her plates are not a sixteenth in the thick.
We’re expecting a sensational explosion,
And a subsequent excursion after Mick.

From the feed—which chokes—to quite the smallest ripple,
From the bed-logs to the guides, she’s mighty queer,
And she joggles like an agitated cripple
With St. Vitus dance intensified by beer.
She stops short; and starts with most unearthly rumbles,
And, distracted by the silence and the din,
Through the sleepless night the weary miner grumbles,
And heaps curses on the family of Finn.

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John Milton

Samson Agonistes (excerpts)

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold
To Dagon, their sea-idol, and forbid
Laborious works; unwillingly this rest
Their superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease;
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of hornets arm'd, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an angel, who at last in sight
Of both my parents all in flames ascended
From off the altar, where an off'ring burn'd,
As in a fiery column charioting
His godlike presence, and from some great act
Of benefit reveal'd to Abraham's race?
Why was my breeding order'd and prescrib'd
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out,
Made of my enemies the scorn and gaze;
To grind in brazen fetters under task
With this Heav'n-gifted strength? O glorious strength
Put to the labour of a beast, debas'd
Lower than bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great deliverer now, and find him
Eyeless in Gaza at the mill with slaves,
Himself in bonds under Philistian yoke.
Yet stay, let me not rashly call in doubt
Divine prediction; what if all foretold
Had been fulfill'd but through mine own default,
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep,

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William Cowper

The Salad. By Virgil

The winter night now well nigh worn away,
The wakeful cock proclaimed approaching day,
When Simulus, poor tenant of a farm
Of narrowest limits, heard the shrill alarm,
Yawned, stretched his limbs, and anxious to provide
Against the pangs of hunger unsupplied,
By slow degrees his tattered bed forsook,
And poking in the dark, explored the nook
Where embers slept with ashes heaped around,
And with burnt fingers'-ends the treasure found.
It chanced that from a brand beneath his nose
Sure proof of latent fire, some smoke arose;
When trimming with a pin the incrusted tow,
And stooping it towards the coals below,
He toils, with cheeks distended, to excite
The lingering flame, and gains at length a light.
With prudent heed he spreads his hand before
The quivering lamp, and opes his granary door.
Small was his stock, but taking for the day,
A measured stint of twice eight pounds away,
With these his mill he seeks. A shelf at hand,
Fixt in the wall, affords his lamp a stand:
Then baring both his arms, a sleeveless coat
He girds, the rough exuviae of a goat;
And with a rubber, for that use designed
Cleansing his mill within, begins to grind;
Each hand has its employ; labouring amain,
This turns the winch, while that supplies the grain.
The stone revolving rapidly, now glows,
And the bruised corn a mealy current flows;
While he, to make his heavy labour light,
Tasks oft his left hand to relieve his right;
And chants with rudest accent, to beguile
His ceaseless toil, as rude a strain the while.
And now, 'Dame Cybale, come forth!' he cries;
But Cybale, still slumbering, nought replies.
From Afric she, the swain's sole serving maid,
Whose face and form alike her birth betrayed;
With woolly locks, lips tumid, sable skin,
Wide bosom, udders flaccid, belly thin,
Legs slender, broad and most misshapen feet,
Chapped into chinks, and parched with solar heat,
Such, summoned oft, she came; at his command
Fresh fuel heaped, the sleeping embers fanned,
And made in haste her simmering skillet steam,
Replenished newly from the neighbouring stream.
The labours of the mill performed, a sieve
The mingled flour and bran must next receive,
Which shaken oft, shoots Ceres through refined,
And better dressed, her husks all left behind.

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Son Of A Rotten Gambler

(chip taylor)
And his love will be his vision
And hell take you where you stand
And will you stand your life by his
And help the boy become a man
And hed be the son of his father his father the teacher
Teaching love and honesty being his own man handler
For the son of the son of run of the mill run
Rotten gambler
Will the devil be getting to you as you look back
Over what youve done
And what youve done was it for reason or rhyme
Was it just for fun
And hed be the son of his father his father the teacher
Teachin love and honesty being his own man handler
For the son of the son of run of the mill run
Rotten gambler
Back on the road now you can lose your head
There aint no kingdom for the gambling man
You know the road now and youve made your stand
When his eyes shine upon you shine upon you
And hed be the son of his father his father the teacher
Teaching love and honesty being his own man handler
For the son of the son of run of the mill run
Rotten gambler
Back on the road now you can lose your head
There aint no kingdom for the gambling man
You know the road now and youve made your stand
When his eyes shine upon you shine upon you
And hed be the son of his father his father the teacher
Teaching love and honesty being his own man handler
Or the son of the son of run of the mill run
Rotten gambler

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Murray's Ride

I seldom get to hatin' men, nor had much cause to hate;
To me, it just a foolish game to play, at any rate.
But it kills the hard thought in you, an' forgiveness is complete,
To see the man you hated once a maimed thing at your feet.

We'd had a meetin' at the mill; the boss had said his say
The good old boss, who stints himself to find the men their pay
He told us, fair an' honest, he was up against the game
Unless he got the timber out before the Winter came.

I'll say this much for decent men - an' decent men they were
They saw the game that Murray played to give the boss a scare.
We saw he'd pay near anything and Ben would do him brown;
But a fair thing is a fair thing; so we truned Ben Murray down.

A truck was waitin' in the yard, full-loaded for the trip.
Just an easin' of the brake-rope was enough to let her rip
For half a mile or more down-hill along atrack, rough-made,
To where the horses wait to haul her up the other grade.

The talk was done, the numbers up, the boss had won the day,
An' we were ready to go back an' earn our bit of pay;
When Murray in a mad black rage, goes on to rave an' shout.
'You're sacked,' the old man tells him plain. 'I've had enough. Get Out!'

For close on half a minute I expected Hell to pay;
But Murray glares around the mill - then turns an' walks away.
He stops beside the loaded truck; an' each man in the mill
Watched Murray with a sidelong look; an' each man wished him ill.

I knew Ben Murray for a gab; I knew him for a fool
A decent man enough at heart when he was calm an' cool
Wild rage had hold on him that day, an', maybe, madness too;
An' scorn in me changed to dismay at what I saw him do.

He sprang behind the timber load an' leaped up to the back;
He loosed the rope to start the truck upon the down-hill track;
An' if he meant to jump or stay no man will ever know.
'If I go out,' Ben Murray yelled, 'this is the way I go!'


'Stop that mad fool!' howled old man Blair. 'He'll wreck the track below!'
But now the truck had gathered way, an', as we watched her go,
Ben Murray, with the brake-rope slack, cursed us with all his might.
She took the curve behind the huts, an' then went out of sight.

. . . . . . . . . .

We found him near the wattle-clump, down in the little creek.
His head was by a coral fern, an' blood was on his cheek,

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