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Auschwitz is a place in which tragedy cannot occur.

quote by Edward Bond
Added by Lucian Velea
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Dagmar Topf: A Defence Of Family Furnaces

ghettoes, massacres, concentration camps,
the moral decadence, of rich war profiteers,
yet impossible, to keep pace, with final solution,
dispose of thousands, of bodies daily, without Toft,
Dagmar Toft, in the 1990s, seeks legal restitution,
compensation, for Topf property, seized by the Soviets,
represents, dispossessed offspring, confiscated inheritance,

them Russians heap bad people, we want to
count recoup regain our assets, confiscated
by those terribly bad communist people, regain
millions of dollars of our property, after all it
was our company “our engineers and bricklayers
installed the ovens at Aushwitz Buchenwald
Dachau and other camps” for this great service

to the nation the fatherland: “we demand the
return of our factory site where the furnaces
were fabricated” contracts fulfilled with zeal
Kurt Prufer, a Topf & Soehe company engineer,
patented his 'Auschwitz style' twin-chambered
oven “boasting that its burning capacity - 30 to 36
corpses in 10 hours - easily beat the competition.

Dagmar Topf said “Yes, it's true that the company
built four big crematoria at Auschwitz” “But at that
time, you could have called them civil crematoria.”
“You have to understand about German history” “If
you did not go along with the system, you had lots of
problems” Yet the eleven million 'enemies' the Nazi’s
killed butchered received absolutely no compensation.

Can you be the judge? Put Ernst Wolfgang
and Ludwig Topf to the test! The brothers
joined the National Socialist Party in 1935,
to early to make their defense, being forced
to join plausible. Yet Dagmar Topf claims
maintains they joined “only under pressure
from the Nazis”. Is she bearing false witness?

The acid test must be, exactly what did Ernst
and Ludwig Topf know about mass murders?
'Nothing insists Dagmar Topf: “I feel quite sure
that they didn’t know how their ovens were being
used.”' All fresh evidence chillingly indites them.
The importance of being earnest serious solem,
exhibiting a spirit of deep sincerity conviction,

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poem by Terence George Craddock
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Meeting in Belsen

For Anne Frank (1929-1945) .

One day in the autumn of 1944,
Along with your sister Margot,
You were deported from Auschwitz
to Bergen-Belsen.

When you arrived in the camp
the barracks were full,
so for several weeks
you lived in a crowded tent.

Unlike in Auschwitz,
there were no gas chambers in Belsen,
just shouting SS guards with dogs,
watch towers and barbed wire fence,
starvation and disease,
living skeletons of prisoners
tottering around like ghosts.

Typhus raged everywhere
And each hour brought new miseries.
You stared at the clouds in the sky
with your big eyes that grew bigger
in the camp on your sunken face.

Your head was shaven now
and you dressed in coarse rags.
But in your tiny fragile figure
the pure fire of your lofty soul
kept burning.

Then winter came with ice and snow,
frosty winds swept through the camp.
The barracks were unheated in Belsen.
The cold followed you everywhere
And the hunger pangs became unbearable.

You wished at least you could write
but it was hard to get paper or pencil.

Nevertheless, February arrived
with thrilling news.
Amid tears and smiles you found out
with boundless excitement
that an old school friend from Amsterdam
was also in Bergen-Belsen,
in another section of the camp.

Although you could have been shot for it,

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poem by Paul Hartal
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Tragedy

Here I lie
in a lost and lonely part of town
Held in time
In a world of tears I slowly drown
Goin'home
I just can't make it all alone
I really should be holding you
Holding you
Loving you loving you

Tragedy
When the feeling's gone and you can't go on
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one to love you you're
goin' nowhere
Tragedy
When you lose control and you got no soul
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one beside you you're
goin' nowhere
When the feeling's gone and you can't go on

Night and day
there's a burning down inside of me
Burning love
With a yearning that won't let me be
Down I go
and I just can't take it all alone
I really should be holding you
Holding you
Loving you loving

Tragedy
When the feeling's gone and you can't go on
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one to love you you're
goin' nowhere
Tragedy
When you lose control and you got no soul
It's tragedy
When the morning cries and you don't know why
It's hard to bear
With no-one beside you you're
goin' nowhere

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song performed by Bee Gees from Spirits Having Flown
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ZF2 'Angel Of Death' A Demonic Nazi Doctor

he is the 'Angel of Death'
a demonic Nazi doctor
an SS physician in Auschwitz
concentration camp dedicated
to creating a master race
for Satanic Adolf Hitler

he carried out genetic experiments
vivisection on living human victims
without anesthetic without pain killers
cutting you up alive to find the key
to produce Aryan master race twins
to artificially increase Aryan birthrate

a serial killer without empathy pity
a chilling estimated 400,000 deaths
in medical experiments at Auschwitz
succeeded decades ahead of all rivals
experimenting on live humans not rats
doctor death to South America escapes

natural twin rates about one in rarely
in Argentina doctor death will openly
practice medicine far surpass this rate
in small town Candido Godoi in Brazil
in 1960′ s Josef achieves 1: 5 twin ratio
a phenomenon not occurring naturally

Nazi Josef Mengele his results will chill
resulting offspring is Nazi order unique
almost all twins born in Candido Godoi
have blond hair blue eyes to Hitler order
experimental results knife research based
Angel of Death at Auschwitz it learned

Candido Godoi was Mengele's laboratory
the clone master attended treated women
followed his genetic research pregnancies
treated patients with new unknown drugs
preparations talked artificial insemination
in human beings continued animal studies

proclaiming he could get cows to produce
male twins like the plot in the 1978 feature
film ‘The Boys From Brazil’ Mengele was
hiding in South America with real plans to
begin a Fourth Reich with other loyal Nazi
a town museum is the House Of The Twins

Auschwitz angel of death Nazi doctor Josef

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poem by Terence George Craddock
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Fate Hanged on a Hairbreadth

It was summer,1944.
The train stood at the railway station of Gyŏr,
halfway on the road
between Budapest and Vienna.

In the boxcars
there were over 3,000 passengers.
The Hungarian gendarmes squeezed
the deported men, women and children
like sardines into the wagons
and the prisoners were crying for help.

For the SS-Unterscharführer
assigned to the transport
it was just another job.
The corporal already directed
many similar trains to the east.
And those trains always went to the east
and to the same terminus.

However, this transport of deportees
was unlike the others.
The SS corporal made a fatal mistake
but the guards discovered this
only at the Slovakian border.
The train's number was not
on the list of transports
destined for Auschwitz.

The train stopped
at the Slovakian border.
Here the guards contacted
Colonel Adolf Eichmann by telephone
and informed him about the error.

Eichmann decided
that since the train traveled that far
it should continue to Auschwitz.
So the SS guards changed the serial number
of the train and replaced it with the number
of another train departing from Debrecen.

Thus, instead of the death camp
of Auschwitz-Birkenau
in Nazi occupied Poland,
the train from Debrecen
was sent to the distribution camp
of Strasshof in Austria.

As you see,

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poem by Paul Hartal
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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Griselda: A Society Novel In Verse - Chapter V

Griselda's madness lasted forty days,
Forty eternities! Men went their ways,
And suns arose and set, and women smiled,
And tongues wagged lightly in impeachment wild
Of Lady L.'s adventure. She was gone,
None knew by whom escorted or alone,
Or why or whither, only that one morning,
Without pretext, or subterfuge, or warning,
She had disappeared in silence from L. House,
Leaving her lord in multitudinous
And agonised conjecture of her fate:
So the tale went. And truly less sedate
Than his wont was in intricate affairs,
Such as his Garter or his lack of heirs,
Lord L. was seen in this new tribulation.
Griselda long had been his life's equation,
The pivot of his dealings with the world,
The mainstay of his comfort, all now hurled
To unforeseen confusion by her flight:
There was need of action swift and definite.
Where was she? Who could tell him? Divers visions
Passed through his fancy--thieves, and street collisions,
And all the hundred accidents of towns,
From broken axle trees to broken crowns.
In vain he questioned; no response was made
More than the fact that, as already said,
My lady, unattended and on foot,
(A sad imprudence here Lord L. took note),
Had gone out dressed in a black morning gown
And dark tweed waterproof, 'twixt twelve and one,
Leaving no orders to her maid, or plan
About her carriage to or groom or man.
Such was in sum the downstairs' evidence.
The hall porter, a man of ponderous sense,
Averred her ladyship had eastward turned
From the front door, and some small credit earned
For the suggestion that her steps were bent
To Whitechapel on merciful intent,
A visit of compassion to the poor,
A clue which led to a commissioner
Being sent for in hot haste from Scotland Yard.
And so the news was bruited abroad.

It reached my ears among the earliest,
And from Lord L. himself, whose long suppressed
Emotion found its vent one afternoon
On me, the only listener left in town.
His thoughts now ran on ``a religious craze
Of his poor wife's,'' he said, ``in these last days
Indulged beyond all reason.'' The police

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poem by Wilfrid Scawen Blunt
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Why do I see a light

Why do I see a light
Burn silent and austere
In that small dark room
Where magic rites and dark
They say occur at night
Where happenings strange and dark
They say occur at night?

Why does the light burn bright
Into the solitary hours of the night
And fade away
With birth of dawn and day:
In that small dark room
Where happenings strange and dark
They say occur at night?

Aye! Happenings strange and dark
In that dark room occur they say:
Away from light of day:
Fleeing into the dark night
And I would like to know and see
What happens as they say:
But then should I leave you
To flee and go away?

poem by Emmanuel George Cefai
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
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The Third Monarchy, being the Grecian, beginning under Alexander the Great in the 112. Olympiad.

Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.

[...] Read more

poem by Anne Bradstreet
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Tragedy

(Emmylou Harris/Rodney Crowell)
Some say it's destiny
Whether triumph or tragedy
But I believe we cast our nets out on the sea
And nothing we gather
Comes for free
I would have paid down through the years
A price beyong rubies beyond tears
To keep you safe with me
But your suspicion and your fear
Your vow to let nobody near was your trinity
Such a tragedy
I drew the best hand you'd ever hold
Then cashed my winnings in long ago
Settled for silver how could I know
You were waiting with the gold
I could have caused your heart to yield
But I was only a disturbance in the field
Of your dreams
And I will never see you cry
You won't be with me when I die
A waste of you and me
A tragedy
We took the wrong train to
Kingdom come now
No more damage
Can be done baby
It's just what the world don't need
It's another stinkin tragedy
That's how the story goes
Our chapter's coming to a close
We are history
But I will always think of you
Every day until my days are through
You made me believe
In tragedy

song performed by Emmylou Harris
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Golgotha at Auschwitz

Golgotha at Auschwitz

Perhaps they had tried to escape,
or else done some petty crime.
These three would not be gassed or shot-
The rope would serve just fine.

Two men, one boy with nooses fixed-
condemned but never tried.
The nooses tightened on their necks
as they kicked the air and died.

Except the boy, he was too light
He lingered when they died
“Where is God? ” one man muttered
“Where is He? ” others cried.

They made us all march past the place
Where those three in judgment fell
The boy in his slow agony
still endured his private Hell.

The path we walked was ash and bone
Of former inmates made
Those gassed and buried in the air
These were their sole remains.

“Where is God? Where is He now? ”
Some muttered as they passed.
I thought- if He’s not hanging here
More than likely He’s been gassed.

(based on an entry in a Auschwitz survivor’s memoir)

poem by John F. McCullagh
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Easy

Easy to extract oneself from the climacteric of doom
that will absolve humanity of its horrors
by placing its destiny in its own hands
like a loaded gun in the hands of a child
by taking long nocturnal walks by the Tay River
among wildflowers full of farewell.
To watch the moonrise glowing
on the Texas toes of my wet black boots
as if they'd just been spit polished by morning snails
and sense the just proportions
and inchoate eloquence of eternity
in the trivialities of sublime coincidence.
How randomly everything fits
into this urgent medium of life and death
as if it played the tailor to its own emergence seamlessly
the way the mind stream cuts a path for itself
among a bewildering array of rocks and fallen birch
or a startled rat snake adds its wavelength
like a higher frequency to the laconic water
and yet no river has ever flowed the wrong way to the sea.
Easy to step out of the polluted light of the streetlamps
into the cleaner darkness on the outskirts of town
to renew my innocence
in the macrocosmic reveries of my solitude
enchanted by the mesmerizing details
of the mystically miniscule.
How the New England asters
in the middle of September
that yesterday bloomed like stars
in happier zodiacs than this
today are watching their eyelashes fall out one by one
and the daylilies that blazed with desire
wither like the kisses of old women
when no one's there to receive them.
Easy to accept catastrophe in nature
as the spontaneous gesture of a hidden wisdom
that our eyes are too dependent on the light to see yet.
The muskrat gutted by the cattails
by a posse of rampant coyotes
in a frenzy of panicked hunger
sensing the cold-blooded wind turn vicious.
Soon the air will bare its fangs and snarl.
Soon the earth will harden into knuckles of ice
and the raccoons semi-hibernate
and the blue jays come like thieves
to pick the time-locks on the sunflowers
and the seeds enter the cryonic comas of their afterlives
confident of their revival in a future beyond doubt
as the planet sidles up to the sun at perigee
like an old love affair gone cold

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poem by Patrick White
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Prince Of Darkness

My place is of the sun and this place is of the dark
And I do not feel the romance I do not catch the spark
My place is of the sun and this place is of the dark
And I do not feel the romance I do not catch the spark
I dont know when I noticed life was life at my expense
The words of my heart lined up like prisoners on a fence
The dreams came in like needy children tugging at my sleeve
I said I have no way of feeding you, so leave
But there was a time I asked my father for a dollar
And he gave it a ten dollar raise
And when I needed my mother and I called her
She stayed with me for days
Now someones on the telephone, desperate in his pain
Someones on the bathroom floor doing her cocaine
Someones got his finger on the button in some room
No one can convince me we arent gluttons for our doom
But I tried to make this place my place
I asked for providence to smile upon me with his sweet face
Yeah but Ill tell you
My place is of the sun and this place is of the dark
And I do not feel the romance I do not catch the spark
My place is of the sun and this place is of the dark
(by grace, my sight grows stronger)
And I do not feel the romance I will not be
(and I will not be a pawn for the prince of darkness any longer)
Maybe theres no haven in this world for tender age
My heart beat like the wings of wild birds in a cage
My greatest hope my greatest cause to grieve
And my heart flew from its cage and it bled upon my sleeve
Oh the cries of passion were like wounds that needed healing
I couldnt hear them for the thunder
I was half the naked distance between hell and heavens ceiling
And he almost pulled me under
Now someones on the telephone, desperate in his pain
Someones on the bathroom floor doing her cocaine
Someones got his finger on the button in some room
No one can convince me we arent gluttons for our doom
But I tried to make this place my place
I asked for providence to smile upon me with his sweet face
But Ill tell you
My place is of the sun and this place is of the dark
And I do not feel the romance I do not catch the spark
My place is of the sun and this place is of the dark
(by grace, my sight grows stronger)
And I do not feel the romance I do not catch the spark
(grows stronger)
By grace
(my place is of the sun)
My sight
(and this place is of the dark)

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song performed by Indigo Girls
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Scared Of Girls

An introverted kinda soul,
The earth did open,
Swallow whole,
Careenin,
Careenin,
Careenin,
Careenin,
Her next of kin who lived in sin,
Was asking God to let her in,
Careenin,
Careenin,
Careenin,
Careenin,
Im a man, a liar,
Guaranteed in your bed,
I gotta place it on the rack,
Got a place inside it,
Got a place inside it,
Got a place inside it,
An extroverted kinda girl,
Did tour the world with mc5,
Careenin,
Careenin,
Careenin,
Careenin,
Her younger sister, had a blister
Where I kissed her on her thigh
Careenin,
Careenin,
Careenin,
Careenin,
Im a man a liar
Guaranteed in your bed,
I gotta place it on the rack,
Got a place inside it,
Im a man a liar
Guaranteed in your bed,
I gotta place it on the rack,
Got a place inside it,
Got a place inside it,
Got a place inside it,
Im a man a liar
Get into your bed,
I gotta place it on the rack,
Got a place inside it,
Im a man a liar
Guaranteed in your bed,
I gotta place it on the rack,
I got a place inside it,
Im a man a liar

[...] Read more

song performed by Placebo
Added by Lucian Velea
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The Parliament Of Fowles

Here begynyth the Parlement of Foulys

THE PROEM

The lyf so short, the craft so long to lerne,
Thassay so hard, so sharp the conquering,
The dredful Ioy, that alwey slit so yerne,
Al this mene I by love, that my feling
Astonyeth with his wonderful worching
So sore y-wis, that whan I on him thinke,
Nat wot I wel wher that I wake or winke.

For al be that I knowe nat love in dede,
Ne wot how that he quyteth folk hir hyre,
Yet happeth me ful ofte in bokes rede
Of his miracles, and his cruel yre;
Ther rede I wel he wol be lord and syre,
I dar not seyn, his strokes been so sore,
But God save swich a lord! I can no more.

Of usage, what for luste what for lore,
On bokes rede I ofte, as I yow tolde.
But wherfor that I speke al this? not yore
Agon, hit happed me for to beholde
Upon a boke, was write with lettres olde;
And ther-upon, a certeyn thing to lerne,
The longe day ful faste I radde and yerne.

For out of olde feldes, as men seith,
Cometh al this newe corn fro yeer to yere;
And out of olde bokes, in good feith,
Cometh al this newe science that men lere.
But now to purpos as of this matere --
To rede forth hit gan me so delyte,
That al the day me thoughte but a lyte.

This book of which I make of mencioun,
Entitled was al thus, as I shal telle,
`Tullius of the dreme of Scipioun.';
Chapitres seven hit hadde, of hevene and helle,
And erthe, and soules that therinnr dwelle,
Of whiche, as shortly as I can hit trete,
Of his sentence I wol you seyn the grete.

First telleth hit, whan Scipion was come
In Afrik, how he mette Massinisse,
That him for Ioye in armes hath y nome.
Than telleth hit hir speche and al the blisse
That was betwix hem, til the day gan misse;
And how his auncestre, African so dere,

[...] Read more

poem by Geoffrey Chaucer
Added by Poetry Lover
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Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Smoke From Chimneys

Whenever you see
smoke rise up
from chimneys,
you think of her:

Anny Horowitz.
You think of Auschwitz.
1942.
A nine year old Jew.

Whenever you smell
smoke from chimneys
and see it
rise up into blue skies,

you remember her:
Anny with her blue eyes,
at Auschwitz
with her blonde hair

and sad face
dying there.

poem by Terry Collett
Added by Poetry Lover
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A Christmas Visitation

Anny stands by the door. Anny
Watches as your grandchildren
Open the seasonal gifts. Her blue
Eyes follow as toys are investigated
One after another. You see her there,
Her ghostly hand brushing back her
Curly blonde hair. She smiles at you
As she lifts her eyes from toys to you.
None of the others see her as she walks
About the room, her hands wanting to
Touch the toys, to finger the doll, to hold
Against her chest as once she may in
Better days before the Auschwitz death.
You sip your beer, your eyes watching
As she sits by your wife, taking in excitement
Of voices and grandchildren’s laughter,
Her bright eyes moving from you to laid
Down toys, maybe remembering her own
Childhood excitement of Jewish celebrations,
The candles, the singing, the feel of love,
The sense of awe. Speculation on your part,
You and your tender heart. Anny studies
Your wife as she talks of this and that to those
Around the room. Anny looks back at you,
Those blue eyes, that curly blonde hair, that
Ribbon tied in the hair, those 1940s clothes,
That sense of sorrow that follows her like
Perfume. You smile back and want to say
Other words you have said to her before,
But others might wonder why you speak to
One they cannot see, thinking maybe your
Dotage has taken a turn or that you’ve sipped
Too much beer in celebrational cheer. Anny
Understands these things and much beside
Since that Paris betrayal and train trip to
Icy Auschwitz where in 1942 she died.

poem by Terry Collett
Added by Poetry Lover
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