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James Russell Lowell

One thorn of experience is worth a whole wilderness of warning.

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Cleanness

Clannesse who so kyndly cowþe comende
& rekken vp alle þe resounz þat ho by ri3t askez,
Fayre formez my3t he fynde in for[þ]ering his speche
& in þe contrare kark & combraunce huge.
For wonder wroth is þe Wy3þat wro3t alle þinges
Wyth þe freke þat in fylþe fol3es Hym after,
As renkez of relygioun þat reden & syngen
& aprochen to hys presens & prestez arn called;
Thay teen vnto his temmple & temen to hym seluen,
Reken with reuerence þay rychen His auter;
Þay hondel þer his aune body & vsen hit boþe.
If þay in clannes be clos þay cleche gret mede;
Bot if þay conterfete crafte & cortaysye wont,
As be honest vtwyth & inwith alle fylþez,
Þen ar þay synful hemself & sulped altogeder
Boþe God & His gere, & hym to greme cachen.
He is so clene in His courte, þe Kyng þat al weldez,
& honeste in His housholde & hagherlych serued
With angelez enourled in alle þat is clene,
Boþ withine & withouten in wedez ful bry3t;
Nif he nere scoymus & skyg & non scaþe louied,
Hit were a meruayl to much, hit mo3t not falle.
Kryst kydde hit Hymself in a carp onez,
Þeras He heuened a3t happez & hy3t hem her medez.
Me mynez on one amonge oþer, as Maþew recordez,
Þat þus clanness vnclosez a ful cler speche:
Þe haþel clene of his hert hapenez ful fayre,
For he schal loke on oure Lorde with a bone chere';
As so saytz, to þat sy3t seche schal he neuer
Þat any vnclannesse hatz on, auwhere abowte;
For He þat flemus vch fylþe fer fro His hert
May not byde þat burre þat hit His body ne3en.
Forþy hy3not to heuen in haterez totorne,
Ne in þe harlatez hod, & handez vnwaschen.
For what vrþly haþel þat hy3honour haldez
Wolde lyke if a ladde com lyþerly attyred,
When he were sette solempnely in a sete ryche,
Abof dukez on dece, with dayntys serued?
Þen þe harlot with haste helded to þe table,
With rent cokrez at þe kne & his clutte traschez,
& his tabarde totorne, & his totez oute,
Oþer ani on of alle þyse, he schulde be halden vtter,
With mony blame ful bygge, a boffet peraunter,
Hurled to þe halle dore & harde þeroute schowued,
& be forboden þat bor3e to bowe þider neuer,
On payne of enprysonment & puttyng in stokkez;
& þus schal he be schent for his schrowde feble,
Þa3neuer in talle ne in tuch he trespas more.
& if vnwelcum he were to a worþlych prynce,
3et hym is þe hy3e Kyng harder in her euen;

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Patience

Pacience is a poynt, þa33e,
& quo for þro may no3t þole, þe þikker he sufferes.
&Thorn;en is better to abyde þe bur vmbestoundes
&Thorn;en ay þrow forth my þro, þa33e masse,
How Mathew melede þat his Mayster His meyny con teche.
A3t happes He hem hy3t & vcheon a mede,
Sunderlupes, for hit dissert, vpon a ser wyse:
Thay arn happen þat han in hert pouerte,
For hores is þe heuen-ryche to holde for euer;
&Thorn;ay ar happen also þat haunte mekenesse,
For þay schal welde þis worlde & alle her wylle haue;
Thay ar happen also þat for her harme wepes,
For þay schal comfort encroche in kythes ful mony;
&Thorn;ay ar happen also þat hungeres after ry3t,
For þay schal frely be refete ful of alle gode;
Thay ar happen also þat han in hert rauþe,
For mercy in alle maneres her mede schal worþe;
&Thorn;ay ar happen also þat arn of hert clene,
For þay her Sauyour in sete schal se with her y3en;
Thay ar happen also þat halden her pese,
For þay þe gracious Godes sunes schal godly be called;
&Thorn;ay ar happen also þat con her hert stere,
For hores is þe heuen-ryche, as I er sayde.
These arn þe happes alle a3t þat vus bihy3t weren,
If we þyse ladyes wolde lof in lyknyng of þewes:
Dame Pouert, Dame Pitee, Dame Penaunce þe þrydde,
Dame Mekenesse, Dame Mercy, & miry Clannesse,
& þenne Dame Pes, & Pacyence put in þerafter.
He were happen þat hade one; alle were þe better.
Bot [s]yn I am put to a poynt þat pouerte hatte,
I schal me poruay pacyence & play me with boþe,
For in þe tyxte þere þyse two arn in teme layde,
Hit arn fettled in on forme, þe forme & þe laste,
& by quest of her quoyntyse enquylen on mede.
& als, in myn vpynyoun, hit arn of on kynde:
For þeras pouert hir proferes ho nyl be put vtter,
Bot lenge wheresoeuer hir lyst, lyke oþer greme;
& þereas pouert enpresses, þa33tloker hit lyke & her lotes prayse,
&Thorn;enne wyþer wyth & be wroth & þe wers haue.
3if me be dy3t a destyne due to haue,
What dowes me þe dedayn, oþer dispit make?
Oþer 3if my lege lorde lyst on lyue me to bidde
Oþer to ryde oþer to renne to Rome in his ernde,
What grayþed me þe grychchyng bot grame more seche?
Much 3if he me ne made, maugref my chekes,
& þenne þrat moste I þole & vnþonk to mede,
&Thorn;e had bowed to his bode bongre my hyure.
Did not Jonas in Jude suche jape sumwhyle?
To sette hym to sewrte, vnsounde he hym feches.
Wyl 3e tary a lyttel tyne & tent me a whyle,

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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.


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A Womans Threat

My time, my patience, my love
My blood, my sweat, my tears
My burdens, my drama, my pain
My car, my money, my home
My ups, my downs, my fears
And my hours, my work, my strength
My fault, my this, my that
Nigga please
If you dont stop
(this is a warning)
Someones gonna lay in your bed
(this is a warning)
And someones gonna eat your food
(this is a warning)
And someones gonna wear your clothes
(this is a warning)
And someones gonna fit your shoes
(this is a warning)
And someones gonna get your keys
(this is a warning)
And someones gonna open your doors
(this is a warning)
Someones gonna get your check
(this is a warning)
This is a womans threat
Baby, this is a womans threat
My shakin, my sleep, my stress
My days, my night, my rest
My dos, my donts, my dares
And my church, my pastor, my prayers
My all, my faith, my powers
And my kitchen, my sink, my towels
My joy, my sad, my hate
And my sister, my cousin, my friends
My lights, my gas, my bills
My role, my way, my will
My hollerin, my fussin, my fights
Nigga please
If you dont stop
(this is a warning)
Someones gonna lay in your bed
(this is a warning)
And someones gonna eat your food
(this is a warning)
And someones gonna wear your clothes
(this is a warning)
And someones gonna fit your shoes
(this is a warning)
And someones gonna get your keys
(this is a warning)

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I Want A Warning

History is made, not repeated
And you hide behind words that make you feel needed
And what you read in those books made you so conceited
So in order for love to be true
My dreams will have to
Become my only rules
I want a warning
I want a warning
I want something more than a warning
I've been warned about you
I see through all your promises and warnings
I want a warning
I want a warning
I want something more than a warning
I've been warned about you
I see through all your promises and warnings
Wake me up on into a world outdated
And the older you get the more you seem jaded
As you search for the quotes to make it seem complicated
So in order for love to be true
Even my nightmares
Become my only rules
I want a warning
I want a warning
I want something more than a warning
I've been warned about you
I see through all your promises and warnings
I want a warning
I want a warning
I want something more than a warning
I've been warned about you
But I've seen through
Every promise is a warning
I want a warning
I want a warning
I want something more than a warning
I've been warned about you
I see through all your promises and warnings
I want a warning
I want a warning
I want something more than a warning
I've been warned about you
I've seen through
For a promise of a warning

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The Thorn

I

'There is a Thorn--it looks so old,
In truth, you'd find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.

II

'Like rock or stone, it is o'ergrown,
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:
Up from the earth these mosses creep,
And this poor Thorn they clasp it round
So close, you'd say that they are bent
With plain and manifest intent
To drag it to the ground;
And all have joined in one endeavour
To bury this poor Thorn for ever.

III

'High on a mountain's highest ridge,
Where oft the stormy winter gale
Cuts like a scythe, while through the clouds
It sweeps from vale to vale;
Not five yards from the mountain path,
This Thorn you on your left espy;
And to the left, three yards beyond,
You see a little muddy pond
Of water--never dry
Though but of compass small, and bare
To thirsty suns and parching air.

IV

'And, close beside this aged Thorn,
There is a fresh and lovely sight,
A beauteous heap, a hill of moss,
Just half a foot in height.
All lovely colours there you see,
All colours that were ever seen;

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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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Neon Wilderness

In a neon wilderness
In a neon wilderness
He was restless
He was restless
Escape loneliness
Escape loneliness
Find a new address
Find a new address
Stood before I sink
In a neon wilderness
Stood before I sink
Spill my last drink
In a neon wilderness
Yeah, he was restless
Spill my last drink
Say good-bye to my new friends
Yeah, he was restless
Escape from loneliness
Say good-bye to my new friends
I found a new address
Escape from loneliness
In the last room
I found a new address
I hear a boom
In the last room
Someone elses distress
I hear a boom
In a neon wilderness
Someone elses distress
Someone elses distress
In a neon wilderness
In a neon wilderness
Someone elses distress
And I hear a boom
In a neon wilderness
And I hear a boom
In a neon wilderness
He was restless
Escape loneliness
In a neon wilderness
For a new address
He was restless
Escape loneliness
In a neon wilderness
For a new address
He was restless
Escape loneliness
For a new address
In a neon wilderness
He was restless

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Strength in weakness

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

A typical Pauline sophism?
A typical Pauline syllogism?
A typical Pauline casuistry?
A typical Pauline homily.

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul was disabled, you see
Was he blind? You ask
Was he lame? You ask
Was it a speech impediment?

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Oh! He was strong in spirit
But weak in appearance
He can’t be our leader, they said
He’s an embarrassment

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul said: “Yes, I am weak
But God’s strength is made perfect
In my weakness not in my strength
So up the weak and down the strong! (my words!)

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

We are all weak in some way
Weak in our words
Weak in our walk
Weak in our talk

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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John Milton

Paradise Regained

THE FIRST BOOK

I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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Was It Worth It?

(tennant/lowe)
--------------------
Well I dont know why I was dreaming about you
But I do know that I was dancing without you
Then you smiled, and I was lost
You fall in love, why count the cost?
All I gave to you
All you made me do
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
If Id had my way this would have happened much sooner
But until that day it was only a rumour
All at once you changed my life
And led me in to paradise
Where I had to do
What I wanted to
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
I reserve the right to live
My life this way, and I dont give
A damn when I hear people say
Ill pay the price that others pay
cause its worth it
Yes its worth living for
cause its worth it
Yes its worth living for
All I gave to you
All you made me do
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
And I reserve (what? )
The right to live (where? )
My life this way (how? )
I couldnt give
A damn when I (what? )
Hear people say (who? )
Ill pay the price
That others pay
cause its worth it
Yes its worth living for
cause its worth it

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Life in Paradise: 21st Century Style

2000-2001
The “dot com” bubble bursts
Recession
9/11/2001
America attacked!
Our way of life is threatened
Fear sets in
Financial institutions vulnerable!
Economy in a nose dive
What to do?
Everybody fly the flag from your home.
Save housing - Save the economy!
First, everybody needs a home.
The madness begins.
2002-2003
Create laws to increase minority homeownership
California gives birth to the ARMs* and NINJA** loans
Accounting irregularities at Fannie Mae (FNMA) & Freddie Mac (FDMAC) ***
Doors open for Wall Street to invest in Main Street
Without those pesky government regulations
Homeownership increases

...“After all ever since the Great Depression, home values have ALWAYS gone up
And everybody pays their mortgage ”…

WARNING! WARNING! DANGER! DANGER!

AREN”T HOME PRICES INCREASING FASTER THAN INCOME?

…...“No problem; it only takes a little creative mortgage financing and Wall St loves those high yielding mortgages…..
HIGHER RISK - HIGHER YIELD!
Pension funds love high yield.
Buy more and more....
…...“After all ever since the Great Depression, home values have ALWAYS gone up
And everybody pays their mortgage ”…..

WARNING! WARNING! DANGER! DANGER!

AREN”T PENSION FUNDS ONLY ALLOWED TO BUY AAA RATED INVESTMENTS?

...“Problem solved...banks pay the salaries at the Rating Agencies and Ratings Agencies in turn lower the standards to obtain a AAA rating”...

WARNING! WARNING! DANGER! DANGER!

WHO’S WATCHING THE “HEN HOUSE” WHO’S MINDING THE STORE?

...“Who cares?
Everyone is happy
Millions of new jobs created
Millions of new homeowners

[...] Read more

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Thorn & A Wlid Rose

By d. toler, t. colton & b. waibel
He came from the streets, she came from the mountains
A faded star and an angel without wings,
Their passions flowed like a deep running river
They had nothing left to lose and everything to gain and he said
Lets make a garden said the thorn to the wild rose,
Plant some seeds deep in the ground,
Lets make a garden said the thorn to the wild rose,
Strong enough to hold us down
Seasons will change, well last forever well see the snow and the
Falling of the leaves
High on the hill with the sky all around us, well watch it grow
From two wild seeds
Lets make a garden said the thorn to the wild rose,
Plant some seeds deep in the ground,
Lets make a garden said the thorn to the wild rose,
Where its springtime all around
Solo
He came from the streets, she came from the mountains
A faded star and an angel without wings,
Their passions flowed like a deep running river
They had nothing left to lose and everything to gain and he said
Lets make a garden said the thorn to the wild rose,
Plant some seeds deep in the ground,
Lets make a garden said the thorn to the wild rose,
Where its springtime all around
Lets make a garden said the thorn to the wild rose,
Plant some seeds deep in the ground,
Lets make a garden said the thorn to the wild rose,
Where its springtime all around

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7 Weeks

Go
So your still the same, there's nothing left in me
Do you really think that we could save this?
Now get off your feet and really do something
Do you really think it matters anyway?
You said that we were fine, your lying all this time
Your the thorn that's in my side
7 weeks go by, it's so hard to say goodbye
Take your thorn
Take your pills so you can feel more of this and more of me
Don't shut that door in my face
Do you really it matters?
Do you really think it matters anyway?
You said that we were fine, your lying all this time
Your the thorn that's in my side
7 weeks go by, it's so hard to say goodbye
Take your thorn out of my side
My side, my side
Take your thorn out of my side
My side, my side
Take your thorn out of my side
You said that we were fine, your lying all this time
Your the thorn that's in my side
7 weeks go by, it's so hard to say goodbye
Take your thorn out of my side
Side
Go

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Little Sister

(m. shuman-d. pomus)
(b) - (e) - (gm) - (f) - (c9) - (f7) - (gm7)
(bþ) little sister wont you (eþ) please, please, (bþ) please
Little sister dont you (eþ) cheat on (bþ) me
Little sister dont you (eþ) kiss me once and twice
Say its very nice and then you (gm) run (f)
(eþ) little sister dont you (c9) do what your (f) big sister (bþ) done
Well, I (b) dated your big sister
And I (e) took her to a show (b)
I (e) went out for some candy
Along came jim dandy
And they (f) snuck right out the door
Little sister wont you please, please, please
Little sister dont you cheat on me
Little sister dont you kiss me once and twice
Say its very nice and then you run
Little sister dont you do what your big sister done
Evry time I see your sister
Seems shes got somebody new
Well, shes mean and evil
Like that little old boll weevil
Got to try my luck with you
Sister wont you please, please, please
Little sister dont you cheat on me
Little sister dont you kiss me once and twice
Say its very nice and then you run
Little sister dont you do what your big sister done
Well, now I used to pull your pigtails
And I pinched your turned-up nose
Baby you been a-growin
Yes, its been a-showin
From your head down to your toes

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Every Rose Has Its Thorn

[Originally by Poison]
We both lie silently still in the dead of the night
Although we both lie close together
We feel miles apart inside
Was it somethin' I said or somethin' I did
Did my words not come out right
Tho' I tried not to hurt you
Tho' I tried
But I guess that's why they say
Every rose has its thorn
Just like every night has its dawn
Just like every cowboy sings a sad, sad song
Every rose has its thorn
Yea it does
I listen to your favorite song playin' on the radio
Hear the DJ say love's a game of
Easy come and easy go
But I wonder does he know
Has it ever felt like this
And I know that you'd be here right now
If I could have let you know somehow I guess
Every rose has its thorn
Just like every night has its dawn
Just like every cowboy sings a sad, sad song
Every rose has its thorn
Though it's been a while now
I can still feel so much pain
Like the knife that cuts you
The wound heals, but the scar, that scar remains
Every rose has its thorn
Just like every night has its dawn
Just like every cowboy sings a sad, sad song
Every rose has its thorn
So I hear you've found somebody new
And that I never meant that much to you
To hear that tears me up inside
And to see you cuts me like a knife, I guess
Every rose has its thorn
Just like every night has its dawn
Just like every cowboy sings a sad, sad song
Every rose has its thorn

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Experiencia Religiosa (remix)

Un poco de ti para sobrevivir
Esta noche ue viene fria y sola
Un aire de extasis en la ventana
Para vestirme de fiesta y ceremonia
Cada vez que estoy contigo
Yo descubro el infinito
Tiembla el suelo
La noche se ilumina
El silencio se vuelve melodia
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento prendido de tu
cuerpo
es un experiencia religiosa
Casi una experiencia religiosa
Contigo cada instante en cada cosa
Besar la boca tuya merece
un aleluya
Es una experiencia religiosa
Vuelve pronto mi amor
te necesito ya
Porque esta noche tan honda
me da miedo
Necesito la musica de tu alegria
Para callar los demonios que
llevo dentro
Cada vez que estoy contigo
Yo descubro el infinito
Tiembla el suelo
La noche se ilumina
El silencio se vuelve melodia
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento prendido de tu
cuerpo
es un experiencia religiosa
Casi una experiencia religiosa
Contigo cada instante
en cada cosa
Besar la boca tuya merece
un aleluya
Es una experiencia religiosa
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento
prendido de tu cuerpo
Es un experiencia religiosa

[...] Read more

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