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A concert is a concert is a concert is a concert. An album is an album is an album is an album. Musically, both have nothing in common.

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Fundamental of Liar Chapter CXV: Common Thing

It’s not a kindness of heart
It’s not strong solidarity
It’s just a common thing

It’s not local wisdom
It’s not old tradition
It’s just a common thing

It’s not call of duty
It’s not sense of right
It’s just a common thing

It’s not formal greeting
It’s not automatic response
It’s just a common thing

It’s not a matter of guessing
It’s not a part of instinct
It’s just a common thing

It’s not natural reaction
It’s not act of compassion
It’s just a common thing

It’s not regular news
It’s not lack of awareness
It’s just a common thing

It’s not general knowledge
It’s not piece of memory
It’s just a common thing

It’s not statistic range
It’s not operational standard
It’s just a common thing

It’s not moral excuses
It’s not people ignorance
It’s just a common thing

It’s not public secret
It’s not rhetoric question
It’s just a common thing

It’s not different mindset
It’s not basic solution
It’s just a common thing

It’s not absolute law
It’s not blind obedience

[...] Read more

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Good Evening Mr. Waldheim

Good evening mr.waldheim
And pontiff how are you?
You have so much in common
In the things you do
And here comes jesse jackson
He talks of common ground
Does that common ground include me
Or is it just a sound
A sound that shakes
Oh jesse, you must watch the sounds you make
A sound that quakes
There are fears that still reverberate
Jesse you say common ground
Does that include the plo?
What about people right here right now
Who fought for you not so long ago?
The words that flow so freely
Falling dancing from your lips
I hope that you dont cheapen them
With a racist slip
Oh common ground
Is common ground a word or just a sound
Common ground
Remember those civil rights workers buried in the ground
If I ran for president
And once was a member of the klan
Wouldnt you call me on it
The way I call you on farrakhan
And pontiff, pretty pontiff
Can anyone shake your hand ?
Or is it just that you like uniforms
And someone kissing your hand
Or is it true
The common ground for me includes you too
Oh, oh, is it true
The common ground for me includes you too
Good evening mr.waldheim
Pontiff how are you
As you both stroll through the woods at night
Im thinking thoughts of you
And jesse youre inside my thoughts
As the rhythmic words subside
My common ground invites you in
Or do you prefer to wait outside
Or is it true
The common ground for me is without you
Or is it true
The common ground for me is without you
Oh is it true
Theres no ground common enough for me and you

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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Summertime In England

Can you meet me in the country
In the summertime in england
Will you meet me?
Will you meet me in the country
In the summertime in england
Will you meet me?
Well go riding up to kendal in the country
In the summertime in england.
Did you ever hear about
Did you ever hear about
Did you ever hear about
Wordsworth and coleridge, baby?
Did you ever hear about wordsworth and coleridge?
They were smokin up in kendal
By the lakeside
Can you meet me in the country in the long grass
In the summertime in england
Will you meet me
With your red robe dangling all around your body
With your red robe dangling all around your body
Will you meet me
Did you ever hear about . . .
William blake
T. s. eliot
In the summer
In the countryside
They were smokin
Summertime in england
Wont you meet me down bristol
Meet me along by bristol
Well go ridin down
Down by avalon
Down by avalon
Down by avalon
In the countryside in england
With your red robe danglin all around your body free
Let your red robe go.
Goin ridin down by avalon
Would you meet me in the country
In the summertime in england
Would you meet me?
In the church of st. john . . .
Down by avalon . . . .
Holy magnet
Give you attraction
Yea, I was attracted to you.
Your coat was old, ragged and worn
And you wore it down through the ages
Ah, the sufferin did show in your eyes as we spoke
And the gospel music

[...] Read more

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

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Common Ground

Written by neil diamond, tom hensley, and alan lindgren
If you love me,
Say you love me.
These are words we find hard to share.
Would you trust me?
Could I trust you?
Will you always want me there?
Or is this just some game called nothin goes right?
Is this just me to blame
For making these endless nights?
And who do we think we are,
Some kind of cosmic shooting stars?
No were not.
Havent got all that time.
Got to find a common ground,
Not the other way around
For you and i.
We need to walk on common ground.
We need to make a lovin sound.
While we got time,
We got to try.
Were you loving?
Was I caring?
These are feelings too hard to measure.
Ill be loving.
You be caring.
Will it always feel this way?
Or will we find the way to make it alright?
Will that sun come someday
To wake up this endless night?
And who do we think we are,
Some kind of cosmic shooting stars?
No, were not.
Havent got all that time.
Looking for a common ground,
Not the other way around
For you and i.
Got to find a common ground.
Need to make a lovin sound
While we got time,
You and i.
And we still have the time to make it work right,
Make that sun come to shine
And wake up this endless night.
And who do we think we are,
Some kind of cosmic shooting stars?
No were not.
Havent got all that time.
Got to find a common ground,
Not the other way around,

[...] Read more

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Solace Amongst The Sin

Farewell to the west now
And welcome, to the east
Farewell to the one who raked, the sand beneath my feet
Thank you for the space we shared, and the heart and soul my friend
I will see you through the colours, between the mountains as the sun decends
Oh we twisted and we reflected upon a grin
Common ground we walked upon, with common feelings & common things
Yes it is a cruel world, but there is solace amongst the sin
Peace to you for now we'll share again, we'll share again
Farewell to the west now
My mind is open to the east
To all the new faces, new minds & things to see
I am alone here, and my heart at times it weeps
You will see me through the colours, as the sun sinks in the sea
Oh we twisted and we reflected upon a grin
Common ground we walked upon, with common feelings & common things
Yes it is a cruel world, but there is solace amongst the sin
Peace to you for now we'll share again, we'll share again
Oh we twisted and we reflected upon a grin
Common ground we walked upon, with common feelings & common things
Yes it is a cruel world, but there is solace amongst the sin
Peace to you for now we'll share again, we'll share again
We will share again
We'll share again
Hmmm, hmmm, oh my friend we'll share again
Oh we will share again

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Solace Amongst The Sin

Farewell to the west now
And welcome, to the east
Farewell to the one who raked, the sand beneath my feet
Thank you for the space we shared, and the heart and soul my friend
I will see you through the colours, between the mountains as the sun decends
Oh we twisted and we reflected upon a grin
Common ground we walked upon, with common feelings & common things
Yes it is a cruel world, but there is solace amongst the sin
Peace to you for now we'll share again, we'll share again
Farewell to the west now
My mind is open to the east
To all the new faces, new minds & things to see
I am alone here, and my heart at times it weeps
You will see me through the colours, as the sun sinks in the sea
Oh we twisted and we reflected upon a grin
Common ground we walked upon, with common feelings & common things
Yes it is a cruel world, but there is solace amongst the sin
Peace to you for now we'll share again, we'll share again
Oh we twisted and we reflected upon a grin
Common ground we walked upon, with common feelings & common things
Yes it is a cruel world, but there is solace amongst the sin
Peace to you for now we'll share again, we'll share again
We will share again
We'll share again
Hmmm, hmmm, oh my friend we'll share again
Oh we will share again

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Christmas-Eve

I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II.
Well, from the road, the lanes or the common,

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Amy Lowell

The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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John Dryden

Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

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Metamorphoses: Book The Thirteenth

THE chiefs were set; the soldiers crown'd the
field:
To these the master of the seven-fold shield
Upstarted fierce: and kindled with disdain.
Eager to speak, unable to contain
His boiling rage, he rowl'd his eyes around
The shore, and Graecian gallies hall'd a-ground.
The Then stretching out his hands, O Jove, he cry'd,
Speeches of Must then our cause before the fleet be try'd?
Ajax and And dares Ulysses for the prize contend,
Ulysses In sight of what he durst not once defend?
But basely fled that memorable day,
When I from Hector's hands redeem'd the flaming
prey.
So much 'tis safer at the noisie bar
With words to flourish, than ingage in war.
By diff'rent methods we maintain our right,
Nor am I made to talk, nor he to fight.
In bloody fields I labour to be great;
His arms are a smooth tongue, and soft deceit:
Nor need I speak my deeds, for those you see,
The sun, and day are witnesses for me.
Let him who fights unseen, relate his own,
And vouch the silent stars, and conscious moon.
Great is the prize demanded, I confess,
But such an abject rival makes it less;
That gift, those honours, he but hop'd to gain,
Can leave no room for Ajax to be vain:
Losing he wins, because his name will be
Ennobled by defeat, who durst contend with me.
Were my known valour question'd, yet my blood
Without that plea wou'd make my title good:
My sire was Telamon, whose arms, employ'd
With Hercules, these Trojan walls destroy'd;
And who before with Jason sent from Greece,
In the first ship brought home the golden fleece.
Great Telamon from Aeacus derives
His birth (th' inquisitor of guilty lives
In shades below; where Sisyphus, whose son
This thief is thought, rouls up the restless heavy
stone),
Just Aeacus, the king of Gods above
Begot: thus Ajax is the third from Jove.
Nor shou'd I seek advantage from my line,
Unless (Achilles) it was mix'd with thine:
As next of kin, Achilles' arms I claim;
This fellow wou'd ingraft a foreign name
Upon our stock, and the Sisyphian seed
By fraud, and theft asserts his father's breed:
Then must I lose these arms, because I came

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Beauty O beauty I am in love with you

Beauty O beauty I am in love with you
When you are found in the common face
My heart can barely wait to take your place
I see your look in the common race
For there you have placed
In a love that bares no disgrace
Cupid is blind this is true
So do not blame him when he strike you
And a man you find not fair
For half of beauty is within
This you can not see till you woo
And his inner beauty will overthrow
All of your misconceived notions
About what beauty mends
Beauty my man beauty
The common face capture me
The common love I can not see
But this love of the common he
Is what most that moves me
I have no shame to call upon the name
Of gay love tied with a ring
For love of beauty is beyond the dictate of the state
For they are only man made rules
And has not the true power to school
Common beauty can be seen on any street
And the bars where you go to meet
The common men is yout yo greet
Some say that beauty be not common
But they are but fools to think this so
For well does the true poet knows
That beauty is white as the snow
Beauty is black as the night
Beauty is yellow as the sun flower’s petal
Beauty is bronze as the metal
Beauty is red as the blossom of the crape myrtle
Beauty, O beauty its true that you do
To who you care to do
For all the races are filled with you
Beauty by like a tender touch
That in the night will come to irrupt
Beauty be soft, beauty be roughs
To pull back the skin of the silk
And expose the kernels of our love
Beauty o, beauty
Found in women and in men
We know that each of the same sex can comprehend
That a man can find beauty in a man.

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Bull Session With The big Daddy

Well are we on?
Yeah well were kinda on
We just introduce earl leaf so
Earl tree
Hi fig
Food
You get my cheese sandwich?
Gimme
Uh huh they had ham
Did you get a malt?
Didnt bring any malts
Whatd you get us?
A burger I mean cheese heres cheese
Oh its mine
Did you order one?
No Im kidding
Whatd you get me?
Mike Im gonna take a bite pretty quick
Oh thank you
I wouldve rather had that
No thats all wrong
Hey theres onions on this so I hope all you guys dont mind
Hi earl
Heres some french fries you can all split
Oh theres kosher pickles
Thank you for the french fries Im really uh
Everythings gonna be alright marylin
Thank you
Oops okay why dont earl talk to brian
You stepped on my french fries
Now after the concert in paris
Concert?
Which was a blast
You mean that that big ol thing
That was a musically
I loved that conce that was the best concert
I had a lot of fun
It was great
I thought it was our best show we ever played
Its great
I thought it I liked it almost
First show I only made three mistakes
I still havent made a mistake my whole career
Were keep waiting for you to make a mistake brian
Where was this place we had the lamb wherever it was
Oh that banquet we had
Yeah
Yeah they brough in this big ol lamb and dennis and I had to sit there
Holding it up
Yeah but it had its you know they cooked the whole lamb and put its raw

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Part I

"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."

Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.

So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall

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poem by from The Inn Album (1875)Report problemRelated quotes
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Christmas Carol Singalong

(Every Christmas, I go to the Christmas Carol Singalong at the Royal Albert Hall, hosted by Jonathan Cohen, and I wanted to capture the atmosphere of the event.)

I love going to the Royal Albert Hall for the Christmas Carol Sing-along.
It attracts a really large audience – some five thousand people strong.
Before the concert begins, there’s excited anticipation in the air,
And, there are plenty of cheerful, smiling faces, everywhere.

On stage, there’s a large orchestra and a smartly clad choir,
And there’s the promise of singing to your heart’s desire.
There’s well known Christmas songs old and new,
And all your favourite Christmas carols mixed in to.

Sometimes, just the orchestra get to do their thing,
And sometimes, just the choir stand up and sing.
There’s also a guest singer who sings a few songs,
But, with the majority of songs, we get to sing along.

On the pacier numbers, the choir move to the beat,
Clapping their hands together and shuffling their feet.
There’s usually a piano solo which requires nifty fingers.
I watch in total awe and my amazement always lingers.

They certainly look like they’re having great fun.
The festive cheer you experience there is second to none.
Everyone dons festive Santa hats during the second half,
And everyone looks like they’re having such a great laugh.

At some point, a Mexican wave usually begins,
And losing their inhibitions, everybody joins in.
There are often some shout-outs to people in the crowd,
And they respond with a wave and cheer very loud.

There’s a party spirit all round the Hall,
And everybody really is having a ball.
The whole concert is joyous and very fast paced
And is guaranteed to light up even the glummest face.

On stage, there are two huge Christmas trees, brightly lit.
Everything about this concert proves to be a massive hit.
Full of cheer, everyone claps and sings along in their seats.
Going to the concert makes my Christmas totally complete.

When the choir sings ‘We Wish You A Merry Christmas’, you know,
That the concert is drawing to a close and it will soon be time to go.
You leave the Hall feeling full of joy and Christmas cheer,
Ready to repeat this wonderful experience again next year.

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Imagination

Imagine the concert

The concert did not cost a dime
But every soul was there- from the beginning of time.
It was the biggest concert the heavens had ever seen.
The greatest dancers and singers that were ever known.
On the largest television screen it was shown.

You had the crooners, the swooners,
the rockers, the boppers, and the opera singers
All gathered together for one big show.
In heaven- this is the way to go.

It started off with the “tappers” coming on to the stage
All well known in the archives of fame.
First Bill “Bo jangles” Robinson with Fred Astaire in back.
Then Jean Kelly. Ginger Rodgers,
and Gregory Hines picking up the slack.

Then came the female singers who were all
In the hall of fame, and all well known by their names.
Billie holiday, Lena Horne, Doris Day and Peggy Lee
Judy Garland and Dinah Shore-and lets not forget
The Andrew Sisters- who gave us so much more.

Then out came the male singers who touched the
Hearts of women all around the world
And made all their hair stand up and curl.
Mario Lanza, Frank Sinatra, Perry Como, Dean Martin
Just to name a few, then let us not forget the soul singers
Otis Redding, Sam Cooke, and Nat “king” Cole
Then Marvin Gaye who really put on a show.

OH! This concert was a wonder to behold!
And the greatest one was yet to unfold.
Everyone waited in anticipation
As the angels blew their trumpets
And the harps let out the most beautiful melody.
For behind that big curtain
Walked out our all Mighty King.

All knees bent, and all heads bowed
You couldn’t hear a pin drop
Not a single solitary sound.

He gave the heavens his blessings
As every face lit with delight
And all the way to earth
You could see this glaring light.

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Sing For The Common Man

You may not know me now
But I have been around
Youll never see my name on any pages
Im just the common man
The fool who understands
The pain you go through
When life takes you under
So, sing for the common man
A song for the common man
He paid for the song with the sweat of his brow
He will survive, he will survive
You may not know my mother
My sisters or my brothers
Yet everyone has given for the other
You know the working man
He builds what others plan
So, everyone of us should sing his story
So, sing for the common man
A song for the common man
He paid for the song with the sweat of his brow
He will survive, he will survive
Dat after day
He keeps working away
In offices, factories, and farms
Year after year
He sheds tear after tear
He will provide, he will survive
So, sing for the common man
A song for the common man
He paid for the song with the sweat of his brow
He will survive, he will survive

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by from Don Juan (1824)Report problemRelated quotes
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