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Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.

quote by Larry Wachowski
Added by Lucian Velea
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Style

(style) style, uh!
(yeah, yeah, yeah, yeah)
Style, dig it
(style) style, come on
Uh, style
Style is not something that comes in a bottle
Style is more like jackie o. when she was doin aristotle
Style is not a logo that sticks 2 the roof of ones ass
Style is like a second cousin 2 class
U got it! - style, come on
U got it! - style, say what?
U got it! - style, come on
U got it! - style, check it
Style aint sittin court side with the owner of the team
Style is owning the court and charging em all a fee
Style is not lusting after someone because theyre cool
Style is loving yourself til everyone else does 2
U got it! - style, come on
U got it! - style, maybe
U got it! - style, well well
U got it! - style
Bridge:
Style dont get drunk on a saturday night
Try 2 dress up every sunday mornin bright
Style dont get married then break the vow in a year
Style is keepin a promise
Raise your hand yall if u hear me
(style) {x2}
Style is not biting style when u cant find the funk
Style is the face u make on a michael jordon dunk
Style aint the jeep u bought when u know your broke ass got bills
Style is lettin your lover drive while u talk on the phone and chill
U got it! - style
U got it! - style, maybe
U got it! - style, come on
U got it! - style
Bridge:
Style is a gold-tooth smile with an attitude
Style is a peaceful wild postin the rude
Style is growing your own food
Style is a non-violent march
Style is an accurate account of whats inside every heart (style)
Style is not a lie
Style is a man that cries
Style is the glow in a pregnant womans eyes
(style) {x4}
U got it! - style, come on
U got it! - style, do that, do that
U got it! - style, got it?
U got it! - style, mad, come on

[...] Read more

song performed by Prince
Added by Lucian Velea
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Billy Barlow In Australia

When I was at home I was down on my luck,
And I earned a poor living by drawing a truck;
But old aunt died, and left me a thousand—"Oh, oh,
I'll start on my travels," said Billy Barlow.
Oh dear, lackaday, oh,
So off to Australia came Billy Barlow.
When to Sydney I got, there a merchant I met,
Who said he would teach me a fortune to get;
He'd cattle and sheep past the colony's bounds,
Which he sold with the station for my thousand pounds.
Oh dear, lackaday, oh,
He gammon'd the cash out of Billy Barlow.
When the bargain was struck, and the money was paid,
He said, "My dear fellow, your fortune is made;
I can furnish supplies for the station, you know,
And your bill is sufficient, good Mr. Barlow."
Oh dear, lackaday, oh,
A gentleman settler was Billy Barlow.
So I got my supplies, and I gave him my bill,
And for New England started, my pockets to fill;
But by bushrangers met, with my traps they made free,
Took my horse and left Billy bailed to a tree.
Oh dear, lackaday, oh,
"I shall die of starvation," thought Billy Barlow.

At last I got loose, and I walked on my way;
A constable came up, and to me did say,
"Are you free?" Says I, "Yes, to be sure; don't you know?"
And I handed my card, "Mr. William Barlow."
Oh dear, lackaday, oh,
He said, "That's all gammon," to Billy Barlow.
Then he put on the handcuffs, and brought me away
Right back down to Maitland, before Mr. Day.
When I said I was free, why the J.P. replied,
"I must send you down to be i—dentified."
Oh dear, lackaday, oh,
So to Sydney once more went poor Billy Barlow.
They at last let me go, and I then did repair
For my station once more, and at length I got there;
But a few days before, the blacks, you must know,
Had spear'd all the cattle of Billy Barlow.
Oh dear, lackaday, oh,
"It's a beautiful country," said Billy Barlow.

And for nine months before no rain there had been,
So the devil a blade of grass could be seen;
And one-third of my wethers the scab they had got,
And the other two-thirds had just died of the rot.
Oh dear, lackaday, oh,
"I shall soon be a settler," said Billy Barlow.

[...] Read more

poem by Andrew Barton Paterson
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Cobblestones

The coffin, set up as coffins always are, near the grave, contained the father. The sentence, set up as sentences always are, on the page, contained the words. The meat package, set up as meat packages always are, with cellophane covering, contained the chops. The synagogue, set up as synagogues always are, for people, contained the rabbi. The classroom, set up as classrooms always are, for chairs, contained the professor. The coffin, set up as coffins always are, beside the grave, contained the mother. The word, set up as words always are, beyond hearing, contained the syllables. The prose, set up as prose always is, in census-rectangles, contained the phenomena. The nation, set up as nations always are, in questionnaire rooms, contained the sworn. The can, set up as cans always are, with ornate paper covers, contained the chicken o’noodle soup, with the circular noodles. Abacus, guitar, and quipu, set up as abacus, guitar and quipu always are, hieratically on notional strings, contained tobacco’s troubadours. The coffin, set up as coffins always are, next to the grave, contained the sister. The elegy, set up as elegies always are, dishonestly, contained the family. The steak, set up as steaks always are, artificially reddened, contained the fat. The rectangular venetian blinds, set up as rectangular venetian blinds always are, in the windowframe, contained the slats. The DNA, set up as DNA always is, in double helixes, contained the and. The word people, set up as the word people always is, in writing, contained the o.

poem by Aaron Fogel
Added by Poetry Lover
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Dont Lose My Number

They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
Well he never meant to do anything wrong
Its gonna get worse if he waits too long
Billy, billy dont you lose my number
Cos youre not anywhere
That I can find you
Oh now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldnt stop till they found him
They didnt know him and they didnt understand
They never asked him why
Get out of my way
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
Dont give up
Keep running, keep hiding
Dont give up
Billy, if you know youre right
Dont give up
You know that I am on your side
Dont give up
Oh billy, you better, you better, you better run for your life
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
He never meant to do anything wrong
Its gonna get worse if he waits too long

[...] Read more

song performed by Phil Collins
Added by Lucian Velea
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Dont Lose My Number

They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
Well he never meant to do anything wrong
Its gonna get worse if he waits too long
Billy, billy dont you lose my number
Cos youre not anywhere
That I can find you
Oh now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldnt stop till they found him
They didnt know him and they didnt understand
They never asked him why
Get out of my way
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
Dont give up
Keep running, keep hiding
Dont give up
Billy, if you know youre right
Dont give up
You know that I am on your side
Dont give up
Oh billy, you better, you better, you better run for your life
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
He never meant to do anything wrong
Its gonna get worse if he waits too long

[...] Read more

song performed by Phil Collins
Added by Lucian Velea
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Don't Loose My Number

They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
"I'm never coming back"
They heard him cry
And I believe him
Well he never meant to do anything wrong
It's gonna get worse if he waits too long
Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you
Oh now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldn't stop till they found him
They didn't know him and they didn't understand
They never asked him why
"Get out of my way"
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you, oh
Now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh
Don't give up
Keep running, keep hiding
Don't give up
Billy, if you know you're right
Don't give up
You know that I am on your side
Don't give up
Oh Billy, you better, you better, you better run for your life
Now Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you, oh
Now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
"I'm never coming back"
They heard him cry
And I believe him
He never meant to do anything wrong
It's gonna get worse if he waits too long

[...] Read more

song performed by Phil Collins
Added by Lucian Velea
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Where's My Billy Goat Gone To?

'Twas a birthday gift Miss Posie had
When she was nine, and twenty:
Not of gold -- Oh, no! -- nor gem, nor pearl,
Tho' he who gave had plenty.
'Twas a gift she took so much to heart,
Her neighbors thought her silly;
'Twas a B-A-B-Y (Baby) Goat,
A snow-white Baby Billy!
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

Take my home! Take my farm!
Yes, me too (if you want to);
But tell me! tell me!
Where's my Billy Goat gone to?
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

When she tried to teach him how to read,
Twas only "baa" he'd utter;
As she coaxed him then with cake and cream,
He'd slyly turn to butt her.
Yet he taught himself a thousand tricks,
And many a curious caper;
He would clamber to her chimney top,
And dine there on brown paper.

When the winter came she bought him shoes,
And flannel red she ordered
For a Sunday suit, with trousers cut
Four-legged and embroidered
On the steeple soon in tatters hung,
They set the parson snarling;
And he called that goat Be-el-ze-bub --
The one that she called Darling.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

He was fond of roaming on the rocks,
With workmen in the quarry;
And if there he found their luncheon pails,
Not he but they were sorry.
For he raised aloft his iron brow,
Despite the foreman's clamor;
And the pails, he crushed them one by one,
As with a blacksmith's hammer.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

Then for pails replaced and pails concealed

[...] Read more

poem by Henry Clay Work
Added by Poetry Lover
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Style (Pablo)

Now here comes a musical shack attack
Really on truly design to make you rock
Whether you white or black
In a pants or frock
Round a front or back
Down an bottom or on top
Is Pablo Ranks round the microphone a chat
On the musical shack attack seen (Dreadlocks)
Here them style ya now star
Ca me say if a don't Patton then a style
A me say is a don't Patton them a style (Smile)
A mi say if a don't patton them a style (Wicked on wile)
Say if a don't Patton them a style
Mi young a say strong Jah know mi well virile
True mi eant everything them a say that spwile
Man mi run way left mi yard them a say that mi wile
Say mi lock the education but mi versatile, true mi
Sell the callie weel on them mi collect the kile
Babylon want fi hold mi it is just for a while
Say mi break out a jail a man use a file
Say mi head in a the mountain - under low profile
Mi say if a don't Patton them a style (right)
A me say if a don't Patton them a style (Flashitta)
Ca me say if a don't Patton then a style (Bubble)
A mi say if a don't Patton then a style
But a true say Pablo cool Pablo wasn't hostile
Mi rub down fi mi skin yes in a coconut oil
Me rap ip fi mi weed in a bacofile
Mi chat the rub a dub fi make the girls them smile
The blood in a them body (man) me want it fi boil
With swet a run them back like a engine oil
With the lyrics them a fire like any missile
Pablo Ranks around the mic as your disciplin child
Well mi fire fi mi lyrics for a million mile
All the girls them in the dance say him dea under profile
Ca me say if a don't Patton them a style
A me say if a don't Patton them astyle (wicked and wile)
Say if a don't Patton then a style (Gwan)
Ca me say if a don't them a style
You know say Pablo Ranks him a you cullicked yard child
A tell you that Patton that a Patton
Me say style a style
But a snake on a lizard on a crocodile
But a them dea creature me say call reptile
But anywhere you go, you know those a pure style
But a Pablo Rankin dea ya cause him wicked and wile
Come fi run down the rubadub in a yard style
Make the girls them in the dance hall feel fi smile
Make the blood in a them body (just) starte fi boil
Make the swet a run them back like a engine oil

[...] Read more

song performed by Ub40
Added by Lucian Velea
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Looking for Water

Still the leaves are spinning 'round
Take my hand as we go down, and down, and down
Looking for water
Well, our light's gone in a New York minute
Don't know about you, but my heart's not in it
(Looking, looking, looking)
I'm looking for water
I'm looking for water
(Looking, looking, looking)
I can't breathe the air, can't raise a fact
'Cause all we've got left is a beat in the night, and I'm
(Looking for water)
Looking for water
(Looking for water)
(Looking, looking)
Take my hand as we go down, and down
Leave it all behind, nothing could be found
(I'm, looking for water)
I'm looking for water
(Looking for water)
(Looking, looking)
(I, looking for water)
Looking everywhere
(Looking for water)
Looking here and there
(I'm looking for water)
I'm looking for water
(Looking for water)
(Looking, looking)
I can't live in this cage, I can't eat this candy
The edge of the earth to the spin in my head
The look in your eyes and never means never
The dawn's early light, baby, dark is forever
(Looking, looking)
(Looking, looking)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for watter)
Looking, looking)
I

[...] Read more

song performed by David Bowie, music by David Bowie, lyrics by David Bowie from Reality
Added by Lucian Velea
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Little Billy

Little billy was the fattest kid in his class
Little billy was the fattest kid in his class
Always the last in line
Always the last in line
All the other little kids would laugh at him
All the other little kids would laugh at him
Said hed die before his time
Said hed die before his time
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Most of the kids smoked cigarettes
Most of the kids smoked cigarettes
Just to prove that they were cool
Just to prove that they were cool
The teacher didnt know about the childrens games
The teacher didnt know about the childrens games
And billy always followed the rules
And billy always followed the rules
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Billy was big on the outside
Billy was big on the outside
But theres an even bigger man inside
But theres an even bigger man inside
Ten million cigarettes burning every day
Ten million cigarettes burning every day
And billys still doing fine
And billys still doing fine
Now billy and his classmates are middle-aged
Now billy and his classmates are middle-aged
With children of their own
With children of their own
Their smoking games are reality now
Their smoking games are reality now
And cancers seed is sown
And cancers seed is sown
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billys didnt mind
Little billys didnt mind

[...] Read more

song performed by Who
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

poem by Thomas Moore
Added by Poetry Lover
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Wilder Wein

Wilder Wein-vor deinem Schloss
Wilder Wein-ich bin bereit
man meldet Ankunft-nur fuer den Koenig
Gott steh mir bei-und oeffne deine Tore
Wilder Wein-und ganz langsam
Wilder Wein-so warm und feucht

Wilder Wein-vor deinem Schloss
Wilder Wein-es steht geschrieben
tief im Wasser-kreuzt man nicht
doch mein Lust-verlacht die Fluegel
Wilder Wein-wie eineTaube
Wilder Wein-so nass und heiss

Wilder Wein-vor diesem Dunkel
Wilder Wein-von Licht geheilt
es bleibt verborgen-sonst koennten wir uns wehren
ich warte auf dich-am Ende der Nacht
Wilder Wein-nur eine Traube
Wilder Wein-und bitter wie Schnee

ich warte auf dich-am Ende der Nacht
ich warte auf dich-am Ende der Nacht
ich warte auf dich-am Ende der Nacht
ich warte auf dich-am Ende der Nacht

song performed by Rammstein
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Billy Radcliff

Billy radcliffe didnt go to town and when he looked up he was really looking down catching blue in his eyes that were brown billy radcliffe
Billy radcliffe owned by the state from his first breath to the cemetery gate he was the first boy born in space billy radcliffe
Billy radcliffe very first one he really had lived just a cursed son a split in half man sang the cherubim billy radcliffe
Billy radcliffe saw what the devil man saw a spot of blue in the black of the eye of the lord such a cruel love is the kind that has wrought billy radcliffe
Billy sadly didnt live long he had to stay there because he wasnt too strong hes stepping out the door blowing up like a bomb billy radcliffe
Billy radcliffe very first one really a hatched man a light switch son a split in half man sang the cherubim I bet you cried when he died now didja, now didja?
Now billy radcliffe saw what the devil man saw a spot of blue in the black of the eye of the lord now billy radcliffe saw what the devil had and I feel very bad for william radcliffe

song performed by Frank Black
Added by Lucian Velea
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Rockaway The Days

Billy got out of prison but he wasnt right
Some like to drink or gamble, billy liked to fight
He tracked back to his home state of maryland
Went to his moms mobile home where she took him in, alright
Chorus:
Rockaway the days, rockaway the nights
Gimme something to last me, baby, till the morning light
I aint lookin for trouble, I aint looking for a fight
Honey rockaway these days, rockaway these nights
Well at a picnic one sunday billy met mary dove
Mary looked at billy, billy fell in love
Billy swore to mary hed always love her so
They were married in the valley where the river flows, alright
(chorus)
At a roadside bar billy argued with a young man
And he settled that argument with a razor in his hand
With blood on his shirt back to mary he did run
She sighed billy, oh billy, what have you done?
He ran to his mas trailer but the lights were dim
He pounded on the door, she wouldnt let him in
Up the road to a neighbors house he drew near
They said billy go away, we dont want no trouble round here
Billy stole a car and headed out on the road
Pocketful of pills and his brain on overload
Seen some lights in his rearview mirror, panicked and gave her the gun
Wrapped himself round a telephone pole way out on 101
Well billy got cut out by the highway patrol
Just lay there with the cars passing on slow
Sheriff told billys ma that billy died
She buried his body by the riverside, alright
(chorus)
Well rich man want the power and the seat on the top
Poor man want the money that the rich man got
Honey tonight Im feeling so tired and unsure
Come on in mary, shut the light, close the door
(chorus)

song performed by Bruce Springsteen
Added by Lucian Velea
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King Billy's Skull.

THE scene is the Southern Hemisphere;
The time — oh, any time of the year
Will do as well as another; say June,
Put it down likewise as the full of the moon,
And midnight to boot, when churchyards, they say,
Yawn in a most unmannerly way;
And restless ghosts in winding-sheets
Go forth and gibber about the streets,
And rehearse old crimes that were better hid
In the darkness beneath the coffin-lid.
Observe, that I merely say, on dit;
But though it never happened to me
To encounter, either in-doors or out,
A posthumous gentleman walking about,
In regulation sepulchral guise,
Or in shirt, Crimean or otherwise,
Or in hat and boots and usual wear,
Or, save for a cloud, unbecomingly bare,
Or in gaseous form, with the stars shining through him,
Beckoning me to interview him —
On mission of solemnest import bound,
Or merely a constitutional round,
Beginning at twelve as books declare,
And ending at first sniff of morning air; —
Though all such things, you will understand,
Have reached me only at second-hand,
Or third, or fourth, as the case may be,
Yet there really did occur to me
Something which I perforce must call
Ultra-super-natural; —
In fact trans-ultra-super-preter-
Natural suits both truth and metre.
There is an Island, I won't say where,
For some yet live who mightn't care
To have the address too widely known;
Suffice it to say: South Temperate Zone.
In that same Isle, thus precisely set down,
There's a certain township, and also a town —
(For, to ears colonial, I need not state
That the two do not always homologate). —
And in that same town there's a certain street;
And in that same street, the locals to complete,
There's a certain Surgery, trim and neat,
Kept by —— well, perhaps it were rash
To call him other than Doctor Dash.
At midnight, then, in the month of June
(And don't forget the full of the moon),
I sat in that Surgery, writhing with pain,
Having waited fully two hours in vain
For Doctor Dash, who, I understood,

[...] Read more

poem by James Brunton Stephens
Added by Poetry Lover
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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His Story

Yo, this is a story of a male female threat to society
You know being misjudged and not respected for what we are
But I want to send this special shout out to my girl tawana brawley
Cause no matter what we say or what we do
Theyll always believe his story (ow)
Chorus:
His story (yeahee, yeahee, yeahee)
Hist story (ow)
Theyre gonna believe
His story
His story
Why does it have to be that we get labeled for what we do
Its hard enough for us to be ourselves without being used
Girls have an image too
But when they get mad at you
There is no telling what theyll say to hurt you
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
Theyre gonna believe
Chorus
Sometimes I feel like there is no reason for me to explain
No matter how much we complain
You know it all stays the same
They try to call us freaks
Why does it have to be
We cant get justified until we speak up (oooh)
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
(you know its just a waste of my time)
Theyre gonna believe
His story over mine
So what you gonna do
Dont let it take over you (hey)
My story is a waste of time
Its hard enough to be ourselves without being used
So yo take it from me
Dont be a victim of society
You cant put yourself in a position to be neglected
And disrespected
You have to do whats not expected
Alright
Or all be his story
His story over mine
His story will be his story
(this is a story of) how could you do this to us
Theyre gonna believe

[...] Read more

song performed by TLC
Added by Lucian Velea
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