Nothing would disgust me more, morally, than receiving an Oscar.
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Oscar Of Alva: A Tale
How sweetly shines through azure skies,
The lamp of heaven on Lora's shore;
Where Alva's hoary turrets rise,
And hear the din of arms no more!
But often has yon rolling moon
On Alva's casques of silver play'd;
And view'd at midnight's silent noon,
Her chief's in gleaming mail array'd:
And on the crimson'd rocks beneath,
Which scowl o'er ocean's sullen flow,
Pale in the scatter'd runks of death,
She saw the gasping warrior low;
While many an eye which ne'er again
Could mark the rising orb of day,
T'urn'd feebly from the gory plain,
Beheld in death her fading ray.
Once to those eyes the lamp of Love,
They blest her dear propitious light;
But now she glimmer'd from above,
A sad, funereal torch of night.
Faded is Alva's noble race,
And gray her towers are seen afar;
No more her heroes urge the chase,
Or roll the crimson tide of war.
But who was last of Alva's clan?
Why grows the moss on Alva's stone?
Her towers resound no steps of man,
They echo to the gale alone.
And when that gale is fierce and high,
A sound is heard in yonder hall;
It rises hoarsely through the sky,
And vibrates o'er the mould'ring wall.
Yes, when the eddying tempest sighs,
It shakes the shield of Oscar brave;
But there no more his banners rise,
No more his plumes of sable wave.
Fair shone the sun on Oscar's birth,
When Angus hail'd his eldest born
The vassals round their chieftain's hearth
Crowd to applaud the happy morn.
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Temora - Book I
ARGUMENT.
Cairbar, the son of Borbar-duthul, lord of Atha, in Connaught, the most Potent chief of the race of the Fir-bolg, having murdered, at Temora, the royal palace, Cormac, the son of Artho, the young king of Ireland, usurped the throne. Cormac was lineally descended from Conar, the son of Trenmor, the great-grandfather of Fingal, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the behavior of Cairbar, and resolved to pass over into Ireland with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cathmor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledonian invaders appeared on the coast of Ulster.
The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brought him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Moma, haughtily despises the enemy; and is reprimanded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Olla, he invites Oscar, the son of Ossian; resolving to pick a quarrel with that hero, and so have some pretext for killing him. Oscar came to the feast; the quarrel happened; the followers of both fought, and Cairbar and Oscar fell by mutual wounds. The noise of the battle reached Fingal's army. The king came on to the relief of Oscar, and the Irish fell back to the army of Cathmor, who was advanced to the banks of the river Lubar, on the heath of Moi-lena. Fingal, after mourning over his grandson, ordered Ullin, the chief of his bards, to carry his body to Morven, to be there interred. Night coming on, Althan, the son of Conachar, relates to the king the particulars of the murder of Cormac. Fillan, the son of Fingal, is sent to observe the motions of Cathmor, by night, which concludes the action of the first day. The scene of this book is a plain, near the hill of Mora, which rose on the borders of the heath of Moi-lena in Ulster.
THE blue waves of Erin roll in light. The mountains are covered with day. Trees shake their dusky heads in the breeze. Gray torrents pour their noisy streams. Two green hills, with aged oaks, surround a narrow plain. The blue course of a stream is there. On its banks stood Cairbar of Atha. His spear supports the king: the red eye of his fear is sad. Cormac rises in his soul, with all his ghastly wounds. The gray form of the youth appears in darkness. Blood pours from his airy side. Cairbar thrice threw his spear on earth. Thrice he stroked his beard. His steps are short. He often stops. He tosses his sinewy arms. He is like a cloud in the desert, varying its form to every blast. The valleys are sad around, and fear, by turns, the shower! The king at length resumed his soul. He took his pointed spear. He turned his eye to Moi-lena. The scouts of blue ocean came. They came with steps of fear, and often looked behind. Cairbar knew that the mighty were near. He called his gloomy chiefs.
The sounding steps of his warriors came. They drew at once their swords. There Morlath stood with darkened face. Hidalla's long hair sighs in the wind. Red-haired Cormar bends on his spear, and rolls his sidelong-looking eyes. Wild is the look of Malthos, from beneath two shaggy brows. Foldath stands, like an oozy rock, that covers its dark sides with foam. His spear is like Slimora's fir, that meets the wind of heaven. His shield is marked with the strokes of battle. His red eye despises danger. These, and a thousand other chiefs, surrounded the king of Erin, when the scout of ocean came, Mor-annal, from streamy Moi-lena, His eyes hang forward from his face. His lips are trembling pale!
"Do the chiefs of Erin stand," he said, "silent as the grove of evening? Stand they, like a silent wood, and Fingal on the coast? Fingal, who is terrible in battle, the king of streamy Morven!" "Hast thou seen the warrior?" said Cairbar with a sigh. "Are his heroes many on the coast? Lifts he the spear of battle? or comes the king in peace?" "In peace be comes not, king of Erin; I have seen his forward spear. It is a meteor of death. The blood of thousands is on its steel. He came first to the shore, strong in the gray hair of age. Full rose his sinewy limbs, as he strode in his might. That sword is by his side, which gives no second wound. His shield is terrible, like the bloody moon, ascending through a storm. Then came Ossian, king of songs. Then Morni's son, the first of men. Connal leaps forward on his spear. Dermid spreads his dark-brown locks. Fillan bends his bow, the young hunter of streamy Moruth. But who is that before them, like the terrible course of a stream? It is the son of Ossian, bright between his locks! His long hair falls on his back. His dark brows are half enclosed in steel. His sword hangs loose on his side. His spear glitters as he moves. I fled from his terrible eyes, king of high Temora!"
"Then fly, thou feeble man," said Foldath's gloomy wrath. "Fly to the gray streams of thy land, son of the little soul! Have not I seen that Oscar? I beheld the chief in war. He is of the mighty in danger: but there are others who lift the spear. Erin has many sons as brave, king of Temora of groves. Let Foldath meet him in his strength. Let me stop this mighty stream. My spear is covered with blood. My shield is like the wall of Tura!"
"Shall Foldath alone meet the foe?" replied the dark-browed Malthos? "Are they not on our coast, like the waters of many streams? Are not these the chiefs who vanquished Swaran, when the sons of green Erin fled? Shall Foldath meet their bravest hero? Foldath of the heart of pride! Take the strength of the people! and let Malthos come. My sword is red with slaughter, but who has heard my words?"
"Sons of green Erin," said Hidalla, "let not Fingal hear your words. The foe might rejoice, and his arm be strong in the land. Ye are brave, O warriors! Ye are tempests in war. Ye are like storms, which meet the rocks without fear, and overturn the woods! But let us move in our strength, slow as a gathered cloud! Then shall the mighty tremble; the spear shall fall from the hand of the valiant. We see the cloud of death, they will say, while shadows fly over their face. Fingal will mourn in his age. He shall behold his flying fame. The steps of his chiefs will cease in Morven. The moss of years shall grow in Selma!"
Cairbar heard their words in silence, like the cloud of a shower: it stands dark on Cromla, till the lightning bursts its side. The valley gleams with heaven's flame; the spirits of the storm rejoice. So stood the silent king of Temora; at length his words broke forth. "Spread the feast on Moi-lena. Let my hundred bards attend. Thou red-haired Olla, take the harp of the king. Go to Oscar, chief of swords. Bid Oscar to our joy. To-day we feast and hear the song; to-morrow break the spears! Tell him that I have raised the tomb of Cathol; that bards gave his friend to the winds. Tell him that Cairbar has heard of his fame, at the stream of resounding Carun. Cathmor, my brother, is not here. He is not here with his thousands, and our arms are weak. Cathmor is a foe to strife at the feast! His soul is bright as that sun! But Cairbar must fight with Oscar, chiefs of woody Temora, His words for Cathol were many! the wrath of Cairbar burns! He shall fall on Moi-lena. My fame shall rise in blood!"
Their faces brightened round with joy. They spread over Moi-lena. The feast of shells is prepared. The songs of bards arise. The chiefs of Selma heard their joy. We thought that mighty Cathmor came. Cathmor, the friend of strangers! the brother of red-haired Cairbar. Their souls were not the same. The light of heaven was in the bosom of Cathmor. His towers rose on the banks of Atha: seven paths led to his halls. Seven chiefs stood on the paths, and called the stranger to the feast! But Cathmor dwelt in the wood, to shun the voice of praise!
Olla came with his songs. Oscar went to Cairbar's feast. Three hundred warriors strode along Moi-lena of the streams. The gray dogs bounded on the heath: their howling reached afar. Fingal saw the departing hero. The soul of the king was sad. He dreaded Cairbar's gloomy thoughts, amidst the feast of shells. My son raised high the spear of Cormac. A hundred bards met him with songs. Cairbar concealed, with smiles, the death that was dark in his soul. The feast is spread. The shells resound. Joy brightens the face of the host. But it was like the parting beam of the sun, when he is to hide his red head in a storm!
Cairbar rises in his arms. Darkness gathers on his brow. The hundred harps cease at once. The clang of shields is heard. Far distant on the heath Olla raised a song of wo. My son knew the sign of death; and rising seized his spear. "Oscar," said the dark-red Cairbar, "I behold the spear of Erin. The spear of Temora glitters in thy hand, son of woody Morven! It was the pride of a hundred kings. The death of heroes of old. Yield it, son of Ossian, yield it to car-borne Cairbar!"
"Shall I yield," Oscar replied, "the gift of Erin's injured king; the gift of fair-haired Cormac, when Oscar scattered his foes? I came to Cormac's halls of joy, when Swaran fled from Fingal. Gladness rose in the face of youth. He gave the spear of Temora. Nor did he give it to the feeble: neither to the weak in soul. The darkness of thy face is no storm to me: nor are thine eyes the flame of death. Do I fear thy clanging shield? Tremble I at Olla's song? No Cairbar, frighten the feeble; Oscar is a rock!"
"Wilt thou not yield the spear?" replied the rising pride of Cairbar." Are thy words so mighty, because Fingal is near? Fingal with aged locks, from Morven's hundred groves! He has fought with little men. But he must vanish before Cairbar, like a thin pillar of mist before the winds of Atha!" — "Were he who fought with little men, near Atha's haughty chief, Atha's chief would yield green Erin to avoid his rage! Speak not of the mighty, O Cairbar! Turn thy sword on me. Our strength is equal: but Fingal is renowned! the first of mortal men!"
Their people saw the darkening chiefs. Their crowding steps are heard. Their eyes roll in fire. A thousand swords are half unsheathed. Red-haired Olla raised the song of battle. The trembling joy of Oscar's soul arose: the wonted joy of his soul when Fingal's horn was heard. Dark as the swelling wave of ocean before the rising winds, when it bends its head near the coast, came on the host of Cairbar!
Daughter of Toscar! why that tear? He is not fallen yet. Many were the deaths of his arm before my hero fell!
Behold they fall before my son, like groves in the desert; when an angry ghost rushes through night, and takes their green heads in his hand! Morlath falls. Maronnan dies. Conachar trembles in his blood. Cairbar shrinks before Oscar's sword! He creeps in darkness behind a stone. He lifts the spear in secret, he pierces my Oscar's side! He falls forward on his shield, his knee sustains the chief. But still his spear is in his hand! See, gloomy Cairbar falls! The steel pierced his forehead, and divided his red hair behind. He lay like a shattered rock, which Cromla shakes from its shaggy side, when the green-valleyed Erin shakes its mountains from sea to sea!
But never more shall Oscar rise! He leans on his bossy shield. His spear is in his terrible hand. Erin's sons stand distant and dark. Their shouts arise, like crowded streams. Moi-lena echoes wide. Fingal heard the sound. He took the spear of Selma. His steps are before us on the heath. He spoke the words of wo. "I hear the noise of war. Young Oscar is alone. Rise, sons of Morven: join the hero's sword!"
Ossian rushed along the heath. Fillan bounded over Moi-lena. Fingal strode in his strength. The light of his shield is terrible. The sons of Erin saw it far distant. They trembled in their souls. They knew that the wrath of the king arose: and they foresaw their death. We first arrived. We fought. Erin's chiefs withstood our rage. But when the king came, in the sound of his course, what heart of steel could stand? Erin fled over Moi-lena. Death pursued their flight. We saw Oscar on his shield. We saw his blood around. Silence darkened on every face. Each turned his back and wept. The king strove to hide his tears. His gray beard whistled in the wind. He bends his head above the chief. His words are mixed with sighs.
"Art thou fallen, O Oscar! in the midst of thy course? the heart of the aged beats over thee! He sees thy coming wars! The wars which ought to come he sees! They are cut off from thy fame! When shall joy dwell at Selma? When shall grief depart from Morven? My sons fall by degrees: Fingal is the last of his race. My fame begins to pass away. Mine age will be without friends. I shall sit a gray cloud in my hall. I shall not hear the return of a son, in his sounding arms. Weep, ye heroes of Morven! never more shall Oscar rise!"
And they did weep, O Fingal! Dear was the hero to their souls. He went out to battle, and the foes vanished. He returned in peace, amidst their joy. No father mourned his son slain in youth: no brother his brother of love. They fell without tears, for the chief of the people is low! Bran is howling at his feet: gloomy Luath is sad; for he had often led them to the chase; to the bounding roe of the desert!
When Oscar saw his friends around, his heaving breast arose. "The groans," he said, "of aged chiefs; the howling of my dogs; the sudden bursts of the song of grief, have melted Oscar's soul. My soul, that never melted before. It was like the steel of my sword. Ossian, carry me to my hills! Raise the stones of my renown. Place the horn of a deer: place my sword by my side; The torrent hereafter may raise the earth: the hunter may find the steel, and say, 'This has been Oscar's sword, the pride of other years!'" "Fallest thou, son of my fame? shall I never see thee, Oscar? When others hear of their sons, shall I not hear of thee? The moss is on thy four gray stones. The mournful wind is there. The battle shall be fought without thee. Thou shalt not pursue the dark-brown hinds. When the warrior returns from battles, and tells of other lands; 'I have seen a tomb,' he will say, 'by the roaring stream, the dark dwelling of a chief. He fell by car-borne Oscar, the first of mortal men.' I, perhaps, shall hear his voice. A beam of joy will rise in my soul."
Night would have descended in sorrow, and morning returned in the shadow of grief. Our chiefs would have stood, like cold-dropping rocks on Moi-lena, and have forgot the war; did not the king disperse his grief, and raise his mighty voice. The chiefs, as new-wakened from dreams, lift up their heads around.
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poem by James Macpherson
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The War Of Caros
Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.
Bring, daughter of Toscar, bring the harp! the light of the song rises in Ossian's soul! It is like the field, when darkness covers the hills around, and the shadow grows slowly on the plain of the sun. I behold my son, O Malvina! near the mossy rock of Crona. But it is the mist of the desert, tinged with the beam of the west! Lovely is the mist that assumes the form of Oscar! turn from it, ye winds, when ye roar on the side of Ardven!
Who comes towards my son, with the murmur of a song? His staff is in his hand, his gray hair loose on the wind. Surly joy lightens his face. He often looks back to Caros. It is Ryno of songs, he that went to view the foe. "What does Caros, king of ships?" said the son of the now mournful Ossian: "spreads he the wings of his pride, bard of the times of old?" "He spreads them, Oscar," replied the bard," but it is behind his gathered heap. He looks over his stones with fear. He beholds thee terrible, as the ghost of night, that rolls the waves to his ships!"
"Go, thou first of my bards!" says Oscar, "take the spear of Fingal. Fix a flame on its point. Shake it to the winds of heaven. Bid him in songs, to advance, and leave the rolling of his wave. Tell to Caros that I long for battle; that my bow is weary of the chase of Cona. Tell him the mighty are not here; and that my arm is young."
He went with the murmur of songs. Oscar reared his voice on high. It reached his heroes on Ardven, like the noise of a cave, when the sea of Togorma rolls before it, and its trees meet the roaring winds. They gather round my son like the streams of the hill; when, after rain, they roll in the pride of their course. Ryno came to the mighty Caros. He struck his flaming spear. Come to the battle of Oscar. O thou that sittest on the rolling waves! Fingal is distant far; he hears the songs of bards in Morven: the wind of his hall is in his hair. His terrible spear is at his side; his shield that is like the darkened moon Come to the battle of Oscar; the hero is alone.
He came not over the streamy Carun. The bard returned with his song. Gray night grows dim on Crona. The feast of shells is spread. A hundred oaks burn to the wind; faint light gleams over the heath. The ghosts of Ardven pass through the beam, and show their dim and distant forms. Comala is half unseen on her meteor; Hidallan is sullen and dim, like the darkened moon behind the mist of night.
" Why art thou sad?" said Ryno; for he alone beheld the chief. "Why art thou sad, Hidallan! hast thou not received thy fame? The songs of Ossian have been heard , thy ghost has brightened in wind, when thou didst bend from thy cloud to hear the song of Morven's bard!"—-" And do thine eyes," said Oscar, " behold the chief, like the dim meteor of night? Say, Ryno, say, how fell Hidallan, the renowned in the days of my fathers! His name remains on the rocks of Cona. I have often seen the streams of his hills!"
Fingal, replied the bard, drove Hidallan from his wars. The king's soul was sad for Comala, and his eyes could not behold the chief. Lonely, sad, along the heath he slowly moved, with silent steps. His arms hung disordered on his side. His hair flies loose from his brow. The tear is in his downcast eyes; a sigh half silent in his breast! Three days he strayed unseen, alone, before he came to Lamor's halls: the mossy halls of his fathers, at the stream of Balva. There Lamor sat alone beneath a tree; for he had sent his people with Hidallan to war. The stream ran at his feet; his gray head rested on his staff. Sightless are his aged eyes. He hums the song of other times. The noise of Hidallan's feet came to his ear: he knew the tread of his son.
"Is the son of Lamor returned; or is it the sound of his ghost? Hast thou fallen on the banks of Carun, son of the aged Lamor? Or, if I hear the sound of Hidallan's feet, where are the mighty in the war? where are my people, Hidallan! that were wont to return with their echoing shields? Have they fallen on the banks of Carun?"
"No," replied the sighing youth, "the people of Lamor live. They are renowned in war, my father! but Hidallan is renowned no more. I must sit alone on the banks of Balva, when the roar of the battle grows."
" But thy fathers never sat alone," replied the rising pride of Lamor. "They never sat alone on the banks of Balva, when the roar of battle rose. Dost thou not behold that tomb? My eyes discern it not; there rests the noble Garmállon, who never fled from war! Come, thou renowned in battle, he says, come to thy father's tomb. How am I renowned, Garmállon? my son has fled from war!"
"King of the streamy Balva!" said Hidallan with a sigh, "why dost thou torment my soul? Lamor, I never fled. Fingal was sad for Comala; he denied his wars to Hidallan. Go to the gray streams of thy land, he said; moulder like a leafless oak, which the winds have bent over Balva, never more to grow."
"And must I hear," Lamor replied, "the lonely tread of Hidallan's feet? When thousands are renowned in battle, shall he bend over my gray streams? Spirit of the noble Garmállon! carry Lamor to his place; his eyes are dark, his soul is sad, his son has lost his fame."
"Where," said the youth, " shall I search for fames to gladden the soul of Lamor? From whence shall return with renown, that the sound of my arms may be pleasant in his ear? If I go to the chase of hinds, my name will not be heard. Lamor will not feel my dogs with his hands, glad at my arrival from the hill. He will not inquire of his mountains, or of the dark-brown deer of his deserts!"
"I must fall," said Lamor, "like a leafless oak: it grew on a rock! it was overturned by the winds! My ghost will be seen on my hills, mournful for my young Hidallan. Will not ye, ye mists, as ye rise, hide him from my sight! My son, go to Lamor's ball: there the arms of our fathers hang. Bring the sword of Garmállon: he took it from a foe!"
He went and brought the sword with all its studded thongs. He gave it to his father. The gray-haired hero felt the point with his hand.
"My son, lead me to Garmállon's tomb: it rises beside that rustling tree. The long grass is withered; I hear the breezes whistling there. A little fountain murmurs near, and sends its waters to Balva. There let me rest; it is noon: the sun is on our fields!"
He led him to Garmállon's tomb. Lamor pierced the side of his son. They sleep together: their ancient halls moulder away. Ghosts are seen there at noon: the valley is silent, and the people shun the place of Lamor.
"Mournful is thy tale," said Oscar, "son of the times of old! My soul sighs for Hidallan; he fell in the days of his youth. He flies on the blast of the desert: his wandering is in a foreign land. Sons of the echoing Morven! draw near to the foes of Fingal. Send the night away in songs; watch the strength of Caros. Oscar goes to the people of other times; to the shades of silent Ardven, where his fathers sit dim in their clouds, and behold the future war. And art thou there, Hidallan, like a half-extinguished meteor? Come to my sight, in thy sorrow, chief of the winding Balva!"
The heroes move with their songs. Oscar slowly ascends the hill. The meteors of night set on the heath before him. A distant torrent faintly roars. Unfrequent blasts rush through aged oaks. The half enlightened moon sinks dim and red behind her hill. Feeble Voices are heard on the heath. Oscar drew his sword! " Come," said the hero, " O ye ghosts of my fathers! ye that fought against the kings of the world! Tell the deeds of future times; and your converse in our caves, when you talk together, and behold your sons in the fields of the brave!"
Trenmo came from his hill at the voice of his mighty son. A cloud, like the steed of the stranger, supported his airy limbs. His robe is of the mist of Lano, that brings death to the people. His sword is a green meteor, half-extinguished. His face is without form, and dark. He sighed thrice over the hero; thrice the winds of night roared around! Many were his words to Oscar; but they only came by halves to our ears; they were dark as the tales of other times, before the light of the song arose. He slowly vanished, like a mist that melts on the sunny hill. it was then, O daughter of Toscar! my son began first to be sad. He foresaw the fall of his race. At times he was thoughtful and dark, like the sun when he carries a cloud on his face, but again he looks forth from his darkness on the green hills of Cona.
Oscar passed the night among his fathers: gray morning met him on Carun's banks. A green vale surrounded a tomb which arose in the times of old. Little hills lift their heads at a distance, and stretch their old trees to the wind. The warriors of Caros sat there, for they had passed the stream by night. They appeared like the trunks of aged pines, to the pale light of the morning. Oscar stood at the tomb, and raised thrice his terrible voice. The rocking hills echoed around; the starting roes bounded away: and the trembling ghosts of the dead fled, shrieking on their clouds. So terrible was the voice of my son, when he called his friends!
A thousand spears arose around; the people of Caros rose. Why, daughter of Toscar, why that tear? My son, though alone, is brave. Oscar is like a beam of the sky; he turns around, and the people fall. his hand is the arm of a ghost, when he stretches it from a cloud; the rest of his thin form is unseen; but the people die in the vale! My son beheld the approach of the foe; he stood in the silent darkness of his strength. " Am I alone," said Oscar, " in the midst of a thousand foes? Many a spear is there! many a darkly-rolling eye. Shall I fly to Ardven? But did my fathers ever fly? The mark of their arm is in a thousand battles. Oscar too shall be renowned. Come, ye dim ghosts of my fathers, and behold my deeds in war! I may fall; but I will be renowned like the race of the echoing Morven." He stood, growing in his place, like a flood in a narrow vale! The battle came, but they fell: bloody was the sword of Oscar!
The noise reached his people at Crona; they came like a hundred streams. The warriors of Caros fled; Oscar remained like a rock left by the ebbing sea. Now dark and deep, with all his steeds, Caros rolled his might along: the little streams are lost in his course: the earth is rocking round. Battle spreads from wing to wing; ten thousand swords gleam at once in the sky. But why should Ossian sing of battles? For never more shall my steel shine in war. I remember the days of my youth with grief, when I feel the weakness of my arm. Happy are they who fell in their youth, in the midst of their renown! They have not beheld the tombs of their friends, or failed to bend the bow of their strength. Happy art thou, O Oscar, in the midst of thy rushing blast! Thou often goest to the fields of thy fame, where Caros fled from thy lifted sword!
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poem by James Macpherson
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Fingal - Book IV
ARGUMENT.
The action of the poem being suspended by night, Ossian takes the opportunity to relate his own actions at the lake of Lego, and his courtship of Everallin, who was the mother of Oscar, and had died some time before the expedition of Fingal into Ireland. Her ghost appears to him, and tells him that Oscar, who had been sent, the beginning of the night, to observe the enemy, was engaged with an advanced party, and almost overpowered. Ossian relieves his son; and an alarm is given to Fingal of the approach of Swaran. The king rises, calls his army together, and, as he had promised the preceding night, devolves the command on Gaul the son of Morni, while he himself, after charging his sons to behave gallantly and defend his people, retires to a hill, from whence he could have a view of the battle. The battle joins; the poet relates Oscar's great actions. But when Oscar, in conjunction with his father, conquered in one wing, Gaul, who was attacked by Swaran in person, was on the point of retreating in the other. Fingal sends Ullin his bard to encourage them with a war song, but notwithstanding Swaran prevails; and Gaul and his army are obliged to give way. Fingal descending from the hill, rallies them again; Swaran desists from the pursuit, possesses himself of a rising ground, restores the ranks, and waits the approach of Fingal. The king, having encouraged his men, gives the necessary orders, and renews the battle. Cuthullin, who, with his friend Connal, and Carril his bard, had retired to the cave of Tura, hearing the noise, came to the brow of the hill, which overlooked the field of battle, where he saw Fingal engaged with the enemy. He, being hindered by Connal from joining Fingal, who was himself upon the point of obtaining a complete victory, sends Carril to congratulate that hero on success.
Who comes with her songs from the hill, like the bow of the showery Lena? It is the maid of the voice of love: the white-armed daughter of Toscar! Often hast thou heard my song; often given the tear of beauty. Hast thou come to the wars of thy people? to hear the actions of Oscar? When shall I cease to mourn, by the streams of resounding Cona? My years have passed away in battle. My age is darkened with grief!
"Daughter of the hand of snow, I was not so mournful and blind; I was not so dark and forlorn, when Everallin loved me! Everallin with the dark-brown hair, the white-bosomed daughter of Branno. A thousand heroes sought the maid, she refused her love to a thousand. The sons of the sword were despised: for graceful in her eyes was Ossian. I went, in suit of the maid, to Lego's sable surge. Twelve of my people were there, the sons of streamy Morven! We came to Branno, friend of strangers! Branno of the sounding mail! 'From whence,' he said, 'are the arms of steel? Not easy to win is the maid, who has denied the blue-eyed sons of Erin. But blest be thou, O son of Fingal! Happy is the maid that waits thee! Though twelve daughters of beauty were mine, thine were the choice, thou son of fame!'
"He opened the hall of the maid, the dark-haired Everallin. Joy kindled in our manly breasts. We blest the maid of Branno. Above us on the hill appeared the people of stately Cormac. Eight were the heroes of the chief. The heath flamed wide with their arms. There Colla; there Durra of wounds; there mighty Toscar, and Tago; there Fresta the victorious stood; Dairo of the happy deeds; Dala the battle's bulwark in the narrow way! The sword flamed in the hand of Cormac. Graceful was the look of the hero! Eight were the heroes of Ossian. Ullin, stormy son of war. Mullo of the generous deeds. The noble, the graceful Scelacha. Oglan, and Cerdan the wrathful. Dumariccan's brows of death. And why should Ogar be the last; so wide-renowned on the hills of Ardven?
"Ogar met Dala the strong face to face, on the field of heroes. The battle of the chiefs was like wind, on ocean's foamy waves. The dagger is remembered by Ogar; the weapon which he loved. Nine times he drowned it in Dala's side. The stormy battle turned. Three times I broke on Cormac's shield: three times he broke his spear. But, unhappy youth of love! I cut his head away. Five times I shook it by the lock. The friends of Cormac fled. Whoever would have told me, lovely maid, when then I strove in battle, that blind, forsaken, and forlorn, I now should pass the night; firm ought his mail to have been; unmatched his arm in war."
On Lena's gloomy heath the voice of music died away. The inconstant blast blew hard. The high oak shook its leaves around. Of Everallin were my thoughts, when in all the light of beauty she came; her blue eyes rolling in tears. She stood on a cloud before my sight, and spoke with feeble voice! "Rise, Ossian, rise, and save my son; save Oscar, prince of men. Near the red oak of Luba's stream he fights with Lochlin's sons." She sunk into her cloud again. I covered me with steel. My spear supported my steps; my rattling armor rung. I hummed, as I was wont in danger, the songs of heroes of old. Like distant thunder Lochlin heard. They fled; my son pursued.
I called him like a distant stream. "Oscar, return over Lena. No further pursue the foe," I said, "though Ossian is behind thee." He came! and pleasant to my ear was Oscar's sounding steel. "Why didst thou stop my hand," he said, "till death had covered all? For dark and dreadful by the stream they met thy son and Fillin. They watched the terrors of the night. Our swords have conquered some. But as the winds of night pour the ocean over the white sands of Mora, so dark advance the sons of Lochlin, over Lena's rustling heat! The ghosts of night shriek afar: I have seen the meteors of death. Let me awake the king of Morven, he that smiles in danger! He that is like the sun of heaven, rising in a storm!"
Fingal had started from a dream, and leaned on Trenmor's shield! the dark-brown shield of his fathers, which they had lifted of old in war. The hero had seen, in his rest, the mournful form of Agandecca. She came from the way of the ocean. She slowly, lonely, moved over Lena. Her face was pale, like the mist of Cromla. Dark were the tears of her cheek. She often raised her dim hand from her robe, her robe which was of the clouds of the desert: she raised her dim hand over Fingal, and turned away silent eyes! "Why weeps the daughter of Starno?" said Fingal with a sigh; "why is thy face so pale, fair wanderer of the clouds?" She departed on the wind of Lena. She left him in the midst of the night. She mourned the sons of her people, that were to fall by the hand of Fingal.
The hero started from rest. Still he beheld her in his soul. The sound of Oscar's steps approached. The king saw the gray shield on his side: for the faint beam of the morning came over the waters of Ullin. "What do the foes in their fear?" said the rising king of Morven: "or fly they through ocean's foam, or wait they the battle of steel? But why should Fingal ask? I hear their voice on the early wind! Fly over Lena's heath: O Oscar, awake our friends!"
The king stood by the stone of Lubar. Thrice he reared his terrible voice. The deer started from the fountains of Cromla. The rocks shook, on all their hills. Like the noise of a hundred mountain-streams, that burst, and roar, and foam! like the clouds, that gather to a tempest on the blue face of the sky! so met the sons of the desert, round the terrible voice of Fingal. Pleasant was the voice of the king of Morven to the warriors of his land. Often had he led them to battle; often returned with the spoils of the foe.
"Come to battle," said the king, "ye children of echoing Selma! Come to the death of thousands! Comhal's son will see the fight. My sword shall wave on the hill, the defence of my people in war. But never may you need it, warriors; while the son of Morni fights, the chief of mighty men! He shall lead my battle, that his fame may rise in song! O ye ghosts of heroes dead! ye riders of the storm of Cromla! receive my falling people with joy, and bear them to your hills. And may the blast of Lena carry them over my seas, that they may come to my silent dreams, and delight my soul in rest. Fillan and Oscar of the dark-brown hair! fair Ryno, with the pointed steel! advance with valor to the fight. Behold the son of Morni! Let your swords be like his in strife: behold the deeds of his hands. Protect the friends of your father. Remember the chiefs of old. My children, I will see you yet, though here you should fall in Erin. Soon shall our cold pale ghosts meet in a cloud, on Cona's eddying winds."
Now like a dark and stormy cloud, edged round with the red lightning of heaven, flying westward from the morning's beam, the king of Selma removed. Terrible is the light of his armor; two spears are in his hand. His gray hair falls on the wind. He often looks back on the war. Three bards attend the son of fame, to bear his words to the chiefs high on Cromla's side he sat, waving the Lightning of his sword, and as he waved we moved.
Joy rises in Oscar's face. His cheek is red. His eye sheds tears. The sword is a beam of fire in his hand. He came, and smiling, spoke to Ossian. "O ruler of the fight of steel! my father, hear thy son! Retire with Morven's mighty chief. Give me the fame of Ossian. If here I fall, O chief, remember that breast of snow, the lonely sunbeam of my love, the white-handed daughter of Toscar! For, with red cheek from the rock, bending over the stream, her soft hair flies about her bosom, as she pours the sigh for Oscar. Tell her I am on my hills, a lightly-bounding son of the wind; tell her, that in a cloud I may meet the lovely maid of Toscar." "Raise, Oscar, rather raise my tomb. I will not yield the war to thee. The first and bloodiest in the strife, my arm shall teach thee how to fight. But remember, my son, to place this sword, this bow, the horn of my deer, within that dark and narrow house, whose mark is one gray stone! Oscar, I have no love to leave to the care of my son. Everallin is no more, the lovely daughter of Branno!"
Such were our words, when Gaul's loud voice came growing on the wind. He waved on high the sword of his father. We rushed to death and wounds. As waves, white bubbling over the deep, come swelling, roaring on; as rocks of ooze meet roaring waves; so foes attacked and fought. Man met with man, and steel with steel. Shields sound and warriors fall. As a hundred hammers on the red son of the furnace, so rose, so rung their swords!
Gaul rushed on, like a whirlwind in Ardven. The destruction of heroes is on his sword. Swaran was like the fire of the desert in the echoing heath of Gormal! How can I give to the song the death of many spears? My sword rose high, and flamed in the strife of blood. Oscar, terrible wert thou, my best, my greatest son! I rejoiced in my secret soul, when his sword flamed over the slain. They fled amain through Lena's heath. We pursued and slew. As stones that bound from rock to rock; as axes in echoing woods; as thunder rolls from hill to hill, in dismal broken peals; so blow succeeded to blow, and death to death, from the hand of Oscar and mine.
But Swaran closed round Morni's son, as the strength of the tide of Inistore. The king half rose from his hill at the sight. He half-assumed the spear. "Go, Ullin, go, my aged bard," began the king of Morven. "Remind the mighty Gaul of war. Remind him of his fathers. Support the yielding fight with song; for song enlivens war." Tall Ullin went, with step of age, and spoke to the king of swords. "Son of the chief of generous steeds! high-bounding king of spears! Strong arm in every perilous toil! Hard heart that never yields! Chief of the pointed arms of death! Cut down the foe; let no white sail bound round dark Inistore. Be thine arm like thunder, thine eyes like fire, thy heart of solid rock. Whirl round thy sword as a meteor at night: lift thy shield like the flame of death. Son of the chief of generous steeds, cut down the foe! Destroy!" The hero's heart beat high. But Swaran came with battle. He cleft the shield of Gaul in twain. The sons of Selma fled.
Fingal at once arose in arms. Thrice he reared his dreadful voice. Cromla answered around. The sons of the desert stood still. They bent their blushing faces to earth, ashamed at the presence of the king. He came like a cloud of rain in the day of the sun, when slow it rolls on the hill, and fields expect the shower. Silence attends its slow progress aloft; but the tempest is soon to rise. Swaran beheld the terrible king of Morven. He stopped in the midst of his course. Dark he leaned on his spear, rolling his red eyes around. Silent and tall he seemed as an oak on the banks of Lubar, which had its branches blasted of old by the lightning of heaven. It bends over the stream: the gray moss whistles in the wind: so stood the king. Then slowly he retired to the rising heath of Lena. His thousands pour round the hero. Darkness gathers on the hill!
Fingal, like a beam of heaven, shone in the midst of his people. His heroes gather around him. He sends forth the voice of his power. "Raise my standards on high; spread them on Lena's wind, like the flames of a hundred hills! Let them sound on the wind of Erin, and remind us of the fight. Ye sons of the roaring streams, that pour from a thousand hills be near the king of Morven! attend to the words of his power! Gaul, strongest arm of death! O Oscar, of the future fights! Connal, son of the blue shields of Sora! Dermid, of the dark-brown hair! Ossian, king of many songs, be near your father's arm!" We reared the sunbeam of battle; the standard of the king! Each hero exulted with joy, as, waving, it flew on the wind. It was studded with gold above, as the blue wide shell of the nightly sky. Each hero had his standard too, and each his gloomy men!
"Behold," said the king of generous shells, "how Lochlin divides on Lena! They stand like broken clouds on a hill, or a half-consumed grove of oaks, when we see the sky through its branches, and the meteor passing behind! Let every chief among the friends of Fingal take a dark troop of those that frown so high: nor let a son of the echoing groves bound on the waves of Inistore!"
"Mine," said Gaul, "be the seven chiefs that came from Lano's lake." "Let Inistore's dark king," said Oscar, "come to the sword of Ossian's son." "To mine the king of Iniscon," said Connal, heart of steel!" Or Mudan's chief or I," said brown-haired Dermid, "shall sleep on clay-cold earth." My choice, though now so weak and dark, was Terman's battling king; I promised with my hand to win the hero's dark-brown shield, "Blest and victorious be my chiefs," said Fingal of the mildest look. "Swaran, king of roaring waves, thou art the choice of Fingal!"
Now, like a hundred different winds that pour through many vales, divided, dark the sons of Selma advanced. Cromla echoed around! How can I relate the deaths, when we closed in the strife of arms? O, daughter of Toscar, bloody were our hands! The gloomy ranks of Lochlin fell like the banks of roaring Cona! Our arms were victorious on Lena: each chief fulfilled his promise. Beside the murmur of Branno thou didst often sit, O maid! thy white bosom rose frequent, like the down of the swan when slow she swims on the lake, and sidelong winds blow on her ruffled wing. Thou hast seen the sun retire, red and slow behind his cloud: night gathering round on the mountain, while the unfrequent blast roared in the narrow vales. At length the rain beats hard: thunder rolls in peals. Lightning glances on the rocks! Spirits ride on beams of fire! The strength of the mountain streams comes roaring down the hills. Such was the noise of battle, maid of the arms of snow! Why. daughter of Toscar, why that tear? The maids of Lochlin have cause to weep! The people of their country fell. Bloody were the blue swords of the race of my heroes! But I am sad, forlorn, and blind: no more the corn ion of heroes! Give, lovely maid to me thy tears. I have seen the tombs of all my friends!
It was then, by Fingal's hand, a hero fell, to his grief! Gray-haired he rolled in the dust. He lifted his faint eyes to the king. "And is it by me thou hast fallen," said the son of Comhal, "thou friend of Agandecca? I have seen thy tears for the maid of my love in the halls of the bloody Starno! Thou hast been the foe of the foes of my love, and hast thou fallen by my hand? Raise Ullin, raise the grave of Mathon, and give his name to Agandecca's song. Dear to my soul hast thou been, thou darkly-dwelling maid of Ardven!"
Cuthullin, from the cave of Cromla, heard the noise of the troubled war. He called to Connal, chief of swords: to Carril of other times. The gray-haired heroes heard his voice. They took their pointed spears. They came, and saw the tide of battle, like ocean's crowded waves, when the dark wind blows from the deep, and rolls the billows through the sandy vale! Cuthullin kindled at the sight. Darkness gathered on his brow. His hand is on the sword of his fathers: his red-rolling eyes on the foe. He thrice attempted to rush to battle. He thrice was stopped by Connal. "Chief of the isle of mist," he said, "Fingal subdues the foe. Seek not a part of the fame of the king; himself is like the storm!"
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poem by James Macpherson
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The War Of Inis-Thona
Reflections on the poet's youth. An apostrophe to Selma. Oscar obtains leave to go to Inis-thona, an island of Scandinavia. The mournful story of Argon and Ruro, the two sons of the king of Inis-thona. Oscar revenges their death, and returns in triumph to Selma. A soliloquy by the poet himself.
Our youth is like the dream of the hunter on the hill of heath. He sleeps in the mild beams of the sun: he awakes amidst a storm; the red lightning flies around: trees shake their heads to the wind! He looks back with joy on the day of the sun, and the pleasant dreams of his rest! When shall Ossian's youth return? When his ear delight in the sound of arms? When shall I, like Oscar, travel in the light of my steel? Come with your streams, ye hills of Cona! listen to the voice of Ossian. The song rises, like the sun, in my soul. I feel the joys of other times.
I behold thy towers, O Selma! the oaks of thy shaded wall: thy streams sound in my ear; thy heroes gather round. Fingal sits in the midst. He leans on the shield of Trenmor; his spear stands against the wall; he listens to the songs of his bards. The deeds of his arm are heard; the actions of the king in his youth! Oscar had returned from the chase, and heard the hero's praise. He took the shield of Branno from the wall; his eyes were filed with tears. Red was the cheek of youth. His voice was trembling low. My spear shook its bright head in his hand: he spoke to Morven's king.
"Fingal! thou king of heroes! Ossian, next to him in war! ye have fought in your youth; your names are renowned in song. Oscar is like the mist of Cona; I appear and I vanish away. The bard will not know my name. The hunter will not search in the heath for my tomb. Let me fight, O heroes, in the battles of Inis-thona. Distant is the land of my war! ye shall not hear of Oscar's fall: some bard may find me there; some bard may give my name to song. The daughter of the stranger shall see my tomb, and weep over the youth, that came from afar. The bard shall say, at the feast, Hear the song of Oscar from the distant land!"
" Oscar," replied the king of Morven, " thou shalt fight, son of my fame! Prepare my dark-bosomed ship to carry my hero to Inis-thona. Son of my son, regard our fame; thou art of the race of renown: let not the children of strangers say, Feeble are the sons of Morven! Be thou, in battle, a roaring storm: mild as the evening sun in peace! Tell, Oscar, to Inis-thona's king, that Fingal remembers his youth; when we strove in the combat together, in the days of Agandecca."
They lifted up the sounding sail: the wind whistled through the thongs of their masts. Waves lashed the oozy rocks: the strength of ocean roars. My son beheld, from the wave, the land of groves. He rushed into Runa's sounding bay, and sent his sword to Annir of spears. The gray-headed hero rose, when he saw the sword of Fingal. His eyes were full of tears; he remembered his battles in youth. Twice had they lifted the spear before the lovely Agandecca.: heroes stood far distant, as if two spirits were striving in winds.
" But now," began the king, " I am old; the Sword lies useless in my hall. Thou who art of Morven's race! Annir has seen the battle of spears; but now he is pale and withered, like the oak of Lano. I have no son to meet thee with joy, to bring thee to the halls of his fathers. Argon is pale in the tomb, and Ruro is no more. My daughter is in the hall of strangers: she longs to behold my tomb. Her spouse shakes ten thousand spears; he comes a cloud of death from Lano. Come, to share the feast of Annir, son of echoing Morven?
Three days they feasted together. On the fourth, Annir heard the name of Oscar. They rejoiced in the shell. They pursued the boars of Runa. Beside the fount of mossy stones the weary heroes rest. The tear steals in secret from Annir: he broke the rising sigh. "Here darkly rest," the hero said, "the children of my youth. This stone is the tomb of Ruro; that tree sounds over the grave of Argon. Do ye hear my voice, O my sons, within your narrow house? Or do ye speak in these rustling leaves, when the wind of the desert rises?"
"King of Inis-thona," said Oscar, "how fell the children of youth? The wild boar rushes over their tombs, but he does not disturb their repose. They pursue deer formed of clouds, and bend their airy bow. They still love the sport of their youth; and mount the wind with joy."
"Cormalo," replied the king, " is a chief of ten thousand spears. He dwells at the waters of Lano which sends forth the vapor of death. He came to Runa's echoing halls, and sought the honor of the spear. The youth was lovely as the first beam of the sun; few were they who could meet him in fight. My heroes yielded to Cormalo; my daughter was seized in his love. Argon and Ruro returned from the chase; the tears of their pride descend: they roll their silent eyes on Runa's heroes, who had yielded to stranger. Three days they feasted with Cormalo; on the fourth young Argon fought. But who could light with Argon? Cormalo is overcome. His heart swelled with the grief of pride; he resolved in secret to behold the death of my sons. They went to the hills of Runa; they pursued the dark-brown hinds. The arrow of Cormalo flew in secret; my children fell in blood. He came to the maid of his love; to Inis-thona's long-haired maid. They fled over the desert, Annir remained alone. Night came on, and day appeared; nor Argon's voice nor Ruro's came. At length their much-loved dog was seen; the fleet and bounding Runa. He came into the hall and howled; and seemed to look towards the place of their fall. We followed him; we found them here: we laid them by this mossy stream. This is the haunt of Annir, when the chase of the hinds is past. I bend like the trunk of an aged oak; my tears for ever flow!"
" O Ronnan!" said the rising Oscar, "Osgar, king of spears! call my heroes to my side, the sons of streamy Morven. To-day we go to Lano's water, that sends forth the vapor of death. Cormalo will not long rejoice: death is often at the point of our swords!"
They came over the desert like stormy clouds, when the winds roll them along the heath; their edges are tinged with lightning; the echoing groves foresee the storm! The horn of Oscar's battle is heard; Lano shook over all its waves. The children of the lake convened around the sounding shield of Cormalo. Oscar fought as he was wont in war. Cormalo fell beneath his sword: the sons of dismal Lano fled to their secret vales! Oscar brought the daughter of Inis-thona to Annir's echoing halls. The face of age is bright with joy; he blest the king of swords.
How great was the joy of Ossian, when he beheld the distant sail of his son! it was like a cloud of light that rises in the east, when the traveller is sad in a land unknown: and dismal night with her ghosts, is sitting around in shades! We brought him with songs to Selma's halls. Fingal spread the feast of shells. A thousand bards raised the name of Oscar: Morven answered to the sound. The daughter of Toscar was there; her voice was like the harp, when the distant sound comes in the evening, on the soft rustling breeze of the vale!
O lay me, ye that see the light, near some rock of my hills! let the thick hazels be around, let the rustling oak be near. Green be the place of my rest; let the sound of the distant torrent be heard. Daughter of Toscar, take the harp, and raise the lovely song of Selma; that sleep may overtake my soul in the midst of joy; that the dreams of my youth may return, and the days of the mighty Fingal. Selma! I behold thy towers, thy trees, thy shaded wall! I see the heroes of Morven; I hear the song of bards: Oscar lifts the sword of Cormalo; a thousand youths admire its studded thongs. They look with wonder on my son: they admire the strength of his arm. They mark the joy of his father's eyes; they long for an equal fame, and ye shall have your fame, O sons of streamy Morven! My soul is often brightened with song; I remember the friends of my youth. But sleep descends in the sound of the harp! pleasant dreams begin to rise! Ye Sons of the chase, stand far distant nor disturb my rest The bard of other times holds discourse with his fathers! the chiefs of the days of old! Sons of the chase, stand far distant! disturb not the dreams of Ossian!
poem by James Macpherson
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The Wreck of the Whaler Oscar
'Twas on the 1st of April, and in the year of Eighteen thirteen,
That the whaler "Oscar" was wrecked not far from Aberdeen;
'Twas all on a sudden the wind arose, and a terrific blast it blew,
And the "Oscar" was lost, and forty-two of a gallant crew.
The storm burst forth with great violence, but of short duration,
And spread o'er a wide district, and filled the people's hearts with consternation,
And its effects were such that the people will long mind,
Because at Peterhead the roof was torn off a church by the heavy wind.
The "Oscar" joined other four ships that were lying in Aberdeen Bay,
All ready to start for Geeenland without delay,
While the hearts of each ship's crew felt light and gay,
But, when the storm burst upon them, it filled their hearts with dismay.
The wind had been blowing westerly during the night,
But suddenly it shifted to the North-east, and blew with all its might,
And thick and fast fell the blinding snow,
Which filled the poor sailors' hearts with woe.
And the "Oscar" was exposed to the full force of the gale,
But the crew resolved to do their best, allowing they should fail,
So they weighed anchor, and stood boldly out for sea,
While the great crowds that had gathered cheered them encouragingly.
The ill-fated "Oscar," however, sent a boat ashore
For some of her crew that were absent, while the angry sea did roar,
And 'twas with great difficulty the men got aboard,
And to make the ship allright they wrought with one accord.
Then suddenly the wind shifted, and a treacherous calm ensued,
And the vessel's deck with snow was thickly strewed;
And a heavy sea was running with a strong flood tide,
And it soon became apparent the men wouldn't be able the ship to guide.
And as the "Oscar" drifted further and further to leeward,
The brave crew tried hard her backward drifting to retard,
But all their efforts proved in vain, for the storm broke out anew,
While the drifting snow hid her from the spectators' view.
And the position of the "Oscar" was critical in the extreme,
And as the spray washed o'er the vessel, O what a soul-harrowing scene!
And notwithstanding the fury of the gale and the blinding snow,
Great crowds watched the "Oscar" as she was tossed to and fro.
O heaven! it was a most heart-rending sight
To see the crew struggling against the wind and blinding snow with all their might,
While the mighty waves lashed her sides and angry did roar,
Which to their relatives were painful to see that were standing on shore.
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poem by William Topaz McGonagall
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Cathlin Of Clutha
An address to Malvina, the daughter of Toscar. The poet relates the arrival of Cathlin in Selma, to solicit aid against Duth-carmor of Cluba, who had killed Cathmol for the sake of his daughter Lanul. Fingal declining to make a choice among his heroes, who were all claiming the command of the expedition, they retired "each to his hill of ghosts," to be determined by dreams. The spirit of Trenmor appears to Ossian and Oscar. They sail from the bay of Carmona, and on the fourth day, appear off the valley of Rath-col, in Inis-huna, where Duth-carmor had fixed his residence. Ossian despatches a bard to Duth-carmor to demand battle. Night comes on. The distress of Cathlin of Clutha. Ossian devolves the command on Oscar, who, according to the custom of the kings of Morven, before battle, retired to a neighboring hill. Upon the coming on of day, the battle joins. Oscar carries the mail and helmet of Duth-carmor to Cathlin, who had retired from the field. Cathlin is discovered to be the daughter of Cathmol in disguise, who had been carried off by force by, and had made her escape from, Duth-carmor.
COME, thou beam that art lonely, from watching in the night! The squalling winds are around thee, from all their echoing hills. Red, over my hundred streams, are the light-covered paths of the dead. They rejoice on the eddying winds, in the season of night. Dwells there no joy in song, white-hand of the harps of Lutha? Awake the voice of the string; roll my soul to me. It is a stream that has failed. Malvina, pour the song.
I hear thee from thy darkness in Selma, thou that watchest lonely by night! Why didst thou withhold the song from Ossian's falling soul? As the falling brook to the ear of the hunter, descending from his storm-covered hill, in a sunbeam rolls the echoing stream, he hears and shakes his dewy locks: such is the voice of Lutha to the friend of the spirits of heroes. My swelling bosom beats high. I look back on the days that are past. Come, thou beam that art lonely, from watching in the night!
In the echoing bay of Carmona we saw one day the bounding ship. On high hung a broken shield; it was marked with wandering blood. Forward came a youth in arms, and stretched his pointless spear. Long, over his tearful eyes, hung loose his disordered locks. Fingal gave the shell of kings. The words of the stranger arose. "In his hall lies Cathmol of Clutha, by the winding of his own dark streams. Duth-carmor saw white-bosomed Lanul, and pierced her father's side. In the rushy desert were my steps. He fled in the season of night. Give thine aid to Cathlin to revenge his father. I sought thee not as a beam in a land of clouds. Thou, like the sun, art known, king of echoing Selma!"
Selma's king looked around. In his presence we rose in arms. But who should lift the shield? for all had claimed the war. The night came down; we strode in silence, each to his hill of ghosts, that spirits might descend in our dreams to mark us for the field. We struck the shield of the dead: we raised the hum of songs. We thrice called the ghosts of our fathers. We laid us down in dreams. Trenmor came, before mine eyes, the tall form of other years! His blue hosts were behind him in half-distinguished rows. — Scarce seen is their strife in mist, or the stretching forward to deaths. I listened, but no sound was there. The forms were empty wind!
I started from the dream of ghosts. On a sudden blast flew my whistling hair. Low sounding. in the oak, is the departure of the dead. I took my shield from its bough. Onward came the rattling of steel. It was Oscar of Lego. He had seen his fathers. As rushes forth the blast on the bosom of whitening waves, so careless shall my course be, through ocean, to the dwelling of foes. I have seen the dead, my father! My beating soul is high! My fame is bright before me, like the streak of light on a cloud, when the broad sun comes forth, red traveller of the sky!"
" Grandson of Branno," I said, "not Oscar alone shall meet the foe. I rush forward, through ocean, to the woody dwelling of heroes. Let us contend, my son, like eagles from one rock, when they lift their broad wings against the stream of winds." We raised our sails in Carmona. From three ships they marked my shield on the wave, as I looked on nightly Ton-thena, red traveller between the clouds. Four days came the breeze abroad. Lumon came forward in mist. In winds were its hundred groves. Sunbeams marked at times its brown side. White leapt the foamy streams from all its echoing rocks.
A green field, in the bosom of hills, winds silent with its own blue stream. Here, "midst the waving of oaks, were the dwellings of kings of old." But silence, for many dark-brown years, had settled in grassy Rath-col; for the race of heroes had failed along the pleasant vale. Duth-carmor was here, with his people, dark rider of the wave! Ton-thena had hid her head in the sky. He bound his white-bosomed sails. His course is on the hills of Rath-col to the seats of roes. We came. I sent the bard, with songs, to call the foe to fight. Duth-carmor heard him with joy. The king's soul was like a beam of fire; a beam of fire, marked with smoke, rushing, varied through the bosom of night. The deeds of Duth-carmor were dark, though his arm was strong.
Night came with the gathering of clouds. By the beam of the oak we sat down. At a distance stood Cathlin of Clutha. I saw the changeful soul of the stranger. As shadows fly over the field of grass, so various is Cathlin's cheek. It was fair within locks, that rose on Rath-col's wind. I did not rush, amidst his soul, with my words. I bade the song to rise.
"Oscar of Lego," I said, "be thine the secret hill to-night. Strike the shield like Morven's kings. With day thou shalt lead in war. From my rock I shall see thee, Oscar, a dreadful form ascending in fight, like the appearance of ghosts amidst the storms they raise. Why should mine eyes return to the dim times of old, ere yet the song had bursted forth, like the sudden rising of winds? But the years that are past are marked with mighty deeds. As the nightly rider of waves looks up to Ton-thena of beams, so let us turn our eyes to Trenmor the father of kings."
"Wide, in Caracha's echoing field, Carmal had poured his tribes. They were a dark ridge of waves. The gray-haired bards were like moving foam on their face. They kindle the strife around with their red-rolling eyes. Nor alone were the dwellers of rocks; a son of Loda was there, a voice in his own dark land, to call the ghosts from high. On his hill he had dwelt in Lochlin, in the midst of a leafless grove. Five stones lifted near their heads. Loud roared his rushing stream. He often raised his voice to the winds, when meteors marked their nightly wings, when the dark-robed moon was rolled behind her hill. Nor unheard of ghosts was he! They came with the sound of eagle-wings. They turned battle, in fields, before the kings of men.
" But Trenmor they turned not from battle. He drew forward that troubled war: in its dark skirt was Trathal, like a rising light. It was dark, and Loda's son poured forth his signs on night. The feeble were not before thee, son of other lands! Then rose the strife of kings about the hill of night; but it was soft as two summer gales, shaking their light wings on a lake. Trenmor yielded to his son, for the fame of the king had been heard. Trathal came forth before his father, and the foes failed in echoing Caracha. The years that are past, my son, are marked with mighty deeds."
In clouds rose the eastern light. The foe came forth in arms. The strife is mixed on Rath-col, like the roar of streams. Behold the contending of kings! They meet beside the oak. In gleams of steel the dark forms are lost; such is the meeting of meteors in a vale by night: red light is scattered round, and men foresee the storm! — Duth-carmor is low in blood! The son of Ossian overcame! Not harmless, in battle, was he, Malvina, hand of harps!
Nor, in the field, were the steps of Cathlin. The strangers stood by secret stream, where the foam of Rath-col skirted the mossy stones. Above bends the branchy birch, and strews its leaves on wind. The inverted spear of Cathlin touched at times the stream. Oscar brought Duth-carmor's mail: his helmet with its eagle-wing. He placed them before the stranger, and his words were heard. " The foes of thy father have fallen. They are laid in the field of ghosts. Renown returns to Morven like a rising wind. Why art thou dark, chief of Clutha? Is there cause for grief?"
" Son of Ossian of harps, my soul is darkly sad. I behold the arms of Cathmol, which lie raised in war. Take the mail of Cathlin, place it high in Selma's hall, that thou mayest remember the hapless in thy distant land." From white breasts descended the mail. It was the race of kings: the soft-handed daughter of Cathmol, at the streams of Clutha! Duth-carmor saw her bright in the hall; he had come by night to Clutha. Cathmol met him in battle, but the hero fell. Three days dwelt the foe with the maid. On the fourth she fled in arms. She remembered the race of kings, and felt her bursting soul!
Why, maid of Toscar of Lutha, should I tell how Cathlin failed? Her tomb is at rushy Lumon, in a distant land. Near it were the steps of Sul-malla, in the days of grief. She raised the song for the daughter of strangers, and touched the mournful harp.
Come from the watching of night, Malvina, lonely beam!
poem by James Macpherson
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Fingal - Book III
ARGUMENT.
Cuthullin, pleased with the story of Carril, insists with that bard for more of his songs. He relates the actions of Fingal in Lochlin, and death of Agandecca, the beautiful sister of Swaran. He had scarce finished, when Calmar, the son of Matha, who had advised the first battle, came wounded from the field, and told them of Swaran's design to surprise the remains of the Irish army. He himself proposes to withstand singly the whole force of the enemy, in a narrow pass, till the Irish should make good their retreat. Cuthullin, touched with the gallant proposal of Calmar, resolves to accompany him and orders Carril to carry off the few that remained of the Irish. Morning comes, Calmar dies of his wounds; and the ships of the Caledonians appearing, Swaran gives over the pursuit of the Irish, and returns to oppose Fingal's landing. Cuthullin, ashamed, after his defeat, to appear before Fingal re tires to the cave of Tura. Fingal engages the enemy, puts them to flight: but the coming on of night makes the victory not decisive. The king, who had observed the gallant behavior of his grandson Oscar, gives him advice concerning his conduct in peace and war. He recommends to him to place the example of his fathers before his eyes, as the best model for his conduct; which introduces the episode concerning Fainasóllis, the daughter of the king of Craca, whom Fingal had taken under his protection in his youth. Fillan and Oscar are despatched to observe the motions of the enemy by night: Gaul, the son of Morni, desires the command of the army in the next battle, which Fingal promises to give him. Some general reflections of the poet close the third day.
"PLEASANT are the words of the song! "said Cuthullin, "lovely the tales of other times! They are like the calm dew of the morning on the hill of roes! when the sun is faint on its side, and the lake is settled and blue on the vale. O Carril, raise again thy voice! let me hear the song of Selma: which was sung in my halls of joy, when Fingal, king of shields, was there, and glowed at the deeds of his fathers.
"Fingal! thou dweller of battle," said Carril, "early were thy deeds in arms. Lochlin was consumed in thy wrath, when thy youth strove in the beauty of maids. They smiled at the fair-blooming face of the hero; but death was in his hands. He was strong as the waters of Lora. His followers were the roar of a thousand streams. They took the king of Lochlin in war; they restored him to his ship. His big heart swelled with pride; the death of the youth was dark in his soul. For none ever but Fingal, had overcome the strength of the mighty Starno. He sat in the hall of his shells in Lochlin's woody land. He called the gray-haired Snivan, that often sung round the circle of Loda; when the stone of power heard his voice , and battle turned in the field of the valiant!
"'Go, gray-haired Snivan,' Starno said: 'go to Ardven's sea-surrounded rocks. Tell to the king of Selma; he the fairest among his thousands; tell him I give to him my daughter, the loveliest maid that ever heaved a breast of snow. Her arms are white as the foam of my waves. Her soul is generous and mild. Let him come with his bravest heroes to the daughter of the secret hall!' Snivan came to Selma's hall: fair-haired Fingal attended his steps. His kindled soul flew to the maid, as he bounded on the waves of the north. 'Welcome,' said the dark-brown Starno, 'welcome, king of rocky Morven! welcome his heroes of might, sons of the distant isle! Three days within thy halls shall we feast; three days pursue my boars; that your fame may reach the maid who dwells in the secret hall.'
"Starno designed their death. He gave the feast of shells. Fingal, who doubted the foe, kept on his arms of steel. The sons of death were afraid: they fled from the eyes of the king. The voice of sprightly mirth arose. The trembling harps of joy were strung. Bards sung the battles of heroes; they sung the heaving breast of love. Ullin, Fingal's bard, was there: the sweet voice of resounding Cona. He praised the daughter of Lochlin; and Morven's high-descended chief. The daughter of Lochlin overheard. She left the hall of her secret sigh! She came in all her beauty, like the moon from the cloud of the east. Loveliness was round her as light. Her steps were the music of songs. She saw the youth and loved him. He was the stolen sigh of her soul. Her blue eyes rolled on him in secret: she blessed the chief of resounding Morven.
"The third day, with all its beams, shone bright on the wood of boars. Forth moved the dark-browed Starno; and Fingal, king of shields. Half the day they spent in the chase; the spear of Selma was red in blood. It was then the daughter of Starno, with blue eyes rolling in tears; it was then she came with her voice of love, and spoke to the king of Morven. 'Fingal, high-descended chief, trust not Starno's heart of pride. Within that wood he has placed his chiefs. Beware of the wood of death. But remember, son of the isle, remember Agandecca; save me from the wrath of my father, king of the windy Morven!'
"The youth with unconcern went on; his heroes by his side. The sons of death fell by his hand; and Germal echoed around! Before the halls of Starno the sons of the chase convened. The king's dark brows were like clouds; his eyes like meteors of night. 'Bring hither,' he said, 'Agandecca to her lovely king of Morven! His hand is stained with the blood of my people; her words have not been in vain!' She came with the red eye of tears. She came with loosely flowing locks. Her white breast heaved with broken sighs, like the foam of the streamy Lubar. Starno pierced her side with steel. She fell, like a wreath of snow, which slides from the rocks of Ronan, when the woods are still, and echo deepens in the vale! Then Fingal eyed his valiant chiefs: his valiant chiefs took arms! The gloom of battle roared: Lochlin fled or died. Pale in his bounding ship he closed the maid of the softest soul. Her tomb ascends on Ardven; the sea roars round her narrow dwelling."
"Blessed be her soul," said Cuthullin; "blessed be the mouth of the song! Strong was the youth of Fingal; strong is his arm of age. Lochlin shall fall again before the king of echoing Morven. Show thy face from a cloud, O moon! light his white sails on the wave: and if any strong spirit of heaven sits on that low-hung cloud; turn his dark ships from the rock, thou rider of the storm!"
Such were the words of Cuthullin at the sound of the mountain stream; when Calmar ascended the hill, the wounded son of Matha. From the field he came in his blood. He leaned on his bending spear. Feeble is the arm of battle! but strong the soul of the hero! "Welcome! O son of Matha," said Connal, "welcome art thou to thy friends! Why bursts that broken sigh from the breast of him who never feared before?" "And never, Connal, will he fear, chief of the pointed steel! My soul brightens in danger; in the noise of arms I am of the race of battle. My fathers never feared.
"Cormar was the first of my race. He sported through the storms of waves. His black skiff bounded on ocean; he travelled on the wings of the wind. A spirit once embroiled the night. Seas swell and rocks resound. Winds drive along the clouds. The lightning flies on wings of fire. He feared, and came to land, then blushed that he feared at all. He rushed again among the waves, to find the son of the wind. Three youths guide the bounding bark: he stood with sword unsheathed. When the low-hung vapor passed, he took it by the curling head. He searched its dark womb with his steel. The son of the wind forsook the air. The moon and the stars returned! Such was the boldness of my race. Calmar is like his fathers. Danger flies from the lifted sword. They best succeed who dare!
"But now, ye sons of green Erin, retire from Lena's bloody heath. Collect the sad remnant of our friends, and join the sword of Fingal. I heard the sound of Lochlin's advancing arms: Calmar will remain and fight. My voice shall be such, my friends, as if thousands were behind me. But, son of Semo, remember me. Remember Calmar's lifeless corse. When Fingal shall have wasted the field, place me by some stone of remembrance, that future times may hear my fame; that the mother of Calmar may rejoice in my renown."
"No: son of Matha," said Cuthullin, "I will never leave thee here. My joy is in an unequal fight: my soul increases in danger. Connal, and Carril of other times, carry off the sad sons of Erin. When the battle is over, search for us in this narrow way. For near this oak we shall fall, in the streams of the battle of thousands! O Fithal's son, with flying speed rush over the heath of Lena. Tell to Fingal that Erin is fallen. Bid the king of Morven come. O let him come like the sun in a storm, to lighten, to restore the isle!"
Morning is gray on Cromla. The sons of the sea ascend. Calmar stood forth to meet them in the pride of his kindling soul. But pale was the face of the chief. He leaned on his father's spear. That spear which he brought from Lara, when the soul of his mother was sad; the soul of the lonely Alcletha, waning in the sorrow of years. But slowly now the hero falls, like a tree on the plain. Dark Cuthullin stands alone like a rock in a sandy vale. The sea comes with its waves, and roars on its hardened sides. Its head is covered with foam; the hills are echoing round.
Now from the gray mist of the ocean the white-sailed ships of Fingal appear. High is the grove of their masts, as they nod, by turns, on the rolling wave. Swaran saw them from the hill. He returned from the sons of Erin. As ebbs the resounding sea, through the hundred isles of Inistore; so loud, so vast, so immense, returned the sons of Lochlin against the king. But bending, weeping, sad, and slow, and dragging his long spear behind, Cuthullin sunk in Cromla's wood, and mourned his fallen friends. He feared the face of Fingal, who was wont to greet him from the fields of renown!
"How many lie there of my heroes! the chiefs of Erin's race! they that were cheerful in the hall, when the sound of the shells arose! No more shall I find their steps in the heath! No more shall I hear their voice in the chase. Pale, silent, low on bloody beds, are they who were my friends! O spirits of the lately dead, meet Cuthullin on his heath! Speak to him on the winds, when the rustling tree of Tura's cave resounds. There, far remote, I shall lie unknown. No bard shall hear of me. No gray stone shall rise to my renown. Mourn me with the dead, O Bragéla! departed is my fame." Such were the words of Cuthullin, when he sunk in the woods of Cromla!
Fingal, tall in his ship, stretched his bright lance before him. Terrible was the gleam of his steel: It was like the green meteor of death, setting in the heath of Malmor, when the traveller is alone, and the broad moon is darkened in heaven.
"The battle is past," said the king. "I behold the blood of my friends. Sad is the heath of Lena! mournful the oaks of Cromla! The hunters have fallen in their strength: the son of Semo is no more! Ryno and Fillan, my sons, sound the horn of Fingal! Ascend that hill on the shore; call the children of the foe. Call them from the grave of Lamderg, the chief of other times. Be your voice like that of your father, when he enters the battles of his strength! I wait for the mighty stranger. I wait on Lena's shore for Swaran. Let him come with all his race; strong in battle are the friends of the dead!"
Fair Ryno as lightning gleamed along: dark Fillan rushed like the shade of autumn. On Lena's heath their voice is heard. The sons of ocean heard the horn of Fingal. As the roaring eddy of ocean returning from the kingdom of snows: so strong, so dark, so sudden, came down the sons of Lochlin. The king in their front appears, in the dismal pride of his arms! Wrath burns on his dark-brown face; his eyes roll in the fire of his valor. Fingal beheld the son of Starno: he remembered Agandecca. For Swaran with tears of youth had mourned his white-bosomed sister. He sent Ullin of songs to bid him to the feast of shells: for pleasant on Fingal's soul returned the memory of the first of his loves!
Ullin came with aged steps, and spoke to Starno's son. "O thou that dwellest afar, surrounded, like a rock, with thy waves! come to the feast of the king, and pass the day in rest. To-morrow let us fight, O Swaran, and break the echoing shields." — "To-day," said Starno's wrathful son, "we break the echoing shields: to-morrow my feast shall be spread; but Fingal shall lie on earth." — "To-morrow let his feast be spread," said Fingal, with a smile. "To-day, O my sons! we shall break the echoing shields. Ossian, stand thou near my arm. Gaul, lift thy terrible sword. Fergus, bend thy crooked yew. Throw, Fillan, thy lance through heaven. Lift your shields, like the darkened moon. Be your spears the meteors of death. Follow me in the path of my fame. Equal my deeds in battle."
As a hundred winds on Morven; as the streams of a hundred hills; as clouds fly successive over heaven; as the dark ocean assails the shore of the desert: so roaring, so vast, so terrible, the armies mixed on Lena's echoing heath. The groans of the people spread over the hills: it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind. Fingal rushed on in his strength, terrible as the spirit of Trenmor; when in a whirlwind he comes to Morven, to see the children of his pride. The oaks resound on their mountains, and the rocks fall down before him. Dimly seen as lightens the night, he strides largely from hill to hill. Bloody was the hand of my father, when he whirled the gleam of his sword. He remembers the battles of his youth. The field is wasted in its course!
Ryno went on like a pillar of fire. Dark is the brow of Gaul. Fergus rushed forward with feet of wind; Fillin like the mist of the hill. Ossian, like a rock, came down. I exulted in the strength of the king. Many were the deaths of my arm! dismal the gleam of my sword! My locks were not then so gray; nor trembled my hands with age. My eyes were not closed in darkness; my feet failed not in the race!
Who can relate the deaths of the people? who the deeds of mighty heroes? when Fingal, burning in his wrath, consumed the sons of Lochlin? Groans swelled on groans from hill to hill, till night had covered all. Pale, staring like a herd of deer, the sons of Lochlin convene on Lena. We sat and heard the sprightly harp, at Lubar's gentle stream. Fingal himself was next to the foe. He listened to the tales of his bards. His godlike race were in the song, the chiefs of other times. Attentive, leaning on his shield, the king of Morven sat. The wind whistled through his locks; his thoughts are of the days of other years. Near him, on his bending spear, my young, my valiant Oscar stood. He admired the king of Morven: his deeds were swelling in his soul.
"Son of my son," began the king, "O Oscar, pride of youth: I saw the shining of the sword. I gloried in my race. Pursue the fame of our fathers; be thou what they have been, when Trenmor lived, the first of men, and Trathal, the father of heroes! They fought the battle in their youth. They are the song of bards. O Oscar! bend the strong in arm; but spare the feeble hand. Be thou a stream of many tides against the foes of thy people; but like the gale, that moves the grass. to those who ask thine aid. So Trenmor lived; such Trathal was; and such has Fingal been. My arm was the support of the injured; the weak rested behind the lightning of my steel.
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poem by James Macpherson
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Point Of Disgust
How many times have we gotten to a point of disgust
Where your mind is about to explode
And your heart about to bust.
Every one at one point or another gets to that stage
And we know in our hearts -it's just a phase.
How do we get rid of that pain and emptiness
So deep in your chest
When your mind is blank and needs the rest.
When your chest is like a dam holding
back a river of tears
And your mind is sensing all your fears.
When everything seems to be going wrong
No matter what you do
And you get to this point of disgust
And starting to feel blue.
Where does one end and the other begin?
You have to go through total disgust
Then the depression begins.
(is depression just a point of total disgust?) hmmmm
When I get to that point in life
I pray to GOD to take away this strife
I walk to him with my problems in my hand
Cause I know he understands.
He says 'help yourself and I will help you'
So this is what I do.
I put all my pros and cons in a basket
And bury it in the ground like a casket.
I follow what I have in my heart
Because 'HE ' had put it there from the start.
This point of disgust can play a role in our life
We just have to stop and think twice.
This not only affects you, but all who are around
Creeps up on you without making a sound.
So I'll add that to the basket
With all my pros and cons
And the 'point of disgust' will also be gone.
BYE - BYE
poem by Louis Rams
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Fingal - Book V
ARGUMENT.
Cuthullin and Connal still remain on the hill. Fingal and Swaran meet: the combat is described. Swaran is overcome, bound, and delivered over as a prisoner to the care of Ossian, and Gaul, the son of Morni; Fingal, his younger sons and Oscar still pursue the enemy. The episode of Orla, a chief of Lochlin, who was mortally wounded in the battle, is introduced. Fingal, touched with the death of Orla, orders the pursuit to be discontinued; and calling his sons together, he is informed that Ryno, the youngest of them, was slain. He laments his death, hears the story of Lamderg and Gelchossa, and returns towards the place where he had left Swaran. Carril, who had been sent by Cuthullin to congratulate Fingal on his victory, comes in the mean time to Ossian. The conversation of the two poets closes the action of the fourth day.
On Cromla's resounding side Connal spoke to the chief of the noble car. Why that gloom, son of Semo? Our friends are the mighty in fight. Renowned art thou, O warrior! many were the deaths of thy steel. Often has Bragéla met, with blue-rolling eyes of joy: often has she met her hero returning in the midst of the valiant, when his sword was red with slaughter, when his foes were silent in the fields of the tomb. Pleasant to her ears were thy bards, when thy deeds, arose in song.
But behold the king of Morven! He moves, below, like a pillar of fire. His strength is like the stream of Lubar, or the wind of the echoing Cromla, when the branchy forests of night are torn from all their rocks. Happy are thy people, O Fingal! thine arm shall finish their wars. Thou art the first in their dangers: the wisest in the days of their peace. Thou speakest, and thy thousands obey: armies tremble at the sound of thy steel. Happy are thy people, O Fingal! king of resounding Selma. Who is that so dark and terrible coming in the thunder of his course? who but Starno's son, to meet the king of Morven? Behold the battle of the chiefs! it is the storm of the ocean, when two spirits meet far distant, and contend for the rolling of waves. The hunter hears the noise on his bill. He sees the high billows advancing to Ardven's shore.
Such were the words of Connal when the heroes met in fight. There was the clang of arms! there every blow, like the hundred hammers of the furnace! Terrible is the battle of the kings; dreadful the look of their eyes. Their dark-brown shields are cleft in twain. Their steel flies, broken, from their helms. They fling their weapons down. Each rushes to his hero's grasp; their sinewy arms bend round each other: they turn from side to side, and strain and stretch their large-spreading limbs below. But when the pride of their strength arose they shook the hill with their heels. Rocks tumble from their places on high; the green-headed bushes are overturned. At length the strength of Swaran fell; the king of the groves is bound. Thus have I seen on Cona; but Cona I behold no more! thus have I seen two dark hills removed from their place by the strength of their bursting stream. They turn from side to side in their fall; their tall oaks meet one another on high. Then they tumble together with all their rocks and trees. The streams are turned by their side. The red ruin is seen afar.
"Sons of distant Morven, "said Fingal, "guard the king of Lochlin. He is strong as his thousand waves. His hand is taught to war. His race is of the times of old. Gaul, thou first of my heroes; Ossian, king of songs attend. He is the friend of Agandecca; raise to joy his grief. But Oscar, Fillan, and Ryno, ye children of the race, pursue Lochlin over Lena, that no vessel may hereafter bound on the dark-rolling waves of Inistore."
They flew sudden across the heath. He slowly moved, like a cloud of thunder, when the sultry plain of summer is silent and dark. His sword is before him as a sunbeam; terrible as the streaming meteor of night. He came towards a chief of Lochlin. He spoke to the son of the wave. — "Who is that so dark and sad, at the rock of the roaring stream? He cannot bound over its course. How stately is the chief! His bossy shield is on his side; his spear like the tree f the desert. Youth of the dark-red hair, art thou of the foes of Fingal?"
"I am a son of Lochlin," he cries; "strong is my arm in war. My spouse is weeping at home. Orla shall never return!" "Or fights or yields the hero?" said Fingal of the noble deeds; "foes do not conquer in my presence: my friends are renowned in the hall. Son of the wave, follow me: partake the feast of my shells: pursue the deer of my desert: be thou the friend of Fingal." "No," said the hero: "I assist the feeble. My strength is with the weak in arms. My sword has been always unmatched, O warrior! let the king of Morven yield!" "I never yielded, Orla. Fingal never yielded to man. Draw thy sword, and choose thy foe. Many are my heroes!"
"Does then the king refuse the fight?" said Orla of the dark-brown shield. "Fingal is a match for Orla; and he alone of all his race! But, king of Morven, if I shall fall, as one time the warrior must die; raise my tomb in the midst: let it be the greatest on Lena. Send over the dark-blue wave, the sword of Orla to the spouse of his love, that she may show it to her son, with tears to kindle his soul to war." "Son of the mournful tale," said Fingal, "why dost thou awaken my tears! One day the warriors must die, and the children see their useless arms in the hall. But, Orla, thy tomb shall rise. Thy white-bosomed spouse shall weep over thy sword."
They fought on the heath of Lena. Feeble was the arm of Orla. The sword of Fingal descended, and cleft his shield in twain. It fell and glittered on the ground, as the moon on the ruffled stream. "King of Morven," said the hero, "lift thy sword and pierce my breast. Wounded and faint from battle, my friends have left me here. The mournful tale shall come to my love on the banks of the streamy Lota, when she is alone in the wood, and the rustling blast in the leaves!"
"No," said the king of Morven: "I will never wound thee, Orla. On the banks of Lota let her see thee, escaped from the hands of war. Let thy gray-haired father, who, perhaps, is blind with age, let him hear the sound of thy voice, and brighten within his hall. With joy let the hero rise, and search for the son with his hands!" "But never will he find him, Fingal," said the youth of the streamy Lota: "on Lena's heath I must die: foreign bards shall talk of me. My broad belt covers my wound of death. I give it to the wind!"
The dark blood poured from his side; he fell pale on the heath of Lena. Fingal bent over him as he died, and. called his younger chiefs. "Oscar and Fillan, my sons, raise high the memory of Orla. Here let the dark-haired hero rest, far from the spouse of his love. Here let him rest in his narrow house, far from the sound of Lota. The feeble will find his bow at home, but will not be able to bend it. His faithful dogs howl on his hills; his boars which he used to pursue, rejoice. Fallen is the arm of battle! the mighty among the valiant is low! Exalt the voice, and blow the horn, ye sons of the king of Morven! Let us go back to Swaran, to send the night away in song. Fillan, Oscar, and Ryno, fly over the heath of Lena. Where, Ryno, art thou, young son of fame? thou art not wont to be the last to answer thy father's voice!"
"Ryno," said Ullin, first of bards, "is with the awful forms of his fathers. With Trathal, king of shields; with Trenmor of mighty deeds. The youth is low, the youth is pale, he lies on Lena's heath!" "Fell the swiftest of the race," said the king, "the first to bend the bow? Thou scarce hast been known to me! Why did young Ryno fall? But sleep thou softly on Lena; Fingal shall soon behold thee. Soon shall my voice be heard no more, and my footsteps cease to be seen. The bards will tell of Fingal's name. The stones will talk of me. But, Ryno, thou art low, indeed: thou hast not received thy fame. Ullin, strike the harp for Ryno; tell what the chief would have been. Farewell, thou first in every field. No more shall I direct thy dart. Thou that hast been so fair! I behold thee not. Farewell." The tear is on the cheek of the king, for terrible was his son in war. His son that was like a beam of fire by night on a hill, when the forests sink down in its course, and the traveller trembles at the sound. But the winds drive it beyond the steep. It sinks from sight, and darkness prevails.
"Whose fame is in that dark-green tomb?" began the king of generous shells: "four stones with their heads of moss stand there. They mark the narrow house of death. Near it let Ryno rest. A neighbor to the brave let him lie. Some chief of fame is here, to fly with my son on clouds. O Ullin! raise the songs of old. Awake their memory in their tomb. If in the field they never fled, my son shall rest by their side. He shall rest, far distant from Morven, on Lena's resounding plains."
"Here," said the bard of song, "here rest the first of heroes. Silent is Lamderg in this place, dumb is Ullin, king of swords. And who, soft smiling from her cloud, shows me her face of love? Why, daughter, why so pale art thou, first of the maids of Cromla? Dost thou sleep with the foes in battle, white-bosomed daughter of Tuathal? Thou hast been the love of thousands, but Lamderg was thy love. He came to Tura's mossy towers, and striking his dark buckler, spoke: 'Where is Gelchossa, my love, the daughter of the noble Tuathal? I left her in the hall of Tura, when I fought with the great Ulfada. Return soon, O Lamderg! she said, for here I sit in grief. Her white breast rose with sighs. Her cheek was wet with tears. But I see her not coming to meet me to soothe my soul after war. Silent is the hull of my joy. I near not the voice of the bard. Bran does not shake his chains at the gate, glad at the coming of Lamderg. Where is Gelchossa, my love, the mild daughter of generous Tuathal?'
"'Lamderg,' says Ferchios, son of Aidon, 'Gelchossa moves stately on Cromla. She and the maids of the bow pursue the flying deer!' 'Ferchios!' replied the chief of Cromla, 'no noise meets the ear of Lamderg! No sound is in the woods of Lena. No deer fly in my sight. No panting dog pursues. I see not Gelchossa, my love, fair as the full moon setting on the hills.. Go, Ferchios, go to Allad, the gray-haired son of the rock. His dwelling is in the circle of stones He may know of the bright Gelchossa!'
"The son of Aidon went. He spoke to the ear of age. 'Allad, dweller of rocks, thou that tremblest alone, what saw thine eyes of age?' 'I saw,' answered Allad the old, 'Ullin the son of Cairbar. He came, in darkness, from Cromla. He hummed a surly song, like a blast in a leafless wood. He entered the hall of Tura. "Lamderg," he said, "most dreadful of men, fight or yield to Ullin." "Lamderg," replied Gelchossa, "the son of battle is not here. He fights Ulfada, mighty chief. He is not here, thou first of men! But Lamderg never yields. He will fight the son of Cairbar!" "Lovely thou," said terrible Ullin, "daughter of the generous Tuathal. I carry thee to Cairbar's halls. The valiant shall have Gelchossa. Three days I remain on Cromla, to wait that son of battle, Lamderg. On the fourth Gelchossa is mine, if the mighty Lamderg flies."'
"'Allad,' said the chief of Cromla, 'peace to thy dreams in the cave! Ferchios, sound the horn of Lamderg, that Ullin may hear in his halls.' Lamderg, like a roaring storm ascended the hill from Tura. He hummed a surly song as he went, like the noise of a falling stream. He darkly stood upon the hill, like a cloud varying its form to the wind. He rolled a stone, the sign of war. Ullin heard in Cairbar's hall. The hero heard, with joy, his foe. He took his father's spear. A smile brightens his dark-brown cheek, as he places his sword by his side. The dagger glittered in his hand, he whistled as he went.
"Gelchossa saw the silent chief, as a wreath of mist ascending the hill. She struck her white and heaving breast; and silent, tearful, feared for Lamderg. 'Cairbar, hoary chief of shells,' said the maid of the tender hand, 'I must bend the bow on Cromla. I see the dark-brown hinds.' She hasted up the hill. In vain the gloomy heroes fought. Why should I tell to Selma's king how wrathful heroes fight? Fierce Ullin fell. Young Lamderg came, all pale, to the daughter of generous Tuathal! 'What blood, my love;' she trembling said, 'what blood runs down my warrior's side?' ' It is Ullin's blood,' the chief replied, 'thou fairer than the snow! Gelchossa, let me rest here a little while.' The mighty Lamderg died! 'And sleepest thou so soon on earth, O chief of shady Tura?' Three days she mourned beside her love. The hunters found her cold. They raised this tomb above the three. Thy son, O king of Morven, may rest here with heroes!"
"And here my son shall rest," said Fingal. "The voice of their fame is in mine ears. Fillan and Fergus, bring hither Orla, the pale youth of the stream of Lota! not unequalled shall Ryno lie in earth, when Orla is by his side. Weep, ye daughters of Morven! ye maids of the streamy Lota, weep! Like a tree they grew on the hills. They have fallen like the oak of the desert, when it lies across a stream, and withers in the wind. Oscar, chief of every youth, thou seest how they have fallen. Be thou like them on earth renowned. Like them the song of bards. Terrible were their forms in battle; but calm was Ryno in the days of peace. He was like the bow of the shower seen far distant on the stream, when the sun is setting on Mora, when silence dwells on the hill of deer. Rest, youngest of my sons! rest, O Ryno! on Lena. We too shall be no more. Warriors one day must fall!"
Such was thy grief, thou king of swords, when Ryno lay on earth. What must the grief of Ossian be, for thou thyself art gone! I hear not thy distant voice on Cona. My eyes perceive thee not. Often forlorn and dark I sit at thy tomb, and feel it with my hands. When I think I hear thy voice, it is but the passing blast. Fingal has long since fallen asleep, the ruler of the war!
Then Gaul and Ossian sat with Swaran, on the soft green banks of Lubar. I touched the harp to please the king; but gloomy was his brow. He rolled his red eyes towards Lena. The hero mourned his host. I raised mine eyes to Cromla's brow. I saw the son of generous Semo. Sad and slow he retired from his hilt, towards the lonely cave of Tura. He saw Fingal victorious, and mixed his joy with grief. The sun is bright on his armor. Connal slowly strode behind. They sunk behind the hill, like two pillars of the fire of night, when winds pursue them over the mountain, and the flaming death resounds! Beside a stream of roaring foam his cave is in a rock. One tree bends above it. The rushing winds echo against its sides. Here rests the chief of Erin, the son of generous Semo. His thoughts are on the battles he lost. The tear is on his cheek. He mourned the departure of his fame, that fled like the mist of Cona. O Bragéla! thou art too far remote to cheer the soul of the hero. But let him see thy bright form in his mind, that his thoughts may return to the lonely sunbeam of his love!
Who comes with the locks of age? It is the son of songs. "Hail, Carril of other times! Thy voice is like the harp in the halls of Tura. Thy words are pleasant as the shower which falls on the sunny field. Carril of the times of old, why comest thou from the son of the generous Semo?"
"Ossian, king of swords," replied the bard, "thou best canst raise the song. Long hast thou been known to Carril, thou ruler of war! Often have I touched the harp to lovely Everallin. Thou too hast often joined my voice in Branno's hall of generous shells. And often, amidst our voices, was heard the mildest Everallin. One day she sung of Cormac's fall, the youth who died for her love. I saw the tears on her cheek, and on thine, thou chief of men. Her soul was touched for the unhappy, though she loved him not. How fair among a thousand maids was the daughter of generous Branno!"
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poem by James Macpherson
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Temora - Book II
ARGUMENT.
This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.
FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!
I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.
I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."
"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"
"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.
"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.
"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'
"They came forth, like the streams of the desert, with the roar of their hundred tribes. Cona was a rock before them: broken, they rolled on every side. But often they returned, and the sons of Selma fell. The king stood, among the tombs of his warriors. He darkly bent his mournful face. His soul was rolled into itself: and he had marked the place where he was to fall: when Trathal came, in his strength, his brother from cloudy Morven. Nor did he come alone. Colgar was at his side: Colgar the son of the king and of white-bosomed Solin-corma.
"As Trenmor, clothed with meteors, descends from the halls of thunder, pouring the dark storm before him over the troubled sea: so Colgar descended to battle, and wasted the echoing field. His father rejoiced over the hero: but an arrow came! His tomb was raised without a tear. The king was to revenge his son. He lightened forward in battle, till Bolga yielded at her streams!
"When peace returned to the land: when his blue waves bore the king to Morven: then he remembered his son, and poured the silent tear. Thrice did the bards, at the cave of Furmono, call the soul of Colgar. They called him to the hills of his land. He heard them in his mist. Trathal placed his sword in the cave, that the spirit of his son might rejoice."
"Colgar, son of Trathal," said Fillan, "thou wert renowned in youth! but the king hath not marked my sword, bright streaming on the field. I go forth with the crowd. I return without my fame. But the foe approaches, Ossian! I hear their murmur on the heath. The sound of their steps is like thunder, in the bosom of the ground, when the rocking hills shake their groves, and not a blast pours from the darkened sky!"
Ossian turned sudden on his spear. He raised the flame of an oak on high. I spread it large on Mora's wind. Cathmor stopt in his course. Gleaming he stood, like a rock, on whose sides are the wandering blasts; which seize its echoing streams, and clothe them with ice. So stood the friend of strangers! The winds lift his heavy locks. Thou art the tallest of the race of Erin, king of streamy Atha!
"First of bards" said Cathmor, "Fonar, call the chiefs of Erin. Call red-haired Cormar: dark-browed Malthos: the sidelong-looking gloom of Maronnan. Let the pride of Foldath appear. The red-rolling eye of Turlotho. Nor let Hidalla be forgot; his voice, in danger, is the sound of a shower, when it falls in the blasted vale, near Atha's falling stream. Pleasant is its sound on the plain, whilst broken thunder travels over the sky!"
They came in their clanging arms. They bent forward to his voice, as if a spirit of their fathers spoke from a cloud of night. Dreadful shone they to the light, like the fall of the stream of Bruno, when the meteor lights it, before the nightly stranger. Shuddering he stops in his journey, and looks up for the beam of the morn!
"Why delights Foldath," said the king, "to pour the blood of foes by night? Fails his arm in battle, in the beams of day? Few are the foes before us; why should we clothe us in shades? The valiant delight to shine in the battles of their land! Thy counsel was in vain, chief of Moma! The eyes of Morven do not sleep. They are watchful as eagles on their mossy rocks. Let each collect beneath his cloud the strength of his roaring tribe. To-morrow I move, in light, to meet the foes of Bolga! Mighty was he that is low, the race of Borbar-duthul!"
"Not unmarked," said Foldath, "were my steps be. fare thy race. In light, I met the foes of Cairbar. The warrior praised my deeds. But his stone was raised without a tear! No bard sung over Erin's king. Shall his foes rejoice along their mossy hills? No they must not rejoice! He was the friend of Foldath. Our words were mixed, in secret, in Moma's silent cave; whilst thou, a boy in the field, pursued'st the thistle's beard. With Moma's sons I shall rush abroad, and find the foe on his dusky hills. Fingal shall die without his song, the gray-haired king of Selma."
" Dost thou think, thou feeble man," replied Cathmor, half enraged: "Dost thou think Fingal can fail, without his fame, in Erin? Could the bards be silent at the tomb of Selma's king; the song would burst in secret! the spirit of the king would rejoice! It is when thou shalt fall, that the bard shall forget the song. Thou art dark, chief of Moma, though thine arm is a tempest in war. Do I forget the king of Erin, in his narrow house? My soul is not lost to Cairbar, the brother of my love! I marked the bright beams of joy which travelled over his cloudy mind, when I returned, with fame, to Atha of the streams."
Tall they removed, beneath the words of the king. Each to his own dark tribe; where, humming, they rolled on the heath, faint-glittering to the stars: like waves in a rocky bay, before the nightly wind. Beneath an oak lay the chief of Atha. His shield, a dusky round, hung high. Near him, against a rock, leaned the fair stranger of Inis-huna: that beam of light, with wandering locks, from Lumon of the roes. At a distance rose the voice of Fonar, with the deeds of the days of old. The song fails, at times, in Lubar's growing roar.
"Crothar," began the bard, first dwelt at Atha's mossy stream! A thousand oaks, from the mountains, formed his echoing hail. The gathering of the people
was there, around the feast of the blue-eyed king. But who, among his chiefs, was like the stately Crothar? Warriors kindled in his presence. The young sigh of the virgins rose. In Alnecma was the warrior honored: the first of the race of Bolga.
"He pursued the chase in Ullin: on the moss-covered top of Drumardo. From the wood looked the daughter of Cathmin, the blue-rolling eye of Con-láma. Her sigh rose in secret. She bent her head, amidst her wandering locks. The moon looked in, at night, and saw the white tossing of her arms; for she thought of the mighty Crothar in the season of dreams.
"Three days feasted Crothar with Cathmin. On the fourth they awaked the hinds. Con-láma moved to the chase, with all her lovely steps. She met Crothar in the narrow path. The bow fell at once from her hand. She turned her face away, and half hid it with her locks. The love of Crothar rose. He brought the white-bosomed maid to Atha. Bards raised the song in her presence. Joy dwelt round the daughter of Cathmin.
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poem by James Macpherson
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Oscar The Dog
Oscar the dog, white and fluffy.
He told people that one day in
February during a snow storm when
Everyone stayed in their houses while
He went outside chasing the snow and
Caught them all, “Sometimes what you catch
(like an over-affectionate boyfriend or girlfriend)
never leaves you”, Said Oscar the dog.
From a straight-male’s perspective, if you learn
To kiss a woman like Oscar the dog,
She’ll definitely leave you and she will run over mountains
to Niagara Falls for a shower.
But if you learn to kiss a man
Like Oscar the dog, you’ll make the people
In the gay parade proud.
One can learn much from Oscar the dog
Especially during a party. He will amble around
The room sweeping away half-finished salads,
Or a bowl of rice and then napkins to wipe himself
Before lecturing his guests the meaning of sharing.
poem by Duy Bui
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Sociology Assignment
THE APPLICATION OF SOCIOLOGY OF EDUCATION IN CLASSROOM TEACHING
INTRODUCTION
Sociology of education, as defined by Pavalko (1976) , is the scientific analysis of the social processes and patterns involved in the educational system. It is concerned with educational aims, methods, and institutions in relation to social and cultural forces of the society in which they function. This assumes that education is a combination of social acts and it deals with human interaction. In the education of the individual, it concerns the influence of social life and social relationships on the development of personality. Sociology of education is very significant as it introduces a teacher to a collection of techniques that are required in classroom teaching. Such techniques include; understanding and applying interaction in the classroom, the disposition of norms to the students by the teachers, understanding teacher-student relationship and communication, provision of career guidance and finally understanding social roles of teachers and students. This essay, therefore, discusses how we, as teachers to be, can apply the above sociological techniques in classroom teaching in secondary schools.
INTERACTION
A classroom, like any other social group, requires all the members to participate and interact with each other for a common goal. A teacher as a leader in the classroom can make sure that there is interaction among his/her students by forming study groups or circles. In these study circles there is mutual influence and benefit among students since students can participate in the discussions that the group undertakes. Interaction in these groups can be cooperative and competitive among students (Ottaway,1960) .
In these groups members are in face to face interaction with each other and there are a small number of participants, this encourages the students to speak out their minds on a given topic. This is so because in a small group every student is given a chance to express himself/herself as compared to the whole class. This gives a chance to some students who can not express themselves fully when there are many people around them. This helps students to build self confidence since their views can be heard by their peers. It also builds a habit of doing things together as a result there is unity among members of the group (Ashley et. al.,1970) .
In this case, the teacher as a leader in the classroom does not dominate in the classroom activities but rather just controls the thoughts and behaviour of his pupils and sets the tone of the interaction patterns in the classroom. The teacher is also there to facilitate in the discussions. However, a teacher needs not to always be present in these groups since some students may not interact fully in the presence of their teacher than their peers. In this case, indirect control from a teacher may be more effective than direct (Ottaway,1960) .
NORMS
Sociology of education analyzes the sociological processes that have a bearing in the education system. One of such sociological processes is the disposition of norms that a teacher imparts in his/her students through interaction in class. The students’ awareness of these norms facilitates the teaching process, on the part of the teacher, and the learning process on the part of students. The impartation of norms on the students is referred to as the hidden curriculum because it is not included on the formal curriculum. Though not included on paper, the students are supposed to know these norms because the way they conduct themselves in class (morally) will affect the teaching and learning processes either positively or negatively. For instance, some students may choose not to cooperate in taking assignments. This tendency may be triggered by the students’ lack of proper direction in their behavior that departs from the values and norms that guide the society. Such students if not handled professionally by the teacher may cause havoc in class. This is where sociology of education becomes vital to classroom management in secondary schools. In sociology of education a teacher learns how to manage students, both those who are morally upright and those morally decayed.
Sociology of education also instructs teachers to be exemplary. The teaching ethics are also very clear on this point as Ashley et al. (1970) declare that teaching professional training emphasizes moral virtues and exemplary behavior on the part of teachers. They have to behave, dress and speak as role models. True to that proverb that says “action speaks louder than words”, teacher’s behavior will have a great impact on the conduct of his/her students. If the teacher is not morally upright the students are likely to be like him/her in their conduct. One other point that may help curb indiscipline in students is through the provision of enough work to keep the students busy. This is helpful because when the students are idle they tend to misbehave (Abromitis,2009) .
TEACHER-STUDENT RELATIONSHIP AND COMMUNICATION
The maintenance of a harmonious social relationship between a teacher and those undergoing socialization (students) , is one of the applications of sociology of education in a classroom. The social interaction within the classroom will help teachers understand the psychological variables that affect the social behaviour of students. For instance, a student’s performance may be affected by poverty and funeral at home among other things. This stresses that each individual is a member of a wide family and gets influenced by social and cultural factors as well. A teacher, therefore, is supposed to identify those students who are not doing well in class as expected and try to find the source of their problems and counsel them accordingly. For instance, sociology of education enables a teacher to establish the real cause of impoliteness in some students that even cause destructions during classes. A teacher does this through inquiries that he/she makes about the naughty students’ back ground that sometimes may be responsible for the students’ bad behavior.
The teacher’s awareness of such backgrounds will enable him/her to know where to start the intervention of shaping the behavior of students. When the good behavior of once ill-mannered students is restored, the teaching and learning processes go smoothly. This suggests that there should be a good communication and interaction between teachers and students. However, Zeleny (1948) as cited in Pavalko (1976) warns that the teacher should not be too friendly with the students. This is because it will be very difficult to provide counseling to them and eventually fail to induce changed behaviour when they go wrong.
CAREER GUIDANCE
A school as a social institution is expected to produce people who are reliable for continuity of a society as far as leadership and management of social institutions is concerned. In view of this, we can say it is important for teachers to include lessons in decision-making and career guidance. Though career guidance is over looked by many schools, it plays an important role. Harris (1999) says career guidance helps students to identify the work-related competences they are developing through the various school subjects and relate them to their career planning. In short, career guidance acts as an advocate for students in establishing their career ladders.
Career guidance needs enforcement because not all students are aware of the different job opportunities that are in the corporate world. For instance, asking children from rural areas about their ambitions, most of them will talk about nursing and teaching as opposed to those from urban areas who will talk of becoming, a pilot, an accountant, a lawyer and many more. This is due to parents’ or guardians’ ‘level of education and children’s exposure to media or other sources of information. Therefore, a teacher should not take it for granted that all students are aware about careers.
A teacher can impart career lessons through different ways. First of all, a teacher needs to include in his or her curriculum a special time at least 20 to 30 minutes per week for career lessons (Harris,1999) . In a classroom, a teacher may use personal approach, where he or she can ask students of their ambitions and provide information on the requirements and the institution(s) that offer(s) them. Secondly, a teacher can use interactive and experimental exercises, where he or she can put students into groups and ask them to interview different personnel on their professions and how they managed to achieve them. Afterwards students can present their findings to a class. Apart from motivating students, this method can also promote interaction between students and the community.
SOCIAL ROLES OF TEACHERS AND STUDENTS
Social role is among the five basic concepts in the sociology of education. A social role is a behavior appropriate to a particular position in a social group. A classroom as a sub-social system has actors and participants, who are teachers and students respectively. Sociology of education enables a teacher to realize his/her role and at the same time helps the students realize theirs. The teacher playing his/her role has to teach and encourage the students to learn. The role of a teacher is really a combination of sub-roles which the skillful teacher fits to produce a useful pattern of teaching. One of these sub-roles includes, being an instructor, whereby the teacher gives instructions and shows the students in a classroom how to learn and answer questions. This is the role the teacher prepares for, explicitly and directly. On the other hand, the students on their part have to listen, attend classes, submit assignments regularly and take examinations. Cooperation demands high degree of predictability of conduct and requires that individuals should make personal sacrifices in favour of societal expectations. In other words, where a teacher’s personal interests or commitments are in conflict with his or her role as a teacher, his/her personal interests have to give way to his/her teaching role (Ezewu,1983) .
There is a social and a personal aspect of every role that is significant to an individual. For instance, a person learns the expected and rewarded behaviour for each role. Students learn when to give priority to a particular role. In a classroom situation, the students learn to take the role of a pupil most of the time rather than the role of a playmate. (Havighurst et al.,1963) .
CONCLUSION
After discussing the above sociological techniques we have the audacity to conclude that Sociology of education adds to the teacher’s kit of intellectual tools. In this case, a set of sociological insights and concepts that will allow him/her to take account in his decision-making organization, cultural and interpersonal factors at work in his/her environment. Therefore, Sociology of education is essential as it equips teachers with great knowledge on how to socialize their students in a classroom situation in secondary schools.
LIST OF REFERENCES.
Abromitis, B. (2009, Feb 27) .Teachers Creating an effective learning Environment in a
monitored Classroom; Sociology of Education. www.google.com.
Ashley, J.B., Cohen, S.H., & Slatter, R.G. (1970) . An Introduction to the Sociology of
Education. Macmillan and Co Ltd: London & Basingstoke, pp.117-139
Ezewu, E.B.A. (1983) . Sociology of Education. Longman: London, pp.13-14
Harris, S. (1999) . Careers education: contesting policy and practice. Sage
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poem by Innocent Masina Nkhonyo
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Adrienne Vittadini
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poem by Caasder Fronds
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Weighted Coattails
I don't consider pity,
When somebody tries to slide up...
On my ride.
To fly their own kite.
No I don't think it is witty,
When somebody tries to whittle...
On my ride,
To ease on by!
I may not never ever give up when I cuss
I may show more than just disgust,
With language that gets rough!
No...
I may not never ever give up when I cuss
I may show more than just disgust,
With language that gets rough!
I don't consider pity,
When somebody tries to slide up...
On my ride.
To fly their own kite.
No I don't think it is witty,
When somebody tries to whittle...
On my ride,
To ease on by!
Oh no!
No no no no no no no...
I,
May not never ever give up when I cuss.
I may show more than just disgust,
With language that gets rough!
No...
I may not never ever give up when I cuss.
I may show more than just disgust,
With language that gets rough!
I use to drag weighted coattails,
But too much is enough.
Oh...
I may not never ever give up when I cuss.
I use to drag weighted coattails,
But too much is enough.
poem by Lawrence S. Pertillar
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Destiny Recieving
Through darkened eyes we’re perceiving,
A thankless job never relieving,
Through morning, afternoon unto evening
Destiny Receiving
Some enlightened to its very existence
Can not put up any resistance
They are carried off into the distance
Destiny Receiving
It bears no strength, emits no sound
But it beats the tallest mountain down
You can’t go under you can’t go ‘round
Destiny Receiving
Though none through its eternal survive,
Emerging from one it did arrive
None may see its end alive
Destiny Receiving
poem by Legion As One
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An Oscar Award in Heaven
She had acted all her life
as mother, daughter and wife
She faked pleasure, when there was none;
She feigned gusto, when zest was gone.
She smiled at people, she would like to kill;
She scoffed at charmer, who gave her thrill.
She obeyed her boss, she longed to rebel
She served the persons, She desired in hell.
Thus she acted happy all her life,
In her world full of pain and strife.
At last her journey ended
And in heaven her soul landed.
In the heaven there was Oscar giving ceremony
And on Hollywood actress, all bet their money.
But as usual, Man proposes and God disposes
So actress lost and she won Oscar with roses.
God Announced: “Actress acted only in movies,
But she acted when her life was scarred,
Her acting is really thrilling and groovy,
So not the actress but she deserves Oscar.'
Dr Hitesh C Sheth
19 /07/2010
poem by Hitesh Sheth
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‘Oscar’ The Man of Metal
I built a magnificent man of metal
out of old used tin cans.
I removed the tops and bottoms
and with them I made his hands.
I unrolled the assorted cans of metal
and hammered them into shape.
Then welded and riveted them together,
which made his exterior look great.
I gave him joints for movement
and eyes of coloured glass.
Electronic circuits became his brain,
which added that touch of class.
He had nerves of steel and fibre-optics,
and anti-freeze was his life blood.
Movements of time charged his power cells
making his battery life exceptionally good.
From head to foot he dazzled too much,
so I decided hide the shine
behind trainers, jeans and an old t-shirt,
and a hat that once was mine.
The time had come for his beginning,
so I pressed his power pack.
His eyes lit up and sparkled with life,
as he flexed his joints and back.
After blinking, smiling, and twitching,
he quietly asked who he was.
“A magnificent man of metal, ” I said,
“inspired by ‘The Wizard of Oz’.”
We sat watching the movie together
and not a word was said.
He memorised the whole of the script
and repeated it ‘til I went to bed.
I left him watching the movie channel,
and he sat there day after day.
One morning, in the early hours he woke me
to tell me that he was going away.
He had decided to become ‘An actor’,
the best the world had ever seen.
Hollywood was waiting for a man like him
to appear on the silver screen.
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poem by Orlando Belo
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Trash Bag
1 bag cement mold
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poem by Rwetewrt Erwtwer
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True Confession
1
Today, recovering from influenza,
I begin, having nothing worse to do,
This autobiography that ends a
Half of my life I'm glad I'm through.
O Love, what a bloody hullaballoo
I look back at, shaken and sober,
When that intemperate life I view
From this temperate October.
To nineteen hundred and forty-seven
I pay the deepest of respects,
For during this year I was given
Some insight into the other sex.
I was a victim, till forty-six,
Of the rosy bed with bitches in it;
But now, in spite of all pretexts,
I never sleep a single minute.
O fellow sailor on the tossing sea,
O fleeting virgin in the night,
O privates, general in lechery,
Shun, shun the bedroom like a blight:
Evade, O amorous acolyte,
That pillow where your heart can bury -
For if the thing was stood upright
It would become a cemetery.
I start with this apostrophe
To all apostles of true love:
With your devotion visit me,
Give me the glory of the dove
That dies of dereliction. Give
True love to me, true love to me,
And in two shakes I will prove
It's false to you and false to me.
Bright spawner, on your sandbank dwell
Coldblooded as a plumber's pipe -
The procreatory ocean swell
Warming, till they're over ripe,
The cockles of your cold heart, will
Teach us true love can instil
Temperature into any type.
Does not the oyster in its bed
Open a yearning yoni when
The full moon passes overhead
Feeling for pearls? O nothing, then,
Too low a form of life is, when
Love, abandoning the cloister,
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poem by George Barker
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