If you keep your mouth shut you will never put your foot in it.
quote by Austin O'Malley
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Baby Blues
(bth australian version)
I wonder whats happening to me
Things are changing so dramatically
Ill search for you, youre not really there
Still I wonder knowing that you do care
I shut up, I shut up, I shut up, I shut up
I shut up, I shut up, I shut up now
I shut up, I shut up, I shut up, I shut up
I shut up, I shut up, I shut up now
I shut up now, I shut up now
I shut up now, I shut up now
He is the best thing to come my way
Perfect picture baby blues in my day
He is the best thing to come around
Sleeping in his cradle safe and sound
I shut up, I shut up, I shut up, I shut up
I shut up, I shut up, I shut up now
I shut up, I shut up, I shut up, I shut up
I shut up, I shut up, I shut up now
I shut up now, I shut up now
I shut up now, I shut up now
Baby blues, baby blues
Baby blues, baby blues
Baby baby, baby blues
Baby baby, baby blues
Sha la la, sha la la, sha la la, sha la la
Sha la la, sha la la, sha la la, sha la la
Sha la la, sha la la, sha la la, sha la la
Sha la la, sha la la, sha la la, sha la la
Sha la la, sha la la, sha la la, sha la la
Sha la la, sha la la, sha la la, sha la la
song performed by Cranberries
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Vida's Game Of Chess
TRANSLATED
ARMIES of box that sportively engage
And mimic real battles in their rage,
Pleased I recount; how, smit with glory's charms,
Two mighty Monarchs met in adverse arms,
Sable and white; assist me to explore,
Ye Serian Nymphs, what ne'er was sung before.
No path appears: yet resolute I stray
Where youth undaunted bids me force my way.
O'er rocks and cliffs while I the task pursue,
Guide me, ye Nymphs, with your unerring clue.
For you the rise of this diversion know,
You first were pleased in Italy to show
This studious sport; from Scacchis was its name,
The pleasing record of your Sister's fame.
When Jove through Ethiopia's parch'd extent
To grace the nuptials of old Ocean went,
Each god was there; and mirth and joy around
To shores remote diffused their happy sound.
Then when their hunger and their thirst no more
Claim'd their attention, and the feast was o'er;
Ocean with pastime to divert the thought,
Commands a painted table to be brought.
Sixty-four spaces fill the chequer'd square;
Eight in each rank eight equal limits share.
Alike their form, but different are their dyes,
They fade alternate, and alternate rise,
White after black; such various stains as those
The shelving backs of tortoises disclose.
Then to the gods that mute and wondering sate,
You see (says he) the field prepared for fate.
Here will the little armies please your sight,
With adverse colours hurrying to the fight:
On which so oft, with silent sweet surprise,
The Nymphs and Nereids used to feast their eyes,
And all the neighbours of the hoary deep,
When calm the sea, and winds were lull'd asleep
But see, the mimic heroes tread the board;
He said, and straightway from an urn he pour'd
The sculptured box, that neatly seem'd to ape
The graceful figure of a human shape:--
Equal the strength and number of each foe,
Sixteen appear'd like jet, sixteen like snow.
As their shape varies various is the name,
Different their posts, nor is their strength the same.
There might you see two Kings with equal pride
Gird on their arms, their Consorts by their side;
Here the Foot-warriors glowing after fame,
[...] Read more
poem by Oliver Goldsmith
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
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God Save The South
It was a red hot night night in mobile
Sweat glistened on the reverends chin
His mohair suit was shinin
He told us all about sin
It could be wall to wall in wall street
We could be livin hand to mouth
Jesus loved a yankee
But God saved the south
Across the street in the pool hall
Bubba put the eight ball down
Its a high five celebration
They passed the jack around
Its wall to wall in wall street
Were livin hand to mouth
Jesus loved a yankee
But God saved the south
God saved the south
Yankee boy shut your mouth
Yes, God saved the south
Yankee boy shut your mouth
Shut your mouth
Some long haired boys with guitars
Playin behind the chicken wire
Theyre goin up to new york city
Gonna sing about atlantas fire
It could be wall to wall in wall street
We could be livin hand to mouth
Jesus loved a yankee
But God saved the south
And God saved the south
Yankee boy shut your mouth
Yes, God saved the south
Yankee boy shut your mouth
Yes, God saved the south
Yankee boy shut your mouth
And God saved the south
So,yankee boy shut your mouth
And God saved the south
Yankee boy shut your mouth
Yes, God saved the south
So, yankee boy shut your mouth
God saved the south
So, yankee boy shut your mouth
song performed by Nazareth
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Like A Guitar Solo Scream
Wah-wah-wah-wah-wah-wah-wahhh!
'Go bottled that up.
And keep your mouth shut!
Go bottled that up.
And keep your mouth shut!
Go bottled that up.
And keep your mouth shut!
Go bottled that...
Wah-wah-wah-wah-wah-wah-wahhh! '
Oh some people,
With their mouths shut.
Just look through peepholes,
With their mouths shut.
And keep their feelings,
Bottled up!
Some...
People,
With their mouths shut.
Just look through peepholes,
With their mouths shut.
And keep their feelings,
Bottled up!
While others love to stir up stuff.
And then there's people...
Who love to fuss.
And then there's people...
Who love to anger.
And...
Love they do to fist-i-cuff.
And love they do to rush cuss.
Wah-wah-wah-wah-wah-wah-wahhh!
Ohhhh...
Some people,
With their mouths shut.
Just look through peepholes,
With their mouths shut.
And keep their feelings,
Bottled up!
While others love to stir up stuff.
But not you,
You want to be heard...
Like a soloist with nerve.
Wah-wah-wah.
You want to be heard...
[...] Read more
poem by Lawrence S. Pertillar
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
[...] Read more
poem by Robert Browning from The Ring and the Book
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Put Your Foot On the Pedal
No ember that you've struck...
Could heat up a fire burning out.
And no engine that is cool...
Should keep ready,
For a driver who ain't behind the wheel.
Or thinking that a boost,
Is not needed to get started.
You gotta give up,
Mo' steam.
And get up offa that...
Low self-esteem.
You gotta give up,
Mo' steam.
And get up offa that,
Low self-esteem.
Put your foot on the pedal,
And steer me to all your needs.
Put your foot on the pedal.
Put the pedal to the metal.
Put your foot on the pedal,
And steer me to all your needs.
Put your foot on the pedal.
Put the pedal to the metal.
Put that pedal to the metal,
If you wanna get with me.
Put your foot on the pedal.
Put that pedal to the metal.
Put your foot on the pedal,
And steer me to all your needs.
Put your foot on the pedal.
Put the pedal to the metal.
No ember that you've struck...
Could heat up a fire burning out.
And no engine that is cool...
Should keep ready,
For a driver who ain't behind the wheel.
Or thinking that a boost,
Is not needed to get started.
You gotta give up,
Mo' steam.
And get up offa that...
Low self-esteem.
[...] Read more
poem by Lawrence S. Pertillar
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Mouth To Mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
You tied the knot,
Peeled your skin off,
Leave a bungle of nerves
I give you a wet noodle,
You swear that it was my tongue
A sharp one
Instead of that same old
Mouth to mouth to mouth to mouth
I can dress up the dead man, I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life ...
This is getting old
[...] Read more
song performed by Faith No More
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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Heaven In My Mouth Tonight
Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart
The Kingdom of our God is here
Heaven is in my heart
The presence of his majesty
Heaven is in my heart
And in his presence joy abounds
Heaven is in my heart
The light of holiness surround
Heaven is in my heart
Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart
We are a temple for his throne
Heaven is in my heart
And Christ is the foundation stone
Heaven is in my heart
He will return to take us home
Heaven is in my heart
The Spirit and the Bride say come
Heaven is in my heart
Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart
Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart
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poem by Ramona Thompson
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X-Ecutioner Style (feat. Black Thought)
(feat. Black Thought)
From the top
Shut up
Shut up
Shut up
Shut up when Im talking to you
Shut up
Shut up
Shut up
Shut up
Im about to br
Wasnt that fun?
Lets try something else
Forty-five calibre killer from out of the filler
Definitely going to show yall brothers how you not a gorilla
Smooth talking, fully automatic weapon concealer
Taste thriller, break thriller
Lets hit em with the bounce filler
Filthy stinking, standing on solid ground
And still be sinking, submerging in the parks
Still be linking, plucked beef when it starts
To f**k your thinking, its not a mirage
Im in the motherf**king track, yo, from out the garage
With an if, you to duck, but its hard to dodge
In the back of the spine where my dawgs, they lie
Going to flip it straight up, ripping apart your squad
X-ecutioner style, cuts and blends like a syringe
Hanging you from each of your limbs
See me coming through the party hard without no bodyguard
Smoking something, stomping on each of you Tims
Im the B-to-the-L, the A, the C, King
And when it comes to planning
The thought to keep thinking, man
Shut up
Shut up
Shut up
Shut up
Shut up
Shut up
Shut up
Shut up
song performed by Linkin Park
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Mouth
You gave me this
made me give
your silver grin
still sticking it in
you have soul machine
soul machine
the longest kiss
peeling furniture days
drift madly to you
pollute my heart drain
you have broken at me
broken me
all your mental armor drags me down
nothing hurts like your mouth
your loaded smiles
pretty just desserts
wish it all for you
so much it never hurts
you have soul machine
stone at me
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
we've been missing long before
never found our way home
we've been missing long before
where we'll find our way
you gave me this
made me give
you have soul machine
broken free
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
all your mental armor
all your mental armor
and your mouth
mouth
song performed by Bush from Razorblade Suitcase
Added by Lucian Velea
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Straw Foot
I guess you didnt hear me
When I told you for the first time
Well dont you worry
It wont be the last
All I need a floorboard
An a wooden shoe
Step aside an let my lady through
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
Up an back around
See the high priest
He took my place
When the judge looks to me
He saw his sons face
Not gonna join you in
Your tower of babble, boy
Tired o that talkin
Im sick o that noise
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
Coverin ground
Im not alone
An looks can be deceivin
When we get down to it
Youre talkin when you
Should be leavin
Ive been to nebraska
It reminded me of spain
All the questions loaded
All my answers same
Hey foot, straw foot
Low we lay em down
Hay foot, straw foot
Coverin ground
Let us not mince our words
Lets say it true this time
I need your forgiveness
Just like you need mine
Tell me how it is that
You dont want what hes given
It aint no sin son
To be forgiven
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
All over town
song performed by 16 Horsepower
Added by Lucian Velea
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Put Up Or Shut Up
Alright
She's got hurricane eyes
And know what she sees
She's got lovin' thighs
And she gets it for free
She makes a cigarette shake
And don't need no advice
She won't put on the breaks
And you feed her device, yeah
She's gonna tease you up and down now
Gonna play for keeps
I said
Put up
Or shut it up now
Put up
Or shut it up
Yeah
Ha!
She's got hounds on her trail
And they follow her scent
She's the kind of female
That don't need no good sense
(She's wild)
She's got a license to thrill
And she shoots from the hip
Takes her power up well
And your passion is sure to drip
And all so packaged move for speed now
When the feeling climbs
I said
Put up
Or shut it up now
(You gotta, gotta)
Put up
Or shut it up
Yeah
Listen
You want a piece of the action
And I don't want to be cheated, no
Gotta feel the connection
She's turning on her feet, yeah!
Oh, here we go
Comin' to getcha babe
Oh yeah
She's got hurricane eyes
And you know what she sees
She's got love in her thighs
And she gives it away for free
She's gonna tease you up and down now
Gonna play for keeps
[...] Read more
song performed by Quiet Riot
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Word Of Mouth
Ive been trying to get a message to you,
But the operator cant put me through,
Because the vandals went and wrecked all the telephones.
And all my enemies are spreading bad news,
You wont call me, thats why Im calling you,
To put you straight about the rumors theyre spreading about me back home.
I should have known, sooner or later,
Youd get the news, sooner or later,
The word of mouth will get right back to you.
Somehow we lost communication,
My only chance in my situation,
Is that the word of mouth gets my message through.
The word of mouth,
The word of mouth,
But who are they to say the things they do?
The word of mouth says that Ive gone insane,
That wine and women have affected my brain.
Well whos the big mouth spreading the news again?
The word of mouth says Im round the bend,
Its all over, this is the end.
Exaggeration sure gets the better of people who send[? ].
The word of mouth,
The word of mouth,
But who are they to say the things they do?
The word of mouth said I should be put in my place.
The word is out Im in disgrace -- a waste of space.
But if they say it, say it to my face.
People talking, trying to dig up the dirt,
There are so many lies around.
They spread their gossip and the rumors around this town.
Word of mouth, face to face,
My word of mouth has stated my case,
And Im saying Im coming back home to you.
You should have know sooner or later,
Youd get the news sooner or later,
The word of mouth will get right back to you.
The word of mouth,
Shut your mouth,
Shut your face!
song performed by Kinks
Added by Lucian Velea
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