There is nothing more foolish, nothing more given to outrage than a useless mob.
quote by Herodotus
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Always The Mob
Jesus emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.
The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.
Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.
Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.
The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.
Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.
Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pig iron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.
The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.
The mob? A jag of lightning, a geyser, a gravel mass loosening…
The mob … kills or builds … the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.
I am born in the mob—I die in the mob—the same goes for you—I don’t care who you are.
I cross the sheets of fire in No Man’s land for you, my brother—I slip a steel tooth into your throat, you my brother—I die for you and I kill you—It is a twisted and gnarled thing, a crimson wool:
One more arch of stars,
In the night of our mist,
In the night of our tears.
poem by Carl Sandburg
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Can't See
We were both cast forth from the same pale hand
And we both moved freely in the shadowlands
And we both were sculpted by the same cold wind
And we both had armor that was made of tin
And i tried to find you, but it's useless
And i tried to speak, but it was useless
And i felt so bad and i didn't know why
And it didn't get better as time went by
I was there for you, but you turned away
And i tried to find you, but you turned away
And i tried to find you, but it's useless
And i tried to speak, but was useless
And i tried to find you, but it's useless
And you're so close, but i can't see you
And you're right there, but i can't see you
And i feel so dumb and i didn't know what to do
You were right there but i can't see you
And i realize that it's useless
And i want to fight, but it's useless
And i know you're there, but it's useless
And you're everywhere, but it's useless
And i tried to say it, but my tongue got tied
And i tried to say it, but i was numb inside
And i can't see you anymore
And my peace of mind has gone through the door
And i realize that it's useless
And i thought i was right, but it was useless
And i know you're there, but it's useless
And you're everywhere, but it's useless
And i can't see now in front of my nose
And i know you're there, and i know you're close
And you're fading away - now you disappear
And i try to focus, but i can't see clear
And i don't know why i feel this way
And i can't control myself anyway
And i don't know why i feel this way
And i can't control myself anyway
And i feel so bad, but it's useless
And i feel so bad, but it's useless
And i feel so bad, but it's useless
And i can't see... now in front of my face.
song performed by Oingo Boingo
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Can't See (Useless)
We were both cast forth from the same pale hand
And we both moved freely in the shadowlands
And we both were sculpted by the same cold wind
And we both had armor that was made of tin
And I tried to find you, but it's useless
And I tried to speak, but it was useless
And I felt so bad and I didn't know why
And it didn't get better as time went by
I was there for you, but you turned away
And I tried to find you, but you turned away
And I tried to find you, but it's useless
And I tried to speak, but was useless
And I tried to find you, but it's useless
And you're so close, but I can't see you
And you're right there, but I can't see you
And I feel so dumb and I didn't know what to do
You were right there but I can't see you
And I realize that it's useless
And I want to fight, but it's useless
And I know you're there, but it's useless
And you're everywhere, but it's useless
And I tried to say it, but my tongue got tied
And I tried to say it, but I was numb inside
And I can't see you anymore
And my peace of mind has gone through the door
And I realize that it's useless
And I thought I was right, but it was useless
And I know you're there, but it's useless
And you're everywhere, but it's useless
And I can't see now in front of my nose
And I know you're there, and I know you're close
And you're fading away - now you disappear
And I try to focus, but I can't see clear
And I don't know why I feel this way
And I can't control myself anyway
And I don't know why I feel this way
And I can't control myself anyway
And I feel so bad, but it's useless
And I feel so bad, but it's useless
And I feel so bad, but it's useless
And I can't see... now in front of my face.
song performed by Oingo Boingo
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
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Them Belly Full
Na-na na na-na na na na;
Na-na na na-na na na na;
Na-na na na-na na na na;
Na-na na na-na na na na.
Them belly full, but we hungry;
A hungry mob is a angry mob.
A rain a-fall, but the dirt it tough;
A yot a-yook, but d' yood no 'nough.
You're gonna dance to jah music, dance;
We're gonna dance to jah music, dance, oh-ooh!
Forget your troubles and dance!
Forget your sorrows and dance!
Forget your sickness and dance!
Forget your weakness and dance!
Cost of livin' gets so high,
Rich and poor they start to cry:
Now the weak must get strong;
They say, "oh, what a tribulation!"
Them belly full, but we hungry;
A hungry mob is a angry mob.
A rain a-fall, but the dirt it tough;
A pot a-yook, but d' yood* no 'nough.
We're gonna chuck to jah music - chuckin';
We're chuckin' to jah music - we're chuckin'.
---
/guitar solo/
---
A belly full, but them hungry;
A hungry mob is a angry mob.
A rain a-fall, but the dirt it tough;
A pot a-cook, but d' food* no 'nough.
A hungry man is a angry man;
A rain a-fall, but the dirt it tough;
A pot a-yook, but you no 'nough'
A rain a-fall, but the dirt it tough.
A pot a-cook, but you no 'nough;
A hungry mob is a angry mob;
A hungry mob is a angry mob. /fadeout/
[* sheet music gives this line as: "a pot a cook but you no' nough".]
song performed by Bob Marley
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Wat Tyler - Act II
ACT II.
SCENE— BLACKHEATH.
TYLER, HOB, &c.
SONG.
' When Adam delv'd, and Eve span,
' Who was then the gentleman?'
Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.
While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.
' When Adam delv'd, and Eve span,
' Who was then the gentleman?'
JACK STRAW.
The mob are up in London— the proud courtiers
Begin to tremble.
TOM MILLER.
Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?
JACK STRAW.
[...] Read more
poem by Robert Southey
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The Foolish Thing To Do
I was thinking just the other day
How it started in such a strange way
It ended in a strange way too
And this is why I am singing this song for you
Its a foolish thing to do
Such a foolish thing to do
Give your heart to someone new
Its a foolish thing to do
(yeah)
Weve all made the same mistakes
One foolish glance one smile we made
A hundred thousand feel this way
While other people are just waiting for the day
Its a foolish thing to do
Such a foolish foolish thing to do
Go when you want it
When you need it
Dont just believe it
For the first an last time
Stop !
Youd better look around
One day youll walk into the room
Your eyes will meet
Youll fall in love too soon
The next time you might hesitate
The chance is all those rooms have eyes
So dont forget
Its a foolish thing to do
Such a such a foolish thing to do
To go and give your heart and soul to someone new
Its a foolish foolish thing to do
So when you feel it
When you can touch it
And you believe it
For the first an last time
Stop !
Youd better look around
Its a foolish thing to do
Such a foolish thing to do
song performed by Heaven 17
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Orlando Furioso Canto 18
ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.
I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.
II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.
III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.
IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.
[...] Read more
poem by Ludovico Ariosto
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Song of Wink Star
The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008
☼ ☼
☼ Preamble
Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…
Come and listen to this story, this happy story…listen, as the story itself sings to you…
Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…
O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….
Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….
☼ The Song of Wink Star
a happy story for children of all ages
☼ 1
Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.
And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.
Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.
Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.
[...] Read more
poem by Raj Arumugam
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Wat Tyler - Act III
ACT III.
SCENE—SMITHFIELD.
PIERS (meeting JOHN BALL.)
You look disturb'd, my father?
JOHN BALL.
Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.
PIERS.
The curse of insurrection!
JOHN BALL.
Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.
PIERS.
This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—
JOHN BALL.
A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.
[...] Read more
poem by Robert Southey
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The Mylora Elopement
By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly -- but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.
Pondering o'er his predilection, Jimmy watched McGrath, the boss,
Riding past his lone selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child;
Says, "The old man's after Stager, which he'll find is no light job,
And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.
"I will bring the nags so speedy, Crazy Jane and Tambourine,
One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen --
Just one more -- God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear."
* * * * *
The daylight shines on figures twain
That ride across Mylora Plain,
Laughing and talking -- Jim and Jane.
"Steady, darling. There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all. I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good but of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would."
A turn in the road and, fair and square,
They meet the old man standing there.
"What's up?" "Why, running away, of course,"
Says Jim, emboldened. The old man turned,
His eye with wild excitement burned.
"I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.
[...] Read more
poem by Andrew Barton Paterson
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Loveless
La, la, la, la
Whatcha doin', whatcah doin', whatcha doin' right now
Have you found another lover, are you out of town
I won't leave another message right after the tone
Cause I know you got the others and you still don't call
There's no magic (no magic) no sunshine (sunshine)
No rainbow (no rainbow) in my life
Look at all the things you took from me
Baby, I'm loveless (loveless)
Feelin' so hopeless (hopeless)
Feelin' so foolish (foolish)
For bein' so helpless
Baby, I'm loveless (loveless)
It's like you couldn't care less (care less)
If you did, you'd come right back to me
Oohla, la, la, la
Tell me what I'm gonna do about this feelin' inside
(What I'm gonna do)
Got me tossin' and turnin' in the middle of the night
(Yeah, yeah, yeah, yeah)
Like an animal strugglin' in a trap
Cause I can't go forward and I can't go back (I can't go back)
There's no springtime (no springtime) just winter (winter)
And each mile (and each mile) gets colder
Look at all that pain you took from me
Baby, I'm loveless (loveless)
Feelin' so hopeless (hopeless)
Feelin' so foolish (foolish)
For bein' so helpless
Baby, I'm loveless (loveless)
It's like you couldn't care less (care less)
If you did, you'd come right back to me
(Why did you leave me)
Why did you leave me
(Why did you leave me) [why did you leave me]
[Why did you leave me]
Why did, why did
And the sun don't shine
It's just wintertime
And every night
There's no one in my life
Look at all the things you took from me
Baby, I'm loveless (loveless)
Feelin' so hopeless (hopeless)
Feelin' so foolish (foolish)
For bein' so helpless
Baby, I'm loveless (loveless)
It's like you couldn't care less (care less)
If you did, you'd come right back
I'm loveless (loveless)
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song performed by Rod Stewart
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M'Fingal - Canto IV
Now Night came down, and rose full soon
That patroness of rogues, the Moon;
Beneath whose kind protecting ray,
Wolves, brute and human, prowl for prey.
The honest world all snored in chorus,
While owls and ghosts and thieves and Tories,
Whom erst the mid-day sun had awed,
Crept from their lurking holes abroad.
On cautious hinges, slow and stiller,
Wide oped the great M'Fingal's cellar,
Where safe from prying eyes, in cluster,
The Tory Pandemonium muster.
Their chiefs all sitting round descried are,
On kegs of ale and seats of cider;
When first M'Fingal, dimly seen,
Rose solemn from the turnip-bin.
Nor yet his form had wholly lost
Th' original brightness it could boast,
Nor less appear'd than Justice Quorum,
In feather'd majesty before 'em.
Adown his tar-streak'd visage, clear
Fell glistening fast th' indignant tear,
And thus his voice, in mournful wise,
Pursued the prologue of his sighs.
"Brethren and friends, the glorious band
Of loyalty in rebel land!
It was not thus you've seen me sitting,
Return'd in triumph from town-meeting;
When blust'ring Whigs were put to stand,
And votes obey'd my guiding hand,
And new commissions pleased my eyes;
Blest days, but ah, no more to rise!
Alas, against my better light,
And optics sure of second-sight,
My stubborn soul, in error strong,
Had faith in Hutchinson too long.
See what brave trophies still we bring
From all our battles for the king;
And yet these plagues, now past before us,
Are but our entering wedge of sorrows!
"I see, in glooms tempestuous, stand
The cloud impending o'er the land;
That cloud, which still beyond their hopes
Serves all our orators with tropes;
[...] Read more
poem by John Trumbull
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Useless
A useless life
Useless excuse.
A waste of life
Waste of breath.
Useless useless
Useless bitch.
Useless in every way
Just so useless
My life is complicated
It is useless
Its a hopeless cause.
I may as well just end things
And go far away
poem by Amy Louise Kerswell
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Clint Eastwood. Ed Case Refix
Bu-whoa!
Dis da man you call Sweet alongside a man called Ed Case
Wit da Gorillaz
The refix
Can I See It
Na na na alright
Na na na oh
It's a bigger o'ting - cha!
I ain't happy, I'm feeling glad
I got sunshine, in a bag
I'm useless,but not for long
The future is coming on
I ain't happy, I'm feeling glad
I got sunshine, in a bag
I'm useless, but not for long
The future is coming on
It's coming on
It's coming on
It's coming on
It's coming on
It's coming on
It's coming on...
Ah ah ah ah
Give 'em some ah ah
Ah ah ah ah
Bigger oh ah ah
Oh!
(?)
Oh!
Off with ya clothes with the cure
Oh!
(?)
(?)
Tell me cos I'm oh!
(?)
Oh!
(?)
(?) On the dance floor
Oh!
Come on... we're makin' money
Oh!
(?) Talks to me funny
Oh!
(?)
(?)
Feel my emotion
Feel my emotion
Music is from the street
Designed to make you move your feet and
Feel my emotion
[...] Read more
song performed by Gorillaz
Added by Lucian Velea
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Crack in their bottles
CRACK IN THEIR BOTTLES
Go ahead, feed your children crack in their bottles
fill up their heads with useless lies
start when they're young
tell them aloud, 'everyone is equal, unique in their own way'
whisper quietly insults full of hate.
go ahead, fill up their heads with these lies
Go ahead, feed your children crack in their bottles
feed them pills with their juice
tell them aloud, 'these will calm you down.'
whisper quietly, 'so I don’t have to deal with you'
Go ahead, fill up their heads with these useless lies
then wonder where you went wrong.
Go ahead, feed your children crack in their bottles
fill up their heads with useless lies
tell them, it doesn’t matter how they look
but slip them diet pills behind their back
go ahead, fill up their heads with these useless lies
then wonder why they are depressed.
Go ahead, feed your children crack in their bottles
fill up their heads with useless lies
tell them aloud you love them no matter what they do
whisper quietly that you never wanted them
go ahead, fill up their heads with these useless lies
then wonder what you did wrong.
So go ahead, feed your children crack in their bottles
fill up their heads with useless lies
but I’ll sit back and wonder why
what’s so wrong with the truth?
I’ll feed your children love in their bottles
tell them they're special everyday
show them I mean it with a hug and a kiss
and try to fix what you’ve done wrong
I’ll feed your children laughter in their bottles
tell them aloud 'everyone’s unique'
and whisper quietly the exact same thing
I’ll go ahead and feed your children the truth
trying to undo what you have done.
I'll feed your children confidence in their bottles
tell them aloud how special they are
hug them when they act their worst
and whisper quietly that they're the best
[...] Read more
poem by Liz Colavecchio
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These Foolish Things
A cigarette that bares a lipstick's traces
An airline ticket to romantic places
And still my heart has wings
These foolish things remind me of you.
A tinkling piano in the next apartment
Those stumblin'words that told you what my heart meant
A fairground's painted swings
These foolish things
Remind me of you.
You came,
You saw,
You conquered me
When you did that to me
I knew somehow this had to be
The winds of march that made my heart a dancer
A telephone that rings but who's to answer
Oh, how the ghost of you clings
These foolish things
Remind me of you
First daffodils
And long excited cables
And candle lights
A little corner table
And still my heart has wings
These foolish things remind me of you
The park at evening
When the bell has sounded
The pier in france
With all the gulls around it
The beauty that is spring
These foolish things
Remind me of you
How strange,
How sweet,
To find you still,
These things are dear to me
They seem to bring you near to me
The sigh of midnight trains
At empty stations
Silk stockings thrown aside
Dance invitations
Oh how the ghost of you clings
These foolish things
Remind me of you
Gardenia perfume
Lingering on a pillow
Wild strawberries
Only seven francs a kilo
And still my heart has wings,
These foolish things,
[...] Read more
song performed by Ella Fitzgerald
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Foolish Boys With Their Toys
Foolish boys with their toys
Written by Wilfred Mellers, Friday, November 23,2012
You are a foolish boy with your toys
You own the world and everyone in it
The hearts and souls you can't ever win it
Information access you spin it
You are a foolish boy with your toys
You spit hate and say you are great
You turn a blind eye when others die
Sure you can blow up the world if you want to
Tell me, then what will you do?
You are a foolish boy with your toys
When you see the world to its end
Will that mean that you are men?
Arrogant and so unwise
Surrounded by stooges to fill your heads with lies
How foolish can you be?
Masters of the world and ruler of none
Life you took solely for fun
The gun took everything you claim to own
What will you do when you are left here all alone?
You're a foolish boy with your toys
Coding your messages to the grassroots
Fictitious fantasy filled with pure untruths
So foolish and unwise
You can't even see you own demise
Foolish boys with your toys
You've gained the world yet lost your soul
The very land you stand on you stole
This very world you're going to destroy
No steeds left to herd by the cowboy
You've been very foolish boys with your toys
poem by Wilfred Mellers
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Well Hello Mary Jo, Goodbye Heart
Senator Edward Kennedy is about to retire,
He has a book deal lined up eight million dollars.
He was one of three brothers,
-who stayed alive,
-politically and literally,
Both John and Bobby met their fate,
By the end of a gun,
Sirhan Sirhan,
And Oswald,
They were blamed for the actions,
-but there is someone,
By her death,
-had assassinated Edward’s potential presidential bid,
Mary Jo Kopechne died when the vehicle driven by Edward Kennedy,
Overturned off a bridge in Chappaquiddick.
She drowned, but it ten hours for Edward called the police,
Far from the 18 ½ minutes that were gone from the Nixon Watergate Tapes,
That later had the president resigned of the USA.
He had move his pieces on board,
get his ducks in line,
pay whoever,
He had to come up with type of lie to his wife,
Lie, Lie, the Kennedy’s you say?
NEVER! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
Joe Kennedy, the patriarch of the clan,
-made a part his fortune as a “drug runner”,
The drug was alcohol but it was banned by prohibition,
That same drug was to be the downfall for would be President Edward Kennedy,
Joe Kennedy worked the mob;
-the union worked the mob in Chicago,
Chicago brought his son John to the White House,
John was assassinated almost mid-term,
Robert, ran for the office in 1968,
However, Sirhan cut his life short;
Sirhan had mob connections, no way! (? ?)
The mob wanted Bobby dead, because after all he sought them out with vengeance,
Surely Jack and Bobby were dead by no chance.
So was Marilyn Monroe,
- Frank Sinatra kept quiet,
and Peter Lawford kept quiet.
But Mary Jo crushed Eddie’s chance for the White House,
The mob did not have to get him.
Will this same story be told within Edward Kennedy’s memoirs?
I think not,
I predict that Edward will give the readers a different spin,
Because Edward will lie again, and again, and again, .....
[...] Read more
poem by Joe Rosochacki
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