Those who restrain their desires, do so because theirs is weak enough to be restrained.
quote by William Blake
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Oooo...Oooo-Oooo Wee Ow-ouch!
'I'm more dominant and not the weak one.
More dominant and not the weak one.
I'm more dominant and not the weak one.
More dominant and not the weak one.'
Oooo...
Oooo-Oooo wee ow-ouch!
'More dominant and not the weak one.
I'm more dominant and not the weak one.'
Oooo...
Oooo-Oooo wee ow-ouch!
She says I'm on a pacifier.
Unreliable with too many needs.
She says I'm heat under the sheets...
But she's the one who buys the food we eat.
She says I'm not dependable at all.
And by herself she does the best she can alone,
To make all ends meet!
When bill collectors call.
And,
She's more dominant and not the weak one.
More dominant and not the weak one.
Oooo...
Oooo-Oooo wee ow-ouch.
More dominant and not the weak one?
More dominant and not the weak one?
Submissive when she comes to the bed.
Prepared to get her needs met!
And I am ever ready.
I've lost my job and the kids are fed.
I do the best I can...
But I'm not making the bread.
And my ego's thinly spread.
When the work I've done is meager.
And the words I hear from her...
Are wrestling in my head.
'I'm more dominant and not the weak one.
More dominant and not the weak one.'
OW!
'...dominant and not the weak one.
More dominant and not the weak one.'
OW!
[...] Read more
poem by Lawrence S. Pertillar
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Strength in weakness
Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness
A typical Pauline sophism?
A typical Pauline syllogism?
A typical Pauline casuistry?
A typical Pauline homily.
Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness
Paul was disabled, you see
Was he blind? You ask
Was he lame? You ask
Was it a speech impediment?
Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness
Oh! He was strong in spirit
But weak in appearance
He can’t be our leader, they said
He’s an embarrassment
Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness
Paul said: “Yes, I am weak
But God’s strength is made perfect
In my weakness not in my strength
So up the weak and down the strong! (my words!)
Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness
We are all weak in some way
Weak in our words
Weak in our walk
Weak in our talk
[...] Read more
poem by James Hart
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I Get Weak
When Im with you
I shake inside
My hearts all tangled up
My tongue is tied its crazy
Cant walk, cant talk, cant eat, cant sleep
Oh, Im in love, oh Im in deep cuz baby
With a kiss you can strip me defenseless
With a touch I completely lose control
til all thats left of my strength is a memory, wo...
I get weak when I look at you
Weak when we touch
I cant speak when I look in your eyes
I get weak when youre next to me
Weak from this love
I cant speak when I look in your eyes
I get weak
Convincing eyes, persuasive lips
The helpless heart just cant resist their power
You know youve got a hold over me
You know youve got me where I want to be cuz lover
Like a wave you keep pulling me under
How Ill ever get out of this I dont know
I just know theres just no way to fight it, wo...
I get weak when I look at you
Weak when we touch
I cant speak when I look in your eyes
I get weak when youre next to me
Weak from this love
Im in deep when I look in your eyes
I get weak I get weak I get weak
Just a kiss you can strip me defenseless
Just a touch I completely lose control
til all thats left of my strength is a memory, wo...
I get weak when I look at you
Weak when we touch
I cant speak when I look in your eyes
I get weak when youre next to me
Weak from this love
I cant speak when I look in your eyes
I get weak I get weak I get weak
song performed by Belinda Carlisle
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Weak
(1) Lost in time
I can't count the words
I said when I thought
They went unheard
All of these harsh thought
So unkind
"Cause I wanted you
I wanted you
And now I sit here
I'm all alone
So here sits a bloody mess
Tears fly home
A circle of angels
Deep in war
'Cause I wanted you
I wanted you
Weak as I am
No tears for you
Weak as I am
No tears for you
Deep as I am
I'm no one's fool
Weak as I am
So what am I now
But love's last home
I'm all of the soft words
I once owned
If I opened my heart
There'd be no space for air
'cause I wanted you
I wanted you
Weak as I am
No tears for you
Weak as I am
I'm too much for you
Deep as I am
I'm no one's fool
Weak as I am
With this changing soul
In this weak old heart
Oh baby, ain't I too much for you
With this changing soul
In this weak old heart
Oh baby, ain't I too much for you
[Repeat (1)]
Weak as I am
No tears for you
Weak as 'I'm nobody's fool
Deep as I am
No tears for you
[...] Read more
song performed by Rod Stewart
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Sehnsucht
Whence are ye, vague desires,
Which carry men along,
However proud and strong;
Which, having ruled to-day,
To-morrow pass away?
Whence are ye, vague desires?
Whence are ye?
Which women, yielding to,
Find still so good and true;
So true, so good to-day,
To-morrow gone away.
Whence are ye, vague desires?
Whence are ye?
From seats of bliss above,
Where angels sing of love;
From subtle airs around,
Or from the vulgar ground,
Whence are ye, vague desires?
Whence are ye?
A message from the blest,
Or bodily unrest;
A call to heavenly good,
A fever in the blood
What are ye, vague desires?
What are ye?
Which men who know you best
Are proof against the least,
And rushing on to-day,
To-morrow cast away.
What are ye, vague desires?
What are ye?
Which women, ever new,
Still warned, surrender to;
Adored with you to-day,
Then cast with you away,
What are ye, vague desires?
What are ye?
Which unto boyhood’s heart
The force of man impart,
And pass, and leave it cold,
And prematurely old,
What are ye, vague desires?
What are ye?
[...] Read more
poem by Arthur Hugh Clough
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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.
The Argument
Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.
Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.
I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.
The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.
A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom
[...] Read more
poem by Matthew Prior
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Sonnet-Restrain me Lord...
Restrain me Lord from seeking revenge first;
Oh, let me pray instead for all my foes;
Restrain me Lord from calling them accursed;
Oh, let me forgive them who caused my woes.
Restrain me Lord from rash judgement of all;
Let man not judge his brethren in wrong ways;
Restrain me Lord from ignoring thy call;
Oh, let me spend aright my earthly days.
Restrain me Lord from doing evil things;
Oh, let me nurture virtues and do good;
Restrain me Lord from Satanic likings;
Oh, give me grace to take part in thy food.
Restrain me Lord from doing mortal sins,
Of soul; I neither can destain or rinse.
poem by John Celes
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The Marriage of Heaven and Hell
THE ARGUMENT
RINTRAH roars and shakes his
fires in the burdenM air,
Hungry clouds swag on the deep.
Once meek, and in a perilous path
The just man kept his course along
The Vale of Death.
Roses are planted where thorns grow,
And on the barren heath
Sing the honey bees.
Then the perilous path was planted,
And a river and a spring
On every cliff and tomb;
5
THE MARRIAGE OF
And on the bleached bones
Red clay brought forth:
Till the villain left the paths of ease
To walk in perilous paths, and drive
The just man into barren climes.
Now the sneaking serpent walks
In mild humility ;
And the just man rages in the wilds
Where Uons roam.
Rintrah roars and shakes his fires in
the burdened air,
Hungry clouds swag on the deep.
As a new heaven is begun, and it is
now thirty-three years since its advent,
the Eternal Hell revives. And lo!
Swedenborg is the angel sitting at
the tomb: his writings are the Unen
[...] Read more
poem by William Blake
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Desire
Northern star
Am I frightened
Where can I go to rest
I cant sleep
And Im still fighting
Wait, dont breathe
The time destroys a man
A child who understands
That anyone who desires
Is not my kind
Not my truth
Fade away, its all we do
Fade away from the truth
Desires
Fade away
Desires
Fade away
Desires
And northern star
Please enlighten
The lost prayers of my soul
Childhood dreams
Of death and titans
We were meant to be free
To give ourselves away
So please dont be afraid
Of anyone who desires
Theyre not my kind
Not my truth
Fade away, its all we do
Fade away from the truth
Desires
Fade away
Desires
Fade away
Desires
Fade away
Desires
cause anyone who desires
Is not my kind
I have no use for you
song performed by Zwan
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To Hide In Disguise Those Weak and Fragile
Although their calculated misdeeds succeeded,
They appear to now fear...
The repercussions of their activities.
And looking weak and fragile...
Without the armor worn to adorn their fetes.
Guaranteed to show in battle defeat,
That enemy to knock off their feet.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
Although their calculated misdeeds succeeded,
They appear to now fear...
The repercussions of their activities.
And looking weak and fragile...
Without the armor worn to adorn their fetes.
Guaranteed to show in battle defeat,
That enemy to knock off their feet.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.
To hide in disguise those weak and fragile.
And from them to squeeze a victory sweet.
poem by Lawrence S. Pertillar
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
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poem by Alexander Pope
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Metamorphoses: Book The Ninth
Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
The Story of Perhaps you've heard of Deianira's name,
Achelous and For all the country spoke her beauty's fame.
Hercules Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.
Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.
While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.
Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.
[...] Read more
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Sigismond And Guiscardo. From Boccace
While Norman Tancred in Salerno reigned,
The title of a gracious Prince he gained;
Till turned a tyrant in his latter days,
He lost the lustre of his former praise,
And from the bright meridian where he stood
Descending dipped his hands in lovers' blood.
This Prince, of Fortune's favour long possessed,
Yet was with one fair daughter only blessed;
And blessed he might have been with her alone,
But oh! how much more happy had he none!
She was his care, his hope, and his delight,
Most in his thought, and ever in his sight:
Next, nay beyond his life, he held her dear;
She lived by him, and now he lived in her.
For this, when ripe for marriage, he delayed
Her nuptial bands, and kept her long a maid,
As envying any else should share a part
Of what was his, and claiming all her heart.
At length, as public decency required,
And all his vassals eagerly desired,
With mind averse, he rather underwent
His people's will than gave his own consent.
So was she torn, as from a lover's side,
And made, almost in his despite, a bride.
Short were her marriage joys; for in the prime
Of youth, her lord expired before his time;
And to her father's court in little space
Restored anew, she held a higher place;
More loved, and more exalted into grace.
This Princess, fresh and young, and fair and wise,
The worshipped idol of her father's eyes,
Did all her sex in every grace exceed,
And had more wit beside than women need.
Youth, health, and ease, and most an amorous mind,
To second nuptials had her thoughts inclined;
And former joys had left a secret string behind.
But, prodigal in every other grant,
Her sire left unsupplied her only want,
And she, betwixt her modesty and pride,
Her wishes, which she could not help, would hide.
Resolved at last to lose no longer time,
And yet to please her self without a crime,
She cast her eyes around the court, to find
A worthy subject suiting to her mind,
To him in holy nuptials to be tied,
A seeming widow, and a secret bride.
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poem by John Dryden
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The Ghost - Book IV
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
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poem by Charles Churchill
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Knees Of My Bees
we share a culture same vernacular
love of physical humor and time spent alone
you with your penchant for spontaneous events
for sticky and raspy, unearthed and then gone
you are a gift promised sent with a wink
with tendencies for conversations that raise bars
you are a sage who is fueled by compassion
comes to nooks and crannies, is bound for all stars
you make the knees of my bees weak, tremble and buckle
you make the knees of my bees weak
you are a spirit that knows of no limit
that knows of no ceiling who baulks at dead-ends
you are a wordsmith who cares for his brothers
not seduced by illusions of fair-weather friends
you make the knees of my bees weak, tremble and buckle
you make the knees of my bees weak
you are a vision who lives by the signals of
stomach and intuition as your guide
you are a sliver of god on a platter
who walks what he talks and who cops when hes lied
you make the knees of my bees weak, tremble and buckle
you make the knees of my bees weak
you make the knees of my bees weak, tremble and buckle
you make the knees of my bees weak
you make the knees of my bees weak, tremble and buckle
you make the knees of my bees weak
song performed by Alanis Morissette
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Quatrains Of Life
What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?
What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?
'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.
Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.
I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.
Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.
All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.
So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''
My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?
I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.
[...] Read more
poem by Wilfrid Scawen Blunt
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Orlando Furioso Canto 20
ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.
I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.
II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.
III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.
IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.
[...] Read more
poem by Ludovico Ariosto
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My Lord and My God!
Restrain your anger, God;
The world today abounds in sin;
Man’s master is just money;
People have forgotten the lord.
Restrain your fury, God;
The sin of Sodom is rampant;
Definition of marriage is at stake;
Most nations do not fear the lord.
Restrain your wrath, O God;
The sin of Gomorrah persists;
Most indulge in such newer sins;
Man ignores his conscience.
Restrain your rage, O God;
The sanctity of sex is lost;
They murder babies within wombs;
’Tis time the world received your rod!
Copyright by Dr John Celes 4-8-2008
poem by John Celes
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Rosalind and Helen: a Modern Eclogue
ROSALIND, HELEN, and her Child.
SCENE. The Shore of the Lake of Como.
HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!
ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
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poem by Percy Bysshe Shelley
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