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William Blake

Do what you will, this world's a fiction and is made up of contradiction.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Science Fiction Woman

She was my science fiction woman,
I was her science fiction man,
Yet our love was no fiction
In our science fiction land.

I wore my science fiction spacesuit,
She wore a spacesuit just like mine,
While we were floating together
In our science fiction minds.

She said her name was Taylor Trippy-
A flower child light years beyond-
She was a science fiction hippy-
A spacey and vivacious blonde.

She told me of our global warming,
Greenhouse gases, acid rain,
She told me everything I know
About the structure of the brain.

So we cruised through constellations
In our science fiction ship,
Transcending time and generations-
Forever free, forever hip.

She came from some unknown planet
In some uncharted galaxy,
And we were both kindred souls
In our cosmic fantasy.

And I don't know how I knew her
Or how we came to meet that night-
She was my science fiction woman,
Who traveled at the speed of light.

At night I look upon the ocean,
The distant stars where she might be-
She was my science fiction woman,
Who set my heart forever free.


June 17,2008

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Confessio Amantis. Prologus

Torpor, ebes sensus, scola parua labor minimusque
Causant quo minimus ipse minora canam:
Qua tamen Engisti lingua canit Insula Bruti
Anglica Carmente metra iuuante loquar.
Ossibus ergo carens que conterit ossa loquelis
Absit, et interpres stet procul oro malus.


Of hem that writen ous tofore
The bokes duelle, and we therfore
Ben tawht of that was write tho:
Forthi good is that we also
In oure tyme among ous hiere
Do wryte of newe som matiere,
Essampled of these olde wyse
So that it myhte in such a wyse,
Whan we ben dede and elleswhere,
Beleve to the worldes eere
In tyme comende after this.
Bot for men sein, and soth it is,
That who that al of wisdom writ
It dulleth ofte a mannes wit
To him that schal it aldai rede,
For thilke cause, if that ye rede,
I wolde go the middel weie
And wryte a bok betwen the tweie,
Somwhat of lust, somewhat of lore,
That of the lasse or of the more
Som man mai lyke of that I wryte:
And for that fewe men endite
In oure englissh, I thenke make
A bok for Engelondes sake,
The yer sextenthe of kyng Richard.
What schal befalle hierafterward
God wot, for now upon this tyde
Men se the world on every syde
In sondry wyse so diversed,
That it welnyh stant al reversed,
As forto speke of tyme ago.
The cause whi it changeth so
It needeth nought to specifie,
The thing so open is at ije
That every man it mai beholde:
And natheles be daies olde,
Whan that the bokes weren levere,
Wrytinge was beloved evere
Of hem that weren vertuous;
For hier in erthe amonges ous,
If noman write hou that it stode,
The pris of hem that weren goode

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My Science Fiction Twin

My science fiction twin
Is doing better than expected
He captured a little blonde trophy wife
Whos really very well connected
And when he calls home with his alibi
She says is this really necessary?
But she knows that a man cant be a man
Unless hes punishing his secretary
He sips in the glow of a 61 vintage
Just as the day is dimming
With every intention of surrendering
To fifty-foot women
Who put the fascination back into my science fiction twin
My science fiction twin
Decided to become invisible
He has my eyes, my face, my voice
But hes only happy when Im miserable
The words flew from his mouth
And they were gently gathered by reporters
Trying to frame his once infamous flame
With tattered pictures of her daughter
Her hair is all made out of porcupine
Her figure is fantastic
But as you know, they corrupted her
So theyre being sarcastic
Who put the fascination back into my science fiction twin
Hell scream and shout
Everything is working out just as he predicted
Pride and position in the gallery of attempted people
Oh and the pain is so sweet
Better stamp his little feet
And youll even have time to pity me
How can you feel content?
You wonder where this fellow went
My science fiction twin
Escorted by his lovely nieces
Filled up his purse dictating verse
While painting masterpieces
His almost universal excellence
Is starting to disturb me
They asked how in the world he does all these things
And he answered superbly
Hes trapped in his own parallel dimension
Thats why Im so forgiving
But how could I possibly forget to mention those fifty-foot women
Who put the fascination back into my science fiction twin
My science fiction twin [4x]

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These Are Just Years

i thought home is where we went when we fell out of favour
ive since learned that home is where we go to learn what favours are
home is a language we all understand
and this is how the language came to me
i realise
home is where we dont feel things
fortune has arranged that the language wont abandon us
it never will abandon us
if you dont miss your home
i cant remember much about my home
when im away from...
home, where were welcome
we appear to be like you
the were welcome when we
appear to be alike
living in fiction
just seems much better than living in words
if you live in fiction
homes no match for a word
ever existence
the more you go on the same as before
the more you light up the same as this time
the more you sing
all your songs about
all your...
living in fiction
is much more better than living in words
if you live in fiction
homes much better than words
living in fiction
just seems much better than living in words
if you live in fiction
then homes no better than words
im in fiction [x6]
and what i see it seems so standard
it always seems that youre left stranded [x6]
why dont you look beond
the village wall?
look beyond the village wall
weve got four walls at home
got four walls at home
and these walls around your head
thats what they are
theyre walls around your head
an empty head is creative
and direct me
to where you come from
and what you thought you knew
where you come from
[?]

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Telling Stories

There is fiction in the space between
The lines on your page of memories
Write it down but it doesnt mean
Youre not just telling stories
There is fiction in the space between
You and me
There is fiction in the space between
You and reality
You will do and say anything
To make your everyday life
Seem less mundane
There is fiction in the space between
You and me
Theres a science fiction in the space between
You and me
A fabrication of a grand scheme
Where I am the scary monster
I eat the city and as I leave the scene
In my spaceship I am laughing
In your remembrance of your bad dream
Theres no one but you standing
Leave the pity and the blame
For the ones who do not speak
You write the words to get respect and compassion
And for posterity
You write the words and make believe
There is truth in the space between
There is fiction in the space between
You and everybody
Give us all what we need
Give us one more sad sordid story
But in the fiction of the space between
Sometimes a lie is the best thing
Sometimes a lie is the best thing

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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Byron

Canto the Fifteenth

I
Ah! -- What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An "Oh!" or "Ah!" of joy or misery,
Or a "Ha! ha!" or "Bah!" -- a yawn, or "Pooh!"
Of which perhaps the latter is most true.

II
But, more or less, the whole's a syncopé
Or a singultus -- emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean, --
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

III
But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

IV
Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

V
And as for love -- O love! -- We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

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Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

And as for love--O love!--We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves--alas! that I should say so!
They differ as wine differs from its label,

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(Choices Poem) All Yours

Let my finger tips do the talking
I am crawling
I am walking
I am marching
If only for a little while
To rise up, to rise against
To show the weakness in man
I am but a contradiction in words
I am a man of many masks
One each for a different task
I think way too fast

Just slow it down bit
What's the hurry to go nowhere
We are already here.
Standing before you
Ready to ask
Ready to question
Demanding answers
Debated and already hated
You have just been emasculated
I'm your worst enemy.
I'm your best friend
I'm as you make it.
Be careful with that vase you just might break it
I'm here to send you to hell or help
Take it or don't
The choice is all yours
All yours

Let my finger tips do the talking
I am crawling
I am walking
I am marching
If only for a little while
To rise up, to rise against
To show the weakness in man
I am but a contradiction in words
I am a man of many masks
One each for a different task
I think way too fast

You make your claims to be of evil man
Like the invisible ghost
Most don't see you
But I do
You look like you might just be in trouble
If you need some help
Just ask
Forgive me if seem kinda of mean

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Stranger Than Fiction

Please mister cant you help me try to find my babys house
Its three in the morning in the pouring rain
I cant find the house and I forgot the number
But I gotta give her these roses to relieve her pain
Dont laugh . . . just tell me youve been there before
So we fight but we fight every evening
And I tell you every morning I just love her more
And life goes on . . . filled with disasters and friction
And life can be strange
But love can be stranger than fiction
Only love can be stranger than fiction
Excuse me operator . . . tell me what time it is
Me and my lover been in bed all day
I think I strained a muscle
I didnt know I had
And tell me what day it is anyway
Dont laugh . . . just tell me you hear what I say
I love her so much I dont even know what planet Im on
Love her so much I wish shed just go away
And life goes on . . . filled with bizarre contradictions
And life can be strange
But love can be stranger than fiction
Only love can be stranger than fiction
I know that sometimes love goes
But sometimes it comes back to getcha
And when love grows
It grows like a flower or grows like a tumor
Love shows that God has a sense of humor
Life goes on . . . ever immune to prediction
And life can be strange
But love can be stranger than fiction
Only love can be stranger than fiction

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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What's In It For Me?

THE WORLD WHERE PEOPLE HAVE TIME FOR TWITTER AND FACEBOOK, BUT NONE FOR THEMSELVES OR OTHERS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE HAVE A HUNDRED 'FRIENDS' ON FACEBOOK,
BUT NOT EVEN TEN IN REAL LIFE
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE EMOTE WITH EMOTICONS BUT NOT WITH THEIR FACES,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE PREFER TO WRITE 'LOL' RATHER THAN ACTUALLY LAUGHING OUT LOUD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR COMPUTER MORE THAN THEIR FRIENDS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LIVE THEIR LIVES MORE ONLINE THAN OFF IT,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN SPOT THE ERROR IN SOMEONE'S TYPING BUT CANNOT SPOT A TEAR IN A FRIEND'S EYE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE CAN GROW ANY CROP ONLINE BUT CANNOT EVEN PICK UP A SPADE IN REAL LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE RELISH THE FOOD AT MCDONALDS AND DOMINOS, BUT CRIB OVER HOME COOKED FOOD,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE ARE READY TO KILL FOR A FEW SHREDS OF PAPER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE KILL IN THE NAME OF RELIGION,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE A MAN IS READY TO KILL HIS BROTHER OVER PROPERTY AND MONEY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF MONEY IS MORE THAN THE VALUE OF LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE LIVING A LIFE IS TOUGHER THAN KILLING A LIFE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE IT'S EASIER TO EARN MONEY BY CHEATING THAN BY WORKING HONESTLY,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE VALUE OF A GIFT IS THROUGH ITS PRICE AND NOT ITS EMOTIONS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THE MEASURE OF A MAN IS THROUGH HIS CAR AND HOUSE RATHER THAN HIS CHARACTER,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE LOVE THEIR POSSESSIONS MORE THAN THEIR FRIENDS AND PARENTS,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE THINGS ARE LOVED AND PEOPLE ARE USED,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD WHERE PEOPLE DO ANYTHING FOR A BETTER PAY BUT NOTHING FOR A BETTER CONSCIENCE,
EVEN IF I WIN THIS WORLD WHAT'S IN IT FOR ME?
THE WORLD IS BAD AND I KNOW THAT BUT SILL IF I WIN THIS WORLD,
WHAT'S IN IT FOR ME?

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Canto the Fourteenth

I
If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss --
But then 't would spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

II
But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

III
For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

IV
A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

V
'T is round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it -- when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns -- you can't gaze a minute
Without an awful wish to plunge within it.

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Don Juan: Canto The Fourteenth

If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss--
But then 'twould spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

'Tis round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it:--when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,--you can't gaze a minute
Without an awful wish to plunge within it.

'Tis true, you don't - but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self--confession,
The lurking bias, be it truth or error,

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William Cowper

Conversation

Though nature weigh our talents, and dispense
To every man his modicum of sense,
And Conversation in its better part
May be esteem'd a gift, and not an art,
Yet much depends, as in the tiller’s toil,
On culture, and the sowing of the soil.
Words learn'd by rote a parrot may rehearse,
But talking is not always to converse;
Not more distinct from harmony divine,
The constant creaking of a country sign.
As alphabets in ivory employ,
Hour after hour, the yet unletter’d boy,
Sorting and puzzling with a deal of glee
Those seeds of science call’d his a b c;
So language in the mouths of the adult,
Witness its insignificant result,
Too often proves an implement of play,
A toy to sport with, and pass time away.
Collect at evening what the day brought forth,
Compress the sum into its solid worth,
And if it weigh the importance of a fly,
The scales are false, or algebra a lie.
Sacred interpreter of human thought,
How few respect or use thee as they ought!
But all shall give account of every wrong,
Who dare dishonour or defile the tongue;
Who prostitute it in the cause of vice,
Or sell their glory at a market-price;
Who vote for hire, or point it with lampoon,
The dear-bought placeman, and the cheap buffoon.
There is a prurience in the speech of some,
Wrath stays him, or else God would strike them dumb;
His wise forbearance has their end in view,
They fill their measure and receive their due.
The heathen lawgivers of ancient days,
Names almost worthy of a Christian’s praise,
Would drive them forth from the resort of men,
And shut up every satyr in his den.
Oh, come not ye near innocence and truth,
Ye worms that eat into the bud of youth!
Infectious as impure, your blighting power
Taints in its rudiments the promised flower;
Its odour perish’d, and its charming hue,
Thenceforth ‘tis hateful, for it smells of you.
Not e’en the vigorous and headlong rage
Of adolescence, or a firmer age,
Affords a plea allowable or just
For making speech the pamperer of lust;
But when the breath of age commits the fault,
‘Tis nauseous as the vapour of a vault.

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A Long Goodbye

In these days of mine for keeps Im trying to hold on
When suddenly youre all out of reach & everything goes wrong
What we say & what we do are entirely different things
Meaningless straight through the roof its not how it should be
Easy like a bird I ride the breeze my mind is falling
Youre so ordinary, youre my sanctuary in the morning darling
New sensation, love vibration, heart to heart & a long goodbye
You go your way, Ill go my way, life is truer than fiction in this crazy
Land of milk & honey life is just an illusion
I just dont know what to believe in, if the truth be known
Suffering from soul fatigue, weathering the storm
What we say & what we do are entirely different things
The whisperings dissolve the room well its not how it should be
Swaying like a tree I feel the sky somebody calling
Youre so ordinary, be my sanctuary in the morning darling
New sensation, love vibrations, heart to heart & a dumb goodbye
Then you go your way, Ill go my way, life is truer than fiction in this
Crazy mixed up world of honey life is just an illusion darling
Easy like a bird I ride the breeze my mind is falling
Youre so ordinary, be my sanctuary in the morning darling
New sensation, love vibrations, heart to heart & a long goodbye
You go your way, Ill go my way, life is truer than fiction in this crazy
Mixed up world of honey life is just an illusion
Youre so ordinary, sanctuary, be my one in the morning darling
The new sensation, love vibrations, heart to heart & a dumb goodbye
Then you go your way, Ill go my way, life is truer than fiction in this
Crazy mixed up world of honey life is just an illusion
Youre so ordinary, sanctuary, be my light in the morning darling
The new sensation, love vibrations, heart to heart & a long goodbye
Then you go your way, Ill go my way, life is truer than fiction in this
Crazy mixed up world of honey life is just an illusion darling

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The Order Of Chaos

==============
Everyone doing something but no one ever does anything
Someone always shouting the silence is deafening
Nobody loves you, nobody hates you
Fact or fiction or just contradiction
There is no truth in lies
There is no life that doesn't die
There is no fate but the fate that is due
The order of chaos welcomes you
Knowing is just a feeling & feelings worth nothing
Just keep on searching blind and unseeing
Looking for something seeking nothing
No direction or just contradiction
There is no truth in lies
There is no life that doesn't die
There is no fate but the fate that is due
The order of chaos welcomes you
(RPT)
Discipline oustanding, nothing like working
Hoping and trying, keep on adjusting
Sometimes hopeless, never painless
Simple addiction or just contradiction
There is no truth in lies
There is no life that doesn't die
There is no fate but the fate that is due
The order of chaos welcomes you

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The Order Of Chaos

==============
Everyone doing something but no one ever does anything
Someone always shouting the silence is deafening
Nobody loves you, nobody hates you
Fact or fiction or just contradiction
There is no truth in lies
There is no life that doesn't die
There is no fate but the fate that is due
The order of chaos welcomes you
Knowing is just a feeling & feelings worth nothing
Just keep on searching blind and unseeing
Looking for something seeking nothing
No direction or just contradiction
There is no truth in lies
There is no life that doesn't die
There is no fate but the fate that is due
The order of chaos welcomes you
(RPT)
Discipline oustanding, nothing like working
Hoping and trying, keep on adjusting
Sometimes hopeless, never painless
Simple addiction or just contradiction
There is no truth in lies
There is no life that doesn't die
There is no fate but the fate that is due
The order of chaos welcomes you

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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