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Composition gives proper meaning to the natural streams of sound that penetrate the world.

quote by Toru Takemitsu
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Light Is Faster Than Sound

Sound ...
Light is faster than sound
My head to the ground
Mind going round
Faster than sound.
What goes up must come down
World goes around
Sun shines at ground
Faster than sound.
Yeah yeah, faster than sound, yeah
Faster than sound, whoa yeah
Faster than sound, ah ah
'cause life is faster than sound.
Faster than sound.
It's your face yes it is,
It's your face yes it is,
I see your face, yeah
I see your face, yeah
I see your face, yeah faster than sound, yeah
I see your face, yeah faster than sound, alright c'mon c'mon
Oh yeah faster than sound, yeah
Oh oh faster than sound, ah ha
I see your face faster than sound, yeah
I see your face faster than sound, yeah
Oh yeah faster than sound
Oh yeah faster than sound
Oh yeah faster than sound, hey
Faster than sound.
Light is faster than sound
My head to the ground
Mind going round
Faster than sound.
What goes up must come down
World goes around
Sun shines around
Faster than sound.
Whoa!
Faster than sound, yeah
Faster than sound
Alright, alright, alright
Faster than sound
Yeah,
Faster than sound
Faster than sound
Faster than sound, yeah yeah!
Faster than sound, yeah yeah!
Faster than sound!
It's so fast, yes it is
It's so fast, yes it is
Hey, hey

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song performed by Janis Joplin
Added by Lucian Velea
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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poem by Sir Francis Bacon
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Law[Earthing On Fire]

I dont want knowledge, I want certainty
I dont want knowledge, I want certainty
I dont want knowledge, I want certainty
In the street a man shouts out loud
A wallet drops and money flies into the midday sun
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
Oh I get a little bit afraid
Sometimes
Earthlings on fire
Earthlings on fire
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
Sure I get a little bit afraid
Sometimes
Earthlings on fire
Earthlings on fire
Earthlings on fire
Earthlings on fire
I dont want knowledge, I want certainty
I dont want knowledge, I want certainty
In a house a man drops dead
As he hits the floor he sighs
What a morning
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
Sure I get a little bit afraid
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
With the sound, with the sound, with the sound of the ground
Sure I get a little bit afraid
Sometimes
Earthlings on fire
Earthlings on fire
Earthlings on fire
Earthlings on fire
Oh I get a little bit afraid
Sometimes
Earthlings on fire
Earthlings on fire
Earthlings on fire (I dont want knowledge, I want certainty)
Earthlings on fire (I dont want knowledge, I want certainty)
Sometimes
Earthlings (I dont want knowledge, I want certainty)
I dont want knowledge

song performed by David Bowie
Added by Lucian Velea
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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Pricelessly Impregnable Humanity

You’ve taken my very own scarlet blood O! heavenly son; so its irrefutably natural and nothing great; that you’re exactly my astoundingly pristine and timelessly priceless; duplicate,

You’ve taken my very own venerated milk O! beautiful son; so its irrefutably natural and nothing great; that you’re exactly my bountifully blossoming and unabashedly impeccable; duplicate,

You’ve taken my very own intriguing brain O! enamoring son; so its irrefutably natural and nothing great; that you’re exactly my celestially amazing and mischievously bouncing; duplicate,

You’ve taken my very own silken shadow O! stupendous son; so its irrefutably natural and nothing great; that you’re exactly my wonderfully untainted and jubilantly ecstatic; duplicate,

You’ve taken my very own uninhibited smile O! majestic son; so its irrefutably natural and nothing great; that you’re exactly my inimitably magnetic and fabulously effulgent; duplicate,

You’ve taken my very own inscrutable destiny lines O! effervescent son; so its irrefutably natural and nothing great; that you’re exactly my incredulously handsome and victoriously unimpeachable; duplicate,

You’ve taken my very own inimitably humble name O! royal son; so its irrefutably natural and nothing great; that you’re exactly my poignantly iridescent and eternally fructifying; duplicate,

You’ve taken my very own romantic artistry O! blazing son; so its irrefutably natural and nothing great; that you’re exactly my triumphantly unfettered and symbiotically innocent; duplicate,

You’ve taken my very own mellifluous voice O! charismatic son; so its irrefutably natural and nothing great; that you’re exactly my bounteously emollient and euphorically fearless; duplicate,

You’ve taken my very own towering height O! regale son; so its irrefutably natural and nothing great; that you’re exactly my indisputably peerless and synergistically truthful; duplicate,

You’ve taken my very own passionate eyes O! resplendent son; so its irrefutably natural and nothing great; that you’re exactly my fearlessly humanitarian and tirelessly discovering; duplicate,

You’ve taken my very own chocolate brown color O! holistic son; so its irrefutably natural and nothing great; that you’re exactly my invincibly wondrous and spell-bindingly ecstatic; duplicate,

You’ve taken my very own ebullient body contours O! benign son; so its irrefutably natural and nothing great; that you’re exactly my immaculately benevolent and magnanimously humanitarian; duplicate,

You’ve taken my very own fiery breath O! rhapsodic son; so its irrefutably natural and nothing great; that you’re exactly my blissfully unadulterated and interminably bubby; duplicate,

You’ve taken my very own optimistic face O! vivacious son; so its irrefutably natural and nothing great; that you’re exactly my timelessly flowering and melodiously rejuvenated; duplicate,

You’ve taken my very own broadened shoulders O! magical son; so its irrefutably natural and nothing great; that you’re exactly my gloriously unprejudiced and nostalgically rueful; duplicate,

You’ve taken my very own princely dimples O! victorious son; so its irrefutably natural and nothing great; that you’re exactly my spotlessly unbiased and surreally panoramic; duplicate,

You’ve taken my very own compassionate heart O! unshakable son; so its irrefutably natural and nothing great; that you’re exactly my adorably sensitive and ubiquitously indomitable; duplicate,

So whereas it was absolutely natural and nothing great that you were my exactly astounding duplicate O! heavenly son;

The greatest of all virtues; the greatest of all gifts; the greatest of all endowment; the greatest of all power; the greatest of all virility; the greatest of all divinity; was infact given to you by the Omniscient Lord; who miraculously blessed you and every organism alike with the pricelessly impregnable religion of “Humanity” to symbiotically survive for an infinite more of your destined lifetimes…

poem by Nikhil Parekh
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
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Temora - Book VII

ARGUMENT.

This book begins about the middle of the third night from the opening of the poem. The poet describes a kind of mist, which rose by night from the Lake of Lego, and was the usual residence of the souls of the dead, during the interval between their decease and the funeral song. The appearance of the ghost of Fillan above the cave where his body lay. His voice comes to Fingal on the rock of Cormul. The king strikes the shield of Trenmor, which was an infallible sign of his appearing in arms himself. The extraordinary effect of the sound of the shield. Sul-malla, starting from sleep, awakes Cathmor. Their affecting discourse. She insists with him to sue for peace; he resolves to continue the war. He directs her to retire to the neighboring valley of Lona, which was the residence of an old Druid, until the battle of the next day should be over. He awakes his army with the sound of his shield. The shield described. Fonar, the bard, at the desire of Cathmor, relates the first settlement of the Fir-bolg in Ireland, under their leader Larthon. Morning comes. Sul-malla retires to the valley of Lona. A lyric song concludes the book.

From the wood-skirted waters of Lego ascend, at times, gray-bosomed mists; when the gates of the west are closed, on the sun's eagle eye. Wide, over Lara's stream, is poured the vapor dark and deep: the moon, like a dim shield, lay swimming through its folds. With this, clothe the spirits of old their sudden gestures on the wind, when they stride, from blast to blast, along the dusky night. Often, blended with the gale, to some warrior's grave, they roll the mist a gray dwelling to his ghost, until the songs arise.

A sound came from the desert; it was Conar, king of Inis-fail. He poured his mist on the grave of Fillan, at blue-winding Lubar. Dark and mournful sat the ghost, in his gray ridge of smoke. The blast, at times, rolled him together; but the form returned again. It returned with bending eyes, and dark winding of locks of mist.

It was dark. The sleeping host were still in the skirts of night. The flame decayed, on the hill of Fingal; the king lay lonely on his shield. His eyes were half clothed in sleep: the voice of Fillan came. "Sleeps the husband of Clatho? Dwells the father of the fallen in rest? Am I forgot in the folds of darkness; lonely in the season of night?"

"Why dost thou mix," said the king, "with the dreams of my father? Can I forget thee, my son, or thy path of fire in the field? Not such come the deeds of the valiant on the soul of Fingal. They are not a beam of lightning, which is seen and is then no more. I remember thee, O Fillan! and my wrath begins to rise."

The king took his deathful spear, and struck the deeply-sounding shield: his shield, that hung high in night, the dismal sign of war. Ghosts fled on every side, and rolled their gathered forms on the wind. Thrice from the winding vales arose the voice of deaths. The harps of the bards, untouched, sound mournful over the hill.

He struck again the shield; battles rose in the dreams of his host. The wide-tumbling strife is gleaming over their souls. Blue-shielded kings descended to war. Backward-looking armies fly; and mighty deeds are half hid in the bright gleams of steel.

But when the third sound arose, deer started from the clefts of their rocks. The screams of fowl are heard in the desert, as each flew frightened on his blast. The sons of Selma half rose and half assumed their spears. But silence rolled back on the host: they knew the shield of the king. Sleep returned to their eyes; the field was dark and still.

No sleep was thine in darkness, blue-eyed daughter of Conmor! Sul-malla heard the dreadful shield, and rose, amid the night. Her steps are towards the king of Atha. "Can danger shake his daring soul?" In doubt, she stands with bending eyes. Heaven burns with all its stars.

Again the shield resounds! She rushed. She stopt. Her voice half rose. It failed. She saw him, amidst his arms, that gleamed to heaven's fire. She saw him dim in his locks, that rose to nightly wind. Away, for fear, she turned her steps. "Why should the king of Erin awake? Thou art not a dream to his rest, daughter of Inis-huna."

More dreadful rings the shield. Sul-malla starts. Her helmet fails. Loud echoes Lubar's rock, as over it rolls the steel. Bursting from the dreams of night, Cathmor half rose beneath his tree. He saw the form of the maid above him, on the rock. A red star, with twinkling beams, looked through her floating hair.

"Who comes through night to Cathmor in the season of his dreams? Bring'st thou aught of war? Who art thou, son of night? Stand'st thou before me, a form of the times of old? a voice from the fold of a cloud, to warn me of the danger of Erin?"

"Nor lonely scout am I, nor voice from folded cloud," she said, "but I warn thee of the danger of Erin. Dost thou hear that sound? It is not the feeble, king of Atha, that rolls his signs on night."

"Let the warrior roll his signs," he replied, "To Cathmor they are the sounds of harps. My joy is great, voice of night, and burns over all my thoughts. This is the music of kings, on lonely hills, by night; when they light their daring souls, the sons of mighty deeds! The feeble dwell alone, in the valley of the breeze; where mists lift their morning skirts, from the blue-winding streams."

"Not feeble, king of men, were they, the fathers of my race. They dwelt in the folds of battle, in their distant lands. Yet delights not my soul in the signs of death! Lie, who never yields, comes forth: O send the bard of peace!"

Like a dropping rock in the desert, stood Cathmor in his tears. Her voice came, a breeze on his soul, and waked the memory of her land; where she dwelt by her peaceful streams, before he came to the war of Conmor.

"Daughter of strangers," he said, (she trembling turned away,) "long have I marked thee in thy steel, young pine of Inis-huna. But my soul, I said, is folded in a storm. Why should that beam arise, till my steps return in peace? Have I been pale in thy presence, as thou bid'st me to fear the king? The time of danger, O maid, is the season of my soul; for then it swells a mighty stream, and rolls me on the foe.

"Beneath the moss-covered rock of Lona, near his own loud stream; gray in his locks of age, dwells Clonmal king of harps. Above him is his echoing tree, and the dun bounding of roes. The noise of our strife reaches his ear, as he bends in the thoughts of years. There let thy rest be, Sul-malla, until our battle cease. Until I return, in my arms, from the skirts of the evening mist, that rises on Lona, round the dwelling of my love."

A light fell on the soul of the maid: it rose kindled before the king. She turned her face to Cathmor, from amidst her waving locks. "Sooner shall the eagle of heaven be torn from the stream of his roaring wind, when he sees the dun prey before him, the young sons of the bounding roe, than thou, O Cathmor, be turned from the strife of renown. Soon may I see thee, warrior, from the skirts of the evening mist, when it is rolled around me, on Lona of the streams. While yet thou art distant far, strike, Cathmor, strike the shield, that joy may return to my darkened soul, as I lean on the mossy rock. But if thou shouldst fall, I am in the land of strangers; O send thy voice from thy cloud, to the midst of Inis-huna!"

"Young branch of green-headed Lumon, why dost thou shake in the storm? Often has Cathmor returned, from darkly rolling wars. The darts of death are but hail to me; they have often rattled along my shield. I have risen brightened from battle, like a meteor from a stormy cloud. Return not, fair beam, from thy vale, when the roar of battle grows. Then might the foe escape, as from my fathers of old.

"They told to Son-mor, of Clunar, who was slain by Cormac in fight. Three days darkened Son-mor, over his brother's fall. His spouse beheld the silent king and foresaw his steps in war. She prepared the bow, in secret, to attend her blue-shielded hero. To her dwelt darkness at Atha, when he was not there. From their hundred streams, by night, poured down the sons of Alnecma. They had heard the shield of the king, and their rage arose. In clanging arms, they moved along towards Ullin of the groves. Son-mor struck his shield, at times the leader of the war.

"Far behind followed Sul-allin, over the streamy hills. She was a light on the mountain, when they crossed the vale below. Her steps were stately on the vale, when they rose on the mossy hill. She feared to approach the king, who left her in echoing Atha. But when the roar of battle rose; when host was rolled on host, when Son-mor burnt, like the fire of heaven in clouds, with her spreading hair came Sul-allin, for she trembled for her king. He stopt the rushing strife to save the love of heroes. The foe fled by night; Clunar slept without his blood; the blood which ought to be poured upon the warrior's tomb.

"Nor rose the rage of Son-mor, but his days were silent and dark. Sul-allin wandered by her gray stream. with her tearful eyes. Often did she look on the hero, when he was folded in his thoughts. But she shrunk from his eyes, and turned her lone steps away. Battles rose, like a tempest, and drove the mist from his soul. He beheld with joy her steps in the hall, and the white rising of her hands on the harp."

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poem by James Macpherson
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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poem by Caroline Elizabeth Sarah Norton
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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poem by Wilfrid Scawen Blunt
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Temora - Book VIII

ARGUMENT.

The fourth morning from the opening of the poem comes on Fingal, still continuing in the place to which he had retired on the preceding sight, is seen, at intervals, through the mist which covered the rock of Cormul. The descent of the king is described. He orders Gaul, Dermid, and Carril the bard, to go to the valley of China, and conduct from thence the Caledonian army, Ferad-artho, the son of Cairbar, the only person remaining of the family of Conar, the first king of Ireland. The king makes the command of the army, and prepares for battle. Marching towards the enemy, he comes to the cave of Lubar, where the body of Fillan lay. Upon seeing his dog, Bran, who lay at the entrance of the cave, his grief returns. Cathmor arranges the Irish army in order of battle. The appearance of that hero. The general conflict is described. The actions of Fingal and Cathmor. A storm. The total rout of the Fir-bolg. The two kings engage, in a column of mist, on the banks of Lubar, Their attitude and conference after the combat. The death of Cathmor. Fingal resigns the spear of Trenmor to Ossian. The ceremonies observed on that occasion. The spirit of Cathmor, in the mean time, appears to Sul-malla, in the valley of Lona. Her sorrow. Evening comes on. A feast is prepared. The coming of Ferad-artho is announced by the songs of a hundred bards. The poem closes with a speech of Fingal.

As when the wintry winds have seized the waves of the mountain lake, have seized them in stormy night, and clothed them over with ice; white to the hunter's early eye, the billows still seem to roll. He turns his ear to the sound of each unequal ridge. But each is silent, gleaming, strewn with boughs, and tufts of grass, which shake and whistle to the wind, over their gray seats of frost. So silent shone to the morning the ridges of Morven's host, as each warrior looked up from his helmet towards the hill of the king; the cloud-covered hill of Fingal, where he strode in the folds of mist. At times is the hero seen, greatly dim in all his arms. From thought to thought tolled the war, along his mighty soul.

Now is the coming forth of the king. First appeared the sword of Luno; the spear half issuing from a cloud, the shield still dim in mist. But when the stride of the king came abroad, with all his gray dewy locks in the wind; then rose the shouts of his host over every moving tribe. They gathered, gleaming round, with all their echoing shields. So rise the green seas round a spirit, that comes down from the squally wind. The traveller hears the sound afar, and lifts his head over the rock. He looks on the troubled bay, and thinks he dimly sees the form. The waves sport, unwieldy, round, with all their backs of foam.

Far distant stood the son of Morni, Duthno's race, and Cona's bard. We stood far distant; each beneath his tree. We shunned the eyes of the king: we had not conquered in the field. A little stream rolled at my feet: I touched its light wave, with my spear. I touched it with my spear: nor there was the soul of Ossian. It darkly rose, from thought to thought, and sent abroad the sigh.

"Son of Morni," said the king, "Dermid, hunter of roes! why are ye dark, like two rocks, each with its trickling waters? No wrath gathers on Fingal's soul, against the chiefs of men. Ye are my strength in battle; the kindling of my joy in peace. My early voice has been a pleasant gale to your years, when Fillan prepared the bow. The son of Fingal is not here, nor yet the chase of the bounding roes. But why should the breakers of shields stand, darkened, far way?"

Tall they strode towards the king: they saw him turned to Morn's wind. His, tears came down for his blue-eyed son, no slept in the cave of streams. But he brightened before them, and spoke to the broad-shielded kings.

"Crommal, with woody rocks, and misty top, the field of winds, pours forth, to the sight, blue Lubar's streamy roar. Behind it rolls clear-winding Lavath, in the still vale of deer. A cave is dark in a rock; above it strong-winged eagles dwell; broad-headed oaks, before it, sound in Cluna's wind. Within, in his locks of youth, is Ferad-artho, blue-eyed king, the son of broad-shielded Cairbar, from Ullin of the roes. He listens to the voice of Condan, as gray he bends in feeble light. He listens, for his foes dwell in the echoing halls of Temora. He comes, at times, abroad in the skirts of mist, to pierce the bounding roes. When the sun looks on the field, nor by the rock, nor stream, is he! He shuns the race of Bolga, who dwell in his father's hall. Tell him, that Fingal lifts the spear, and that his foes, perhaps, may fail.

"Lift up, O Gaul, the shield before him. Stretch, Dermid, Temora's spear. Be thy voice in his ear, O Carril, with the deeds of his fathers. Lead him to green Moi-lena, to the dusky field of ghosts; for there, I fall forward, in battle, in the folds of war. Before dun night descends, come to high Dunmora's top. Look, from the gray skirts of mist, on Lena of the streams. If there my standard shall float on wind, over Lubar's gleaming stream, then has not Fingal failed in the last of his fields."

Such were his words; nor aught replied the silent striding kings. They looked sidelong on Erin's host, and darkened as they went. Never before had they left the king, in the midst of the stormy field. Behind them, touching at times his harp, the gray-haired Carril moved. He foresaw the fall, of the people, and mournful was the sound! It was like a breeze that comes, by fits, over Lego's reedy lake; when sleep half descends on the hunter, within his mossy cave.

"Why bends the bard of Cona," said Fingal, "over his secret stream? Is this a time for sorrow, father of low-laid Oscar? Be the warriors remembered in peace; when echoing shields are heard no more. Bend, then, in grief, over the flood, where blows the mountain breeze. Let them pass on thy soul, the blue-eyed dwellers of the tomb. But Erin rolls to war; wide tumbling, rough, aid dark. Lift, Ossian, lift the shield. I am alone, my son

As comes the sudden voice of winds to the becalmed ship of Inis-huna, and drives it large, along the deep, dark rider of the wave; so the voice of Fingal sent Ossian, tall along the heath. He lifted high his shining shield, in the dusky wing of war; like the broad, blank moon, in the skirt of a cloud, before the storms. arise.

Loud, from moss-covered Mora, poured down, at once, the broad-winged war. Fingal led his people forth, king of Morven of streams. On high spreads the eagle's wing. His gray hair is poured on his shoulders broad. In thunder are his mighty strides. He often stood, and saw, behind, the wide-gleaming rolling of armor. A rock he seemed, gray over with ice, whose woods are high in wind. Bright streams leapt from its head, and spread their foam on blasts.

Now he came to Lubar's cave, where Fillan darkly slept. Bran still lay on the broken shield: the eagle-wing is strewed by the winds. Bright, from withered furze, looked forth the hero's spear. Then grief stirred the soul of the king, like whirlwinds blackening on a lake. He turned his sudden step, and leaned on his bending spear.

White-breasted Bran came bounding with joy to the known path of Fingal. He came, and looked towards the cave, where the blue-eyed hunter lay, for he was wont to stride, with morning, to the dewy bed of the roe. It was then the tears of the king came down and all his soul was dark. But as the rising wind rolls away the storm of rain, and leaves the white streams to the sun, and high hills with their heads of grass; so the returning war brightened the mind of Fingal. He bounded, on his spear, over Lubar, and struck his echoing shield. His ridgy host bend forward, at once, with all their pointed steel.

Nor Erin heard, with fear, the sound: wide they come rolling along. Dark Malthos, in the wing of war, looks forward from shaggy brows. Next rose that beam of light, Hidalla! then the sidelong-looking gloom of Maronnan. Blue-shielded Clonar lifts the spear: Cormar shakes his bushy locks on the wind. Slowly, from behind a rock, rose the bright form of Atha. First appeared his two-pointed spears, then the half of his burnished shield: like the rising of a nightly meteor, over the valley of ghosts. But when ha shone all abroad, the hosts plunged, at once, into strife. The gleaming waves of steel are poured on either side.

As meet two troubled seas, with the rolling of all their waves, when they feel the wings of contending winds, in the rock-sided firth of Lumon; along the echoing hills in the dim course of ghosts: from the blast fall the torn groves on the deep, amidst the foamy path of whales. So mixed the hosts! Now Fingal; now Cathmor came abroad. The dark tumbling of death is before them: the gleam of broken steel is rolled on their steps, as, loud, the high-bounding kings hewed down the ridge of shields.

Maronnan fell, by Fingal, laid large across a stream. The waters gathered by his side, and leapt gray over his bossy shield. Clonar is pierced by Cathmor; nor yet lay the chief on earth. An oak seized his hair in his fall. His helmet rolled on the ground. By its thong, hung his broad shield; over it wandered his streaming blood. Tla-min shall weep, in the hall, and strike her heaving breast. Nor did Ossian forget the spear, in the wing of his war. He strewed the field with dead. Young Hidallan came. "Soft voice of streamy Clonra! why dost thou lift the steel? O that we met in the strife of song, in thine own rushy vale!" Malthos beheld him low, and darkened as he rushed along. On either side of a stream, we bent in the echoing strife. Heaven comes rolling down; around burst the voices of squally winds. Hills are clothed, at times, in fire. Thunder rolls in wreaths of mist. In darkness shrunk the foe: Morven's warriors stood aghast. Still I bent over the stream, amidst my whistling locks.

Then rose the voice of Fingal, and the sound of the flying foe. I saw the king, at times, in lightning, darkly striding in his might. I struck my echoing shield, and hung forward on the steps of Alnecma; the foe is rolled before me, like a wreath of smoke.

The sun looked forth from his cloud. The hundred streams of Moi-lena shone. Slow rose the blue columns of mist, against the glittering hill. Where are the mighty kings? Nor by that stream, nor wood, are they! I hear the clang of arms! Their strife is in the bosom of that mist. Such is the contending of spirits in a nightly cloud, when they strive for the wintry wings of winds, and the rolling of the foam-covered waves.

I rushed along. The gray mist rose. Tall, gleaming, they stood at Lubar. Cathmor leaned against a rock. His half-fallen shield received the stream, that leapt from the moss above. Towards him is the stride of Fingal: he saw the hero's blood. His sword fell slowly to his side. He spoke, amidst his darkening joy.

"Yields the race of Borbar-duthul? Or still does he lift the spear? Not unheard is thy name, at Atha, in the green dwelling of strangers. It has come, like the breeze of his desert, to the ear of Fingal. Come o my hill of feasts: the mighty fail, at times. No fire am I to low-laid foes; I rejoice not over the fall of the brave. To close the wound is mine: I have known the herbs of the hills. I seized their fair heads, on high, as they waved by their secret streams. Thou art dark and silent, king of Atha of strangers!"

"By Atha of the stream," he said, "there rises a mossy rock. On its head is the wandering of boughs, within the course of winds. Dark, in its face, is a cave, with its own loud rill. There have I heard the tread of strangers, when they passed to my hall of shells. Joy rose, like a flame, on my soul; I blest the echoing rock. Here be my dwelling, in darkness; in my grassy vale. From this I shall mount the breeze, that pursues my thistle's beard; or look down on blue-winding Atha, from its wandering mist."

"Why speaks the king of the tomb? Ossian, the warrior has failed! Joy meet thy soul, like a stream, Cathmor friend of strangers! My son, I hear the call of years; they take my spear as they pass along. Why does not Fingal, they seem to say, rest within his hall? Dost thou always delight in blood? In the tears of the sad? No; ye dark-rolling years, Fingal delights not in blood. Tears are wintry streams that waste away my soul. But when I lie down to rest, then comes the mighty voice of war. It awakes me in my hall and calls forth all my steel. It shall call it forth no more; Ossian, take thou thy father's spear. Lift it, in battle, when the proud arise.

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poem by James Macpherson
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The Bells Are Ringing

The bells are ringing
The song theyre singing
The sound is bringing the people round
They hear the instructions
They follow directions
They travel great distances to the sound
The bells are ringing
The song theyre singing
The sound is bringing the people round (the bells are ringing the song theyre singing the sound is)
They hear the instructions (bringing the people round)
They follow directions
They travel great distances to the sound (they travel great distances to the sound)
They are persuaded by the music of the bells
Theyre not responsible for anything they do
(no) the people know
(no) the way to go
The bells are ringing, they hear the sound
They hear the sound (they hear the sound)
They hear the sound (they hear the sound)
They hear the sound (they hear the sound)
They hear the sound
The bells are ringing
And everyones walking
With arms extended in a trance
Forgetting their washing
Neglecting the children
Theyre dropping all businesses at hand
A voice is telling them to act a different way
They tilt their heads so they wont miss what it will say
(no) and when its so
(no) theres this to know
The bells are ringing, they hear the sound
The bells are ringing
The song theyre singing
The sound is bringing the people round
They hear the instructions
They follow directions
They travel great distances to the sound
They are persuaded by the music of the bells
Theyre not responsible for anything they do
(no) the people know
(no) the way to go
The bells are ringing, they hear the sound
A girl with cotton in her ears
Is shielded from the bells effect
As if by hidden signal
The people turn to face her
One thousand eyes are staring
They pull away her earplugs
The bells are pealing

[...] Read more

song performed by They Might Be Giants
Added by Lucian Velea
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The Flight of the Duchess

I

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.

III

I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,

[...] Read more

poem by Robert Browning from Dramatic Romances and Lyrics (1845)
Added by Veronica Serbanoiu
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Flight Of The Duchess, The

I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.

III.

I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive

[...] Read more

poem by Robert Browning
Added by Poetry Lover
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