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Nat King Cole

I was a guinea pig for some hoodlums who thought they could hurt me and frighten me and keep other Negro entertainers from the South.

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The Three Little Pigs

The animal I really dig,
Above all others is the pig.
Pigs are noble. Pigs are clever,
Pigs are courteous. However,
Now and then, to break this rule,
One meets a pig who is a fool.
What, for example, would you say,
If strolling through the woods one day,
Right there in front of you you saw
A pig who'd built his house of STRAW?
The Wolf who saw it licked his lips,
And said, 'That pig has had his chips.'
'Little pig, little pig, let me come in!'
'No, no, by the hairs on my chinny-chin-chin!'
'Then I'll huff and I'll puff and I'll blow your house in!'

The little pig began to pray,
But Wolfie blew his house away.
He shouted, 'Bacon, pork and ham!
Oh, what a lucky Wolf I am!'
And though he ate the pig quite fast,
He carefully kept the tail till last.
Wolf wandered on, a trifle bloated.
Surprise, surprise, for soon he noted
Another little house for pigs,
And this one had been built of TWIGS!

'Little pig, little pig, let me come in!'
'No, no, by the hairs on my chinny-chin-chin!'
'Then I'll huff and I'll puff and I'll blow your house in!'

The Wolf said, 'Okay, here we go!'
He then began to blow and blow.
The little pig began to squeal.
He cried, 'Oh Wolf, you've had one meal!
Why can't we talk and make a deal?
The Wolf replied, 'Not on your nelly!'
And soon the pig was in his belly.

'Two juicy little pigs!' Wolf cried,
'But still I'm not quite satisfied!
I know how full my tummy's bulging,
But oh, how I adore indulging.'
So creeping quietly as a mouse,
The Wolf approached another house,
A house which also had inside
A little piggy trying to hide.
'You'll not get me!' the Piggy cried.
'I'll blow you down!' the Wolf replied.
'You'll need,' Pig said, 'a lot of puff,

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Lynching

Have you ever heard of lynching in the great United States?
'Tis an awful, awful story that the Negro man relates,
How the mobs the laws have trampled, both the human and divine,
In their killing helpless people as their cruel hearts incline.

Not the heathen! 'Tis the Christian with the Bible in his hand,
Stands for pain and death to tyrannize the weaklings of the land;
Not the red man nor the Spaniard kills the blacks of Uncle Sam,
'Tis the white man of the nation who will lunch the sons of Ham.

To a limb upon the highway does a Negro's body hang,
Riddled with a hundred bullets from the bloody, thirsty gang;
Law and order thus defying, and there's none to say them nay.
"Thus," they say, to keep their power, "Negroes must be kept at bay."

How his back is lacerated! how the scene is painted red,
By the blood of one poor Negro till he numbers with the dead!
Listen to the cry of anguish from a soul that God has made,
But it fails to reach the pity of the demons in the raid.

To a tree we find the Negro and to him a chain beside,
There a horse to it is fastened and the whip to him applied.
Thus he pulls the victim's body till it meets a dying fate,
And to history is given a new scandal to relate.

Limb from limb he's torn asunder! See the savage lynchers grin!
Then the flesh is cut in pieces and the souvenirs begin;
Each must have the piece allotted for the friends at home to see,
Relatives will cluster round him, laughing, dancing, filled with glee.

To a stake they bind the Negro, pile the trash around him high,
Make the fire about his body; it is thus that he must die.
Burn him slowly, hear the lynchers: "That's the part we most enjoy!
Tell it out in all the nation how we killed a Negro boy!"

Savage mob a Negro's chasing, and to catch him must not fail;
If it does, another's taken, there to force from him the tale
Where the fleeing man is hiding; if the facts he cannot raise,
Though his innocence protesting, for the same by death he pays.

"'Tis a Negro's blood we're craving; such will have at any cost;
We must lynch the one in keeping, for the other one is lost!"
This they say, and when they're questioned answer like this is the why,
"To the race at large a warning here a Negro man shall die!"

O, how brave the Southern white man when, a hundred men to one,
Lynch a lone, defenceless Negro, when each lyncher has a gun.
If at midnight or the noonday, the result is all the same,
Law is powerless to hinder, and the nation shares the blame.

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Screw Faces

[Bob Marley]
Whoa, now!
Screwface know-a who fi frighten!
Screwface know-a who fi frighten!
Like I told, they say, "Coward, man".
Gonna keep some bones
And all violent man gonna weep and moan.
He that exalted him say, "Yeah!"
Shall be obeyed.
Remember Jah - Jah children deh!
Don't dread no pain.
Fear do we go now
To the rivers of ungodly waters, we'll fear no foe
(fear no foe, fear no foe).
Wherever I go,
Not even the pestilence
That crawl at I'n'I
Can't do - wo-wo-wo - me no wrong (just can't do me no wrong).
Oh, now!
I tell you what red is!
I tell you what I know:
(Screwface know-a who fi frighten!)
Screwface know-a who fi frighten!
Screwface know-a who fi frighten! Wo, now!
(Screwface know-a who fi frighten!) Screwface will frighten
screwface!
(Screwface know-a who fi frighten!) Long time gone, y'all!
(Screwface know-a who fi frighten!) Screwface will frighten
screwface!
Wo, yeah! Now!
(Screwface know-a who fi frighten!)
---
/Intrumental ending/ /fadeout/
---

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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Oink Oink

1
oink oink the pig goes forth
he desides to raise a toast
with his little shoe lace tale he swats away some flies
which hower above his pig stye
2
oink oink the pig goes forth
he is gready for his meal
oinking away as if it was'nt such a big deal
he float all over his own fices to keep him cool
looking like the king of fools
3
oink oink the pig goes forth
his stout is round and his nostrils flare
he run's arond the farm as if he was the only one their
teh insects stck to his pink fur
maknign his vision a bit blurr
4
oink oink the pig goes forth
running around in circles in search of food
oh theirs so much litter for him to feed
his eyes pop out with joy, and say what a feast
5
oink oink the pig goes forth
his hoves make foot prints on the wet soil
as he floats over the mud
and comes crashing down with a thud
6
oink oink the pig goes forth
he stinks of litter and of a ditch
life for him is such a bitch
soon he will be cut up and packed into a sausage
eaten in resturants before the caramel pudding
7
oink oink the pig goes forth
he has flees stuck on to his skin
as he cries out and makes a din
stories are written on his wisdom too
animal farm and many more
8
oink oink the pig goes forth
he is an animal always rebuked
he will float on his own puke
severd as a sausage and a salami
you can have him as a roast
he makes a great meal for any host

10
oink oink the pig goes forth
he featues in hollywood films too

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Jackop Zuma, South Africa, The World's Greatest News Ladies And Gentlemen Stop Anything Hear Is Your Invitation

JACKOP ZUMA JACOP ZUMA
South Africa is about to become a tolerable nation
South Africa is about to be born anew
Can you imagine a tolerable state?
The Deputy President of South Africa
They said you are the rapist
But the man kept silent
The man nodded silent
The court proved you to be not guilty.
They first started by saying you fraud the state money.
Now and then you brought the weapons illegal from abroad
But the man kept silent
The case was closed and it is then again open.
The court will then again close it
It will close it again because there is no fossil evidence that you were any fraudster.
Yes we as the Proudly South African agree
We agree that you are innocent
Today I am making the History
This is the History that will remain to be red by the millions of future generations
In Africa there once lived a man
A man that was proud of his party and his party
People were confused so that they donnot see him in the eyes of the presidency
But sothat they see him in the eyes of fraudsters and rapist and we donnot know what still to come
The state president excluded you but you did not quit the party
The people loved you even more than before
It was Mshiniwami Mshiniwami almost every where
Ladies and Gentlemen: that is the song which was sung by South African leaders as oppose to oppression anti-free trade barriers
You can make your own party which can make you stand as the South African president
But you have never thought of that nonsense
This is because you know what is like to be a South African
Unlike other weakest South African leaders you have not yet forget where we come from
You have not yet forget how has South Africans fought for this freedom of our country
You understand the effort of his presidency Steve Biko whom his life was lost through the struggle for our liberation struggle
Yes you do understand the effort of his PRESIDENCY DOCTOR NELSON MANDELA
I wonder how joyful Cris Hhani might have been
If he can see your tolerance and diplomacy in this Nation Spear
Perhaps there is only one man in the millionth whose leadership is more or less as yours
That was Elijah
A man who was singing and clapping the hands in the fire wagon
The fire is the parliament
And the world is the fire wagon
This is our three wheeled wagon
It name is Rainbow Nation
The Front wheel is ANC which is the ruling party in South Africa
The two hind wheels is ANC youth league and the COSADTU
Ladies and Gentlemen: there are two drivers operating this car
But the fire will decide which one is to be burned off
Because the forward moving countries like a forward moving country cannot be driven by the two drivers
But I see the glory burning inside Jackop Zuma
This is a glory that was planted millions feet underground

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Veterinary Camps

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Immorality

Have you heard, my friend, the slander that the Negro has to face?
Immorality, the grossest, has been charged up to his race.
Listen, listen to my story, as I now proceed to tell
Of conditions in the Southland, where the mass of Negroes dwell.

Ev'ry city, town or county, ev'ry state on Southern soil,
Has mulattoes in its borders, found among the sons of toil.
Can you tell from whence they landed; or to whither shall they go?
Is the Negro race responsible alone, I'd like to know?

When a man among the Negroes is the least suspected there
Of an intimate relation with a daughter that is fair,
Then an angry mob arises and he answers for the same
In a death, the worst in cruelty the company can name.

Though the noonday sun is shining at the time the lynching's done,
Still the officers of justice can't detect a single one,
Who partook in Negro killing, for the deed no one is blamed,
And inside the nation's senate comes a voice, 'We're not ashamed.'

Is the same true when a white man leads a Negro girl astray?
When he takes away her virtue, is the same true? tell me, pray,
Do the press and pulpit clamor or condemn the mighty wrong?
Is there sentiment against it? is the burden of my song.

When the case is thus presented, they are silent as the grave,
And the law at once is powerless a Negro's name to save,
So you see the same continues and the truth is like a flood,
That in veins of Southern Negroes flow the best of Southern blood.

Can you tell of these mulattoes, did they fall here from the sky?
How is this that they're among us? can you tell the reason why?
Who's to blame for their existence? is the Negro race alone?
If there are such freaks in nature it is time to make them known.

'Tis a custom born of slavery when master's law and might,
Was enforced upon the bondsman without question of the right,
And the parson preached on Sunday how the servant should obey
All the mandates of the master, let them be whate'er they may.

O, how sad the tales of bondage when persuasive measures failed,
How they tortured Negro women till their hellish plans prevailed!
Women faithful to their virtue were as martyrs sent to rest,
Others yielded to the tempter, weary, helpless and distressed.

So the spirit lives at present for the master hand to rule,
Cook or washer, nurse or housemaid passes through this training school,
Lo! the greatest of temptations, men and devils there invent,
And present them to the servants, on their ruin so intent.

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Who Hurts Whom?

Hurt, is that lesson of life,
Perfect pool of Imperfects,

A kid may get hurt
Or may hurt its parents too
its parents may hurt
Or may hurt their kid too,

A brother may get hurt,
or he may hurt brothers and sisters too,
Sister gets hurt
Or she may hurt her brothers and sisters too,

Mother gets hurt or she my may hurt father too.
Father may get hurt Or may hurt mother too,

A friend gets hurt
Or may hurt his friend too!
A lover get hurts, or may hurt one's lover too,

Teacher may gets hurt
Or may hurt student too
Student gets hurt Or he may hurt his teacher too,

Life is a pool of Imperfects
And only Imperfects can perfect life,
And life is that greatest class room,
Where the greatest and perfect teacher teaches perfect lessons,

But life when teaches, we just close the chapter,
'saying it is our fate! '

Is it true that one has to hurt others to make his living?
Living a life, and make a Living aren't the differ?

People are determined to build life than live a life,
Where one may hurt others,

This the story of Buddha asking kisa Gouthami ' I will save your child, but bring handful of mustard from a home where death not entered! '

This is the story,
'I will heal your hurts, if you can bring some dust of a man's feet, whoever neither got hurt nor hurt others! '

Life a that teaches and hurt is that lesson,
Which shows the one who hurts is Imperfect than who gets hurt,
Both are still imperfect,
The one got hurt is more imperfect,
And he is the one who hurts himself,
by his desires and expectations,
He is the one who gives chance to others to hurt,

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John Cornstalk

Jack Cornstalk lives in the Southern Land—
What says Cornstalk John?
Jack Cornstalk says in a loud firm voice:
“Land of the South, lead on.”

CHORUS:
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

John Bull lays claim to the Southern Land.
Jack, is the South Land thine?
John Cornstalk cries in a loud, firm voice:
The Land of the South is mine!”

Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

“By the long, long years my father toiled
In the pioneering band;
By the hardships of those early days,
I claim the Southern Land!”

Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

But where shall the Land of the South lead to?
Where lead the nation’s van?
Jack Cornstalk cries from his strong young heart:
“To the Dynasty of Man.”

Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

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Byron

Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

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Jim Crow Cars

If within the cruel Southland you have chanced to take a ride,
You the Jim Crow cars have noticed, how they crush a Negro's pride,
How he pays a first class passage and a second class receives,
Gets the worst accommodations ev'ry friend of truth believes.

'Tis the rule that all conductors, in the service of the train,
Practice gross discriminations on the Negro—such is plain—
If a drunkard is a white man, at his mercy Negroes are,
Legalized humiliation is the Negro Jim Crow car.

'Tis a license given white men, they may go just where they please,
In the white man's car or Negro's will they move with perfect ease,
If complaint is made by Negroes the conductor will go out
Till the whites are through carousing, then he shows himself about.

They will often raise a riot, butcher up the Negroes there,
Unmolested will they quarrel, use their pistols,rant and swear,
They will smoke among the ladies though offensive the cigar;
'Tis the place to drink their whiskey, in the Negro Jim Crow car.

If a Negro shows resistance to his treatment by a tough,
At some station he's arrested for the same, though not enough,
He is thrashed or lynched or tortured as will please the demon's rage,
Mobbed, of course, by 'unknown parties,' thus is closed the darkened page.

If a lunatic is carried, white or black, it is the same,
Or a criminal is taken to the prison-house in shame,
In the Negro car he's ushered with the sheriff at his side,
Out of deference for white men in their car he scorns to ride.

We despise a Negro's manhood, says the Southland, and expect,
All supremacy for white men—black men's rights we'll not protect,
This the Negro bears with patience for the nation bows to might,
Wrong has borne aloft its colors disregarding what is right.

This is called a Christian nation, but we fail to understand,
How the teachings of the Bible can with such a system band;
Purest love that knows no evil can alone the story tell,
How to banish such abuses, how to treat a neighbor well.

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Aechdeacon Barbour

THROUGH the long hall the shuttered windows shed
A dubious light on every upturned head;
On locks like those of Absalom the fair,
On the bald apex ringed with scanty hair,
On blank indifference and on curious stare;
On the pale Showman reading from his stage
The hieroglyphics of that facial page;
Half sad, half scornful, listening to the bruit
Of restless cane-tap and impatient foot,
And the shrill call, across the general din,
'Roll up your curtain! Let the show begin!'
At length a murmur like the winds that break
Into green waves the prairie's grassy lake,
Deepened and swelled to music clear and loud,
And, as the west-wind lifts a summer cloud,
The curtain rose, disclosing wide and far
A green land stretching to the evening star,
Fair rivers, skirted by primeval trees
And flowers hummed over by the desert bees,
Marked by tall bluffs whose slopes of greenness show
Fantastic outcrops of the rock below;
The slow result of patient Nature's pains,
And plastic fingering of her sun and rains;
Arch, tower, and gate, grotesquely windowed hall,
And long escarpment of half-crumbled wall,
Huger than those which, from steep hills of vine,
Stare through their loopholes on the travelled Rhine;
Suggesting vaguely to the gazer's mind
A fancy, idle as the prairie wind,
Of the land's dwellers in an age unguessed;
The unsung Jotuns of the mystic West.
Beyond, the prairie's sea-like swells surpass
The Tartar's marvels of his Land of Grass,
Vast as the sky against whose sunset shores
Wave after wave the billowy greenness pours;
And, onward still, like islands in that main
Loom the rough peaks of many a mountain chain,
Whence east and west a thousand waters run
From winter lingering under summer's sun.
And, still beyond, long lines of foam and sand
Tell where Pacific rolls his waves a-land,
From many a wide-lapped port and land-locked bay,
Opening with thunderous pomp the world's highway
To Indian isles of spice, and marts of far Cathay.
'Such,' said the Showman, as the curtain fell,
'Is the new Canaan of our Israel;
The land of promise to the swarming North,
Which, hive-like, sends its annual surplus forth,
To the poor Southron on his worn-out soil,
Scathed by the curses of unnatural toil;

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Carrolling II-Parody Lewis CARROLL–The Mad Gardener’s Song

Carolling II

He Thought He Saw

He thought he saw new Internet
exchanging peer to peer,
he looked again and found it was
a mirage for each year
sees more control, “what rôle, ” he said,
for values once held dear?
Some track to trace attack and get
convictions based on fear.'

He dreamt he saw spam disappear,
all consultations free,
he looked again and found it was
a spybot lottery.
“Is net neutrality”, he said,
from rash risks viral clear? ”

He dreamt that Microsoft would steer
all trash deleted fast,
then woke to find world insincere
where independence past
was sacrificed throughout the year
to biometrics ghast.

He thought he saw a friend’s hello,
with an attachment piece,
he looked again and found it was
the porno scanning police.
“Politically correct”, he said,
“can’t guarantee release.”

He opened it, discovered though,
a trojan horse to fleece –
he looked again as data flow
declined, - mind not at peace -
and whispered with voice hoarse and low:
'when will our worries cease? ”

He thought he saw a hierophant,
who’d deal successful life,
he looked again and found it was
subpoena from ex-wife
demanding child support, he said,
“cards are cut by Time’s knife.”

He looked once more with rage and rant
and swore like a fishwife

[...] Read more

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Prejudice

How strangely blind is prejudice, the Negro's greatest foe!
It never fails to see the wrong but naught of good can know.
'Tis blind to all that's lofty, yea, to truth it is opposed,
Degrading things will ope his eyes, while good will keep them closed.

How cruel, too, is prejudice! how wicked is the tongue!
The evils reign supremely there, the bad is ever sung;
With some the Negro needs a soul, with others he's a brute,
In silence those remaining live and naught of this dispute.

The schools it legislates against, in keeping Negroes down,
Whatever tends to elevate it meets it with a frown.
It gives to them the Jim Crow car and vessels on the sea;
It makes the stockade to exist and take their liberty.

It makes the press to vacillate up the Negro's name,
The pulpit makes a compromise with evil, for the same,
It makes the Pharaohs of today and seals them with its ban,
It strives to close the door of hope upon the Negro man.

It causes mobs to formulate, to come and go at will,
At morning, evening, noon or night, a Negro man to kill,
It brings injustice to the courts when Negro men are tried,
It wrings the ballot from their hands—a thousand wrongs beside.

It is the country's greatest curse, the nation's open sore,
It slowly saps the precious life, is poison to the core,
Such ravages gave certain death to nations in the past,
The same will lay this country low, its fondest hopes will blast.

It minimizes all that's good and magnifies the ill,
The devil's mission upon earth, it clamors to fulfill;
'Twas prejudice that caused the death of Christ upon the tree,
He knows the pangs that Negroes feel and gives them sympathy.

When men refuse to see the light a darkness is assured,
Such blindness comes upon the scene as never can be cured!
Contagious is the dread disease, for Negroes learn to view
The white man with suspicious eyes, but here's a thing that's new.

The Negro Problem of the land, and all the same entails,
Will be no more whene'er we find a sentiment prevails,
To bury prejudice so deep it never can arise
Till all the races of the earth shall meet above the skies.

Twas God who made the Negro black, the reasons are His own
One blood the nations all the same, the facts are too well known,
He also made the Golden Rule, to use the neighbor well,
Shall prejudice among us dwell forever? who can tell?

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What Is Love?

what is love
Oh baby, don't hurt me
Don't hurt me no more
Oh, baby don't hurt me
Don't hurt me no more
What is love
Yeah
Oh, i don't know why you're not there
I give you my love, but you don't care
So what is right and what is wrong
Gimme a sign
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more
Whoa whoa whoa, oooh oooh
Whoa whoa whoa, oooh oooh
Oh, i don't know, what can i do
What else can i say, it's up to you
I know we're one, just me and you
I can't go on
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more
Whoa whoa whoa, oooh oooh
Whoa whoa whoa, oooh oooh
What is love, oooh, oooh, oooh
What is love, oooh, oooh, oooh
What is love
Oh baby, don't hurt me
Don't hurt me no more
Don't hurt me
Don't hurt me
I want no other, no other lover
This is your life, our time
When we are together, i need you forever
Is it love
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more (oooh, oooh)
What is love
Oh baby, don't hurt me

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Carrolling - Parody Lewis CARROLL – The Mad Gardener’s Song

He thought he saw an Internet
exchanging peer to peer,
he looked again and hedged his bet, -
by middle of next year
new routing tables tuned as yet
unknown may well appear –
on track to trace attack and get
convictions based on fear.

He dreamt that spam would disappear,
all trash deleted fast.
He dreamt that Windows would be clear
of viral bugs’ wormcast.
He woke to find world insincere
where independence past
was sacrificed throughout the year
to biometrics ghast.

He thought he saw a friend’s hello
with an attachment piece,
he opened to discover, though,
a trojan horse release –
He looked again as data flow
declined, - mind not at peace -
and whispered with voice timbre low:
I’ll send for the Police! ”

He thought he saw a heirophant
predicting happy life.
He looked again, with rage and rant
discovered from ex-wife
an email angry claiming scant
support, which threatened strife:
“At length I see the immanent
attraction of Time’s knife! ”

He dreamt he saw as he awake
the euro reach a peak,
he saw he dreamt that Bush half bake
would leave the dollar weak: -
he woke to find what grave mistake
was made for the next week
the politicians put a stake
in budget – rocked boats leak!

He thought he saw Commission clerk
jump on bandwagon bus,
he looked again, just for a lark,
and found no tinker’s cuss
the former cared for bite was bark -

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Remembering Roald Dahl - The Pig

firecrackers
were noisier
than the hosts
the pigs when
they were ushered
in three days ago

well, the crackers
since they were
invented were
to frighten away
the nien monster that
came plaguing
villagers every year

and their job is
to be loud to -
drown out the old year
and rock in the new

year of the Pig
really drew out
the pig in me

i have been
spending
the whole time eating,
sleeping, writing poetry
and watching CDs

nothing particularly Chinese
I had observed except
the red T shirts I wore
to give some identity
to my roots, some respect

red is for luck and is a
divine prescription to
do away with nien as it
does not like red hot fiery red

another reason why crackers
are always red

well, me was born in the year
of the pig 47 years ago
and according to Chinese zodiac
have a good knowledge
of how to luxuriate in the
goodness of this world

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