Half a psychiatrist's patients see him because they are married - the other half because they're not.
quote by Arnold H. Glasgow
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Essay on Psychiatrists
I. Invocation
It‘s crazy to think one could describe them—
Calling on reason, fantasy, memory, eves and ears—
As though they were all alike any more
Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,
And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens
Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.
II. Some Terms
“Shrink” is a misnomer. The religious
Analogy is all wrong, too, and the old,
Half-forgotten jokes about Viennese accents
And beards hardly apply to the good-looking woman
In boots and a knit dress, or the man
Seen buying the Sunday Times in mutton-chop
Whiskers and expensive running shoes.
In a way I suspect that even the terms “doctor”
And “therapist” are misnomers; the patient
Is not necessarily “sick.” And one assumes
That no small part of the psychiatrist’s
Role is just that: to point out misnomers.
III. Proposition
These are the first citizens of contingency.
Far from the doctrinaire past of the old ones,
They think in their prudent meditations
Not about ecstasy (the soul leaving the body)
Nor enthusiasm (the god entering one’s person)
Nor even about sanity (which means
Health, an impossible perfection)
But ponder instead relative truth and the warm
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poem by Robert Pinsky
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Salut Au Monde
O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.
What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?
Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.
What do you hear, Walt Whitman?
I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the
[...] Read more
poem by Walt Whitman
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Thespis: Act II
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT II - The same Scene, with the Ruins Restored
SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.
CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.
SILL. To work and think, my dear,
Up here would be,
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poem by William Schwenck Gilbert
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
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poem by Talile Ali
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Married Men
(bugatti - musker)
Producers for bonnie: ronnie scott, steve wolfe
Bonnie recorded this song in 1979 for the film the world is full of married men. the lyrics are taken from the japanese single.
The world is full of married men
With wives who never understand
Theyre looking for someone to share
The excitement of a love affair
Just as soon as they find you
They wine you and dine you
You fly on the wings of romance
But in the eyes of the world
Youre just another crazy girl
Who loves a married man
Oh your love is a secret
And youve got to keep it
As long as you can
No dont cry for your lover
Theres always another married man
The world is full of married men
Oh yeah you make him feel so young
But his wife will still be number one
He promises to marry you
Just as soon as his divorce
Comes through
And its not just a fling
He swears its the real thing
A love that could last till the end
As hes driving away
You know its true what they say
About married men
They do it, they do it, they do it
They do it again and again
They do it, they do it, they do it
They do it, married men
Oh hell run when the scandal
Gets too hot to handle
Hell say I just want to be friends
They hell walk out of your life
Hell go home to his wife
cause hes a married man
Oh your love is a secret
And youve got to keep it
As long as you can
No dont cry for your lover
Theres always another married man
The world is full of married men
They do it, they do it, they do it
They do it again and again
They do it, they do it, they do it
They do it, married men
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song performed by Bonnie Tyler
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The Libelle of Englyshe Polycye
Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.
The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.
For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.
And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.
For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.
Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.
Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.
[...] Read more
poem by Anonymous Olde English
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Marriage
Should I get married? Should I be Good?
Astound the girl next door with my velvet suit and faustaus hood?
Don't take her to movies but to cemeteries
tell all about werewolf bathtubs and forked clarinets
then desire her and kiss her and all the preliminaries
and she going just so far and I understanding why
not getting angry saying You must feel! It's beautiful to feel!
Instead take her in my arms lean against an old crooked tombstone
and woo her the entire night the constellations in the sky-
When she introduces me to her parents
back straightened, hair finally combed, strangled by a tie,
should I sit knees together on their 3rd degree sofa
and not ask Where's the bathroom?
How else to feel other than I am,
often thinking Flash Gordon soap-
O how terrible it must be for a young man
seated before a family and the family thinking
We never saw him before! He wants our Mary Lou!
After tea and homemade cookies they ask What do you do for a living?
Should I tell them? Would they like me then?
Say All right get married, we're losing a daughter
but we're gaining a son-
And should I then ask Where's the bathroom?
O God, and the wedding! All her family and her friends
and only a handful of mine all scroungy and bearded
just waiting to get at the drinks and food-
And the priest! He looking at me if I masturbated
asking me Do you take this woman for your lawful wedded wife?
And I trembling what to say say Pie Glue!
I kiss the bride all those corny men slapping me on the back
She's all yours, boy! Ha-ha-ha!
And in their eyes you could see some obscene honeymoon going on-
then all that absurd rice and clanky cans and shoes
Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates!
All streaming into cozy hotels
All going to do the same thing tonight
The indifferent clerk he knowing what was going to happen
The lobby zombies they knowing what
The whistling elevator man he knowing
The winking bellboy knowing
Everybody knowing! I'd be almost inclined not to do anything!
Stay up all night! Stare that hotel clerk in the eye!
Screaming: I deny honeymoon! I deny honeymoon!
running rampant into those almost climatic suites
yelling Radio belly! Cat shovel!
O I'd live in Niagara forever! in a dark cave beneath the Falls
I'd sit there the Mad Honeymooner devising ways to break marriages, a scourge of bigamy a saint of divorce-
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poem by Gregory Corso
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
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poem by Robert Browning from The Ring and the Book
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
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Lets Get Married
Weve been, going together
Too long to be vague
When theres something to say
If its not now, then its never
So Ill say it straight out
cos I have no doubt, no doubt
Lets get married
I love you and I want to stay with you
Lets get married
Have kids and grow old and grey with you
Lets get married
Hold hands, walk in the park
You can get a cat as long as it barks
We know, other people
Who drifted apart
Who broke each others hearts
But we aint other people
So well do things our way
Were gonna be o.k.
Were gonna be more than o.k.
Lets get married
Were ready for tying the knot
Lets get married
Set the seal on the feelings weve got
Lets get married
We can make each other happy or we can make each other blue
Yeah, its just a piece of paper but it says I love you
For the good times
For the days when we can do no wrong
For the moments when we think we cant go on
For the family
For the lives of the children that weve planned
Lets get married
Cmon darlin, please take my hand
And Ill be the one
Whos by your side
Ill be the one
Still taking pride
When were old if they ask me
How do you define succes?
Ill say,
You meet a woman
You fall in love
You ask her and
She says yes
Lets get married
I love and I want to stay with you
Lets get married
Have kids and grow old and grey with you
Lets get married
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song performed by Proclaimers
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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith
Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.
He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.
Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.
Thanks, thanks to thee, my worthy friend
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poem by Jonathan Robin
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Are You Married or Single?
Marriage is an institution that changes human life
After the wedding ceremony a brand new life begins
This means that nobody is ever the same again
Everybody anticipates better life after the wedding
Not all anticipation materialize the way we wanted
If you are one of the happily married ones
You should count your blessings and rejoice
Human beings get married for many reasons
Many get married for love and affection
Some get married for money and security
Few get married for convenience and expediency
Other people get married to have children
While the rest are married for other reasons
Marriage is meant to increase our happiness
But not all the married ones are truly happy
Those who are happily married, rejoice
Because they found the compatible partner
Because they have beautiful children
Because they love and respect each other
Because they sincerely care for each other
Because they have understanding in-laws
Staying married does not mean that your life
Is free from worries, problems and tribulations
Always remember your vows on the wedding day
For better or for worse, for richer or for poorer
If you are given the chance to do it all over again
Will you marry the same partner?
Or you will prefer marrying somebody else
Whatever may be your response or answer?
Please stay happy and enjoy the moment
poem by Julius Babarinsa
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Staff Welfare? ?
I must insist that you desist.
Your pointless questions I resist.
But you continue to persist.
A typical psychiatrist.
The questions that you ply me with
all appertain to Mr Smith
and to the town of Aberystwith.
This has to cease: right now, forthwith.
I fear you are in error sir
Although you do not want to hear.
I am in fact your manager
and your mistake may cost you dear.
It seems you have your wires crossed
and will not listen, you have lost
the plot. What worries me the most.
You seem to be deaf as a post.
Have you trouble with your hearing
Or have you merely lost your bearings.
A psychiatrist should be caring
I find your attitude is wearing
away at my patience.
I’m fast losing confidence
in your ability to sense
what is bothering your patients.
I think perhaps it would be best
if you were forced to take a rest.
This is an order, no request
It seems that you are deeply stressed.
I will arrange cover for you.
That is the least that I can do.
This is the course I must pursue
You understand of course you do.
Although you are a little mad
at present you are not too bad.
There is no reason to be sad
you’ll get the rest you haven’t had
You must take all the time you need
I am so glad that you’ve agreed
Just rest relax and perhaps read
and soon you will be up to speed
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poem by Ivor Or Ivor.e Hogg
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Lets See Action
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom, lets see who cares,
Lets see freedom, lets see who cares,
Take me with you when you leave me
Take me with you when you leave me
And my shell behind us there.
And my shell behind us there.
I have learned it, known who burned me,
I have learned it, known who burned me,
Avatar has warmed my feet,
Avatar has warmed my feet,
Take me with you, let me see you,
Take me with you, let me see you,
Time and life can meet.
Time and life can meet.
Nothing is everything, everything is, nothing is,
Nothing is everything, everything is, nothing is,
Please the people, audiences,
Please the people, audiences,
Break the fences,
Break the fences,
Nothing is.
Nothing is.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Give me a drink boy, wash my feet,
Give me a drink boy, wash my feet,
Im so tired of running from my own heat,
Im so tired of running from my own heat,
Take this package and heres what you do,
Take this package and heres what you do,
Gonna get this information through.
Gonna get this information through.
I dont know where Im going,
I dont know where Im going,
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song performed by Who
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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When Will We Be Married
(traditional)
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
You have your eye on jimmy
Long jimmy lee
You have your eye on jimmy
Anda fine man he
You have your eye on jimmy
But youd better let him be
Because when you go, molly-o
Youll be gone with me
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
You have your eye on johnny
Thin johnny fee
You have your eye on johnny
And a fine man he
You have your eye on johnny
But youd better let him be
Because when you go, molly-o
Youll be gone with me
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
I made a black bow
For your pretty head
When will we be married molly
When will we be wed
I made a black bow
For your bonny head
When will we be married molly
When will we be wed
When will we be
[...] Read more
song performed by Waterboys
Added by Lucian Velea
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When Will We Be Married
(traditional)
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
You have your eye on jimmy
Long jimmy lee
You have your eye on jimmy
Anda fine man he
You have your eye on jimmy
But youd better let him be
Because when you go, molly-o
Youll be gone with me
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
You have your eye on johnny
Thin johnny fee
You have your eye on johnny
And a fine man he
You have your eye on johnny
But youd better let him be
Because when you go, molly-o
Youll be gone with me
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
When will we be married molly
When will we be wed
When will we be
Bedded in the same bed
I made a black bow
For your pretty head
When will we be married molly
When will we be wed
I made a black bow
For your bonny head
When will we be married molly
When will we be wed
When will we be
[...] Read more
song performed by Waterboys
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Part II
So, they ring bell, give orders, pay, depart
Amid profuse acknowledgment from host
Who well knows what may bring the younger back.
They light cigar, descend in twenty steps
The 'calm acclivity,' inhale—beyond
Tobacco's balm—the better smoke of turf
And wood fire,—cottages at cookery
I' the morning,—reach the main road straitening on
'Twixt wood and wood, two black walls full of night
Slow to disperse, though mists thin fast before
The advancing foot, and leave the flint-dust fine
Each speck with its fire-sparkle. Presently
The road's end with the sky's beginning mix
In one magnificence of glare, due East,
So high the sun rides,—May's the merry month.
They slacken pace: the younger stops abrupt.
Discards cigar, looks his friend full in face.
"All right; the station comes in view at end;
Five minutes from the beech-clump, there you are!
I say: let's halt, let's borrow yonder gate
Of its two magpies, sit and have a talk!
Do let a fellow speak a moment! More
I think about and less I like the thing—
No, you must let me! Now, be good for once!
Ten thousand pounds be done for, dead and damned!
We played for love, not hate: yes, hate! I hate
Thinking you beg or borrow or reduce
To strychnine some poor devil of a lord
Licked at Unlimited Loo. I had the cash
To lose—you knew that!—lose and none the less
Whistle to-morrow: it's not every chap
Affords to take his punishment so well!
Now, don't be angry with a friend whose fault
Is that he thinks—upon my soul, I do—
Your head the best head going. Oh, one sees
Names in the newspaper—great this, great that,
Gladstone, Carlyle, the Laureate:—much I care!
Others have their opinion, I keep mine:
Which means—by right you ought to have the things
I want a head for. Here's a pretty place,
My cousin's place, and presently my place.
Not yours! I'll tell you how it strikes a man.
My cousin's fond of music and of course
Plays the piano (it won't be for long!)
A brand-new bore she calls a 'semi-grand,'
Rosewood and pearl, that blocks the drawing-room.
And cost no end of money. Twice a week
Down comes Herr Somebody and seats himself.
Sets to work teaching—with his teeth on edge—
[...] Read more
poem by Robert Browning from The Inn Album (1875)
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
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My Clinic
My clinic is a ‘church’ in which I pray;
Not many patients flock in anyway;
Some rosaries I manage to well say;
This keeps both devils and my foes away.
The ones that come are poorer than they seem;
‘The rich in cars come only in my dream.’
Most patients brush their teeth with only neem;
My words of solace make their faces gleam.
So, can I fleece my brethren poor and ill?
Can I then hand them inflated a bill?
Can I charge them for just a sample pill?
They live despite the doctor’s care by ‘will! ’
I long to see more patients but be wise;
I dare not try to anyway entice;
My profession is sacrosanct and nice;
I cannot let it turn into a vice!
The only thing I hate is waste my time;
The other thing I hate’s a rainy clime;
But everyday, I write aplenty rime;
I never mind if I earn just a dime!
I scooter daily not more than a mile;
I feel so happy seeing patients smile;
Becoming rich is not my beloved style;
My heart abounds with joy when poor souls file.
When will my practice pick up? - I don’t know;
To God, my art of healing, I just owe;
Rewards in heaven wait for righteous, oh!
To ways God makes me walk, I say not, ‘No! ’
Copyright by Dr John Celes 7-10-2006
poem by John Celes
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