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At the end of the competition, I played the Liszt concerto and I felt my head was on the block. Well, I won.

quote by Andre Boucourechliev
Added by Lucian Velea
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Road Block

Yeah!, all right!
Oh, ain't no problem
Carry no heavy load
Lord, no!
Why can't i love you, baby ?
You try to block my road.
You try to block my road. hey!
Oh, better off to hand you
Everything i own, ha ha ha ha!
Strange to see you waiting for me,
You try to block my road, yeah yeah,
Try to block my road
Hey, hey, hey, hey.
Road block
Road block
Road block
Road block
Road block daddy daddy daddy
Road block
Road block
Alright on the road block
Road block
Road block
Road block
Road block
Road block
Road block
Yeah! road block
Road block, alright, alright, alright!
Road block
Road block
Road block
Road block
Road block
Road block
Whoa road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Yeah!
Try to block my road, daddy daddy daddy
I said now every time i turn around

[...] Read more

song performed by Janis Joplin
Added by Lucian Velea
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

[...] Read more

poem by Meg Harrison
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Stiff Competition

Stiff competition
If i go up-you take me higher
Stiff competition
And when i'm down- you take me higher
There's stiff competition all over the world
I screw you-you screw me-they screw us
Here we go again
Oh- but we have so much fun, so much fun
When we're together
When we're together
When we're together-now
I looked hard in your eyes
It was love at first sight
It took me minutes-you're still waiting
Waiting for your turn, you turn
It won't be long
Stiff competition
I work hard-every day of my life
Stiff competition
Get it up-you take me higher
Stiff competition
All over the world
The more i get- the more i like it
The bigger they are- the harder they fall
Again
Stiff competition
Stiff competition
Stiff competition
Stiff competition

song performed by Cheap Trick
Added by Lucian Velea
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Christmas-Eve

I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II.
Well, from the road, the lanes or the common,

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poem by Robert Browning
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Block Burner

Verse 1: (lil wayne)
Ha ha ha ha check it
Its me thats creepin through the back
And the black on black
Lil soldier with a mac
I bust back till it crack
You see I ride tonight
Bullets fly at night
Lain tonight
Wayne and get high at night
And a high tonight when Im duckin round the mirrors
I run over niggas like eighteen wheelers
Hungry gorilla
Ah what cha what cha got wootay
Gettin beef thinks its cool I hit cha hit cha block wootay
Hit cha get cha gurl
Choppa choppa neighborhood
Let his poppa understood
Nigga burn like wood
And I swang
Through yo house wit that thang
Fo-five range
Can you catch me where I reign
Now look hang to below the sealevel
I be hotter than a devil
Lil daddy Im on fire
17 rider
Mac-mac his supplier
Lil boy my chopper make mo noise than a choir
One of these niggas gone leave here brainless
Some of these niggas aint gone even be remainin
Look now you keep thinkin Im to be played with
My gage spray quick
I aint ta be played with
I ride like a rollercoaster
When I ride with uptown soldiers
Im comin up the back my grill start to spark
Opp Im coming up the front (breathing hard) ya caught
Now where you gone run and where you gone turn
Oohh I got my gun
Oohh chopper bullets burn
To whom it may concern
Chopper bullets burn
Get through your block like a perm
Look weak like sperm
(chorus) 2x
Now check the whole block the whole block catch a fire
I be the I be the block block on the rider
Verse 2
I spin yo corner with my size 16 sankin

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song performed by Hot Boys
Added by Lucian Velea
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Prettiest Cop On The Block

I'm 6 foot 3 with a fist like a hammer
And I work with the Vice Squad when I can
And when I pull out my badge they forget all my glamor
Little guys all surprised
Take a seat
Peek at me
It's a bust
I'm a man
I'm the prettiest cop on the block I set your souls on fire
Yes, I'm the prettiest cop on the block
I'm cool and I'm so mean
Oh, I'm the prettiest cop on the block
I've handcuffed your desire
I've got a stiff reputation with a stick like a rock
My kids are confused and my wife is in shock
I'm a full blooded man not a weak immitation
I like to flex my arms in the neon lights
I'm a queen on the street and a king at the station
It's a secret of mine, not a sign I'm gonna make that right
Because..
I'm the prettiest cop on the block I set your souls on fire
Yes, I'm the prettiest cop on the block
I'm cool and I'm so mean
Oh, I'm the prettiest cop on the block
I've handcuffed your desire
I've got a stiff reputation with a stick like a rock
My kids are confused and my wife is in shock
I must look pretty shocking
In my bullet proof vest
With my black lace stockings
All this hair on my chest
When the boys see me coming
All the boys start to run
They all got their empty holsters
And I got the only gun
Because..
Because, I'm the prettiest cop on the block
I set your souls on fire
Yes, I'm the prettiest cop on the block
I'm cool and I'm so mean
Yes, I'm the prettiest cop on the block
I handcuff your desires
I got a stiff reputation with a stick like a rock
My kids are confused and my wife is in shock
I'm the prettiest cop on the block
I set your souls on fire
Yes, I'm the prettiest cop on the block
And I'm cool -- so mean
I'm the prettiest cop on the block
I handcuff your desires

[...] Read more

song performed by Alice Cooper
Added by Lucian Velea
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

poem by Thomas Moore
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Collision

Collision, my mission,
When the dawn breaks
With a handshake
Relaxed and feelin great
Screeching head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
All the days plans
All the shaken hands
Beepers and suntans
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Screeching, head on, head on, head on
Im needing a head on, head on, head on
Collision, my mission
Head on, head on, head on, head on
(sample of people talking)
When the dawn breaks
With a handshake
Relaxed and feelin great
Collision, my mission
Head on, head on, head on,
Head on, head on, head on,
Head on,
Head on,
Head on

song performed by Faith No More
Added by Lucian Velea
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Rokeby: Canto VI.

I.
The summer sun, whose early power
Was wont to gild Matilda's bower,
And rouse her with his matin ray
Her duteous orisons to pay,
That morning sun has three times seen
The flowers unfold on Rokeby green,
But sees no more the slumbers fly
From fair Matilda's hazel eye;
That morning sun has three times broke
On Rokeby's glades of elm and oak,
But, rising from their sylvan screen,
Marks no grey turrets' glance between.
A shapeless mass lie keep and tower,
That, hissing to the morning shower,
Can but with smouldering vapour pay
The early smile of summer day.
The peasant, to his labour bound,
Pauses to view the blacken'd mound,
Striving, amid the ruin'd space,
Each well-remember'd spot to trace.
That length of frail and fire-scorch'd wall
Once screen'd the hospitable hall;
When yonder broken arch was whole,
‘Twas there was dealt the weekly dole;
And where yon tottering columns nod,
The chapel sent the hymn to God.
So flits the world's uncertain span
Nor zeal for God, nor love for man,
Gives mortal monuments a date
Beyond the power of Time and Fate.
The towers must share the builder's doom;
Ruin is theirs, and his a tomb:
But better boon benignant Heaven
To Faith and Charity has given,
And bids the Christian hope sublime
Transcend the bounds of Fate and Time.

II.
Now the third night of summer came,
Since that which witness'd Rokeby's flame.
On Brignall cliffs and Scargill brake
The owlet's homilies awake,
The bittern scream'd from rush and flag,
The raven slumber'd on his crag,
Forth from his den the otter drew,
Grayling and trout their tyrant knew,
As between reed and sedge he peers,
With fierce round snout and sharpen'd ears
Or, prowling by the moonbeam cool,

[...] Read more

poem by Sir Walter Scott
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Would You Stop It? !

Would you let that love that's happening...
Be for you that fills a need?
Or would you stop it,
From not happening.

Would you stop it from not happening?

Would you let that love that's happening,
Be for you that fills a need?
Or would you block it,
From not happening.

Could you block it from not happening?

Conflicting feelings...
Bring on its own pain.
When one turns down what's needed
And they can't admit the needing.

Conflict of feelings,
Is...
What no one needs.

Not a conflict that has meaning,
With some feelings felt unseen.
When one turns down what is needed
And they can't admit the need.

Would you let that love that's happening...
Be for you that fills a need?
Or...
Would you block it,
From not happening?

Would you stop it from not happening,
If we both admit the need...
And let it happen.

Would you let that love that's happening...
Be for us what we need.
Or would you let that love that's happening...
Not to be seen.

Would you let that love that's happening...
Be for you that fills a need?
Or would you block it...
From not happening.

Or would you stop it from not happening.
Not to be ever seen.

[...] Read more

poem by Lawrence S. Pertillar
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The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

[...] Read more

poem by Amy Lowell
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Danger

[Intro]
The brotha's got this complex occupation
The brotha's got this complex occupation
The brotha's got this complex occupation
[Verse 1]
Me and this baby
Gon' be up all night long
Walkin this wood flo'
'Till my man gets home
I'm at the front do'
I'm listening by the phone
But I'm gon' be here
With my make-up on
I'ts been a long time
Since my man been gone
But when he get here
You know I won't be gone
Because I love him
Love him strong (N'Dambi)
Me and this baby
Gon' be up all night long
[Chorus 2x]
Because they got the block on lock
The trunk stay locked
Glock on cock
The block stay hot
Block on lock
The trunk stay locked
Glock on cock
The block stay hot
Talking
What she say?
I said,
Block on lock
The trunk stay locked
Glock on cock
The block stay hot
[Verse 2]
Got a box of money
That I keep under my bed
But we don't spend it though
Might need it for more Yeyo
We need this money
Just in case we need to
Make a run
Gotta keep the clip in mama's gun
Or run...
We like to keep the car runnin'
We try to keep the bitch humin'
In case the sweeper boyz are comin'

[...] Read more

song performed by Erykah Badu
Added by Lucian Velea
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Joy & Pain

Heaven aint your place girl , not now anyways
And in this hell yeah yeah , you cant erase
All of the pain , that youve been given
That aint the reason yeah , that youve been driven
Watch the hand as its movin ,
24 times around
Every seconds like a minute ,
Till youre back on the ground
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
But I know Im gonna see you again
Girl we had our chances , we knew from the start
That we could take heaven yeah and tear it apart tear it apart
You gotta take a chance girl , you gotta lead me by the hand
And turn this wild one , into a family man..come on
Many miles been between us since I walked away
Girl Im sorry what I did to you , this time Im here to stay
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
But I know baby Im gonna see you again
But I know yeah
Ive felt pain Ive felt joy yeah
Heaven aint your place girl , not now anyways
And in this hell yeah yeah , you cant erase
All of the pain , that youve been given
That aint the reason yeah , that youve been driven
Watch the hand as its movin ,
24 times around
Every seconds like a minute ,
Till youre back on the ground
Ive felt joy and Ive felt pain (and the girls say)
Ive felt joy and Ive felt pain (and the girls say)
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry [x3])
But I know Im gonna see you again

song performed by Ronan Keating
Added by Lucian Velea
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
Added by Poetry Lover
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Old Upright Piano

For as long as I remember, when friday night came round
The family would gather out at grandpas house.
With supper over and the dishes done
It was then the best time came
At an old upright piano that only grandma played.
She played beautiful dreamer, my wild irish rose;
She never played em perfect, but there was love in every note.
Grandpa sat beside her, in harmony they sang,
At the old upright piano that only grandma played.
Grandpa was a stubborn man, they said it was his style.
Grandma called him ornery, but she said it with a smile.
Even he could not disguise the love he felt so strong;
We all could see it in his eyes when she played his favorite song.
She played beautiful dreamer, my wild irish rose;
She never played em perfect, but there was love in every note.
Grandpa sat beside her, in harmony they sang,
At the old upright piano that only grandma played.
I was almost 17 when my grandma died;
I stayed all night with grandpa; the old man never cried.
He sat at her piano, there was nothing we could say
It was the first time in my life I ever heard my grandpa play.
It wasnt beautiful dreamer or my wild irish rose
It was a song he played from memory & he never missed a note
I sat right there beside him until the morning came
What a friend we have in jesus was the only song he played.
She played beautiful dreamer, my wild irish rose;
She never played em perfect, but there was love in every note.
Grandpa sat beside her, in harmony they sang,
At the old upright piano that only grandma played.

song performed by Nitty Gritty Dirt Band
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Nod Ya Head

[Will Smith]
We come to make it hot for you (woo)
[Christina Vidal (chorus)]
When we get down with the black suits, baby
Just let it loose up in here; go crazy
The way your bouncin' and shakin'
I know you're feelin' me
So get up out ya seat
Come on and nod ya head with me (nod ya head)
When we get down with the black suits, baby
Just let it loose up in here; go crazy (let me see you nod ya head)
The way your bouncin' and shakin'
I know you're feelin' me
So get up out ya seat
Come on and nod ya head with me
[Will Smith]
I am the man in black
I'm back
Breakin' the back of the random attackers
So can the flack.
Yo, I'm dangerous
I've been trained to bust
when the strange of us try to endanger us.
Praise me me ya'll
Don't nothin' phase me ya'll
When they see me they gaze be all crazy , ya'll
They say I'm a myth
trust me when if somebody rip
Out of the depths of your imagination so here's Will Smith.
Black suit, the black shades
the black shoes, black tie with the black attitude
New style black ray-bans, I'm stunnin' man.
New hot in this pitch black 600 man.
Don't you understand?
What you thought I wouldn't come again
Leave you hangin' without bringin' you the fun again.
Tanglin' with the alien scum again.
Mind your manners or the black suits runnin' in.
[Chorus]
(nod ya head!) When we get down with the black suits, baby
Just let it loose up in here; go crazy (let me see you nod ya head)
The way your bouncin' and shakin'
I know you're feelin' me
So get up out ya seat
Come on and nod ya head with me (nod ya head)
When we get down with the black suits, baby
Just let it loose up in here; go crazy (let me see you nod ya head)
The way your bouncin' and shakin'
I know you're feelin' me
So get up out ya seat

[...] Read more

song performed by Will Smith
Added by Lucian Velea
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