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I didn't put out this album because I wanted everybody to know I was grown up. I'm 21 and that's not grown up.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Part I

"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
A minute's fresh air, then to cipher-work!
Three little columns hold the whole account:
Ecarté, after which Blind Hookey, then
Cutting-the-Pack, five hundred pounds the cut.
'Tis easy reckoning: I have lost, I think."

Two personages occupy this room
Shabby-genteel, that's parlor to the inn
Perched on a view-commanding eminence;
———— -Inn which may be a veritable house
Where somebody once lived and pleased good taste
Till tourists found his coign of vantage out,
And fingered blunt the individual mark
And vulgarized things comfortably smooth.
On a sprig-pattern-papered wall there brays
Complaint to sky Sir Edwin's dripping stag;
His couchant coast-guard creature corresponds;
They face the Huguenot and Light o' the World.
Grim o'er the mirror on the mantlepiece,
Varnished and coffined, Salmo ferox glares
—Possibly at the List of Wines which, framed
And glazed, hangs somewhat prominent on peg.

So much describes the stuffy little room—
Vulgar flat smooth respectability:
Not so the burst of landscape surging in,
Sunrise and all, as he who of the pair
Is, plain enough, the younger personage
Draws sharp the shrieking curtain, sends aloft
The sash, spreads wide and fastens back to wall

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Home Grown Tomatoes

There aint nothin in the world that I like better than bacon n lettuce n
Home grown tomatoes up in the mornin, out in the garden
Get you a ripe one, dont pick a hard un plant em in the spring, eat em in
The summer all winter without em is a culinary bummer I forget all about the
Sweatinand the digginevery time I go out and pick me a big un home grown
Tomatoes, home grown tomatoes what would life be like without home grown
Tomatoes only two things that money cant buy
Thats true love and home grown tomatoes you can go out to eat an thats for
Sure but theres nothina home grown tomatoe wont cure put em in a salad, put
em in a stew
You can make your own tomatoe juice
You can eat em with eggs, eat em with gravy you can eat em with beans, pinto
Or navy put em on the side, put em in the middle home grown tomatoes on a hot
Cake griddle home grown tomatoes, home grown tomatoes what would life be like
Without home grown tomatoes only two things that money cant buy
Thats true love and home grown tomatoes if is to change this life I lead
You could call me johnny tomatoe seed
cause I know what this country needs
Home grown tomatoes in every yard you see when I die dont bury me
In a box in a cold dark cemetery
Out in the garden would be much better
cause I could be pushin up a home grown tomatoe home grown tomatoes, home
Grown tomatoes what would life be like without home grown tomatoes only two
Things that money cant buy
Thats true love and home grown tomatoes
Words and music by guy clark

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Make This House A Home

Well theres something in us living
Theres something you should know
There was a time for us to fall
Now its time to grow
But you know its not the way
That I intended it to be
Crossing hearts and killing souls
And trying to get down to whats real
All I ever wanted was to make this house a home
I let go of sinking sand wont you help me find a stone
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
Was to make this house a home
All I needed was your hand to hold
I spent so much time alone
I needed your direction
But we re-aligned my broken bones
Well theyre running from a lifeless state
Somehow we lost our hold
All we have with us is change
Left over from what started out as gold
All I ever wanted was to make this house a home
I let go of sinking sand - wont you help me find a stone
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
All I ever wanted
Was to make this house a home
This is what I give to you
Its flesh and blood
Its body and soul
Wont you take whats left of who I am
And try to see it whole
Im holding you responsible for every word I say
If you feel the brokenness
Wont you try and look the other way
I never meant to be so low
I only wanted you to see
That time was healing someone else
But its tearing apart the very heart of me
This is what I give to you
Its flesh and blood
Its body and soul
Wont you take whats left of who I am
And try to see it whole
All I ever wanted was to make this house a home

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Having Fun

When the clouds in the cosmos wanted to have some fun;
they clashed playfully against each other; fomenting
heavenly droplets of liquid to tumble down in
rhapsodic frenzy,

When the waves in the undulating ocean wanted to have
some fun; they rose and fell merrily with the
exuberant breeze; culminating into a festoon of
magnificently sparkling froth as they dissipated on
the silver sands,

When the battalion of boisterous frogs wanted to have
some fun; they bounced and frisked ebulliently after
midnight; inundating the perpetually still atmosphere
with their brazenly croaking voice,

When the solitary palms wanted to have some fun; they
embedded themselves to unprecedented limits beneath
majestic soil; thunderously clapped thereafter; to
sprinkle the granules in unanimous tandem,

When the fleet of fountain pens wanted to have some
fun; they sketched overwhelmingly funny contours of
their masters; emptying the blotted ink wholesomely on
his tyrannically wretched face,

When the bells in the dilapidated castle wanted to
have some fun; they commenced to nostalgically
reverberate; drowning in sheer ecstasy of the
euphorically tinkling sound,

When the bland glasses of water wanted to have some
fun; they deliberately stumbled when offered to the
unsuspecting visitor; drenching him disdainfully from
head to toe with their clammy caress,
When the sonorously serious eyelids wanted to have
some fun; they winked incessantly at passerby's;
making them the inevitable darling of every
flirtatious heart,

When the army of mischievous red ants wanted to have
some fun; they surreptitiously clambered up the
mammoth elephant's trunk; evoking him to thereby
collapse helplessly towards pathetically cold ground,

When the morbidly aloof spider wanted to have some
fun; it indefatigably ran up and down the periphery of
its web; eventually deciding to perch on the honey
coated biscuit placed by the luxuriously plush
bedside,

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Thinking of tomorrow

I didnt eat food today; as I wanted to wholesomely famish myself; to
devour
the appetizing chunks of pudding; Tomorrow,

I didnt sleep blissfully today; as I was overwhelmingly excited to
run;
Tomorrow,

I didnt play mischievously today; as I wanted to reserve every iota of
my
energy to passionately leap; Tomorrow,

I didnt drink water today; as I wanted to gulp gallons of voluptuous
wine;
Tomorrow,

I didnt bathe today; as I wanted to drown my persona in flamboyant
waves of
the salty ocean; Tomorrow,

I didnt see any object today; as I wanted to view the mesmerizing
beauty of
dawn; Tomorrow,

I didnt move my legs today; as I wanted to dance unrelentingly all
night;
Tomorrow,

I didnt revolve my fingers today; as I wanted to sketch intricate
landscapes
with their towering summits in the clouds; Tomorrow,

I didnt study one bit today; as I wanted to read through volumes of
mystical
tales; Tomorrow,
I didnt go out today; as I wanted to uninhibitedly explore through the
wilderness; Tomorrow,

I didnt see the time today; as I wanted to scrupulously count every
unleashing minute tomorrow,

I didnt smell the air today; as I wanted to inundate my nostrils with
the
enchanting perfume of lotus; Tomorrow,

I didnt speak today; as I wanted to scream hysterically for hours on
the
trot; Tomorrow,

I didnt reside in the house today; as I wanted to live the entire

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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All She Wanted

She was a good girl
Been true to herself
Never swayed by the notions of somebody else
Shed had it rough, maybe most of the time
With only one thing on her mind
All she wanted was a lovin man
All she wanted was a lovin man
Who was tryin to do the best that he can
All she wanted was a lovin, lovin man
There could be blue skies in her heart
She was waitin for the good times to start
She never wanted diamonds
She never wanted gold
She was holdin out for someone to hold
All she wanted was a lovin man
All she wanted was a lovin man
Who was tryin to do the best that he can
All she wanted was a lovin, lovin man
A loving man
All she wanted was a lovin man
All she wanted was a lovin man
All she wanted was a lovin man
Who was tryin to do the best that he can
All she wanted was a lovin, lovin man
Loving man
All she wanted was a lovin man
All she wanted was a lovin man
All she wanted was a lovin man
All she wanted was a lovin man

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I Wanted To Tell Her

I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her
I needed to tell her
Just like the wind you blew away your happy lovers touch
You bring the blues into my heart just like a rush
I cannot bear the way my heart has helped to keep you close
Of you my babe I cannot get enough
You touch me baby
I loved you to the lines of lies you told when I asked her name
I knew the perfume in your hair just wasnt mine
Did you ever think to notice me when you wasnt home?
I noticed every time
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
Thought you noticed every time but you didnt notice a thing
Id have to cover up my calls when the telephone would ring
Im tired of you and the things you do and all the things you say
No more babysitting for neurotic girls today
Im thinking that the pain Im going through just to keep you babe
Is something that I should bear
Did you ever stop to notice me when you had nothing?
And I never cared?
Just like the wind you blew away your happy lovers touch
You bring the blues into my life just like a rush
I cannot bear the way my heart has helped to keep you close
Of you my babe I cannot get enough
You touch me baby, dont be mean to me!
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her but I stuck to my lies
I wanted to tell her till I looked in her eyes
I wanted to tell her
I needed to tell her

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Up Yours

(E. Stefani)
Mmmm I'll put up with you in the morning
And I'll put up with you in the night
I'll put up with you anytime
Oh being with you's such a delight
I'll put up with you and your boyfriends
And I'll put up with you and your family
I'll put up with you and the inlaws
If they can put up with me
I'll put up with your complaining
And I'll put up with your needs
I'll put up with you messin' around
You can go but once more with me (?)
I'll put up with you and your smoking
And I'll put up with you and your dirty deeds
I'll put up with you and your cussin'
You don't know how happy you would make me
I want you sugar yeah hey woo hoo hoo hoo
And baby I got to - I know I have to
I put my love around you honey (?)
(?)
I want you need you so bad
Oh you put up with me (?)
Ooh I'll put up
I'll put up, I'll put up, I'll put up
I'll put up with your last name
And I'll put up with you and not kiss my lips
I'll put up with you not missin' me
Though down deep inside I wish you would change
Though down deep inside I wish you would change
Though down deep inside I wish you would change
Though down deep inside I wish you would change

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Brian Wilson Christmas Interview

Well, along with our special feature of this beach boys christmas album,
Once again Im happy to see the smiling face of the leader of
This popular group here in the studio, brian wilson.
Good to see you again, brian.
Hi, jack.
This beach boys christmas album is really something.
Ah, dick reynolds did the arrangements, I guess, huh?
Yes, he did. he did a beautiful job, a wonderful job.
Is this the first time youve worked with him?
Right. Id been, uh, wanting to meet him and work with him for quite a long time.
Now whos idea was it to have you featured on this, uh, one particular tune--i,
I was particularly impressed with it--a blue christmas.
Well, i... sort of picked out that song to sing for myself.
I, I love the song and uh, Ive always wanted to sing it, so I thought Id sing it.
Well, maybe this will be the start of a whole new career, huh?
I dont know, thats... it, it could, and it couldnt. ah... I really dont know.
Well, lets leave it to the listeners to see what they think of it.
Right.
I notice this album has uh, ah, along with some of the popular things like, uh,
Ill be home for christmas, uh, auld lang syne, and uh, um, we three kings
And some of the traditional things, that you have a couple of your,
Your own, uh, beach boys type sounds in the lp, too.
Uh-huh, weve more or less made one side, uh, our own style, and...
Kind of a teen side and an adult side.
Uh-huh, right, um-hm. contrasting.
Uh-huh. now, we have, uh, one of your originals coming up here, brian.
Uh, christmas day. you wrote this for the album specifically?
Yes, I did. uh-huh.
Uh-huh. and now, do you do your, the vocal arrangements,
Or did dick reynolds handle all of that?
Dick handled the vocal arrangements on the, ah, the modern side
--the traditional side--and I did the, ah, vocal and the
Arrangements of the music on our own style--our basic style--side.
Dick did the strings, also, on the, uh, on the modern side.
Coming up now, ah, a very sentimental type christmas song,
Particularly for those who are away from home during this time of year
--Ill be home for christmas. any, ah, thing particular about this,
This tune that youd like to say, brian?
Ah, well, I guess theres something very obvious when you hear the song.
Its, ah, theres a very definite influence of the four freshmen
On the arrangement as well as the delivery, and, uh, obviously
We all look up and admire the style of the four freshmen and,
Uh, I feel this has been the greatest--one of the greater--
Vocal influences, ah, in the world today.
Well, its certainly been, uh, nice of you to take the time to come
By again here for our special beach boys christmas show.
You have a fine album here and, uh, I hope youll be home for christmas.
Well, I hope I will, too. I hope everyones home for christmas.
I do, too. brian wilson, thanks again for coming by.
Thank you very much, jack.

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by from The Ring and the BookReport problemRelated quotes
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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

song performed by Men Without HatsReport problemRelated quotes
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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

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Id Rather Be You

1986. released as b-side of single throwing it all away, 1987.
Ooh yeah
You know I never wanted to be closer
And Ill still be here until its over
No, no I never wanted to be closer
But youll be back, I couldve told you
Well I always knew
Yes I could see it coming
Your ambitious streak
You always want things beyond your reach
Well now youve got what you wanted
And youre free to be the things
You always said youd be
Youre up there looking down
Tell me what do you see - oh
Cos you know
You know I never wanted to be closer
And Ill still be here until its over
No, no I never wanted to be closer
Yeah, but youll be back, I couldve told you
Well it seems to me
That youve got to fight for yourself
In this world we live in
Its dog-eat-dog and never give in
Why worry when youre holding the aces
Dont throw it away cos you know
Id rather be you than me
Up there looking down
Tell me what do you see - oh
Hey hey yeah
Ooh yeah
You know I never wanted to be closer (never wanted)
And Ill still be here til its over
No, no I never wanted to be closer (never wanted)
Ooh but youll be back, I couldve told you
Its been a long time coming
But at last we seem to be moving on, straight ahead
Were finally getting something done
Time flies and fore you know it
Youll be getting closer to where
You always knew youd be
Up there looking down
Tell me what do you see - oh
Cos you know
No, no I never wanted to be closer (never wanted)
Ill still be here until its over
No, you know I never wanted to be closer (never wanted)
Yeah but youll be back, I couldve told you
Hey hey yeah...

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8 Miles And Runnin (feat. Freeway)

w/ Freeway
Yeah Renegades is back and the beat is sick,
Jay Z, Freeway, 8 Miles,
let's go...
Verse 1
8 miles and running, got my 7 album droppin,
And my 8 album coming,
Feedin a thousand growling stomachs,
But I could rewind the counter ta back, back,
When it was now or nothing,
People said I would amount to nothing,
That I had time for nothing,
Said I wasn't from the valers
or the sellers by your gunman,
I can see the folks now he got what he had coming,
Now that my 8th album's coming,
Everybody smiling wanting something,
claiming that they done something for em,
got Jay Z and pom poms in they whole uniforms,
claiming they be running and telling everybody like Martin Lawrence,
about how hot my rap performace was before I was who I was,
claimin that they threw it up before I threw it up, you what..
Where was you before I blew this up,
I didn't see you in the courtroom when everyone was suein us,
I didn't see you in all black when everybody was suitin up,
back on the block, kickin it in and it was no you with us,
CHORUS
8 miles and running, got my 7 album droppin,
and my 8 album coming,
feedin a thousand growling stomachs, freaks...
6 miles and running got my fist straight poppin,
and my first album coming feedin 20 promises I made
(Repeat)
Verse 2
6 miles and running in the pontiak,
6 thousand 86 trans mic shift,
while the engine run,
anyone turn around
and give me one more chance,
let em smoke and scream em one more grams,
so i'm a bring them, homie, son and my pop,
stick close to my momma, keep toasters for drama,
mix alot with my son, my son growin and he learnin alot,
thats what i'm toastin, thats what i'm burin, so pop,
right on your own, rell 'em nigga, tell 'em nigga,
its like a biblical scripture,
look back turn to salt like the sinners
and most yall heartless and self-centered
like me shaggin, me shack,
set up your brother cause you tell us nigga,

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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