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Because when we are right there is not a band in the world that can touch us!

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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University Of Central Florida Volleyball

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Band On The Run

Stuck inside these four walls, sent inside forever,
Never seeing no one nice again like you,
Mama you, mama you.
If I ever get out of here,
Thought of giving it all away
To a registered charity.
All I need is a pint a day
If I ever get out of here.
Well, the rain exploded with a mighty crash as we fell into the sun,
And the first one said to the second one there I hope youre having fun.
Band on the run, band on the run.
And the jailer man and sailor sam were searching every one
For the band on the run, band on the run, band on the run, band on the run
Well, the undertaker drew a heavy sigh seeing no one else had come,
And a bell was ringing in the village square for the rabbits on the run.
Band on the run, band on the run.
And the jailer man and sailor sam, were searching every one
For the band on the run, band on the run, band on the run, band on the run
Well, the night was falling as the desert world began to settle down.
In the town theyre searching for us every where, but we never w ill be found.
Band on the run, band on the run
And the county judge, who held a grudge
Will search for evermore
For the band on the run, band on the run, band on the run, band on the run

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That Music In The Band (Lyric) :

They play that music in the band.
Them boys in the band.
That sweet playing, honky tonk music.
We hear in the band.

We hear that music in the band.
We hear that music in the band.
That sweet talking, honky tonk music.
We hear in the band.

It keeps us moving around.
They keep us moving to the sound.
Them boys in the band.
They play that music in the band.
That sweet playing, honky tonk music.
We hear in the band.

We hear that music in the band.
We hear that music in the band.
That sweet talking, honky talk music.
We hear in the band.

It keeps us jumping around.
They keep our feet off the ground.
Them boys in the band.
They play that music in the band.
That sweet playing, honky tonk music.
We hear in the band.

We hear that music in the band.
We hear that music in the band.
That sweet talking, honky tonk music.
We hear in the band....

Honky Tonk Song Lyric By Kim Robin Edwards
Copyright 1989.2009..
ALL rights reserved..

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Using Boot Camp

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For The Band

Now for the question
That just won't go away
"So what are we
Gonna do today?"
Cuz it seems like
For the last four years
We've had far much
Less stuff to say
I know I always come out
Like a pessimist
But there is always something else
That's leading up to this
Chris used to come
To all the local shows
Back when the days were simpler
Do you remember?
[Chorus]
Those days are gone but Chris is not
And now he's got big hair
And in fact along with that
He's developed a severe disliking for
FOR THE BAND! (For the Band x3)
And I don't like, how it seems like
Anything and everything is always
For the band
FOR THE BAND! (For the Band x3)
I don't like, how it seems like
Anything and everything is always
For the band
So don't think I'm going to
Sit and complain
When there's so many
Good things left to say
But watch closely
As I refrain
From forgetting who I am along the way
[Chorus]
Those days are gone but Chris is not
And now he's got big hair
And in fact along with that
He's developed a severe disliking for
FOR THE BAND! (For the Band x3)
And I don't like, how it seems like
Anything and everything is always
For the band
FOR THE BAND! (For the Band x3)
I don't like, how it seems like
Anything and everything is always
For the band
She sat me down and said to me

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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To Have It And To Give

You need to feel it!
Everyday that special touch of love.
You should have it near...
Everyday that touch of love.

You need to feel it!
Everyday that special touch of love.
You should have it near...
Everyday that touch of love.

People need a benefit of it...
Everyday!
That touch of love.
To have it and to give,
That special touch of love.
You should have it near,
Everyday that touch of love.
No one should ever fear it,
The feeling and the touch of love.

No one...
Under the Sun,
And...
You need to feel it!
Everyday that special touch of love.
You should have it near...
Everyday that touch of love.
No one should ever fear it,
The feeling and the touch of love.
To have it and hold dear...
Supersized to hypnotize.

You need to feel it!
Everyday that special touch of love.
You should have it near...
Everyday that touch of love.
No one should ever fear it,
The feeling and the touch of love.
To have it and hold dear...
Supersized not analyzed!

People need a benefit of it...
Everyday that touch of love.
To have it and to give of it...
That special touch of love.
You should have it near...
Everyday that touch of love.
No one should ever fear it,
The feeling and the touch of love.

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Simple

Weve got it simple
Cause weve got a band
And weve got cymbals in the band
Weve got it simple
Cause weve got a band
And weve got cymbals in the band
What is a band without cymbals?
Ooh ooh cymbals are grand
Weve got a saxophone
Cause weve got a band
And weve got a saxophone in the band
Weve got a saxophone
Cause weve got a band
And weve got saxophone in the band
What is a band without saxophone
Ooh ooh saxophone is grand
Cymbals and saxophones
Saxophones and cymbals (2x)
Weve got be-bop
Cause weve got a band
And we play be-bop in the band
Weve got skyscrapers
And it seems a pretty tune
Every band needs skyscrapers too
What is a band without skyscrapers
Ooh ooh skyscrapers is grand
Sim-bop & be-bophone
Sky-balls & sax-scraper

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E: Simple

We've got it simple
Cause we've got a band
And we've got cymbals in the band
We've got it simple
Cause we've got a band
And we've got cymbals in the band
What is a band without cymbals?
Ooh ooh cymbals are grand
We've got a saxophone
Cause we've got a band
And we've got a saxophone in the band
We've got a saxophone
Cause we've got a band
And we've got saxophone in the band
What is a band without saxophone
Ooh ooh saxophone is grand
Cymbals and saxophones
Saxophones and cymbals (2x)
We've got Be-bop
Cause we've got a band
And we play Be-bop in the band
We've got skyscrapers
And it seems a pretty tune
Every band needs skyscrapers too
What is a band without skyscrapers
Ooh ooh skyscrapers is grand
Sim-Bop & Be-Bophone
Sky-Balls & Sax-Scraper

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Magic Touch

Shes got the magic touch
And youre walkin around in a dream
Shes got the magic touch
Oh no, but it aint what it seems
You feel theres a fire burnin
When she feels cold inside
But you still want her much too much
One day when she leaves you lonely
You wont be satisfied (wont be satisfied)
Until you feel her magic touch
Her magic touch, her magic touch, her magic touch
Shes got the magic touch
And youre under a spell that shes cast
Shes got the magic touch
Oh no, but it aint gonna last
Shes keepin her love light shinin
To blind you from her lie (blind you from her lie)
But you still need her oh so much
And when she says shes leaving
Thats when you realize (when you realize)
How much you need her magic touch
Her magic touch, her magic touch, her magic touch
And in the night in the crowd
Shell be there
As she prances by your watch
While your dreams fade away
Shes got the magic touch
And youre walkin around in a dream
Shes got the magic touch
Oh no, but it aint what it seems
One day when she leaves you lonely
Youll miss her oh so much
Until you feel her magic touch (feel her magic touch)
Her magic touch, her magic touch
(feel her magic touch), her magic touch
Shes got the magic touch, I really want her
Shes got the magic touch, and I still need her
Shes got the magic touch, I really want her
Shes got the magic touch, and I really want her
Shes got the magic touch, and I still need her

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Vision of Don Roderick

Introduction.

I.
Lives there a strain, whose sounds of mounting fire
May rise distinguished o'er the din of war;
Or died it with yon Master of the Lyre
Who sung beleaguered Ilion's evil star?
Such, WELLINGTON, might reach thee from afar,
Wafting its descant wide o'er Ocean's range;
Nor shouts, nor clashing arms, its mood could mar,
All, as it swelled 'twixt each loud trumpet-change,
That clangs to Britain victory, to Portugal revenge!

II.
Yes! such a strain, with all o'er-pouring measure,
Might melodise with each tumultuous sound
Each voice of fear or triumph, woe or pleasure,
That rings Mondego's ravaged shores around;
The thundering cry of hosts with conquest crowned,
The female shriek, the ruined peasant's moan,
The shout of captives from their chains unbound,
The foiled oppressor's deep and sullen groan,
A Nation's choral hymn, for tyranny o'erthrown.

III.
But we, weak minstrels of a laggard day
Skilled but to imitate an elder page,
Timid and raptureless, can we repay
The debt thou claim'st in this exhausted age?
Thou givest our lyres a theme, that might engage
Those that could send thy name o'er sea and land,
While sea and land shall last; for Homer's rage
A theme; a theme for Milton's mighty hand -
How much unmeet for us, a faint degenerate band!

IV.
Ye mountains stern! within whose rugged breast
The friends of Scottish freedom found repose;
Ye torrents! whose hoarse sounds have soothed their rest,
Returning from the field of vanquished foes;
Say, have ye lost each wild majestic close
That erst the choir of Bards or Druids flung,
What time their hymn of victory arose,
And Cattraeth's glens with voice of triumph rung,
And mystic Merlin harped, and grey-haired Llywarch sung?

V.
Oh! if your wilds such minstrelsy retain,
As sure your changeful gales seem oft to say,
When sweeping wild and sinking soft again,

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Boys In The Band

(brown)
With mr soul or king creole
You gotta go with the man in the band
Hell be your guide
Singing la la la la
But what makes mr politic
A lot of words another trick
Turn peace into war
Singing ha ha ha ha
Ooh its not the way we want it
Not the way at all
Not the way to change our minds
Our backs up against the wall
The boys in the band all live in harmony
For lifes a poem
And we can make it rhyme
The boys in the band all live in harmony
Lets get it together before we
Go down, down, down
I dont want to theorise it
Just hope people realise
The simple melody can free your soul
And let you be man what you are
And fly la la la
But every back street slum where
Pushers push and hookers hook
Just wont set you free with ha ha ha ha
Oooh its not the way we want it
Not the way at all
Not the way to change our minds
Our backs up against the wall
The boys in the band all live in harmony
For lifes a poem
And we can make it rhyme
The boys in the band all live in harmony
Lets get it together before we
Go down, down, down
Break
The boys in the band all live in harmony
The boys in the band all live in harmony
Oooh its not the way we want it
Not the way at all
Not the way to change our minds
Our backs up against the wall
The boys in the band all live in harmony
The boys in the band all live in harmony
The boys in the band all live in harmony
The boys in the band all live in harmony
The boys in the band all live in harmony
The boys in the band all live in harmony

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Join Together

When you here this sound a-comin,
Hear the drummers drumming,
I want you to join together with the band,
We dont move in any ticular direction,
And we dont make no collections,
I want you to join together with the band.
Do you really think I care,
What you read or what you wear,
I want you to join together with the band,
Theres a million ways to laugh,
And every ones a path,
Come on and join together with the band.
Everybody join together, I want you to join together,
Come on and join together with the band,
We need you to join together, come on and join together,
Come on and join together with the band.
You dont have to play,
You can follow or lead the way,
I want you to join together with the band,
We dont know where were going,
But the seasons right for knowing,
I want you to join together with the band.
Its the singer not the song,
That makes the music move along,
I want you to join together with the band,
This is the biggest band youll find,
Its as deep as it is wide,
Come on and join together with the band,
Hey hey hey hey hey hey, well everybody come on.
Come on and join, join together with the band,
We need you to join together, everybody come on,
Hey hey hey, join together with the band.

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Confessio Amantis. Prologus

Torpor, ebes sensus, scola parua labor minimusque
Causant quo minimus ipse minora canam:
Qua tamen Engisti lingua canit Insula Bruti
Anglica Carmente metra iuuante loquar.
Ossibus ergo carens que conterit ossa loquelis
Absit, et interpres stet procul oro malus.


Of hem that writen ous tofore
The bokes duelle, and we therfore
Ben tawht of that was write tho:
Forthi good is that we also
In oure tyme among ous hiere
Do wryte of newe som matiere,
Essampled of these olde wyse
So that it myhte in such a wyse,
Whan we ben dede and elleswhere,
Beleve to the worldes eere
In tyme comende after this.
Bot for men sein, and soth it is,
That who that al of wisdom writ
It dulleth ofte a mannes wit
To him that schal it aldai rede,
For thilke cause, if that ye rede,
I wolde go the middel weie
And wryte a bok betwen the tweie,
Somwhat of lust, somewhat of lore,
That of the lasse or of the more
Som man mai lyke of that I wryte:
And for that fewe men endite
In oure englissh, I thenke make
A bok for Engelondes sake,
The yer sextenthe of kyng Richard.
What schal befalle hierafterward
God wot, for now upon this tyde
Men se the world on every syde
In sondry wyse so diversed,
That it welnyh stant al reversed,
As forto speke of tyme ago.
The cause whi it changeth so
It needeth nought to specifie,
The thing so open is at ije
That every man it mai beholde:
And natheles be daies olde,
Whan that the bokes weren levere,
Wrytinge was beloved evere
Of hem that weren vertuous;
For hier in erthe amonges ous,
If noman write hou that it stode,
The pris of hem that weren goode

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Touch Me

Written by c. jackson & marvin yancy
I get a thrill, I get a chill when you touch me
A thrill I cant ignore, keeps me coming back for more
Every time you touch me
You know my body is weak for you
Oh yes it is (oh yes it is)
And right now, right now if you touch me, baby
Itll do tricks for you, so come on, baby
(touch me one more time) oh, ooh
(way you did, when you did it last night) oh, baby
Sweet daddy, sweet sugar daddy
(touch me one more time)
Oh, yeah (way you did, when you did it last night)
Oh, oh, yeah (touch me one more time) well
(way you did, when you did it last night)
Thats all I want you to do for me, uhm
cause I know everythings gonna be alright
cause it always is when you
(touch me, touch me, touch me)
Ooh, uhm, I can feel the sun in my eyes
And I dont ever come alive until you
(touch me, touch me, touch me)
No, no, no, hoo, oh--
You know my heart is forever yours, baby
Oh, yes it is (ooh, yes it is)
It means now, and it will be tomorrow and forevermore, oh
(touch me one more time) oh
(the way you did, when you did it last night)
Yeah, yeah, yeah, yeah, yeah
Oh, oh (touch me one more time)
I dare, I dare you to touch me, baby
(way you did, when you did it last night)
Oh, oh, oh, oh, oh, oh, oh
(touch me one more time)
Yeah, ooh, yeah, yeah, yeah, yeah
(way you did, when you did it last night)
Ah, ooh, oh -- you know my heart is forever yours, baby,
And it always is (oh) and it means now
Itll be tomorrow and forevermore
(touch me one more time) oh (way you did) oh, oh
(when you did it last night)
Touch me, touch me, baby, wont you
(touch me one more time) yeah
(way you did) yeah (when you did it last night)
Ooh, ooh, ooh, ooh (touch me one more time)
In the morning (way you did, way you did it last
Night) oh, in the evening time too, yeah
(touch me one more time) oh, ha, oh, ha (way you did)
Ha, ha, oh, oh (way you did it last night)
Keep touching me, baby, baby, yeah

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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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