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First of all, I only get 50 percent of it, because, I mean, the galleries get 50 and 60 percent. I mean, that's normal. I understand that. I don't quarrel with that.

quote by Anthony Quinn
Added by Lucian Velea
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S. N. A. F. U.

Now, the industry has got me thinking twice
Thinking with the treble mix, gotta shake em like dice
Let the whole world know I cant go for that
Girls know that I got gold and stacks
In every cul de sac from the streets to the clubs
Im making hits and everybodys showing love
Fact is Im back and Im rolling like jackson
Wont stop until Im back at multi platinum
So I start with some action, Im the main attraction
Here to lie down to the west crackin
Stackin big chips, holmes, gotta get em
Hauling in lots of residuals, what you got
You cant choose me
Bring it to you live for the year 2g
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - you never ever made me
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - Im all fu_ked up
Yo, ice its jim splice me in - no, stop
Begin, pause, cause I gotta call the next of kin
Tell em where you been, tell em that youre ok
Doa, here say, no way, wont say
Dead yes, dead all, not dead and gone
Like a multi-leader, a little bit withdrawn
Time and go like a vicious cycle
Then wham, make em think that you are coming out like george michael
On par to make people to turn in no sooner
Hook, line, and sinker; like charlie the tuna
Drop the hero and get with the zero
Ill try to keep it clean like mr. belvedere
Fu_k me, fu_k you, fu_k the single
Dont want to take it in the can, youre not pringles
But once you pop you cant stop
So dont interrupt - situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Situation normal all fu_ked up
Thought I was a puppet you tried to play me
Yeah - and Im going crazy
Thought I was a puppet you tried to play me
No - you never ever made me

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song performed by Vanilla Ice
Added by Lucian Velea
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The Power Beyond What Is Normal (2 Cor.4: ; 7) ...

The Power Beyond What Is Normal
Humans Can Hardly Explain
But The Power Beyond What Is Normal
Can Pull You Out of Pain

The Power Beyond What Is Normal
Can Really Make A Change
It Can Lift You From The Dumps
Up Into Sun Rays!

It Can Take An Aching Heart
In The Deep Of The Night
Heal It ‘Til It Glows
Like Candlelight

Whether Its Your Lowest Moments
Or The Coldest, Lonely Hours
The Power Beyond What Is Normal
Is A High Power!

It Is The Powers That Be
It Is The Power That Is
It Beats All Other Powers
… and It’s HIS!

It Is The Power For The Better
It Is The Power That Lasts Forever
To Really Turn It On
Just Pull Love – Lever

Call On It In A Hurry
In An Emergency
When It Comes To You
You Will Finally See

It Is The Power Of Holy Spirit
And It’s Awesome To Be Near It
But When It Fills Your Soul
… Boy, It’s Joy Is Bold!

It’s Like An Apple Covered In Carmel (1 Pet.2: 3)
I Can’t Resist The Power Beyond Normal
It’s The Sweetest Power Treat (Ps.19: 7-10)
I’ll Ever Eat …

It’s The Strongest Power Trip, I’ll Take
While I’m Awake …
It’s Not A Gimmick Fake
It Feels So Great!

[...] Read more

poem by MoonBee Canady
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The Iliad (bk I)

Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another.

And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs.

"Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove."

On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. "Old man," said he, "let me not find you tarrying about our ships, nor yet coming hereafter. Your sceptre of the god and your wreath shall profit you nothing. I will not free her. She shall grow old in my house at Argos far from her own home, busying herself with her loom and visiting my couch; so go, and do not provoke me or it shall be the worse for you."

The old man feared him and obeyed. Not a word he spoke, but went by the shore of the sounding sea and prayed apart to King Apollo whom lovely Leto had borne. "Hear me," he cried, "O god of the silver bow, that protectest Chryse and holy Cilla and rulest Tenedos with thy might, hear me oh thou of Sminthe. If I have ever decked your temple with garlands, or burned your thigh-bones in fat of bulls or goats, grant my prayer, and let your arrows avenge these my tears upon the Danaans."

Thus did he pray, and Apollo heard his prayer. He came down furious from the summits of Olympus, with his bow and his quiver upon his shoulder, and the arrows rattled on his back with the rage that trembled within him. He sat himself down away from the ships with a face as dark as night, and his silver bow rang death as he shot his arrow in the midst of them. First he smote their mules and their hounds, but presently he aimed his shafts at the people themselves, and all day long the pyres of the dead were burning.

For nine whole days he shot his arrows among the people, but upon the tenth day Achilles called them in assembly- moved thereto by Juno, who saw the Achaeans in their death-throes and had compassion upon them. Then, when they were got together, he rose and spoke among them.

"Son of Atreus," said he, "I deem that we should now turn roving home if we would escape destruction, for we are being cut down by war and pestilence at once. Let us ask some priest or prophet, or some reader of dreams (for dreams, too, are of Jove) who can tell us why Phoebus Apollo is so angry, and say whether it is for some vow that we have broken, or hecatomb that we have not offered, and whether he will accept the savour of lambs and goats without blemish, so as to take away the plague from us."

With these words he sat down, and Calchas son of Thestor, wisest of augurs, who knew things past present and to come, rose to speak. He it was who had guided the Achaeans with their fleet to Ilius, through the prophesyings with which Phoebus Apollo had inspired him. With all sincerity and goodwill he addressed them thus:-

"Achilles, loved of heaven, you bid me tell you about the anger of King Apollo, I will therefore do so; but consider first and swear that you will stand by me heartily in word and deed, for I know that I shall offend one who rules the Argives with might, to whom all the Achaeans are in subjection. A plain man cannot stand against the anger of a king, who if he swallow his displeasure now, will yet nurse revenge till he has wreaked it. Consider, therefore, whether or no you will protect me."

And Achilles answered, "Fear not, but speak as it is borne in upon you from heaven, for by Apollo, Calchas, to whom you pray, and whose oracles you reveal to us, not a Danaan at our ships shall lay his hand upon you, while I yet live to look upon the face of the earth- no, not though you name Agamemnon himself, who is by far the foremost of the Achaeans."

Thereon the seer spoke boldly. "The god," he said, "is angry neither about vow nor hecatomb, but for his priest's sake, whom Agamemnon has dishonoured, in that he would not free his daughter nor take a ransom for her; therefore has he sent these evils upon us, and will yet send others. He will not deliver the Danaans from this pestilence till Agamemnon has restored the girl without fee or ransom to her father, and has sent a holy hecatomb to Chryse. Thus we may perhaps appease him."

With these words he sat down, and Agamemnon rose in anger. His heart was black with rage, and his eyes flashed fire as he scowled on Calchas and said, "Seer of evil, you never yet prophesied smooth things concerning me, but have ever loved to foretell that which was evil. You have brought me neither comfort nor performance; and now you come seeing among Danaans, and saying that Apollo has plagued us because I would not take a ransom for this girl, the daughter of Chryses. I have set my heart on keeping her in my own house, for I love her better even than my own wife Clytemnestra, whose peer she is alike in form and feature, in understanding and accomplishments. Still I will give her up if I must, for I would have the people live, not die; but you must find me a prize instead, or I alone among the Argives shall be without one. This is not well; for you behold, all of you, that my prize is to go elsewhither."

And Achilles answered, "Most noble son of Atreus, covetous beyond all mankind, how shall the Achaeans find you another prize? We have no common store from which to take one. Those we took from the cities have been awarded; we cannot disallow the awards that have been made already. Give this girl, therefore, to the god, and if ever Jove grants us to sack the city of Troy we will requite you three and fourfold."

Then Agamemnon said, "Achilles, valiant though you be, you shall not thus outwit me. You shall not overreach and you shall not persuade me. Are you to keep your own prize, while I sit tamely under my loss and give up the girl at your bidding? Let the Achaeans find me a prize in fair exchange to my liking, or I will come and take your own, or that of Ajax or of Ulysses; and he to whomsoever I may come shall rue my coming. But of this we will take thought hereafter; for the present, let us draw a ship into the sea, and find a crew for her expressly; let us put a hecatomb on board, and let us send Chryseis also; further, let some chief man among us be in command, either Ajax, or Idomeneus, or yourself, son of Peleus, mighty warrior that you are, that we may offer sacrifice and appease the the anger of the god."

Achilles scowled at him and answered, "You are steeped in insolence and lust of gain. With what heart can any of the Achaeans do your bidding, either on foray or in open fighting? I came not warring here for any ill the Trojans had done me. I have no quarrel with them. They have not raided my cattle nor my horses, nor cut down my harvests on the rich plains of Phthia; for between me and them there is a great space, both mountain and sounding sea. We have followed you, Sir Insolence! for your pleasure, not ours- to gain satisfaction from the Trojans for your shameless self and for Menelaus. You forget this, and threaten to rob me of the prize for which I have toiled, and which the sons of the Achaeans have given me. Never when the Achaeans sack any rich city of the Trojans do I receive so good a prize as you do, though it is my hands that do the better part of the fighting. When the sharing comes, your share is far the largest, and I, forsooth, must go back to my ships, take what I can get and be thankful, when my labour of fighting is done. Now, therefore, I shall go back to Phthia; it will be much better for me to return home with my ships, for I will not stay here dishonoured to gather gold and substance for you."

And Agamemnon answered, "Fly if you will, I shall make you no prayers to stay you. I have others here who will do me honour, and above all Jove, the lord of counsel. There is no king here so hateful to me as you are, for you are ever quarrelsome and ill affected. What though you be brave? Was it not heaven that made you so? Go home, then, with your ships and comrades to lord it over the Myrmidons. I care neither for you nor for your anger; and thus will I do: since Phoebus Apollo is taking Chryseis from me, I shall send her with my ship and my followers, but I shall come to your tent and take your own prize Briseis, that you may learn how much stronger I am than you are, and that another may fear to set himself up as equal or comparable with me."

The son of Peleus was furious, and his heart within his shaggy breast was divided whether to draw his sword, push the others aside, and kill the son of Atreus, or to restrain himself and check his anger. While he was thus in two minds, and was drawing his mighty sword from its scabbard, Minerva came down from heaven (for Juno had sent her in the love she bore to them both), and seized the son of Peleus by his yellow hair, visible to him alone, for of the others no man could see her. Achilles turned in amaze, and by the fire that flashed from her eyes at once knew that she was Minerva. "Why are you here," said he, "daughter of aegis-bearing Jove? To see the pride of Agamemnon, son of Atreus? Let me tell you- and it shall surely be- he shall pay for this insolence with his life."

And Minerva said, "I come from heaven, if you will hear me, to bid you stay your anger. Juno has sent me, who cares for both of you alike. Cease, then, this brawling, and do not draw your sword; rail at him if you will, and your railing will not be vain, for I tell you- and it shall surely be- that you shall hereafter receive gifts three times as splendid by reason of this present insult. Hold, therefore, and obey."

"Goddess," answered Achilles, "however angry a man may be, he must do as you two command him. This will be best, for the gods ever hear the prayers of him who has obeyed them."

He stayed his hand on the silver hilt of his sword, and thrust it back into the scabbard as Minerva bade him. Then she went back to Olympus among the other gods, and to the house of aegis-bearing Jove.

But the son of Peleus again began railing at the son of Atreus, for he was still in a rage. "Wine-bibber," he cried, "with the face of a dog and the heart of a hind, you never dare to go out with the host in fight, nor yet with our chosen men in ambuscade. You shun this as you do death itself. You had rather go round and rob his prizes from any man who contradicts you. You devour your people, for you are king over a feeble folk; otherwise, son of Atreus, henceforward you would insult no man. Therefore I say, and swear it with a great oath- nay, by this my sceptre which shalt sprout neither leaf nor shoot, nor bud anew from the day on which it left its parent stem upon the mountains- for the axe stripped it of leaf and bark, and now the sons of the Achaeans bear it as judges and guardians of the decrees of heaven- so surely and solemnly do I swear that hereafter they shall look fondly for Achilles and shall not find him. In the day of your distress, when your men fall dying by the murderous hand of Hector, you shall not know how to help them, and shall rend your heart with rage for the hour when you offered insult to the bravest of the Achaeans."

With this the son of Peleus dashed his gold-bestudded sceptre on the ground and took his seat, while the son of Atreus was beginning fiercely from his place upon the other side. Then uprose smooth-tongued Nestor, the facile speaker of the Pylians, and the words fell from his lips sweeter than honey. Two generations of men born and bred in Pylos had passed away under his rule, and he was now reigning over the third. With all sincerity and goodwill, therefore, he addressed them thus:-

"Of a truth," he said, "a great sorrow has befallen the Achaean land. Surely Priam with his sons would rejoice, and the Trojans be glad at heart if they could hear this quarrel between you two, who are so excellent in fight and counsel. I am older than either of you; therefore be guided by me. Moreover I have been the familiar friend of men even greater than you are, and they did not disregard my counsels. Never again can I behold such men as Pirithous and Dryas shepherd of his people, or as Caeneus, Exadius, godlike Polyphemus, and Theseus son of Aegeus, peer of the immortals. These were the mightiest men ever born upon this earth: mightiest were they, and when they fought the fiercest tribes of mountain savages they utterly overthrew them. I came from distant Pylos, and went about among them, for they would have me come, and I fought as it was in me to do. Not a man now living could withstand them, but they heard my words, and were persuaded by them. So be it also with yourselves, for this is the more excellent way. Therefore, Agamemnon, though you be strong, take not this girl away, for the sons of the Achaeans have already given her to Achilles; and you, Achilles, strive not further with the king, for no man who by the grace of Jove wields a sceptre has like honour with Agamemnon. You are strong, and have a goddess for your mother; but Agamemnon is stronger than you, for he has more people under him. Son of Atreus, check your anger, I implore you; end this quarrel with Achilles, who in the day of battle is a tower of strength to the Achaeans."

And Agamemnon answered, "Sir, all that you have said is true, but this fellow must needs become our lord and master: he must be lord of all, king of all, and captain of all, and this shall hardly be. Granted that the gods have made him a great warrior, have they also given him the right to speak with railing?"

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poem by Homer
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The Iliad: Book 1

Sing, O goddess, the anger of Achilles son of Peleus, that brought
countless ills upon the Achaeans. Many a brave soul did it send
hurrying down to Hades, and many a hero did it yield a prey to dogs
and vultures, for so were the counsels of Jove fulfilled from the
day on which the son of Atreus, king of men, and great Achilles, first
fell out with one another.
And which of the gods was it that set them on to quarrel? It was the
son of Jove and Leto; for he was angry with the king and sent a
pestilence upon the host to plague the people, because the son of
Atreus had dishonoured Chryses his priest. Now Chryses had come to the
ships of the Achaeans to free his daughter, and had brought with him a
great ransom: moreover he bore in his hand the sceptre of Apollo
wreathed with a suppliant's wreath and he besought the Achaeans, but
most of all the two sons of Atreus, who were their chiefs.
"Sons of Atreus," he cried, "and all other Achaeans, may the gods
who dwell in Olympus grant you to sack the city of Priam, and to reach
your homes in safety; but free my daughter, and accept a ransom for
her, in reverence to Apollo, son of Jove."
On this the rest of the Achaeans with one voice were for
respecting the priest and taking the ransom that he offered; but not
so Agamemnon, who spoke fiercely to him and sent him roughly away.
"Old man," said he, "let me not find you tarrying about our ships, nor
yet coming hereafter. Your sceptre of the god and your wreath shall
profit you nothing. I will not free her. She shall grow old in my
house at Argos far from her own home, busying herself with her loom
and visiting my couch; so go, and do not provoke me or it shall be the
worse for you."
The old man feared him and obeyed. Not a word he spoke, but went
by the shore of the sounding sea and prayed apart to King Apollo
whom lovely Leto had borne. "Hear me," he cried, "O god of the
silver bow, that protectest Chryse and holy Cilla and rulest Tenedos
with thy might, hear me oh thou of Sminthe. If I have ever decked your
temple with garlands, or burned your thigh-bones in fat of bulls or
goats, grant my prayer, and let your arrows avenge these my tears upon
the Danaans."
Thus did he pray, and Apollo heard his prayer. He came down
furious from the summits of Olympus, with his bow and his quiver
upon his shoulder, and the arrows rattled on his back with the rage
that trembled within him. He sat himself down away from the ships with
a face as dark as night, and his silver bow rang death as he shot
his arrow in the midst of them. First he smote their mules and their
hounds, but presently he aimed his shafts at the people themselves,
and all day long the pyres of the dead were burning.
For nine whole days he shot his arrows among the people, but upon
the tenth day Achilles called them in assembly- moved thereto by Juno,
who saw the Achaeans in their death-throes and had compassion upon
them. Then, when they were got together, he rose and spoke among them.
"Son of Atreus," said he, "I deem that we should now turn roving
home if we would escape destruction, for we are being cut down by
war and pestilence at once. Let us ask some priest or prophet, or some

[...] Read more

poem by Homer, translated by Samuel Butler
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Variations At Home And Abroad

It takes a lot of a person's life
To be French, or English, or American
Or Italian. And to be at any age. To live at any certain time.
The Polish-born resident of Manhattan is not merely a representative of
general humanity
And neither is this Sicilian fisherman stringing his bait
Or to be any gender, born where or when
Betty holding a big plate
Karen crossing her post-World War Two legs
And smiling across the table
These three Italian boys age about twenty gesturing and talking
And laughing after they get off the train
Seem fifty percent Italian and the rest percent just plain
Human race.
O mystery of growing up! O history of going to school!
O lovers O enchantments!

The subject is not over because the photograph is over.
The photographer sits down. Murnau makes the movie.
Everything is a little bit off, but has a nationality.
The oysters won't help the refugees off the boats,
Only other human creatures will. The phone rings and the Albanian
nationalist sits down.
When he gets up he hasn't become a Russian émigré or a German circus
clown
A woman is carrying a basket—a beautiful sight! She is in and of
Madagascar.
The uniformed Malay policeman sniffs the beer barrel that the brothers of
Ludwig are bringing close to him.
All humanity likes to get drunk! Are differences then all on the surface?
But even every surface gets hot
In the sun. It may be that the surface is where we are all alike!
But man and woman show that this isn't true.
We will get by, though. The train is puffing at the station
But the station isn't puffing at the train. This difference allows for a sense
of community
As when people feel really glad to have cats and dogs
And some even a few mice in the chimney. We are not alone
In the universe, and the diversity causes comfort as well as difficulty.
To be Italian takes at least half the day. To be Chinese seven-eighths of it.
Only at evening when Chang Ho, repast over, sits down to smoke
Is he exclusively human, in the way the train is exclusively itself when it is
in motion
But that's to say it wrongly. His being human is also his being seven-eighths
Chinese.
Falling in love one may get, say, twenty percent back
Toward universality, though that is probably all. Then when love's gone
One's Nigerianness increases, or one's quality of being of Nepal.
An American may start out wishing
To be everybody or that everybody were the same

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poem by Kenneth Koch
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Orlando Furioso Canto 5

ARGUMENT
Lurcanio, by a false report abused,
Deemed by Geneura's fault his brother dead,
Weening the faithless duke, whom she refused,
Was taken by the damsel to her bed;
And her before the king and peers accused:
But to the session Ariodantes led,
Strives with his brother in disguise. In season
Rinaldo comes to venge the secret treason.

I
Among all other animals who prey
On earth, or who unite in friendly wise,
Whether they mix in peace or moody fray,
No male offends his mate. In safety hies
The she bear, matched with hers, through forest gray:
The lioness beside the lion lies:
Wolves, male and female, live in loving cheer;
Nor gentle heifer dreads the wilful steer.

II
What Fury, what abominable Pest
Such poison in the human heart has shed,
That still 'twixt man and wife, with rage possessed,
Injurious words and foul reproach are said?
And blows and outrage hase their peace molest,
And bitter tears still wash the genial bed;
Not only watered by the tearful flood,
But often bathed by senseless ire with blood?

III
Not simply a rank sinner, he appears
To outrage nature, and his God to dare,
Who his foul hand against a woman rears,
Or of her head would harm a single hair.
But who what drug the burning entrail sears,
Or who for her would knife or noose prepare,
No man appears to me, though such to sight
He seem, but rather some infernal sprite.

IV
Such, and no other were those ruffians two,
Whom good Rinaldo from the damsel scared,
Conducted to these valleys out of view,
That none might wot of her so foully snared.
I ended where the damsel, fair of hue,
To tell the occasion of her scathe prepared,
To the good Paladin, who brought release;
And in conclusion thus my story piece.

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poem by Ludovico Ariosto
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Jumper

I wish you would step back from that ledge my friend
You could cut ties with all the lies that youve been living in
And if you do not want to see me again I would understand
I would understand
The angry boy a bit too insane
Icing over a secret pain
You know you dont belong
Youre the first to fight
Youre way too loud
Youre the flash of light on a burial shroud
I know somethings wrong
Well everyone I know has got a reason
To say put the past away
I wish you would step back from that ledge my friend
You could cut ties with all the lies that youve been living in
And if you do not want to see me again I would understand
I would understand
Well hes on the table and hes gone to code
And I do not think anyone knows
What theyre doing here
And your friends have left you
Youve been dismissed
I never thought it would come to this
And i, I want you to know
Everyones got to face down the demons
Maybe today
You could put the past away
I wish you would step back from that ledge my friend
You could cut ties with all the lies that youve been living in
And if you do not want to see me again I would understand
I would understand
I would understand
I would understand
I would understand
I would understand
Understand
Yeah yeah yeah yeah yeah
Can you put the past away
I wish you would step back from that ledge my friend
I would understand
I wish you would step back from that ledge my friend
I would understand
I wish you would step back from that ledge my friend
And I would understand
I wish you would step back from that ledge my friend
I would understand
I wish you would step back from that ledge my friend
I would understand

song performed by Third Eye Blind
Added by Lucian Velea
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We Understand Each Other

We understand each other
Bull!
You hear some distant drummer play
I think we understand each other
Have you no else to offer?
Poor boy!
I have expenses to defray
I hope we understand each other
We have a problem
Yes, but its not that we
Dont understand each other
Oh brother!
When they say understand
They gotta mean fairyland
For twenty tons of silver
She sold him into stir
And when it gets his freedom back
He throws it away over her
When he says understand
He must mean some other girl
Ill never comprehend
My putrid taste in men
Its not fair I love
Each little hair and he
Dont even care about me
When she says understand
Must mean some other man
Our preconceptions to retain
Were obliged to exclaim
We understand each other
We hear some distant drummer play
Must mean we understand each other
Oh brother!
If theres a problem
Well admit it
Not that we dont understand each other
Each other
When they say understand
Its like wendy and peter pan
Have you ever met somebody
More self-involved than he?
This has got to be a miracle
The man has divine empathy
What could be wrong with me?
I know his repartee
Insincere
Hes down
There, Im up here
But whenever hes near
Its some kind of divine empathy

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song performed by Todd Rundgren
Added by Lucian Velea
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They don't understand

They don't understand,
What its like to be me.
They don't understand,
Why school is hard for me.
They don't understand,
Why I'm so skinny.
They don't understand,
Why I have no friends.

They don't understand,
What I need.
They don't understand,
Why I lie.
They don't understand,
Why life is hard.
They don't understand,
What life is like for me.
They don't understand,
Why I hurt.
They don't understand,
Why I have fears.
They don't understand,
Why I'm different.

I don't understand,
Why they don't like me.
I don't understand,
Why they don't except me.
I don't understand,
What they say.
I don't understand,
Why they don't undersatnd,
Me...

poem by Dragon Crenshaw
Added by Poetry Lover
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Slice The Memories of It

Count on getting your cut,
Of up to fifty percent less.

'Fifty percent less of what? '

You appear to be intelligent.
This figure may cut deeper than you expect.
Remember neglected responsibilities...
Leaves an exquisite taste for spice you like.
Slice the memories of it,
And do something else...
With that bitterness you will be gifted with.

It seems that glamourous nest you lay resting...
To live that fantastic life you treasure and measured.
At the expense of your pretensions?

Count on getting your cut,
Of up to fifty percent less.

'Fifty percent less of what? '

Of nothing left!

My mama use to tell us,
She could not squeeze blood from a turnip!
And she tried very hard to make us believe...
Eating mustard and mayonaisse sandwiches,
Was good for our teeth and made strong bones!

We were also taught we could not have,
What she and my father did not own!
And she connected this to not having money.
To keep our dreams,
But not to waste them on empty wishes.
In other words...
If one sees there is nothing when shown.
It is best to accept it and adapt!
Take and attach your dreams...
On something you know is yours,
That can not be tapped.
Or taken!

Count on getting your cut,
Of up to fifty percent less.

'Fifty percent less of what? '

Of nothing left!
And that depends on where your mind is,

[...] Read more

poem by Lawrence S. Pertillar
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Lohengrin

THE holy bell, untouched by human hands,
Clanged suddenly, and tolled with solemn knell.

Between the massive, blazoned temple-doors,
Thrown wide, to let the summer morning in,
Sir Lohengrin, the youngest of the knights,
Had paused to taste the sweetness of the air.
All sounds came up the mountain-side to him,
Softened to music,— noise of laboring men,
The cheerful cock-crow and the low of kine,
Bleating of sheep, and twittering of the birds,
Commingled into murmurous harmonies—
When harsh, and near, and clamorous tolled the bell.
He started, with his hand upon his sword;
His face, an instant since serene and fair,
And simple with the beauty of a boy,
Heroic, flushed, expectant all at once.
The lovely valley stretching out beneath
Was now a painted picture,— nothing more;
All music of the mountain or the vale
Rang meaningless to him who heard the bell.
'I stand upon the threshold, and am called,'
His clear, young voice shrilled gladly through the air,
And backward through the sounding corridors.

'And have ye heard the bell, my brother knights,
Untouched by human hands or winds of heaven?
It called me, yea, it called my very name!'
So, breathing still of morning, Lohengrin
Sprang 'midst the gathering circle of the knights,
Eager, exalted. 'Nay, it called us all:
It rang as it hath often rung before,—
Because the good cause, somewhere on the earth,
Requires a champion,' with a serious smile,
An older gravely answered. 'Where to go?
We know not, and we know not whom to serve.'
Then spake Sir Percivale, their holiest knight,
And father of the young Sir Lohengrin:
'All that to us seems old, familiar, stale,
Unto the boy is vision, miracle.
Cross him not, brethren, in his first desire.
I will dare swear the summons rang to him,
Not sternly solemn, as it tolled to us,
But gracious, sweet, and gay as marriage-bells.'
His pious hands above the young man's head
Wandered in blessing, lightly touching it,
As fondly as a mother. 'Lohengrin,
My son, farewell,— God send thee faith and strength.'
' God send me patience and humility,'
Murmured the boyish knight, from contrite heart,

[...] Read more

poem by Emma Lazarus
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Craft, Faith And Narrative

Craft, faith and narrative all fuse,
creating medieval art;
if you add the inspiration of the muse
you get the Bible. À la carte,
it serves you narratives and laws and psalms
created with both faith and craft,
but ultimately it’s the muses’ charms
that turn the inspiration’s draft
into a record of encounters made
with God by people searching for
a destiny that they cannot evade
by writing, their esprit de corps.
Its manuscript is not illum-
inated, since it comes from ages
that though dark became the wonderwomb
whose generations are its pages.

Roberta Smith writes about the renovation of the medieval galleries in the Metropolitan Museum (“Illuminating the Dark Ages, ” NYT, December 5,2008) :
Of the three great artistic histories that extend for many centuries, and galleries, from the Great Hall at the Metropolitan Museum of Art, the Byzantine-Medieval epic is the most discreet. The Egyptian and the Greek and Roman wings are signaled by highly visible statues and tombs that start waving hello almost before you clear security. In contrast, the story of art starting in Bronze-Age Europe lies mostly out of sight in galleries that lie beside and behind the Grand Staircase…. As part of the Met’s original, central structure, the new Medieval Art gallery has always been a heavily trafficked intersection. It shouldn’t really work as a gallery of sacred art and yet it does. Its many small objects draw you close, away from the bustle, into a realm where craft, faith and narrative were

© 2008 Gershon Hepner 12/5/08

poem by Gershon Hepner
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Fingertips

Everything is catching
Yes, everything is catching on fire
(everythings catching on fire)
Everything is catching on fire (everythings catching on fire)
Fingertips
Fingertips
Fingertips
I hear the wind blow
I hear the wind blow
It seems to say, hello, hello,
Im the one who loves you so.
Hey now everybody now
Hey now everybody
Hey now everybody now
Whos that standing out my window?
I found a new friend
Underneath my pillow
Come on and wreck my car (come on)
Come on and wreck my car (come on)
Come on and wreck my car (come on)
Come on and wreck my car (come on)
Arent you the guy who hit me in the eye?
Arent you the guy who hit me in the eye?
Please pass the milk, please
Please pass the milk, please
Please pass the milk, please
Leave me alone, leave me alone
Whos knocking on the wall?
All alone all alone
All by myself
Whats that blue thing doing here?
Something grabbed ahold of my hand
I didnt know what had my hand
But thats when all my troubles began
I dont understand you (I dont understand you)
I just dont understand you (I dont understand you)
I dont understand the things you say
I cant understand a single word
I dont understand you (I dont understand you)
I just dont understand you (I dont understand you)
I cannot understand you (I dont understand you)
I dont understand you (I dont understand you)
I heard a sound, I turned around
I turned around to find the thing
That made the sound
Mysterious whisper
Mysterious whisper
Mysterious whisper
Mysterious whisper
The day that love came to play

[...] Read more

song performed by They Might Be Giants
Added by Lucian Velea
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

poem by Byron
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What Is There To Understand About Love

What is there to understand,
About love.
What is there to understand,
About being without it.
And spending those nights alone,
Distrusting that 'right' one...
That goes away.
Distrusting that one sleepless night,
When someone loved...
Comes home late,
Without argument to defend.
Or passion to share,
After a fight that begins.

And excuses heard familiar...
Aren't there heard to make.
What is there to understand,
About love...
When none is there to make.

What is there 'then'...
To understand.

No one dreams about the absence of love.
Or who in those dreams are missed...
To share the magic of happiness wished.
As those suspicions take over...
Becoming one's relationship!

What is there to understand.

No one seems to have those dreams,
About someone wrong for them.
Someone who up and goes when they choose...
To return when they please.
To introduce agony inside of one,
That seems to stay...
Not to leave.

What is there to understand,
About love.

The pain that is gained that seems to remain,
To change that love that is no longer the same.

What is there to understand,
About love.
What is there to understand,
About being without it.
And spending those nights alone,

[...] Read more

poem by Lawrence S. Pertillar
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Sweethearts Dance

(doug gill)
Sweethearts dance, thats what we do
The two heart two-step baby, thats me and you
Sweethearts dance round and round
Make out in the corner
Lovers quarrel, sweethearts dance
Sometimes babe I hate you cause my loves so strong
And then you make me feel so right
I think it must be wrong
You move me, you move me
This love dont make no sense
We make each other crazy baby
And dance the sweethearts dance
Sweethearts dance, thats what we do
The two heart two-step baby, thats me and you
Sweethearts dance round and round
Make out in the corner
Lovers quarrel, sweethearts dance
Love sets us in motion and gets down around our feet
Were living to the rhythm of our hearts together beating
I love you, I love you, let me whisper in your ear
Let me kiss you on the shoulder honey
Let me hold you near
Sweethearts dance, thats what we do
The two heart two-step baby, thats me and you
Sweethearts dance round and round
Make out in the corner
Lovers quarrel, sweethearts dance
Got your hand in my back pocket
Got your eyes all off in space
How bout we just get out of here
And find a quiet place
Sweethearts dance, thats what we do
The two heart two-step baby, thats me and you
Sweethearts dance round and round
Make out in the corner
Lovers quarrel, sweethearts dance
Make each other crazy
Dance the sweethearts dance

song performed by Pam Tillis
Added by Lucian Velea
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The Best is Good Enough

I quarrel not with destiny,
But make the best of everything-
The best is good enough for me.

Leave discontent alone, and she
Will shut her mouth and let you sing.
I quarrel not with destiny.

I take some things, or let 'em be-
Good gold has always got the ring;
The best is good enough for me.

Since fate insists on secrecy,
I have no arguments to bring-
I quarrel not with destiny.

The fellow that goes 'haw' for 'gee'
Will find he hasn't got full swing.
The best is good enough for me.

One only knows our needs, and he
Does all of the distributing.
I quarrel not with destiny:
The best is good enough for me.

poem by James Whitcomb Riley
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How to quarrel

There were two monks who
shared a cell in perfect amity.

Yet they, concerned to perfect their compassion
for all humankind, wished to know all
mankind’s troubles.

Mankind, said the one,
seems always to be quarrelling –
always too ready to pick some fight -
how can this be?

It seems, said the other, that in order to
assert their selfhood and to be ‘somebody’,
they must then invent an enemy,
who seeks to take something from them
that they deserve to have…

so then, they can allot
a ‘mine’ and ‘thine’, and pick
a violent quarrel to prove
their right to be themselves…

they’ll find anything so to label –
‘my tribe, your tribe’—even though
to anyone else, they seem the same –

my religion, your religion – though God is unaware
of any such division or allegiance; or when they’re
really desperate for something to fight about,

‘my postcode public territory,
your postcode public territory’…

Oh dear Lord, said the other monk,
how can we have compassion
for these suffering souls? We’ve never had
a quarrel…

Then we must invent one, said
the first monk: suppose I draw a line
in chalk along the floor of our cell..
and then we’ll call one side, my space,
the other yours…

And this he did. Now, he said,
we can have a quarrel: look,
I’m standing in your half of the room…

No you’re not, said the other,

[...] Read more

poem by Michael Shepherd
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How Can It Hurt

(music: marillion lyrics: steve hogarth)
Maybe youre just too upset inside to give it to me straight
Maybe youve become too angry and too close to crying to say anything I can understand
Or maybe youre just coming in over my head
Maybe youre just too upset inside too upset inside
How can it hurt if I dont understand
How can it hurt if I dont understand
How can it hurt if I dont understand
How can it hurt if I dont understand
Youre never gonna square with me I know so what is there to say?
Theres a million words that we could share tonight
Why do you walk away?
And I could write you off and its over with like a damaged car I cant afford to fix
But everything inside me wants to heal your pain
You wont explain
You wont explain
How can it hurt if I dont understand
How can it hurt if I dont understand
How can it hurt if I dont understand
How can it hurt if I dont understand
How can it hurt, how can it hurt
Well I dont understand
Well I dont understand
Tell me how can it hurt
Well I dont understand
Tell me how can it hurt
Well I dont understand

song performed by Marillion
Added by Lucian Velea
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