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Good People [trailer 2]

Cast: James Franco, Kate Hudson, Anna Friel, Tom Wilkinson, Omar Sy, Sam Spruell, Diarmaid Murtagh, Diana Hardcastle, Lasco Atkins

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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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Good People

Cast: James Franco, Kate Hudson, Anna Friel, Omar Sy, Tom Wilkinson, Diarmaid Murtagh, Sam Spruell, Michael Jibson, Diana Hardcastle

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Allegany Camp

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amelia earhart in japanese war camp

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Baby Kate

Kate closes the door
falls to her bedroom floor
kate cant even stand
the results in her hand

Kate closes her eyes
sees happiness she tries
to see a new world
but theres a worried girl

A girl stood staring
showing concern, caring
her heart is broken
looks up her eyes open

Kate picks herself up
a nightmare kate is shook
sees her reflection
then she asks a question

Can i get through this?
it was also her whish
can this pain be gone?
but kate doesnt respond

Puts on her lipstick
she had been feeling sick
so she took the test
kates chronicaly depressed

Posative results
kate took many insults
through out her life time
now isnt the right time

A jobs on the way
to give kate better pay
but kate can not work
it is over for her

Kate sits in her room
mayby a baby soon
kates next door neighber
kates neighbers in laber

Kates neighbers baby
is so small its crazy
the test was posative
kate never had a kid

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George Meredith

Grandfather Bridgeman

I

'Heigh, boys!' cried Grandfather Bridgeman, 'it's time before dinner to-day.'
He lifted the crumpled letter, and thumped a surprising 'Hurrah!'
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, 'Father, before we make noises, let's see the contents of the note.'
The old man glared at him harshly, and twinkling made answer: 'Too bad!
John Bridgeman, I'm always the whisky, and you are the water, my lad!'

II

But soon it was known thro' the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather's evening tale, whom the old man hailed as his son.
And the old man's shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours' opinions he knew.

III

Meantime, from the morning table removing the stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the beer
(Alone in its generous reading of pints stood the Grandfather's jug),
The women for sight of the missive came pressing to coax and to hug.
He scattered them quick, with a buss and a smack; thereupon he began
Diversions with John's little Sarah: on Sunday, the naughty old man!

IV

Then messengers sped to the maltster, the auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his call.
Likewise the married daughters, three plentiful ladies, prime cooks,
Who bowed to him while they condemned, in meek hope to stand high in his books.
'John's wife is a fool at a pudding,' they said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a will.

V

The day was a van-bird of summer: the robin still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing thro',
Looked down as if wistfully eyeing the blossoms that fell from its lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the dear
Shy violets breathed their hearts out: the maiden breath of the year!

VI

Full time there was before dinner to bring fifteen of his blood,
To sit at the old man's table: they found that the dinner was good.
But who was she by the lilacs and pouring laburnums concealed,

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The Life And Death Of Tom Thumb

In Arthur's court Tom Thumb did live,
A man of mickle might ;
The best of all the table round,
And eke a doughty knight.
His stature but an inch in height,
Or quarter of a span :
Then think you not this little knight
Was proved a valiant man ?

His father was a ploughman plain,
His mother milk'd the cow,
Yet how that they might have a son
They knew not what to do :
Until such time this good old man
To learned Merlin goes,
And there to him his deep desires
In secret manner shows.

How in his heart he wish'd to have
A child, in time to come,
To be his heir, though it might be
No bigger than his thumb.

Of which old Merlin thus foretold,
That he his wish should have,
And so this son of statue small
The charmer to him gave.

No blood nor bones in him should be,
In shape, and being such
That men should hear him speak, but not
His wandering shadow touch.

But so unseen to go or come,—
Whereas it pleas'd him still ;
Begot and born in half and hour,
To fit his father's will.

And in four minutes grew so fast
That he became so tall
As was the ploughman's thumb in height,
And so they did him call—
TOM THUMB, the which the fairy queen
There gave him to his name,
Who, with her train of goblins grim,
Unto his christening came.

Whereas she cloth'd him richly brave,
In garments fine and fair,
Which lasted him for many years

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The Great Conch Train Robbery

'Twas sunset down in old Key West
The locals all were high.
The tourists snapped their photographs
And munched their Key Lime pie.
And meanwhile down at Sloppy Joe's
The drinks were standin' tall
With Buffett on the jukebox
And Hemingway on the wall.

Then up spoke Sam the Shrimper:
He said, 'I've been a shrimper all my life.
My daddy was a shrimper
And my mom's a shrimper's wife.
And I'm tired of bein' a shrimper
Cuz a shrimper's life's too tame
So I'm gonna ride the Conch Train, boys,
And be like Jesse James.
Gonna be like Jesse James, boy...
Gonna be like Jesse James.
Case you didn't hear me the first three times...
Gonna be like Jesse James.'

Now the Conch Train is a tourist toy
That rolls through Key West Town
Like some weird ride from Disneyland
It drives the tourists round and round
While the engineer on her P.A.
Points out all the sites
'Well, Tennessee did you-know-what
To you-know-who that night.'

'The tourists all have money', said Sam
'Their wives all have rings of gold.
Their mopeds all are pawnable.
Their cameras can be sold.
And think of all the glory, boys,
The money and the fame
To be the first and only man
To rob the Key West Train.'

Now the engineer of the Conch Train
Her name was Betsy Wright.
She drove the Conch Train all day long
And loved Shrimper Sam all night.
And with some sweet persuasion,
She agreed to join the game:
She'd slow it down and flag the lad
And let him ride the train.

The conch train made its turn

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Franco Un-american

I never thought about the universe, it made me feel small
Never thought about the problems of this planet at all
Global warming, radio-active sites
Imperialistic wrongs and animal rights! no!
Why think of all the bad things when life is so good?
Why help with an am when theres always a could?
Let the whales worry about the poisons in the sea
Outside of california, its foreign policy
I dont want changes, I have no reactions
Your dilemmas are my distractions
Thats no way to go, franco un-american
No way to go, franco un-american
No way to go, franco un-american
No way to go, franco, franco un-american
I never looked around, never second-guessed
Then I read some howard zinn now Im always depressed
And now I cant sleep from years of apathy
All because I read a little noam chomsky
Im eating vegetation, cause of fast food nation
Im wearing a couple of shoes cause of globalization
Im watching michael moore expose the awful truth
Im listening to public enemy and reagan youth
I see no world peace cause of zealous armed forces
I eat no breath-mints cause their from de-hoofed horses
Now I cant believe; what an absolute failure
The presidents laughing cause we voted for nader
Thats no way to go, franco un-american
No way to go, franco un-american
No way to go, franco un-american
Where can we go, franco un-american
I want to move north and be a canadian
Or hang down low with the nice australians
I dont want to be another i-dont-care-ican
What are we gonna do franco, franco un-american

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William Makepeace Thackeray

The King Of Brentford’s Testament

The noble King of Brentford
Was old and very sick,
He summon'd his physicians
To wait upon him quick;
They stepp'd into their coaches
And brought their best physick.

They cramm'd their gracious master
With potion and with pill;
They drench'd him and they bled him;
They could not cure his ill.
'Go fetch,' says he, 'my lawyer,
I'd better make my will.'

The monarch's royal mandate
The lawyer did obey;
The thought of six-and-eightpence
Did make his heart full gay.
'What is't,' says he, 'your Majesty
Would wish of me to-day?'

'The doctors have belabor'd me
With potion and with pill:
My hours of life are counted,
O man of tape and quill!
Sit down and mend a pen or two,
I want to make my will.

'O'er all the land of Brentford
I'm lord, and eke of Kew:
I've three-per-cents and five-per-cents;
My debts are but a few;
And to inherit after me
I have but children two.

Prince Thomas is my eldest son,
A sober Prince is he,
And from the day we breech'd him
Till now, he's twenty-three,
He never caused disquiet
To his poor Mamma or me.

'At school they never flogg'd him,
At college, though not fast,
Yet his little-go and great-go
He creditably pass'd,
And made his year's allowance
For eighteen months to last.

'He never owed a shilling.

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Malcolm's Katie: A Love Story - Part IV.

From his far wigwam sprang the strong North Wind
And rush'd with war-cry down the steep ravines,
And wrestl'd with the giants of the woods;
And with his ice-club beat the swelling crests.
Of the deep watercourses into death,
And with his chill foot froze the whirling leaves
Of dun and gold and fire in icy banks;
And smote the tall reeds to the harden'd earth;
And sent his whistling arrows o'er the plains,
Scatt'ring the ling'ring herds--and sudden paus'd
When he had frozen all the running streams,
And hunted with his war-cry all the things
That breath'd about the woods, or roam'd the bleak
Bare prairies swelling to the mournful sky.
'White squaw,' he shouted, troubl'd in his soul,
'I slew the dead, wrestl'd with naked chiefs
'Unplum'd before, scalped of their leafy plumes;
'I bound sick rivers in cold thongs of death,
'And shot my arrows over swooning plains,
'Bright with the Paint of death--and lean and bare.
'And all the braves of my loud tribe will mock
'And point at me--when our great chief, the Sun,
'Relights his Council fire in the moon
'Of Budding Leaves.' 'Ugh, ugh! he is a brave!
'He fights with squaws and takes the scalps of babes!
'And the least wind will blow his calumet--
'Fill'd with the breath of smallest flow'rs--across
'The warpaint on my face, and pointing with
'His small, bright pipe, that never moved a spear
'Of bearded rice, cry, 'Ugh! he slays the dead!'
'O, my white squaw, come from thy wigwam grey,
'Spread thy white blanket on the twice-slain dead;
'And hide them, ere the waking of the Sun!'

* * * * *

High grew the snow beneath the low-hung sky,
And all was silent in the Wilderness;
In trance of stillness Nature heard her God
Rebuilding her spent fires, and veil'd her face
While the Great Worker brooded o'er His work.

* * * * *

'Bite deep and wide, O Axe, the tree,
What doth thy bold voice promise me?'

* * * * *

'I promise thee all joyous things,

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Es Ist Nie Vorbei

Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
We've come a long way
It's been a rough ride
Tell me why all the good things has to come to an end
We've left no stone unturned
Tell me what
How will i miss you already waiting for your return
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:

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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

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The Fortune-Teller, a Gypsy Tale

LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!

KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!

STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.

STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!

Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!

KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,

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The Rivals

Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.

Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.

She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.

You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.

Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.

Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.

Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.

Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.

An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.

Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.

Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.

Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.

Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.

Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.

Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.

Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.

But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.

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Anna Hazare’s Crusade against Corruption in India

Anna wants a Lokpal bill strong
Anna wants a Lokpal bill fast
Anna wants a Lokpal bill full
Anna wants a Lokpal bill now

Anna wants a Lokpal bill by fast
Anna wants a Lokpal bill first
Anna wants a Lokpal bill for all
Anna wants a Lokpal bill – his call

Anna wants a Lokpal bill now
Anna wants a Lokpal bill without delay
Anna wants a Lokpal bill, come what may
Anna wants a Lokpal bill even if it means death.

There is no turning back
There is no giving up the fast
There is no fear of arrest
There is no worry about death

For,
India needs an anti-corruption bill
India is monetarily seriously ill
India needs the honesty drill
India has its wealth outside but inside will

Bring the bill
Heed people’s will
Give them the fill
Heal those hearts ill.

Victory to India; victory to Lokpal Bill; victory to Anna!

Copyright by Dr John Celes 22-08-11

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Murtagh The Cobbler

The harvest moon was shinin’
As Murtagh came from the fair,
And Oh! The scent of the new-mown hay
And the gorsebloom in the air.

The night wind lifted his shock of hair
With whisperings weird and low,
And sang in his lonely, aching heart
Till he could not choose but go.

Aside from the dusky highway
Down a haunted old boreen
To where a strange light flickered
In under the hollies green--

All night he spent in that fairy dell,
Till the red dawn stained the sky;
And he sold his soul to the fairy folk
For the gift of the seeing eye.

Now he dwells in the mountain cabin,
Silent and unafraid,
The cabin his Father left him,
With the tools of his cobbler’s trade.

He has no hope of Heaven,
He has no fear of Hell,
But he shrinks with a passing shiver
At the sound of the chapel bell.

Th stern young priest came storming,
Ah! ‘tis bitter and cross was he,
But Murtagh gazed with clouded eyes
At the far-off shining sea.

And the wise old priest came pleading
With his understanding eyes;
Ah! Non can know the heart of a man
Like a priest grown old and wise.

But the bitter word and the kind word
Went by on the whispering wind,
For Murtagh’s eyes were seeing
Things hid from all human kind.

Below at the village fireside
By the flickering turf-fires flame,
Prays a little blue-eyes girsha
Sickly and frail and lame.

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The Daft Days

The midnight hour is clinking, lads,
An' the douce an' the decent are winking, lads;
Sae I tell ye again,
Be't weel or ill ta'en,
It's time ye were quatting your drinking, lads.
Gae ben, 'an mind your gauntry, Kate,

Gi'es mair o' your beer, an' less bantry, Kate,
For we vow, whaur we sit,
That afore we shall flit,
We'se be better acquaint wi' your pantry, Kate.
The "daft days" are but beginning, Kate,

An we're sworn. Would you hae us a sinning, Kate?
By our faith an' our houp,
We will stick by the stoup
As lang as the barrel keeps rinning, Kate.

Thro' hay, an' thro' hairst, sair we toil it, Kate,
Thro' Simmer, an' Winter, we moil it, Kate;
Sae ye ken, whan the wheel
Is beginning to squeal,
It's time for to grease an' to oil it, Kate.

Sae draw us anither drappy, Kate,
An' gie us a cake to our cappy, Kate;
For, by spiggot an' pin!
It's waur than a sin
To flit when we're sitting sae happy, Kate.

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La Fontaine

The Nightingale

NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.

Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.

IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast

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D. S.

Written and composed by michael jackson.
Produced by michael jackson.
They wanna get my ass
Dead or alive
You know he really tried to take me
Down by surprise
I bet he missioned with the cia
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
He out shock in every single way
He'll stop at nothing just to get his political say
He think he hot cause he's bsta
I bet he never had a social life anyway
You think he brother with the kkk?
I bet his mother never taught him
Right anyway
He want your vote just to remain ta.
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Does he send letters to the fbi?
Did he say to either do it or die?
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
(ad lib fade)

song performed by Michael JacksonReport problemRelated quotes
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Sam

(john farrar/hank marvin/don black)
I heard that youre on your own now
So am i
Im living alone now
I was wrong
So were you
What will you do?
Are you glad to be free?
Are you feeling lost just like me?
Longing for company
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
I find the days hard to face now
Empty rooms
Theres much too much space now
And the nights go so slow
Im sure you know
Wish I knew what to do
It would be so nice seeing you
And it might help you too
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
Oh sam, you know where I am
Oh sam, ooh sam
You know, you know
You know where I am

song performed by Olivia Newton-JohnReport problemRelated quotes
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