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Tracers [trailer 2]

Cast: Marie Avgeropoulos, Taylor Lautner, Adam Rayner, Rafi Gavron, Sam Medina, Luciano Acuna Jr., Doua Moua, Scott Johnsen

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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

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William Cowper

Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

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Tracers

Cast: Marie Avgeropoulos, Taylor Lautner, Adam Rayner, Rafi Gavron, Sam Medina, Luciano Acuna Jr., Doua Moua, Scott Johnsen

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Goodbye Marie

I woke up this mornin'
All cotton mouthed from drinkin'
Wonderin' how I'd make it through the day-ay
Wild eyed and crazy
All burned out from thinkin'
Wonderin' how the hell I's gonna say
Goodbye Marie, oh goodbye Marie-ie
Out the window there's a lonesome highway callin' me
It was fun Marie, but I got to ru-un Marie
If I can not keep your love
At least I'll have your memory
Goodbye Marie
Wakin' up beside you
On a Tijuana mornin'
With that ocean breeze to keep us cool
Three weeks of lovin'
Twenty-one nights of heaven
I stayed just long enough to be your fool
Oh goodbye Marie, oh goodbye Marie-ie
Out the window there's a lonesome highway callin' me
It was fun Marie, but I got to ru-un Marie
If I can not keep your love
At least I'll have your memory
Goodbye Marie
Por favor, pour me
One more tequila
I need all the courage I can fi-ind
This time tomorrow
I'll be back in Houston
Thinkin' about the girl I left behi-ind
So goodbye Marie, oh good Marie-ie
Out the window there's a lonesome highway callin' me
It was fun Marie and I got to ru-un Marie
If I can not keep your love
At least I'll have your memory
Goodbye Marie
Goodbye Marie, oh good Marie
Out the window there's a lonesome highway callin' me
It was fun Marie, but I got to ru-un Marie
If I can not keep your love
At least I'll have your memory
Goodbye Marie [fade]

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marie Devereaux

There once was a girl named Marie Devereaux
Who was born in a small village near Bordeaux
Marie’s Papa was master-maker of fine wine
He made nectar from “The fruit of the vine”

Marie dreamed of one day going to Paris
To dance the “cancan” in some fine cabaret
She’d take her best friend Margeaux with her
Altho Papa longed for Marie to learn ballet

At only 16 Marie looked more like twenty
A dark haired beauty with beautiful legs
She ran across town to fetch Margeaux
Nearly tripped on one of Papa’s wine kegs

Margeaux bowed out at the last minute
“I can’t leave my widowed Mom Alone
I’m the oldest of 9 children Marie
They’d starve if I were to leave home”

Marie ran home, packed and set out
Before “cold feet” changed her mind
Behind Marie someone called out
“Don’t leave Marie” Papa whined

Marie stepped off the train at Lyon station
Overwhelmed by the crowd and loud noise
Marie held her worn suitcase close
When approached by 3 tough looking boys

“Please tell me how to get to Les Folies Bergere”
Marie inquired with a half-hearted smile
One of the boys answered “Too far to walk”
“Go by taxi, because it’s more than 3 miles”

Marie hailed a cab and said “Les Folies Bergere”
The cabbie smiled n’ thought “Another dreamer”
He’d taxied many a Dewey-eyed girl there before
He didn’t care, as it was not his to dissuade her

The cab pulled up to Les Folies Bergere
Marie paid cabbie the fare
But to her despair…
A sign on the door read “Closed for repair”

In but a moment Marie’s dream was shattered
With eyes full of tears she started to cry
A dancing career was all that had mattered
A nearby voice said “Here Mademoiselle, dry your eyes”

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The Queen's Marie

Marie Hamilton's to the kirk gane,
Wi ribbons in her hair;
The king thought mair o Marie Hamilton,
Than ony that were there.

Marie Hamilton's to the kirk gane,
Wi ribbons on her breast;
The king thought mair o Marie Hamilton,
Than he listend to the priest.

Marie Hamilton's to the kirk gane,
Wi gloves upon her hands;
The king thought mair o Marie Hamilton,
Than the queen and a' her lands.

She hadna been about the king's court
A month, but barely one,
Till she was beloved by a' the king's court,
And the king the only man.

She hadna been about the king's court
A month, but barely three,
Till frae the king's court Marie Hamilton,
Marie Hamilton durst na be.

The king is to the Abbey gane,
To pu the Abbey tree,
To scale the babe frae Marie's heart;
But the thing it wadna be.

O she has rowd it in her apron,
And set it on the sea:
'Gae sink ye, or swim ye, bonny babe,
Ye's get na mair o me.'

Word is to the kitchen gane,
And word is to the ha,
And word is to the noble room,
Amang the ladyes a',
That Marie Hamilton's brought to bed,
And the bonny babe's mist and awa.

Scarcely had she lain down again,
And scarcely faen asleep,
When up then started our gude queen,
Just at her bed-feet,
Saying 'Marie Hamilton, where's your babe?
For I am sure I heard it greet.'

'O no, O no, my noble queen!

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The Queen's Marie

MARIE HAMILTON 's to the kirk gane,
   Wi' ribbons in her hair;
The King thought mair o' Marie Hamilton
   Than ony that were there.

Marie Hamilton 's to the kirk gane
   Wi' ribbons on her breast;
The King thought mair o' Marie Hamilton
   Than he listen'd to the priest.

Marie Hamilton 's to the kirk gane,
   Wi' gloves upon her hands;
The King thought mair o' Marie Hamilton
   Than the Queen and a' her lands.

She hadna been about the King's court
   A month, but barely one,
Till she was beloved by a' the King's court
   And the King the only man.

She hadna been about the King's court
   A month, but barely three,
Till frae the King's court Marie Hamilton,
   Marie Hamilton durstna be.

The King is to the Abbey gane,
   To pu' the Abbey tree,
To scale the babe frae Marie's heart;
   But the thing it wadna be.

O she has row'd it in her apron,
   And set it on the sea--
'Gae sink ye or swim ye, bonny babe,
   Ye'se get nae mair o' me.'

Word is to the kitchen gane,
   And word is to the ha',
And word is to the noble room
   Amang the ladies a',
That Marie Hamilton 's brought to bed,
   And the bonny babe 's miss'd and awa'.

Scarcely had she lain down again,
   And scarcely fa'en asleep,
When up and started our gude Queen
   Just at her bed-feet;
Saying--'Marie Hamilton, where 's your babe?
   For I am sure I heard it greet.'

'O no, O no, my noble Queen!

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John Milton

Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

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William Cowper

Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

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John Milton

Paradise Lost: Book 11

Undoubtedly he will relent, and turn
From his displeasure; in whose look serene,
When angry most he seemed and most severe,
What else but favour, grace, and mercy, shone?
So spake our father penitent; nor Eve
Felt less remorse: they, forthwith to the place
Repairing where he judged them, prostrate fell
Before him reverent; and both confessed
Humbly their faults, and pardon begged; with tears
Watering the ground, and with their sighs the air
Frequenting, sent from hearts contrite, in sign
Of sorrow unfeigned, and humiliation meek.
Thus they, in lowliest plight, repentant stood
Praying; for from the mercy-seat above
Prevenient grace descending had removed
The stony from their hearts, and made new flesh
Regenerate grow instead; that sighs now breathed
Unutterable; which the Spirit of prayer
Inspired, and winged for Heaven with speedier flight
Than loudest oratory: Yet their port
Not of mean suitors; nor important less
Seemed their petition, than when the ancient pair
In fables old, less ancient yet than these,
Deucalion and chaste Pyrrha, to restore
The race of mankind drowned, before the shrine
Of Themis stood devout. To Heaven their prayers
Flew up, nor missed the way, by envious winds
Blown vagabond or frustrate: in they passed
Dimensionless through heavenly doors; then clad
With incense, where the golden altar fumed,
By their great intercessour, came in sight
Before the Father's throne: them the glad Son
Presenting, thus to intercede began.
See$ Father, what first-fruits on earth are sprung
From thy implanted grace in Man; these sighs
And prayers, which in this golden censer mixed
With incense, I thy priest before thee bring;
Fruits of more pleasing savour, from thy seed
Sown with contrition in his heart, than those
Which, his own hand manuring, all the trees
Of Paradise could have produced, ere fallen
From innocence. Now therefore, bend thine ear
To supplication; hear his sighs, though mute;
Unskilful with what words to pray, let me
Interpret for him; me, his advocate
And propitiation; all his works on me,
Good, or not good, ingraft; my merit those
Shall perfect, and for these my death shall pay.
Accept me; and, in me, from these receive
The smell of peace toward mankind: let him live

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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Es Ist Nie Vorbei

Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
We've come a long way
It's been a rough ride
Tell me why all the good things has to come to an end
We've left no stone unturned
Tell me what
How will i miss you already waiting for your return
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:

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Hans Christian Andersen

June

'Glemt er nu Vaarens Kamp og Vinter-Sorgen,
Til Glæde sig forvandler hvert et Suk.
Skjøn som en Brud, den anden Bryllups-Morgen,
Ei længer Barn, og dog saa ung og smuk,
Den skjønne Junimaaned til os kommer;
Det er Skærsommer! -

*
De høie Popler hæve sig saa slanke,
I Hyldetræet qviddrer Fuglen smukt.
Paa Gjærdet groer den grønne Humle-Ranke,
Og Æble-Blomstret former sig til Frugt.
Den varme Sommerluft fra Skyen strømmer,
Sødt Hjertet drømmer!

Paa Engen slaae de Græs; hør, Leen klinger.
Paa Himlen smukke Sommerskyer staae.
Og Kløvermarken Røgelse os svinger,
Mens høit i Choret alle Lærker slaae.
- Med Vandringsstav hist Ungersvenden kommer
Hjem i Skærsommer.


Ungersvenden.
Alt jeg Kirketaarnet øiner,
Spiret kneiser stolt derpaa.
Og hvor Marken hist sig høiner,
End de fire Pile staae.
Her er Skoven. Store Rødder
Før af Træerne der laae.
Her, som Dreng, jeg plukked' Nødder,
Og trak Jordbær paa et Straa!
- Barndoms Minder mig besjæle!
Jeg vil flyve, jeg vil dvæle!
Grønne Skov, min Barndoms Ven,
Kan Du kjende mig igjen?
Grønne Hæk, du brune Stamme,
Jeg, som før, er end den samme,
Har vel seet og hørt lidt meer,
Ellers Du den Samme seer! -
Her er Pladsen end med Vedet,
Godt jeg kjender Parken der!
Her er Stenten tæt ved Ledet,
Gud, hvor lille den dog er!
Alt jeg kjender her saa godt,
Men det er saa nært, saa smaat -
Det var stort, da jeg var liden,
Jeg er bleven større siden! -
- Lille Fugl paa grønne Qvist,
Saae Du mig derude hist,

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Marie Claire

Down in the valley, beside the Seine
Where it's cold and damp in the autumn rain,
A couple once opened a restaurant,
And called it the Café d'Aubijon.

The chef was Henri Apollinaire,
His wife, the beautiful Marie Claire,
And Henri worshipped his wife, complete
From her hair right down to her darling feet.

Marie had more of a roving eye
For the guests and the diners, passing by,
While Henri slaved over plates of veal,
Marie saw hearts she would like to steal.

She flirted, fluttered and teased with eyes
That promised much to the less than wise,
She often removed her wedding ring
And leant so close, she was whispering.

She'd show each guest to his tiny room
In the long drawn lull of the afternoon,
Then disappear for an hour or so
While Henri dealt with the guests below.

Then down amongst the crème brûlé,
The Guinea Fowl and the consommé,
The Chef sat brooding about his life,
Breaking his heart for his faithless wife.

So many guests had come and gone
From Caen, Toulouse, from Avignon,
From Brest, Limoux, from Vaux Sur Mer,
He wondered what he was doing there.

But every time that he saw his wife
His heart said: 'She's the love of my life! '
He never would think to challenge her there,
Her loss would shackle him in despair!

A change came suddenly over her
When a guest called André Carpentier
Took up her offer of room and board
And sneered at Henri's estouffade.

Too thin, too thick, the wine was sour,
He sniped, was muttering by the hour,
For nothing was well enough done, by half,
And Marie Claire had begun to laugh.

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The Death Of Marie Toro

We're taking Marie Toro to her home in Père-La-Chaise;
We're taking Marie Toro to her last resting-place.
Behold! her hearse is hung with wreaths till everything is hid
Except the blossoms heaping high upon her coffin lid.
A week ago she roamed the street, a draggle and a slut,
A by-word of the Boulevard and everybody's butt;
A week ago she haunted us, we heard her whining cry,
We brushed aside the broken blooms she pestered us to buy;
A week ago she had not where to rest her weary head . . .
But now, oh, follow, follow on, for Marie Toro's dead.

Oh Marie, she was once a queen -- ah yes, a queen of queens.
High-throned above the Carnival she held her splendid sway.
For four-and-twenty crashing hours she knew what glory means,
The cheers of half a million throats, the délire of a day.
Yet she was only one of us, a little sewing-girl,
Though far the loveliest and best of all our laughing band;
Then Fortune beckoned; off she danced, amid the dizzy whirl,
And we who once might kiss her cheek were proud to kiss her hand.
For swiftly as a star she soared; she had her every wish;
We saw her roped with pearls of price, with princes at her call;
And yet, and yet I think her dreams were of the old Boul' Mich',

And yet I'm sure within her heart she loved us best of all.
For one night in the Purple Pig, upon the rue Saint-Jacques,
We laughed and quaffed . . . a limousine came swishing to the door;
Then Raymond Jolicoeur cried out: "It's Queen Marie come back,
In satin clad to make us glad, and witch our hearts once more."
But no, her face was strangely sad, and at the evening's end:
"Dear lads," she said; "I love you all, and when I'm far away,
Remember, oh, remember, little Marie is your friend,
And though the world may lie between, I'm coming back some day."
And so she went, and many a boy who's fought his way to Fame,
Can look back on the struggle of his garret days and bless
The loyal heart, the tender hand, the Providence that came
To him and all in hour of need, in sickness and distress.
Time passed away. She won their hearts in London, Moscow, Rome;
They worshiped her in Argentine, adored her in Brazil;
We smoked our pipes and wondered when she might be coming home,
And then we learned the luck had turned, the things were going ill.
Her health had failed, her beauty paled, her lovers fled away;
And some one saw her in Peru, a common drab at last.
So years went by, and faces changed; our beards were sadly gray,
And Marie Toro's name became an echo of the past.

You know that old and withered man, that derelict of art,
Who for a paltry franc will make a crayon sketch of you?
In slouching hat and shabby cloak he looks and is the part,
A sodden old Bohemian, without a single sou.
A boon companion of the days of Rimbaud and Verlaine,

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Sam

(john farrar/hank marvin/don black)
I heard that youre on your own now
So am i
Im living alone now
I was wrong
So were you
What will you do?
Are you glad to be free?
Are you feeling lost just like me?
Longing for company
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
I find the days hard to face now
Empty rooms
Theres much too much space now
And the nights go so slow
Im sure you know
Wish I knew what to do
It would be so nice seeing you
And it might help you too
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
Oh sam, you know where I am
Oh sam, ooh sam
You know, you know
You know where I am

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The Rivals

Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.

Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.

She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.

You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.

Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.

Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.

Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.

Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.

An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.

Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.

Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.

Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.

Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.

Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.

Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.

Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.

But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.

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Adam Bell, Clym of the Clough, and William of Cloudesly

Part the First


Mery it was in the grene forest
Amonge the leves grene,
Wheras men hunt east and west,
Wyth bowes and arrowes kene,

To ryse the dere out of theyr denne,
Suche sightes hath ofte bene sene,
As by thre yemen of the north countrey,
By them it is I meane.

The one of them hight Adam Bel,
The other Clym of the Clough,
The thyrd was William of Cloudesly,
An archer good ynough.

They were outlawed for venyson,
These yemen everychone;
They swore them brethren upon a day,
To Englyshe-wood for to gone.

Now lith and lysten, gentylmen,
That of myrthes loveth to here:
Two of them were single men,
The third had a wedded fere.

Wyllyam was the wedded man,
Muche more then was hys care:
He sayde to hys brethren upon a day,
To Carleile he would fare,

For to speke with fayre Alyce his wife,
And with hys chyldren thre.
'By my trouth,' sayde Adam Bel,
'Not by the counsell of me.

'For if ye go to Carleile, brother,
And from thys wylde wode wende,
If the justice may you take,
Your lyfe were at an ende.'

'If that I come not to-morrowe, brother,
By pryme to you agayne,
Truste you then that I am 'taken,'
Or else that I am slayne.'

He toke hys leave of hys brethren two,
And to Carleile he is gon;

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Eden bower

It was Lilith the wife of Adam:
(Sing Eden Bower!)
Not a drop of her blood was human,
But she was made like a soft sweet woman.
Lilith stood on the skirts of Eden;
(Alas the hour!)
She was the first that thence was driven;
With her was hell and with Eve was heaven.
In the ear of the Snake said Lilith:—
(Sing Eden Bower!)
“To thee I come when the rest is over;
A snake was I when thou wast my lover.
“I was the fairest snake in Eden:
(Alas the hour!)
By the earth's will, new form and feature
Made me a wife for the earth's new creature.
“Take me thou as I come from Adam:
(Sing Eden Bower!)
Once again shall my love subdue thee;
The past is past and I am come to thee.
“O but Adam was thrall to Lilith!
(Alas the hour!)
All the threads of my hair are golden,
And there in a net his heart was holden.
“O and Lilith was queen of Adam!
(Sing Eden Bower!)
All the day and the night together
My breath could shake his soul like a feather.
“What great joys had Adam and Lilith!—
(Alas the hour!)
Sweet close rings of the serpent's twining,
As heart in heart lay sighing and pining.
“What bright babes had Lilith and Adam!
(Sing Eden Bower!)
Shapes that coiled in the woods and waters,
Glittering sons and radiant daughters.
“O thou God, the Lord God of Eden!
(Alas the hour!)
Say, was this fair body for no man,
That of Adam's flesh thou mak'st him a woman?
“O thou Snake, the King-snake of Eden!
(Sing Eden Bower!)
God's strong will our necks are under,
But thou and I may cleave it in sunder.
“Help, sweet Snake, sweet lover of Lilith!
(Alas the hour!)
And let God learn how I loved and hated
Man in the image of God created.
“Help me once against Eve and Adam!
(Sing Eden Bower!)

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Uncle Sam

Here they come again hop scotching up to my door
One by one again knockety knock knocking upon my floor
Swinging on my gate they gain entry by the yard
Pulling at my hair they scream paint your thoughts upon my card
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
To be with my uncle sam
Silly little sniggers from the women liberators
But Ill stand and hold my post
Polished buttons and erect Ill raise the flag
Ill show those women whos the most
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time, gives me things to do
Hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
But not tonight Ive got studies to examine
Tomorrow ah ah ah
And tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam

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