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Tumbledown

Cast: Rebecca Hall, Joe Manganiello, Dianna Agron, Jason Sudeikis, Blythe Danner, Richard Masur, Griffin Dunne, Maggie Castle

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

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Joseph’s Dreams and Reuben's Brethren [A Recital in Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.

[...] Read more

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Rebecca

In my mind , talk about rebecca , suddenly so fine
In my mind , visions of rebecca , suddenly shes mine
All night , seems she put a spell on me , oh yeah
All night , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds
Youre savin yourself for someone , rebecca
Hangin on tight , waiting for rebecca , dancin in the dark
Satin and lace , shes so fine and mellow
Creature from the stars
So wrong , runnin with rebecca now , oh yeah
So wrong , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Youre savin yourself for someone , rebecca
Rebecca , youre runnin away
Rebecca , you cant face the day , alright
Cos you only live for the night
Rebecca , youre always runnin around
(break)
Ooh , talk about rebeccas eyes
Evrything you fantasize
Well, she drag you down to earth
Shes the devil in disguise
Break you down to size
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone
Rebecca , ooh , youre runnin away
Rebecca , you cant face the day , alright
You only live for the night , rebecca
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone , rebecca (fade)

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Hazel On the Edge

Dunne watches as Hazel unpins her hair.
She can see her facial expression in the
Dressing table mirror. I usually do that,
Dunne says. I thought you’d like a break
From being my maid, Hazel replies, catching
Dunne’s eyes. Dunne fiddles with her fingers,
Stares back at her mistress’s reflection. She
Notices Hazel’s smile. I feel useless if I don’t
Do anything, Dunne says. Hazel turns around
And says, you are never useless to me. They
Look at each other as if time had stopped.
Hazel seems on the edge of a chasm. She
Wants to put her arms around Dunne and
Draw her close to her. She just stands feeling
A falling sensation. Dunne looks away and says,
Did you want me to prepare a bath for you?
Hazel breathes in slowly. Calm, she tells herself.
Dunne goes to the window to peer out onto
The Parisian street below. Hazel moves up
Behind Dunne. She looks at Dunne’s hair,
The slope of shoulders, the smell of scent
She’d given her. Yes, Hazel says, a bath would
Be welcome after such a busy day sightseeing.
Dunne turns and smiles. Hazel is on the brink
Of putting out a hand to touch Dunne’s cheek.
She holds her hands by her side. Dunne moves
Off and out of the room to prepare a bath in
The bathroom next door. Hazel sighs. So close.
So near. She holds onto the scent of Dunne.
She senses things fall away: prejudices, class,
Manners, mores; feels her emotions flood her
Mind. Love, all love, Father used to say, is blind.

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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Ain't Gonna Work On Your Farm No More

I ain’t gonna work on your farm no more
I ain’t gonna scrub all your floors,
I ain’t gonna take all your friends who ignore
what I do when they hide behind doors
where they pay no attention to stuff that I think,
and say, when they pay me a dime,
that I ain’t entitled to spend it on drink,
or ladies who show me good time.
I ain’t gonna work for your children or friends
who preach of the law and the Lord,
and hear all those messages God never sends
to people with who He is bored,
like I am. I ain’t gonna work on your farm,
instead I will write me a song,
and pray that its words will all sound the alarm,
for I expect to be back before long.


Mark Z. Barabak (“He’s Digging ‘Farm, ’” LA Times, June 26,2008) writes that Barack Obama’s favorite Bob Dylan song is “Maggie’s Farm, ” performed in 1995 at the Newport Festival, when he turned electric and never looked back:

I AIN’T GONNA WORK ON MAGGIE’S FARM NO MORE

I ain't gonna work on Maggie's farm no more
I ain't gonna work on Maggie's farm no more
I wake up every morning
hold my hands and pray for rain
I've got a head full of ideas
driving me insane
It's a shame the way she makes me scrub the floor
well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's brother no more
I ain't gonna work for Maggie's brother no more
He hands you a nickel
he hands you a dime
He asks you and your friends
if you're having a good time
He blames you every time you slam the door
Well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's Pa no more
I ain't gonna work for Maggie's Pa no more
He stubs his cigarette out in your face just for kicks
his bedroom window is made out of bricks
And the National Guard are standing at his door
well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's mother no more
I ain't gonna work for Maggie's mother no more
She talks to all the servants about man and God and law

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Hey Joe

Hey joe, where you goin' with that gun in your hand
I said hey dude joe, where you goin' with that gun in your hand
Going down to shoot my old lady
You know, i've caught her messin' around with another man
Yes i did
You know, i've caught her messin' around with another man
Hey joe, i said where you goin' with that gun in your hand
Hey joe, where you goin' with that gun in your hand
Gonna messin' round
Yes i did
You know, i caught her messin' round man, messin' round town now
So i shot her!
I said hey joe, hey joe,
Where you goin' with that gun in your hand,
I said hey joe,
Where you goin' with that gun in your hand
I caught her messin' round, gonna messin' round town with another man yeah
I said hey joe, hey joe
Where you goin' with that gun in your hand
Hey joe, hey joe, where you goin' , haha-haha-haha
I've caught her messin' around with another man
I've caught her messin' around with another man
I said hey joe, hey joe, hey joe, hey joe, hey dude joe
I said hey hey joe, where you goin' with that gun in your hand
Hey joe, where you goin' with that gun in your hand, hand, hand
Hey joe, hey joe, hey joe, hey joe, hey joe, hey joe, hey haha
Hey joe, hey joe,
Yeah yeah yeah hey hey
Where you goin' with that gun in your hand,
Yeahhhhh, where you goin' with that gun in your hand

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Standing In For Joe

Im standing, standing in for joe
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I keep her safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Standing in for joe
Im standing - in for joe
Joe said weve been friends so long
That I would be the one he would trust with his life
And now those words roll round my brain
As darkness falls, as I turn out his bedroom light
Who could resist her tender charms?
So the story goes...
This actor he plays all the parts
Standing in for joe
Standing in for joe
Im standing - in for joe
Love is like a river,
You cannot stop its flow... mmm hmm
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I check that shes safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Im standing in for joe - oh yeah
Im standing in for joe - keep his sweetheart company, yeah
Standing in for joe - just standing in for joe, yeah
Standing in for joe - until he gets back home, yeah
Standing in for joe - gonna keep her insane, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - almost full time, which is nice, yeah
Standing in for joe - because she gets so restless
Standing in for joe - always so restless
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - Im standing in for joe, yeah...

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Standing In For Joe

Im standing, standing in for joe
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I keep her safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Standing in for joe
Im standing - in for joe
Joe said weve been friends so long
That I would be the one he would trust with his life
And now those words roll round my brain
As darkness falls, as I turn out his bedroom light
Who could resist her tender charms?
So the story goes...
This actor he plays all the parts
Standing in for joe
Standing in for joe
Im standing - in for joe
Love is like a river,
You cannot stop its flow... mmm hmm
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I check that shes safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Im standing in for joe - oh yeah
Im standing in for joe - keep his sweetheart company, yeah
Standing in for joe - just standing in for joe, yeah
Standing in for joe - until he gets back home, yeah
Standing in for joe - gonna keep her insane, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - almost full time, which is nice, yeah
Standing in for joe - because she gets so restless
Standing in for joe - always so restless
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - Im standing in for joe, yeah...

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Kenton Comes to Tea

Kenton comes to tea.
Dunne serves at table.
Kenton knew Hazel

even as a child.
Her late father's friend
watches Dunne pour tea

into his teacup.
Your dear father's death
was quite sudden he says.

We were in Paris
touring when news came
Hazel says softly.

Who was the other?
Kenton asks Hazel.
Dunne here my maid came.

Oh I see he says
gazing at Dunne's thighs
hidden behind cloth.

He was a good man
Kenton says firmly
I've known him for years.

Dunne wants to refute
but remains silent.
Her master's abuse

of her sexually
remains in her mind.
Hazel looks at Dunne

she knows the secrets
knew her father's deeds.
Kenton rattles on.

Hazel remembers
her months in Paris
with Dunne at her side.

Art and galleries.
Cafes on corners
smoking and drinking.

Talking and laughing.
Both of them bathing

[...] Read more

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Rudyard Kipling

The Betrothed

"You must choose between me and your cigar."
-- BREACH OF PROMISE CASE, CIRCA 1885.


Open the old cigar-box, get me a Cuba stout,
For things are running crossways, and Maggie and I are out.

We quarrelled about Havanas -- we fought o'er a good cheroot,
And I knew she is exacting, and she says I am a brute.

Open the old cigar-box -- let me consider a space;
In the soft blue veil of the vapour musing on Maggie's face.

Maggie is pretty to look at -- Maggie's a loving lass,
But the prettiest cheeks must wrinkle, the truest of loves must pass.

There's peace in a Larranaga, there's calm in a Henry Clay;
But the best cigar in an hour is finished and thrown away --

Thrown away for another as perfect and ripe and brown --
But I could not throw away Maggie for fear o' the talk o' the town!

Maggie, my wife at fifty -- grey and dour and old --
With never another Maggie to purchase for love or gold!

And the light of Days that have Been the dark of the Days that Are,
And Love's torch stinking and stale, like the butt of a dead cigar --

The butt of a dead cigar you are bound to keep in your pocket --
With never a new one to light tho' it's charred and black to the socket!

Open the old cigar-box -- let me consider a while.
Here is a mild Manila -- there is a wifely smile.

Which is the better portion -- bondage bought with a ring,
Or a harem of dusky beauties, fifty tied in a string?

Counsellors cunning and silent -- comforters true and tried,
And never a one of the fifty to sneer at a rival bride?

Thought in the early morning, solace in time of woes,
Peace in the hush of the twilight, balm ere my eyelids close,

This will the fifty give me, asking nought in return,
With only a Suttee's passion -- to do their duty and burn.

This will the fifty give me. When they are spent and dead,
Five times other fifties shall be my servants instead.

The furrows of far-off Java, the isles of the Spanish Main,

[...] Read more

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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

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The Holy Grail

From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.

And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:

`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'

`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'

To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'

`Nay, monk! what phantom?' answered Percivale.

[...] Read more

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Tale III

THE GENTLEMAN FARMER.

Gwyn was a farmer, whom the farmers all,
Who dwelt around, 'the Gentleman' would call;
Whether in pure humility or pride,
They only knew, and they would not decide.
Far different he from that dull plodding tribe
Whom it was his amusement to describe;
Creatures no more enliven'd than a clod,
But treading still as their dull fathers trod;
Who lived in times when not a man had seen
Corn sown by drill, or thresh'd by a machine!
He was of those whose skill assigns the prize
For creatures fed in pens, and stalls, and sties;
And who, in places where improvers meet,
To fill the land with fatness, had a seat;
Who in large mansions live like petty kings,
And speak of farms but as amusing things;
Who plans encourage, and who journals keep,
And talk with lords about a breed of sheep.
Two are the species in this genus known;
One, who is rich in his profession grown,
Who yearly finds his ample stores increase,
From fortune's favours and a favouring lease;
Who rides his hunter, who his house adorns;
Who drinks his wine, and his disbursements scorns;
Who freely lives, and loves to show he can, -
This is the Farmer made the Gentleman.
The second species from the world is sent,
Tired with its strife, or with his wealth content;
In books and men beyond the former read
To farming solely by a passion led,
Or by a fashion; curious in his land;
Now planning much, now changing what he plann'd;
Pleased by each trial, not by failures vex'd,
And ever certain to succeed the next;
Quick to resolve, and easy to persuade, -
This is the Gentleman, a farmer made.
Gwyn was of these; he from the world withdrew
Early in life, his reasons known to few;
Some disappointments said, some pure good sense,
The love of land, the press of indolence;
His fortune known, and coming to retire,
If not a Farmer, men had call'd him 'Squire.
Forty and five his years, no child or wife
Cross'd the still tenour of his chosen life;
Much land he purchased, planted far around,
And let some portions of superfluous ground
To farmers near him, not displeased to say
'My tenants,' nor 'our worthy landlord,' they.

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Robert Burns

Blythe was She

Blythe, blythe and merry was she,
Blythe was she but and ben;
Blythe by the banks of Ern,
And blythe in Glenturit glen.

By Ochtertyre grows the aik,
On Yarrow banks the birken shaw;
But Phemie was a bonnier lass
Than braes o’ Yarrow ever saw.
Blythe, &c.

Her looks were like a flow’r in May,
Her smile was like a simmer morn:
She tripped by the banks of Ern,
As light’s a bird upon a thorn.
Blythe, &c.

Her bonnie face it was as meek
As ony lamb upon a lee;
The evening sun was ne’er sae sweet,
As was the blink o’ Phemie’s e’e.
Blythe, &c.

The Highland hills I’ve wander’d wide,
And o’er the Lowlands I hae been;
But Phemie was the blythest lass
That ever trod the dewy green.
Blythe, &c.

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Rokeby: Canto V.

I.
The sultry summer day is done,
The western hills have hid the sun,
But mountain peak and village spire
Retain reflection of his fire.
Old Barnard's towers are purple still,
To those that gaze from Toller-hill;
Distant and high, the tower of Bowes
Like steel upon the anvil glows;
And Stanmore's ridge, behind that lay,
Rich with the spoils of parting day,
In crimson and in gold array'd,
Streaks yet awhile the closing shade,
Then slow resigns to darkening heaven
The tints which brighter hours had given.
Thus aged men, full loth and slow,
The vanities of life forego,
And count their youthful follies o'er,
Till Memory lends her light no more.

II.
The eve, that slow on upland fades,
Has darker closed on Rokeby's glades,
Where, sunk within their banks profound,
Her guardian streams to meeting wound.
The stately oaks, whose sombre frown
Of noontide made a twilight brown,
Impervious now to fainter light,
Of twilight make an early night.
Hoarse into middle air arose
The vespers of the roosting crows,
And with congenial, murmurs seem
To wake the Genii of the stream;
For louder clamour'd Greta's tide,
And Tees in deeper voice replied,
And fitful waked the evening wind,
Fitful in sighs its breath resign'd.
Wilfrid, whose fancy-nurtured soul
Felt in the scene a soft control,
With lighter footstep press'd the ground,
And often paused to look around;
And, though his path was to his love,
Could not but linger in the grove,
To drink the thrilling interest dear,
Of awful pleasure check'd by fear.
Such inconsistent moods have we,
Even when our passions strike the key.

III.
Now, through the wood's dark mazes past,

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Tough Love

Tough love

Rebecca was a horrid child.
Her antics drove her mother wild..
Child experts offered their advice
but seldom came to visit twice.

Although her mother tried her best
Rebecca outdid all the rest.
She was unpleasant rude and crude.
An anti social attitude.

She seldom did as she was told
and thought she had the right to scold.
Her mother’s efforts at control
She seemed to have no other goal.

Than making life a misery
for members of her family.
But then her grandma came to stay.
Rebecca came to rue the day.

Grandma applied psychology
Rebecca placed across her knee
She tanned her little bottom hard.
Grandma had but scant regard.

For what the experts had to say
She raised her kids in the old way.
A firm hand lovingly applied
across Rebecca’s small backside.

Quickly changed her attitude.
Because her Grandma understood.
That little girls should never be
allowed to think that they were free.

To act and speak unpleasantly
without they paid the penalty.
Rebecca very swiftly learned
she got exactly what she earned..

She soon became a paragon.
Her bad behaviour was all gone.
Which demonstrates that Grandma knew
exactly what she had to do.

To make Rebecca toe the line
applied a little discipline.
In her own old fashioned way.

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Maggie Mgill

Miss maggie mgill, she lived on a hill.
Her daddy got drunk and left her no will
So she went down, down to tangie town.
People down there really like to get it on.
Now if youre sad and youre feeling blue
Go out and buy a new pair of shoes
And you go down, down to tangie town
The people down there really like to get it on.
Illegitimate son of a rock and roll star
Illegitimate son of a rock and roll star
Mom met dad in the back of a rock and roll car.
Well Im an old blues man
And I think that you understand
Ive been singing the blues ever since the world began.
Maggie, maggie, maggie mgill
Roll on, roll on, maggie mgill
Maggie, maggie, maggie mgill
Roll on, roll on, maggie mgill

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A Pleasant Ballad Of King Henry II. And The Miller Of Mansfield

Part the First.

Henry, our royall kind, would ride a hunting
To the greene forest so pleasant and faire;
To see the harts skipping, and dainty does tripping,
Unto merry Sherwood his nobles repaire:
Hawke and hound were unbound, all things prepar'd
For the game, in the same, with good regard.

All a long summers day rode the king pleasantlye,
With all his princes and nobles eche one;
Chasing the hart and hind, and the bucke gallantlye,
Till the dark evening forc'd all to turne home.
Then at last, riding fast, he had lost quite
All his lords in the wood, late in the night.

Wandering thus wearilye, all alone, up and downe,
With a rude miller he mett at the last;
Asking the ready way unto faire Nottingham,
'Sir,' quoth the miller, 'I meane not to jest,
Yet I thinke, what I thinke, sooth for to say;
You doe not lightlye ride out of your way.'

'Why, what dost thou tihnk of me,' quoth our king merrily,
'Passing thy judgement upon me so briefe?'
'Good faith,' sayd the miller, 'I meane not to flatter thee,
I guess thee to bee but some gentleman thiefe;
Stand thee backe, in the darke; light not adowne,
Lest that I presently crack thy knaves crowne.'

'Thou dost abuse me much,' quoth the king, 'saying thus;
I am a gentleman; lodging I lacke.'
'Thou hast not,' quoth th' miller, 'one groat in thy purse;
All thy inheritance hanges on thy backe.'
'I have gold to discharge all that I call;
If it be forty pence, I will pay all.'

'If thou beest a true man,' then quoth the miller,
'I sweare by my toll-dish, I'll lodge thee all night.'
'Here's my hand,' quoth the king, 'that was I ever.'
'Nay, soft,' quoth the miller, 'thou may'st be a sprite.
Better I'll know thee, ere hands we will shake;
With none but honest men hands will I take.'

Thus they went all along unto the millers house,
Where they were seething of puddings and souse;
The miller first enter'd in, after him went the king;
Never came hee in soe smoakye a house.
'Now,' quoth hee, 'let me see here what you are.'
Quoth our king, 'Looke your fill, and do not spare.'

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