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Moon

I'm playing, I‘m climbing
I'm singing, I'm gossiping
I‘m dancing, I‘m dying
She is so close to me
My relation with her
Not new,
She is loved by all
Such a nice face she has
Ever young, ever youth
I loved her from my child hood
When I used to ask with my Granny
"Why she is always moving with me
Wherever I go, she goes with me? "
"She is a friend of yours.".
Now I'm not a Baby
That kid hid in me
Somewhere and lost
I can't disclose to thee//
Once in my dream
Where there is a mosque
Near to my home, just right of it
If looked from my home/
She hung along with the rubies
In a glass like cage
Above the ground
Like a laden tree
I threw a stone
It broke the cage
Rubies scattered all round
Near the door of the mosque
She vertically climbed and went
Where she supposed to be
I picked up a red ruby
I was happy...
When I woke up
Searched the Stone...
Nothing was there except
Haunted memories
Now I'm asking a question
Whether I loved her or not?
Or it means something
Unknown to me.....
O Moon! O Mirror!
How can I see my face in thy face///.

poem by Aftab Alam Khursheed
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The Regiment of Princes

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost
That he with thoght was bet than I aqweynted,
For to the deeth he wel ny hath me feynted.

Bysyly in my mynde I gan revolve
The welthe unseur of every creature,
How lightly that Fortune it can dissolve
Whan that hir list that it no lenger dure;
And of the brotilnesse of hir nature
My tremblynge herte so greet gastnesse hadde
That my spirites were of my lyf sadde.

Me fil to mynde how that nat longe agoo
Fortunes strook doun thraste estat rial
Into mescheef, and I took heede also
Of many anothir lord that hadde a fal.
In mene estat eek sikirnesse at al
Ne saw I noon, but I sy atte laste
Wher seuretee for to abyde hir caste.

In poore estat shee pighte hir pavyloun
To kevere hir fro the storm of descendynge 2
For shee kneew no lower descencion
Sauf oonly deeth, fro which no wight lyvynge
Deffende him may; and thus in my musynge
I destitut was of joie and good hope,
And to myn ese nothyng cowde I grope.

For right as blyve ran it in my thoght,
Thogh poore I be, yit sumwhat leese I may.
Than deemed I that seurtee wolde noght
With me abyde; it is nat to hir pay
Ther to sojourne as shee descende may.
And thus unsikir of my smal lyflode,
Thoght leide on me ful many an hevy lode.

I thoghte eek, if I into povert creepe,
Than am I entred into sikirnesse;

[...] Read more

poem by Thomas Hoccleve
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

[...] Read more

poem by Gilbert Keith Chesterton
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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….

☼ The Song of Wink Star
a happy story for children of all ages

☼ 1

Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

[...] Read more

poem by Raj Arumugam
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Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

poem by Henry Wadsworth Longfellow
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The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

poem by Henry Wadsworth Longfellow
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The Little Old Lady From Pasadena

Its the little old lady from pasadena
Its the little old lady from pasadena
Go granny, go granny, go granny go
Got a pretty little flower bed of white gardenias
Go granny, go granny, go granny go
But parked in her rickety old garage
Is a brand new shiny red super-stock dodge
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on colorado boulevard
Its the little old lady from pasadena
You can see her on the street just gettin her kicks now
Go granny, go granny, go granny go
With her four speed stick and her four-twenty-six now
Go granny, go granny, go granny go
Shes gonna get a ticket now sooner or later
cause she cant keep her foot off the accelerator
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on colorado boulevard
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on coloradooulevard
Its the little old lady from pasadena
If you see her on the street dont try to choose her
Go granny, go granny, go granny go
You may have a goer but youll never lose her
Go granny, go granny, go granny go
The guys come to race her from miles around
But shell them a length and shell shut em down
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on colorado boulevard
Its the little old lady from pasadena
Go granny, go granny, go granny go
Granny go
Go granny, go granny, go granny go
Granny go
Go granny, go granny, go granny go
Granny go
Go granny, go granny, go granny go
Granny go

song performed by Beach Boys
Added by Lucian Velea
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Idylls of the King: The Last Tournament (excerpt)

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear."

"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given--
Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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poem by Alfred Lord Tennyson
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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

[...] Read more

poem by Dante Gabriel Rossetti
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The Triumph of Life

Swift as a spirit hastening to his task
Of glory & of good, the Sun sprang forth
Rejoicing in his splendour, & the mask
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, & at the birth
Of light, the Ocean's orison arose
To which the birds tempered their matin lay,
All flowers in field or forest which unclose
Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray
Burned slow & inconsumably, & sent
Their odorous sighs up to the smiling air,
And in succession due, did Continent,
Isle, Ocean, & all things that in them wear
The form & character of mortal mould
Rise as the Sun their father rose, to bear
Their portion of the toil which he of old
Took as his own & then imposed on them;
But I, whom thoughts which must remain untold
Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep,
Stretched my faint limbs beneath the hoary stem
Which an old chestnut flung athwart the steep
Of a green Apennine: before me fled
The night; behind me rose the day; the Deep
Was at my feet, & Heaven above my head
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread
Was so transparent that the scene came through
As clear as when a veil of light is drawn
O'er evening hills they glimmer; and I knew
That I had felt the freshness of that dawn,
Bathed in the same cold dew my brow & hair
And sate as thus upon that slope of lawn
Under the self same bough, & heard as there
The birds, the fountains & the Ocean hold
Sweet talk in music through the enamoured air.
And then a Vision on my brain was rolled.

As in that trance of wondrous thought I lay
This was the tenour of my waking dream.
Methought I sate beside a public way
Thick strewn with summer dust, & a great stream
Of people there was hurrying to & fro
Numerous as gnats upon the evening gleam,
All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, yet so

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poem by Percy Bysshe Shelley
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The Holy Grail

From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.

And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:

`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'

`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'

To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'

`Nay, monk! what phantom?' answered Percivale.

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poem by Alfred Lord Tennyson
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The Bride of Abydos

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.

THE BRIDE OF ABYDOS

CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

II.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,

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poem by Byron
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The Manuscript of Saint Alexius

There came a child into the solemn hall
where great Pope Innocent sat throned and heard
angry disputings on Free-Will in man,
Grace, Purity, and the Pelagian creed--
an ignorantly bold poor child, who stood
shewing his rags before the Pope's own eyes,
and bade him come to shrive a beggar man
he found alone and dying in a shed,
who sent him for the Pope, "not any else
but the Pope's self." And Innocent arose
and hushed the mockers "Surely I will go:
servant of servants, I." So he went forth
to where the man lay sleeping into death,
and blessed him. Then, with a last spurt of life,
the dying man rose sitting, "Take," he said,
and placed a written scroll in the Pope's hand,
and so fell back and died. Thus said the scroll:

Alexius, meanest servant of the Lord,
son of Euphemianus, senator,
and of Aglaia, writes his history,
God willing it, which, if God so shall will,
shall be revealed when he is fallen asleep.
Spirit of Truth, Christ, and all saints of Heaven,
and Mary, perfect dove of guilelessness,
make his mind clear, that he write utter truth.

That which I was all know: that which I am
God knows, not I, if I stand near to Him
because I have not yielded, or, by curse
of recreant longings, am to Him a wretch
it needs Such grace to pardon: but I know
that one day soon I, dead, shall see His face
with that great pity on it which is ours
who love Him and have striven and then rest,
that I shall look on Him and be content.

For what I am, in my last days, to men,
'tis nothing; scarce a name, and even that
known to be not my own; a wayside wretch
battening upon a rich lord's charity
and praying, (some say like the hypocrites),
a wayside wretch who, harboured for a night,
is harboured still, and, idle on the alms,
prays day and night and night and day, and fears
lest, even praying, he should suddenly
undo his prayer and perish and be great
and rich and happy. Jesu, keep me Thine.

Father and mother, when ye hear of me,

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poem by Augusta Davies Webster
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Foma Bobrov And His Spouse

GRANNY Bobrov (Playing patience) Now that's the card. Oh, it's all coming out topsy-turvy! A king. And where am I supposed to put that? Just when you want one, there's never a five around. Oh, I could do with a five! Now it'll be the five. Oh, sod it, another king!

She flings the cards on to the table with such force that a porcelain vase falls off the table and smashes.

GRANNY Oh! Oh! My Gawd! These bloody cards! (She crawls under the table and picks up the pieces). This'll never glue back together again. And it was a good vase, too. You can't get them like that any more. This bit's right over there! (Stretches for the piece. BOBROV enters the room).
BOBROV Granny! Is that you clambering about under the table?
GRANNY Yes, okay, okay. What do you want?
BOBROV I just came to ask you: you wouldn't happen to have a chest of tea?
GRANNY Come on then, give me a hand up from under the table.
BOBROV What have you done, dropped something? Oh, you've broken the vase!
GRANNY (Mimicking him) You've broken the vase!
(BOBROV helps GRANNY up. But as soon as he lets go of her, GRANNY sits back down on the floor).
BOBROV Oh, you're down again!
GRANNY Down, so now what?
BOBROV Let me help you up (Pulls GRANNY up).
GRANNY The cards were going badly. I tried this and that... But don't pull me by the arms, get hold of me under the armpits. All I got, you know, was king after king. I need a five and all the kings keep turning up.
BOBROV lets go of GRANNY and GRANNY again sprawls on the floor.
GRANNY Akh!
BOBROV Oh, Lord! You're down again.
GRANNY What are you on about: down, down! What are you after, anyway?
BOBROV I came to ask if you've a chest of tea.
GRANNY I know that. You've already told me. I don't like listening to the same tale twenty times. The thing is: akh, I'm down again! and a chest of tea. Well, what are you looking at! Get me up, I'm telling you.
BOBROV (Pulling GRANNY up) I'll just, excuse me, put you in the armchair.
GRANNY You'd do better to prattle on a bit less and pull me up in a proper fashion. I meant to tell you, and it almost slipped my mind: you know, that door in my bedroom isn't shutting properly again. No doubt you messed the whole thing up.
BOBROV No, I put a staple on with fillister-head screws.
GRANNY Do you think I know anything about staples and fillister heads? I don't care about all that. I just want the door to shut.
BOBROV It doesn't shut properly because the fillister heads won't stay in the woodwork.
GRANNY That'll do, that'll do. That's your business. I just need to... Akh! (She again sprawls on the floor).
BOBROV Oh, Lord!
GRANNY Have you decided to fling me to the floor deliberately? Decided to have a bit of fun? Oh you useless devil! You're just a useless devil and you might as well clear off!
BOBROV No, Granny, 'onest injun, I just meant to put you in the armchair.
GRANNY Did you hear what I said? I told you to clear out! So why aren't you going? Well, why aren't you going? Do you hear? Clear off out of it! Well? Bugger off! (exits BOBROV)
GRANNY Off! Go on! Away! Bugger off! Talk about a reprobate! (Gets up from the floor and sits in the armchair). And his wife is simply an indecent madam. The madam walks about absolutely starkers and doesn't bat an eyelid, even in front of me, an old woman. She covers her indecent patch with the palm of her hand, and that's the way she walks around. And then she touches bread with that hand at lunchtime. It's simply revolting to watch. She thinks that if she's young and pretty, then she can do anything she likes. And as for herself, the trollop, she never washes herself properly just where she should do. I, she says, like a whiff of woman to come from a woman! And as for me, as soon as I see her coming, I'm straight into the bathroom with the eau de Cologne to my nose. Perhaps it may be nice for men, but as for me, you can spare me that. The shameless hussy! She goes around naked without the slightest embarrassment. And when she sits down she doesn't even keep her legs together properly, so that everything's on show. And -- there, she's well just always wet. She's leaking like that all the time. If you tell her she should go and wash herself, she will say you shouldn't wash there too often and she'll take a handkerchief and just wipe herself. And you're lucky if it's a handkerchief, because just with her hand she smears it all over the place. I never give her my hand, as there's perpetually an indecent smell from her hands. And her breasts are indecent. It's true, they are very fine and bouncy, but they are so big that, in my opinion, they're simply indecent. That's the wife that Foma found for himself! How she ever got round him is beyond me.

poem by Daniil Ivanovich Kharms
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John, I'm Only Dancing

(dancing) i'm having so much love
(dancing) too bad my back had gone
(dancing) boogie down with daddy now
I'd give my house in the country
If you'd slept it's so funky
(music) i'm dancing in the street
(ooh music) i've torn the shoes from my feet
(romancing) it's got me dirty and sweet
It's got you reeling and rocking
Won't you let the slender thing in
(rolling) i think it's all i can do
(rolling) just got me feeling you too
(rolling) get a little take a little
Get a little back
Jumping john the great goose is gone
Got a lion in my hand
Got a charlie on my back
(john) i'm only dancing
(she turns me on) i'm only dancing
(she turns me on) oh get you with me
(don't get me wrong) ah ha ha ha ha
(i'm only dancing, oh ho hooo)
(i'm only dancing, oh ho hooo)
(dancing) have you heard the news
(dancing) president has got the blues
(dancing) i tell you comfortably
If he gives it to you
He'd better take it from me
(said sir) i pick up the bones
(said sir) leave the numbers alone
(said sir) get off your telephone
Look the people in the eye
Tell them my oh my
Let your backbone slide
Buddy whistle and cry
(john)
(she turns me on) la la la la
(don't get me wrong) hmm hm hm
(i'm only dancing, oh hooo)
(john) i'm only dancing
(she turns me on) ah ha ha i'm only dancing
(she turns me on) i lost my feel
(don't get me wrong) i'm off on my way
(i'm only dancing, oh hooo) please dance with me
(i'm only dancing) please dance with me
(i'm only dancing, oh hooo)
(dancing, dancing, dancing, woh woh woh)
(dancing, dancing, dancing, woh woh woh)
(dancing, dancing, dancing, woh woh woh)
(dancing) i'm only (dancing) i'm only (dancing) i'm only (woh woh woh)

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song performed by David Bowie
Added by Lucian Velea
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Upon Appleton House, to My Lord Fairfax

Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.

Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.

But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?

But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.

And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.

Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure

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poem by Andrew Marvell
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Fingal - Book II

ARGUMENT.

The ghost of Crugal, one of the Irish heroes who was killed in battle, appearing to Connal, foretells the defeat of Cuthullin in the next battle, and earnestly advises him to make peace with Swaran. Connal communicates the vision; but Cuthullin is inflexible; from a principle of honor he would not be the first to sue for peace, and he resolved to continue the war. Morning comes; Swaran proposes dishonorable terms to Cuthullin, which are rejected. The battle begins, and is obstinately fought for some time, until, upon the flight of Grumal, the whole Irish army gave way. Cuthullin and Connal cover their retreat. Carril leads them to a neighboring hill, whither they are soon followed by Cuthullin himself; who descries the fleet of Fingal making towards their coast; but night coming on, he lost sight of it again. Cuthullin, dejected after his defeat, attributes his ill success to the death of Ferda, his friend, whom he had killed some time before. Carril, to show that ill success did not always attend those who innocently killed their friends, introduces the episode of Connal and Galvina.

Connal lay by the sound of the mountain-stream, beneath the aged tree. A stone, with its moss, supported his head. Shrill, through the heath of Lena, he heard the voice of night. At distance from the heroes he lay; the son of the sword feared no foe! The hero beheld, in his rest, a dark-red stream of fire rushing down from the hill. Crugal sat upon the beam, a chief who fell in fight. He fell by the hand of Swaran, striving in the battle of heroes. His face is like the beam of the setting moon. His robes are of the clouds of the hill. His eyes are two decaying flames.

Dark is the wound of his breast! "Crugal," said the mighty Connal, "son of Dedgal famed on the hill of hinds! Why so pale and sad, thou breaker of shields? Thou hast never been pale for fear! What disturbs the departed Crugal?" Dim, and in tears he stood, and stretched his pale hand over the hero. Faintly he raised his feeble voice, like the gale of the reedy Lego.

"My spirit, Connal, is on my hills; my course on the sands of Erin. Thou shalt never talk with Crugal, nor find his lone steps in the heath. I am light as the blast of Cromla. I move like the shadow of mist! Connal, son of Colgar, I see a cloud of death: it hovers dark over the plains of Lena. The Sons of green Erin must fall. Remove from the field of ghosts." Like the darkened moon he retired, in the midst of the whistling blast. "Stay," said the mighty Connal " stay, my dark-red friend. Lay by that beam of heaven, son of windy Cromla! What cave is thy lonely house? What green-headed hill the place of thy repose? Shall we not hear thee in the storm? in the noise of the mountain-stream? when the feeble Sons of the wind come forth, and, scarcely seen, pass over the desert?"

The soft-voiced Connal rose, in the midst of his sounding arms. He struck his shield above Cuthullin. The son of battle waked. "Why," said the ruler of the car, "comes Connal through my night? My spear might turn against the sound, and Cuthullin mourn the death of his friend. Speak, Connal; son of Colgar, speak; thy counsel is the sun of heaven!" "Son of Semo!" replied the chief, "the ghost of Crugal came from his cave. The stars dim twinkled through his form His voice was like the sound of a distant stream He is a messenger of death! He speaks of the dark and narrow house! Sue for peace, O chief of Erin!, or fly over the heath of Lena!"

"He spoke to Connal," replied the hero, "though stars dim twinkled through his form. Son of Colgar, it was the wind that murmured across thy car. Or if it was the form of Crugal, why didst thou not force him to my sight? Hast thou inquired where is his cave? the house of that son of wind? My sword might find that voice, and force his knowledge from Crugal. But small is his knowledge, Connal; he was here to-day. He could not have gone beyond our hills! who could tell him there of our fall?" "Ghosts fly on clouds, and ride on winds," said Connal's voice of wisdom. "They rest together in their caves, and talk of mortal men."

"Then let them talk of mortal men; of every man but Erin's chief. Let me be forgot in their cave. I will not fly from Swaran! If fall I must, my tomb shall rise amidst the fame of future times. The hunter shall shed a tear on my stone: sorrow shall dwell around the high-bosomed Bragéla. I fear not death; to fly I fear! Fingal has seen me victorious! Thou dim phantom of the hill, show thyself to me! come on thy beam of heaven, show me my death in thine hand! yet I will not fly, thou feeble son of the wind! Go, son of Colgar, strike the shield. It hangs between the spears. Let my warriors rise to the sound in the midst of the battles of Erin. Though Fingal delays his coming with the race of his stormy isles, we shall fight; O Colgar's son, and die in the battle of heroes!"

The sound spreads wide. The heroes rise, like the breaking of a blue-rolling wave. They stood on the heath, like oaks with all their branches round them, when they echo to the stream of frost, and their withered leaves are rustling to the wind! High Cromla's head of clouds is gray. Morning trembles on the half-enlightened ocean. The blue mist swims slowly by, and hides the Sons of Inis-fail!

"Rise ye," said the king of the dark-brown shields, "ye that came from Lochlin's waves. The sons of Erin have fled from our arms; pursue them over the plains of Lena! Morla, go to Cormac's hall. Bid them yield to Swaran, before his people sink to the tomb, and silence spread over his isle." They rose, rustling like a flock of sea-fowl, when the waves expel them from the shore. Their sound was like a thousand streams, that meet in Cona's vale, when after a stormy night, they turn their dark eddies beneath the pale light of the morn.

As the dark shades of autumn fly over the hills of grass, so gloomy, dark, successive came the chiefs of Lochlin's echoing woods. Tall as the stag of Morven, moved stately before them the king. His shining shield is on his side, like a flame on the heath at night, when the world is silent and dark, and the traveller sees some ghosts sporting in the beam! Dimly gleam the hills around, and show indistinctly their oaks! A blast from the troubled ocean removed the settled mist. The Sons of Erin appear, like a ridge of rocks on the coast; when mariners, on shores unknown, are trembling at veering winds!

"Go, Morla, go," said the king of Lochlin, "offer peace to these. Offer the terms we give to kings, when nations bow down to our swords. When the valiant are dead in war; when virgins weep on the field!" Tall Morla came, the son of Swaran, and stately strode the youth along! He spoke to Erin's blue-eyed chief, among the lesser heroes. "Take Swaran's peace," the warrior spoke, "the peace he gives to kings when nations bow to his sword. Leave Erin's streamy plains to us, and give thy spouse and dog. Thy spouse, high-bosomed heaving fair! Thy dog that overtakes the wind! Give these to prove the weakness of thine arm, live then beneath our power!"

"Tell Swaran, tell that heart of pride, Cuthullin never yields! I give him the dark-rolling sea; I give his people graves in Erin. But never shall a stranger have the pleasing sunbeam of my love. No deer shall fly on Lochlin's hills, before swift-footed Luäth." "Vain ruler of the car," said Morla, " wilt thou then fight the king? the king whose ships of many groves could carry off thine isle! So little is thy green-hilled Erin to him who rules the stormy waves!" " In words I yield to many, Morla. My sword shall yield to none. Erin shall own the sway of Cormac while Connal and Cuthullin live! O Connal, first of mighty men, thou hearest the words of Morla. Shall thy thoughts then be of peace, thou breaker of the shields? Spirit of fallen Crugal, Why didst thou threaten us with death? The narrow house shall receive me in the midst of the light of renown. Exalt, ye sons of Erin, exalt the spear and bend the bow; rush on the foe in darkness, as the spirits of stormy nights!"

Then dismal, roaring fierce and deep, the gloom of battle poured along, as mist that is rolled on a valley when storms invade the silent sunshine of heaven. Cuthullin moves before me in arms, like an angry ghost before a cloud, when meteors enclose him with fire; when the dark winds are in his hand. Carril, far on the heath, bids the horn of battle sound. He raises the voice of song, and pours his soul into the minds of the brave.

"Where," said the mouth of the song, "where is the fallen Crugal? He lies forgot on earth; the hall of shells is silent. Sad is the spouse of Crugal. She is a stranger in the hall of her grief. But who is she that, like a sunbeam, flies before the ranks of the foe? It is Degrena, lovely fair, the spouse of fallen Crugal. Her hair is on the wind behind. Her eye is red; her voice is shrill. Pale, empty, is thy Crugal now! His form is in the cave of the hill. He comes to the ear of rest; he raises his feeble voice, like the humming of the mountain-bee, like the collected flies of the eve! But Degrena falls like a cloud of the morn; the sword of Lochlin is in her side. Cairbar, she is fallen, the rising thought of thy youth! She is fallen, O Cairbar! the thought of thy youthful hours!"

Fierce Cairbar heard the mournful sound. He rushed along like ocean's whale. He saw the death of his daughter: he roared in the midst of thousands. His spear met a son of Lochlin! battle spreads from wing to wing! As a hundred winds in Lochlin's groves, as fire in the pines of a hundred hills, so loud, so ruinous, so vast, the ranks of men are hewn down. Cuthullin cut off heroes like thistles; Swaran wasted Erin. Curach fell by his hand, Cairbar of the bossy shield! Morglan lies in lasting rest! Ca-olt trembles as he dies! His white breast is stained with blood! his yellow hair stretched in the dust of his native land! He often had spread the feast where he fell. He often there had raised the voice of the harp, when his dogs leapt round for joy, and the youths of the chase prepared the bow!

Still Swaran advanced, as a stream that bursts from the desert. The little hills are rolled in its course, the rocks are half-sunk by its side. But Cuthullin stood before him, like a hill, that catches the clouds of heaven. The winds contend on its head of pines, the hail rattles on its rocks. But, firm in its strength, it stands, and shades the silent vale of Cona. So Cuthullin shaded the sons of Erin, and stood in the midst of thousands. Blood rises like the fount of a rock from panting heroes around. But Erin falls on either wing, like snow in the day of the sun.

O sons of Erin," said Grumal, "Lochlin conquers in the field. Why strive we as reeds against the wind? Fly to the hill of dark-brown hinds." He fled like the stag of Morven; his spear is a trembling beam of light behind him. Few fled with Grumal, chief of the little soul: they fell in the battle of heroes on Lena's echoing heath. High on his car of many gems the chief of Erin stood. He slew a mighty son of Lochlin, and spoke in haste to Connal. "O Connal, first of mortal men, thou hast taught this arm of death! Though Erin's Sons have fled, shall we not fight the foe? Carril, son of other times, carry my friends to that bushy hill. Here, Connal, let us stand like rocks, and save our flying friends."

Connal mounts the car of gems. They stretch their shields, like the darkened moon, the daughter of the starry skies, when she moves a dun circle through heaven, and dreadful change is expected by men. Sith-fadda panted up the hill, and Stronnal, haughty steed. Like waves behind a whale, behind them rushed the foe. Now on the rising side of Cromla stood Erin's few sad sons: like a grove through which the flame had rushed, hurried on by the winds of the stormy night; distant, withered, dark, they stand, with not a leaf to shake in the vale.

Cuthullin stood beside an oak. He rolled his red eye in silence, and heard the wind in his bushy hair; the scout of ocean came, Moran the son of Fithil "The ships," he cried, "the ships of the lonely isles. Fingal comes, the first of men, the breaker of the shields! The waves foam before his black prows! His masts with sails are like groves in clouds!" — "Blow," said Cuthullin, "blow, ye winds that rush along my isle of mist. Come to the death of thousands, O king of resounding Selma! Thy sails, my friend, are to me the clouds of the morning; thy ships the light of heaven; and thou thyself a pillar of fire that beams on the world by night. O Connal, first of men, how pleasing in grief are our friends! But the night is gathering around. Where now are the ships of Fingal? Here let us pass the hours of darkness; here wish for the moon of heaven."

The winds came down on the woods. The torrents rush from the rocks. Rain gathers round the head of Cromla. The red stars tremble between the flying clouds. Sad, by the side of a stream, whose sound is echoed by a tree, sad by the side of a stream the chief of Erin sits. Connal, son of Colgar, is there, and Carril of other times. "Unhappy is the hand of Cuthullin," said the son of Semo, "unhappy is the hand of Cuthullin since he slew his friend! Ferda, son of Damman, I loved thee as myself!"

"How, Cuthullin, son of Semo, how fell the breaker of the shields? Well I remember," said Connal, "the son of the noble Damman. Tall and fair, he was like the rainbow of heaven. Ferda from Albion came, the chief of a hundred hills. In Muri's hall he learned the sword, and won the friendship of Cuthullin. We moved to the chase together: one was our bed in the heath."

Deugala was the spouse of Cairbar, chief of the plains of Ullin. She was covered with the light of beauty, but her heart was the house of pride. She loved that sunbeam of youth, the son of the noble Damman. "Cairbar," said the white-armed Deugala, "give me half of the herd. No more I will remain in your halls. Divide the herd, dark Cairbar!" "Let Cuthullin," said Cairbar, "divide my herd on the hill.

His breast is the seat of justice. Depart, thou light of beauty!" I went and divided the herd. One snow-white bull remained. I gave that bull to Cairbar. The wrath of Deugala rose!

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poem by James Macpherson
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The Nightingale

NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.

Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.

IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast

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poem by La Fontaine
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Goliath Of Gath

SAMUEL, Chap. xvii.

YE martial pow'rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
Now front to front the armies were display'd,
Here Israel rang'd, and there the foes array'd;
The hosts on two opposing mountains stood,
Thick as the foliage of the waving wood;
Between them an extensive valley lay,
O'er which the gleaming armour pour'd the day,
When from the camp of the Philistine foes,
Dreadful to view, a mighty warrior rose;
In the dire deeds of bleeding battle skill'd,
The monster stalks the terror of the field.
From Gath he sprung, Goliath was his name,
Of fierce deportment, and gigantic frame:
A brazen helmet on his head was plac'd,
A coat of mail his form terrific grac'd,
The greaves his legs, the targe his shoulders prest:
Dreadful in arms high-tow'ring o'er the rest
A spear he proudly wav'd, whose iron head,
Strange to relate, six hundred shekels weigh'd;
He strode along, and shook the ample field,
While Phoebus blaz'd refulgent on his shield:
Through Jacob's race a chilling horror ran,
When thus the huge, enormous chief began:
"Say, what the cause that in this proud array
"You set your battle in the face of day?
"One hero find in all your vaunting train,
"Then see who loses, and who wins the plain;
"For he who wins, in triumph may demand
"Perpetual service from the vanquish'd land:
"Your armies I defy, your force despise,
"By far inferior in Philistia's eyes:
"Produce a man, and let us try the fight,
"Decide the contest, and the victor's right."
Thus challeng'd he: all Israel stood amaz'd,
And ev'ry chief in consternation gaz'd;
But Jesse's son in youthful bloom appears,
And warlike courage far beyond his years:
He left the folds, he left the flow'ry meads,
And soft recesses of the sylvan shades.
Now Israel's monarch, and his troops arise,
With peals of shouts ascending to the skies;

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poem by Phillis Wheatley
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Endymion: Book IV

Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

"Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

"Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet

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poem by John Keats
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
Added by Poetry Lover
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