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Pizza Pie

take and give the Pizza pie I like,
place in the plate the Pizza pie that break,
some looks fat but flat, for the Pizza pie
I share is sweet and delicious

one, two three, the Pizza Pie is fine,
the bucket I see is big and small like me,
other is given free and some is for sale
take a little bite, the smooth and sweet
Pizza pie is good for the whole merry day

have you ever broken a Pie that color
green, blue and like chocolate the color is
gray, but with the Pizza Pie I have is good
and tasty and nobody will say, I am not
hungry, come have one for two or three to
make you happy and everyone will always
shout have a happy day

Pizza Pie, Pizza Pie, the flavor of the
season and let everybody taste the Pizza
Pie I made is but as sweet and wonderful
snack for all children that is hungry

Hmmmm it’s yummy, come and join,
taste again the Pizza Pie is free …..

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Fat

Your butt is wide, well mine is too
Just watch your mouth or Ill sit on you
The word is out, better treat me right
cause Im the king of cellulite
Ham on, ham on, ham on whole wheat, all right
My zippers bust, my buckles break
Im too much man for you to take
The pavement cracks when I fall down
Ive got more chins than chinatown
Well, Ive never used a phone booth
And Ive never seen my toes
When Im goin to the movies
I take up seven rows
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, come on you know
(fat, fat, really really fat)
Dontcha call me pudgy, portly or stout
Just now tell me once again whos fat
When I walk out to get my mail
It measures on the richter scale
Down at the beach Im a lucky man
Im the only one who gets a tan
If I have one more pie a la mode
Im gonna need my own zip code
When youre only having seconds
Im having twenty-thirds
When I go to get my shoes shined
I gotta take their word
Because Im fat, Im fat, sha mone
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it you know
(fat, fat, really really fat)
And my shadow weighs forty-two pounds
Lemme tell you once again whos fat
If you see me comin your way
Better give me plenty space
If I tell you that Im hungry
Then wont you feed my face
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it, you know
(fat, fat, really really fat)
Woo woo woo, when I sit around the house

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Fishing

delicious delicious delicious delicious delicious delicious delicious delicious
delicious
delicious
delicious
delicious
delicious
delicious delicious delicious delicious delicious delicious delicious delicious
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delicious
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delicious
delicious
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delicio us
delicious
delicious delicious delicious delicious delicious delicious delicious delicious
delicious
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delicious delicious delicious delicious delicious delicious delicious delicious
delicious

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Give The Po Man A Break

Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a

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Bucket T

Bucket bucket t t, bucket t bucket t,
Bucket bucket t t, bucket t bucket t,
Bucket bucket t t, bucket t bucket t,
Found her in a barn in tennessee
I paid five bucks for my bucket t
Took me three years of sweat and blood
To clean off all that tennessee mud
Chorus:
My bucket t (bucket t)
Bucket t (bucket t)
My bucket t (bucket t)
My bucket t (bucket t)
T t t... bucket bucket bucket...
Cruise down the street in front of school
I wanna rev it up but I gotta be cool
Drivin down the road Ill get my kicks
Apoppin the clutch and aslippin the sticks
[chorus]
I was right, too, shes first in her class
Theres nothing on the freeway she dont pass
All the girls want to take a ride with me
But theres only one seat in my bucket t
[chorus]

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Fat Lenny

Fat lennys gonna walk right into myself
Fat lennys gonna see myself (reflect it back on myself)
Fat lennys gonna lick the shellack off the window sill
And I say fat lennys gonna lick my head off
Stop by my friend fat lenny, I like him a lot (tell him about my buddy)
Hes fat lenny - what
Fat lennys gonna lick the shellack off the window sill
And I said now fat lennys gonna jump up and down (run back down the hill)
And I said now fat lenny knows what he is (to be fat lenny) cause he is fat lenny (hes my buddy)
Hes fat lenny (I know what he is to be fat lenny) cause hes my friend fat lenny
I like fat lenny, I like cause hes my friend fat lenny - fat lenny
What - you know - hes fat lenny - you know
You know hes fat lenny
Fat lennys gonna lick my brain today
Fat lenny doesnt like me anyway
Fat lenny said (my friend) today
Fat lenny
Fat lenny, fat lenny,
Fat lenny, fat lenny, fat fat fat lenny
Fat lenny, fat lenny
Fat lenny, fat lenny, fat fat fat lenny

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Got Love For Sale

Your conditions red, you cant get to bed
Your eyes are full of tears
Youve got headache, heartache, a pain you cant take
I am who you have to fear
Your observations correct
Im someone you cant neglect
Whoo no, whoo no, whoo no, whoo no, whoo no, whoo no
Have love, will travel (Ive got love for sale)
Have love, will travel (Ive got love for sale)
Have love, will travel (Ive got love for sale)
You buy the magazine, in between the lines
You see my face, you read my name
And you can have me for one price, baby
You must have heard of my fee
You know you need me, I know you want me
cause Im a living cross your heart man
Youve got to have me, cant live without me
cause Im the one and only yes I am
Ive got love for sale
And my love will not fail you
Whoo no, whoo no, whoo no, whoo no, whoo no oh, whoo no, whoo no
Have love, will travel (Ive got love for sale)
Have love, will travel (Ive got love for sale)
Have love, will travel (Ive got love for sale), yeah
Ive got love for sale
And my love will not fail you
Whoo no, whoo no, whoo no, whoo no, whoo no, whoo no, whoo no
Have love, will travel (Ive got love for sale)
Have love, will travel (Ive got love for sale)
Have love, will travel (Ive got love for sale), yeah
I got love for sale
I got love for sale
I got love for sale
I got love for sale
I got love for sale
I got love for sale
I got love for sale
I got love for sale
I got love for sale
I got love for sale, yeah

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Earthquakes And Tsunami

Some scientists had located a missing geological piece therefore,
They found a puzzle of plate tectonics in the Southwest Pacific Ocean.
East and West Antarctica had spread twenty six million years before.
The rift between them opened one hundred miles due to this motion.

The scientists had clearly described how the Pacific tectonic plate,
The North American plate and others have moved at different points in time.
As one plate moves, the adjoining one is affected and there were adequate
Theories about plate moves, earthquakes, tsunami and changing the clime.


One plate affects the other one because the mantle was planetary pieced
In a plate tectonics jigsaw puzzle, named the 'global plate circuit' mystery.
Zones around the Antarctic Ross Sea and the West rift were imbalanced,
Pushing other plates and this fact has been a mystery for a quarter century.

Knowing about the plate motion around Antarctica is an important key
To understand the motions between the Pacific and North American plate,
To understand better than before the East and West Antarctica geology
And to determine the plate motions in California, until it is not too late.

The West Antarctic rift system is still active as a result of a movement
Along the boundary between East and West therefore, the lack of information
About the seafloor spreading and the plate motions is an advertisement
Because we don’t know what can modify this strong puzzle motion.

The inclusion of this East-West Antarctic motion in the global circuit explains
The gap between Pacific and Australian plates, Adare region, which really
Is the missing plate boundary in the Southwest Pacific, causing the main
Motion and, with the Alpine Fault, modifying the plate motion history.

It affects the motion between spots in the Pacific and Indo-Atlantic Oceans.
It explains the formation of the Transantarctic Mountains and the puzzling gap
Between the Australian and Pacific plates and it explains some notions
About the deformation of this area, the Pacific Ocean being like a spinal tap.


The earthquake near Christchurch in New Zealand confirmed that a country,
Already riddled with fault lines, has gained another one, which ran below
New Zealand, causing many earthquakes each year and lieing on the boundary
Between Pacific and Australian plates, under the Australian Eastern plateau.

Pacific plate subducts below New Zealand's North Island and the Australian
Plate subducts below the South Island, while between these two subduction
Zones lies the Alpine fault, along the mountainous spine of the South Island.
The quake was a result of a fault activity, in a new tectonic combination.

That fault appeared on September, shaking Darfield, someone tried to relate.
Someone else said that a tsunami in the Atlantic Ocean is a rare event
At the subduction zones in the Atlantic basin, along the the Caribbean Plate

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Love For Sale

Love for sale
Advertising young love for sale
Love thats fresh and still unspoiled
Love thats only slightly soiled
Love for sale
Love for sale
Lots and lots of young love for sale
Now if I youd like to try my way
Follow me and climb the stairs
Love for sale
Like the poets type of love in their childish way
I know every kind of love better far than they
If you want to trail of love
Ive been through the mill of love
Old love, new love, every love but true love
Love for sale
Advertising young love for sale
Love thats fresh and still unspoiled
Love thats only slightly soiled
Love for sale
Who would buy?
Who would like to sample my surprise?
Love for sale
... (longer instrumental part)
Love for sale
Advertising young love for sale
Love for sale
Advertising crazy love for sale
Now if I youd like to try my way
Follow me and climb the stairs
Love for sale
Love for sale (sweet love)
Love for sale (lots and lots of young love)
Love for sale

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
Andwith best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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They're Red Hot

(Robert Johnson)
Hot tamales1 and they're red hot, yes she got'em for sale
Hot tamales and they're red hot, yes she got'em for sale
I got a girl, say she long and tall
She sleeps in the kitchen with her feets in the hall
Hot tamales and they're red hot, yes she got'em for sale, I mean
Yes, she got'em for sale, yeah
Hot tamales and they're red hot, yes she got'em for sale
Hot tamales and they're red hot, yes she got'em for sale
She got two for a nickel, got four for a dime
Would sell you more, but they ain't none of mine
Hot tamales and they're red hot, yes she got'em for sale, I mean
Yes, she got'em for sale, yes, yeah
Hot tamales and they're red hot, yes she got'em for sale
Hot tamales and they're red hot, yes she got'em for sale
I got a letter from a girl in the room
Now she got something good she got to bring home soon, now
Its hot tamales and they're red hot, yes she got em for sale, I mean
Yes, she got'em for sale, yeah
Hot tamales and they're red hot, yes she got em for sale
Hot tamales and they're red hot, yes she got em for sale
[Spoken:] They're too hot boy!
The billy got back in a bumble bee nest
Ever since that he can't take his rest, yeah
Hot tamales and they're red hot, yes you got'em for sale, I mean
Yes, she got'em for sale
Hot tamales and they're red hot, yes she got'em for sale
[Spoken:]
Man don't mess around em hot tamales now
'Cause they too black bad, if you mess around em hot tamales
I'm gonna upset your backbone, put your kidneys to sleep
I'll due to break away your liver and dare your heart to beat bout my
Hot tamales cause they red hot, yes they got

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