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Summer

Winter is cold-hearted
Spring is yea and nay,
Autumn is a weather-cock
Blown every way:
Summer days for me
When every leaf is on its tree;

When Robin's not a beggar,
And Jenny Wren's a bride,
And larks hang singing, singing, singing,
Over the wheat-fields wide,
And anchored lilies ride,
And the pendulum spider
Swings from side to side,

And blue-black beetles transact business,
And gnats fly in a host,
And furry caterpillars hasten
That no time be lost,
And moths grow fat and thrive,
And ladybirds arrive.

Before green apples blush,
Before green nuts embrown,
Why, one day in the country
Is worth a month in town;
Is worth a day and a year
Of the dusty, musty, lag-last fashion
That days drone elsewhere.

poem by Christina Georgina Rossetti
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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Dear Mr. President

I'm looking outside of my windows
The view that i see
Is a child and mama
And the child is begging for money
Tell me why, tell me why
The woman is blind is she so broke
The kid's dealing crime
It's such a beautiful city
But the world is burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a beautiful city
But the world is it burning down
I go to my room to turn on the t.v
I sit myself down
And i start laughing hard
'cause this man he's asking for money
He sats "if you send me lots of cash i'll send you
Stuff to make you rich fast"
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
One day i'm going to have lots of money
But i'll have to give up
For this rich society
Oh please mr. president will you lend me a future
'cause you'll just get it back
From the little blind woman
With the kid on the corner
And the people all over, doin' crack
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
I'm walking outside on a sunny day
With no one around
And i wonder what's wrong
The i hear this loud piercing siren
Oh my god the bomb has just dropped

[...] Read more

song performed by 4 Non Blondes
Added by Lucian Velea
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Allegany Camp

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poem by Rwetewrt Erwtwer
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Veterinary Camps

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poem by Caasder Fronds
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Jenny

Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Whose head upon my knee to-night
Rests for a while, as if grown light
With all our dances and the sound
To which the wild tunes spun you round:
Fair Jenny mine, the thoughtless queen
Of kisses which the blush between
Could hardly make much daintier;
Whose eyes are as blue skies, whose hair
Is countless gold incomparable:
Fresh flower, scarce touched with signs that tell
Of Love's exuberant hotbed:—Nay,
Poor flower left torn since yesterday
Until to-morrow leave you bare;
Poor handful of bright spring-water
Flung in the whirlpool's shrieking face;
Poor shameful Jenny, full of grace
Thus with your head upon my knee;—
Whose person or whose purse may be
The lodestar of your reverie?
This room of yours, my Jenny, looks
A change from mine so full of books,
Whose serried ranks hold fast, forsooth,
So many captive hours of youth,—
The hours they thieve from day and night
To make one's cherished work come right,
And leave it wrong for all their theft,
Even as to-night my work was left:
Until I vowed that since my brain
And eyes of dancing seemed so fain,
My feet should have some dancing too:—
And thus it was I met with you.
Well, I suppose 'twas hard to part,
For here I am. And now, sweetheart,
You seem too tired to get to bed.
It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
The many aims or the few years?
Because to-night it all appears
Something I do not know again.
The cloud's not danced out of my brain—
The cloud that made it turn and swim
While hour by hour the books grew dim.
Why, Jenny, as I watch you there,—
For all your wealth of loosened hair,
Your silk ungirdled and unlac'd
And warm sweets open to the waist,
All golden in the lamplight's gleam,—

[...] Read more

poem by Dante Gabriel Rossetti
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

[...] Read more

poem by Virgil
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Twin State

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poem by Caasder Fronds
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Using Boot Camp

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poem by Caasder Fronds
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Wheat

'Sowin' things an' growin' things, an' watchin' of 'em grow;
That's the game,' my father said, an' father ought to know.
'Settin' things an' gettin' things to grow for folks to eat:
That's the life,' my father said, 'that's very hard to beat.'
For my father was a farmer, as his father was before,
Just sowin' things an' growin' things in far-off days of yore,
In the far-off land of England, till my father found his feet
In the new land, in the true land, where he took to growin' wheat.

Wheat, Wheat, Wheat! Oh, the sound of it is sweet!
I've been praisin' it an' raisin' it in rain an' wind an' heat
Since the time I learned to toddle, till it's beatin' in my noddle,
Is the little song I'm singin' you of Wheat, Wheat, Wheat.

Plantin' things —- an' grantin' things is goin' as they should,
An' the weather altogether is behavin' pretty good —-
Is a pleasure in a measure for a man that likes the game,
An' my father he would rather raise a crop than make a name.
For my father was a farmer, an' 'All fame,' he said, 'ain't reel;
An' the same it isn't fillin' when you're wantin' for a meal.'
So I'm followin' his footsteps, an' a-keepin' of my feet,
While I cater for the nation with my Wheat, Wheat, Wheat.

Wheat, Wheat, Wheat! When the poets all are beat
By the reason that the season for the verse crop is a cheat,
Then I comes up bright an' grinnin' with the knowledge that I'm winnin',
With the rhythm of my harvester an' Wheat, Wheat, Wheat.

Readin' things an' heedin' things that clever fellers give,
An' ponderin' an' wonderin' why we was meant to live —-
Muddlin' through an' fuddlin' through philosophy an' such
Is a game I never took to, an' it doesn't matter much.
For my father was a farmer, as I might 'a' said before,
An' the sum of his philosophy was, 'Grow a little more.
For growin' things,' my father said, 'it makes life sort o' sweet
An' your conscience never swats you if your game is growin' wheat.'

Wheat, Wheat, Wheat! Oh, the people have to eat!
An' you're servin', an' deservin' of a velvet-cushion seat
In the cocky-farmers' heaven when you come to throw a seven;
An' your password at the portal will be, 'Wheat, Wheat, Wheat.'

Now, the preacher an' the teacher have a callin' that is high
While they're spoutin' to the doubtin' of the happy by an' by;
But I'm sayin' that the prayin' it is better for their souls
When they've plenty wheat inside 'em in the shape of penny rolls.
For my father was a farmer, an' he used to sit an' grieve
When he thought about the apple that old Adam got from Eve.
It was foolin' with an orchard where the serpent got 'em beat,
An' they might 'a' kept the homestead if they'd simply stuck to wheat.

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

[...] Read more

poem by James Thomson
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Jenny Pazza

Jenny non vuol pi parlare
non vuol pi giocare
vorrebbe soltanto dormire
Jenny non vuol pi capire
sbadiglia soltanto
non vuol pi nemmeno mangiare.
Jenny stanca
Jenny vuole dormire
Jenny stanca
Jenny vuole dormire.
Jenny ha lasciato la gente
a guardarsi stupita
a cercar di capire che cosa
Jenny non sente pi niente
non sente le voci
che il vento le porta.
Jenny stanca
Jenny vuole dormire
Jenny stanca
Jenny vuole dormire.
Io che l'ho vista piangere di gioia e ridere
e pi di lei la vita credo mai nessuno am
io non vi credo lasciatela stare
voi non potete...
Jenny non pu pi restare
portatela via
rovina il morale alla gente
Jenny sta bene
lontano
la curano
forse
potr anche guarire un giorno.
Jenny pazza
c' chi dice anche questo
Jenny pazza
c' chi dice anche questo.
Jenny ha pagato per tutti
ha pagato per noi
che restiamo a guardarla ora
Jenny soltanto un ricordo
qualcosa di amaro
da spingere gi in fondo.
Jenny stanca
Jenny vuole dormire
Jenny stanca
Jenny vuole dormire
Jenny stanca
Jenny vuole dormire...

song performed by Vasco Rossi
Added by Lucian Velea
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

poem by Wilfrid Scawen Blunt
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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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poem by Publius Vergilius Maro
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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The Old Chisholm Trail

Well, come along boys and listen to my tale
I'll tell you all my troubles on the ol' Chisholm Trail
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I started up the trail October twenty-third
Started up the trail with the U-2 herd
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
On a ten dollar horse and a forty dollar saddle
Started out punchin' them long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
With my seat in the saddle and my hand on the horn
I'm the best dang cowboy that was ever born
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
It's cloudy in the west and lookin' like rain
And my danged old slicker's in the wagon again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The wind began to blow and the rain began to fall
And it looked like we were gonna lose 'em all
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
No chaps, no slickers and it's pouring rain
I swear I'll never night herd again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I cripple on my horse and I don't know how
Roping these long horn U-2 cows
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, I went to the boss to draw my roll
And the boss had me fugured nine dollars in the hole
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, me and the boss we had a little spat
So I hit him in the face with my ten gallon hat
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The boss said to me, ''Well, I'll fire you
Not only you but the whole darn crew.''
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I'll sell my horse, I'll sell my saddle
And you can drive all your long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea...

song performed by Randy Travis
Added by Lucian Velea
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Rubaiyat Of A Robin - After Edward Fitzgerald - Rubaiyat Of Omar Khayyam

Jest plays with rubaiyat and, four by four,
unseals for your amusement more and more
verses together thread in rosary
unreeled to bloom till tomb will curtains draw.

Repealed are value judgement and perspective
revealed through standpoint purely introspective,
darkside concealed of moon’s yin-yang shines clear
when we’re in orbit, - option more effective.

Rolled form performs rôle midwife to perception,
sprung tongue in cheek, tweaks sense of imperfection
or willingness to leach between the lines,
impeach entrenched ideas of self-[s]election.

This prose arose as stream deprived of section,
where ‘dip at will’ will still sustain inspection,
the current’s sense, at odds with current views
ignores round holes, square pegs, top-down direction.

Here there’s no fear of critics’ peer rejection,
contention treated with due circumspection
intention is to mention for retention
an overview or clue to extrospection.

Life’s curtains are a veil through which few see,
as many haste taste-waste eternity,
mixed up, ignore life fixes finite sum
to/through infinite opportunity.

Can “Truth” exist? all ask, who seek its core,
we, modest, etch our words to sketch the score,
diverse the verses which converge to link
reflections mirrored many times before.

Vast content, style, a while, united are,
aim at soul stimulation, nothing bar,
to pleasure, treasure, or discard at will
as minds outreach to other minds on par.

Meditating, we shed light on what
tomorrow’s tot may factor into ‘bot’ -
the poet’s lot, forgot, to help all think
ahead of time, enhance life for a lot

Some seek Nirvana, Faith speaks more than “how”.
Others reject Salvation’s wraith, - w[h]ine “now”.
Verifying facts? Inventing dreams?
Each furrow-burrows with a different plough.

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poem by Jonathan Robin
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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poem by William Morris
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The Bridal of Pennacook

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye

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poem by John Greenleaf Whittier
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Laus Veneris

Asleep or waking is it? for her neck,
Kissed over close, wears yet a purple speck
Wherein the pained blood falters and goes out;
Soft, and stung softly — fairer for a fleck.

But though my lips shut sucking on the place,
There is no vein at work upon her face;
Her eyelids are so peaceable, no doubt
Deep sleep has warmed her blood through all its ways.

Lo, this is she that was the world's delight;
The old grey years were parcels of her might;
The strewings of the ways wherein she trod
Were the twain seasons of the day and night.

Lo, she was thus when her clear limbs enticed
All lips that now grow sad with kissing Christ,
Stained with blood fallen from the feet of God,
The feet and hands whereat our souls were priced.

Alas, Lord, surely thou art great and fair.
But lo her wonderfully woven hair!
And thou didst heal us with thy piteous kiss;
But see now, Lord; her mouth is lovelier.

She is right fair; what hath she done to thee?
Nay, fair Lord Christ, lift up thine eyes and see;
Had now thy mother such a lip — like this?
Thou knowest how sweet a thing it is to me.

Inside the Horsel here the air is hot;
Right little peace one hath for it, God wot;
The scented dusty daylight burns the air,
And my heart chokes me till I hear it not.

Behold, my Venus, my soul's body, lies
With my love laid upon her garment-wise,
Feeling my love in all her limbs and hair
And shed between her eyelids through her eyes.

She holds my heart in her sweet open hands
Hanging asleep; hard by her head there stands,

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poem by Algernon Charles Swinburne
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