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A Gallant Gentleman

A month ago the world grew grey fer me;
A month ago the light went out fer Rose.
To 'er they broke it gentle as might be;
But fer 'is pal 'twus one uv them swift blows
That stops the 'eart-beat; fer to me it came
Jist, 'Killed in Action,' an' beneath 'is name.

'Ow many times 'ave I sat dreamin' 'ere
An' seen the boys returnin', gay an' proud.
I've seen the greetin's, 'eard 'is rousin' cheer,
An' watched ole Mick come stridin' thro' the crowd.
'Ow many times 'ave I sat in this chair
An' seen 'is 'ard chiv grinnin' over there.

'E's laughed, an' told me stories uv the war.
Changed some 'e looked, but still the same ole Mick,
Keener an' cleaner than 'e wus before;
'E's took me 'and, an' said 'e's in great nick.
Sich wus the dreamin's uv a fool 'oo tried
To jist crack 'ardy, an' 'old gloom aside.

An' now - well, wot's the odds? I'm only one:
One out uv many 'oo 'as lost a friend.
Manlike, I'll bounce again, an' find me fun;
But fer Poor Rose it seems the bitter end.
Fer Rose, an' sich as Rose, when one man dies
It seems the world goes black before their eyes.

Ar, well; if Mick could 'ear me blither now,
I know jist wot 'e'd say an' 'ow 'e'd look:
'Aw, cut it out, mate; chuck that silly row!
There ain't so sense in takin' sich things crook.
I've took me gamble; an' there's none to blame
Becos I drew a blank; it's in the game.'

A parson cove he broke the noos to Rose
A friend uv mine, a bloke wiv snowy 'air,
An' gentle, soothin' sort o'ways, 'oo goes
Thro' life jist 'umpin' others' loads uv care.
Instid uv Mick - jist one rough soljer lad -
Yeh'd think 'e'd lost the dearest friend 'e 'ad.

But 'ow kin blows be sof'n'd sich as that?
Rose took it as 'er sort must take sich things.
An' if the jolt uv it 'as knocked me flat,
Well, 'oo is there to blame 'er if it brings
Black thorts that comes to women when they frets,
An' makes 'er tork wild tork an' foolish threats.

An' then there comes the letter that wus sent

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poem by Clarence Michael James Stanislaus Dennis
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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poem by Caroline Elizabeth Sarah Norton
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Ave a 'eart!

''Ere! 'Ave a 'eart!' 'e sez. 'Why, love a duck!
A 'uman bein' ain't a choppin' block!
There ain't no call fer you to go an' chuck
A man about when 'e 'as took the knock.
Gaw! Do yeh want to bust 'im all apart!
'Ere! 'Ave a 'eart!

'Aw, 'ave a 'eart!' 'e weeps. 'A fight's a fight;
But, strike me bandy, this is bloody war!
It's murder! An' you got no blasted right
To arst a 'uman man to come fer more.
'E 'ad no chance with you right frum the start.
Aw, 'ave a 'eart!

'Yeh've pulped 'is dile,' 'e whines; 'yeh've pinched 'is gun;
Yeh've bunged 'is eye 'an bashed in 'arf 'is teeth.
'Struth! Ain't yeh satisfied with wot yeh've done?
Or are you out to fit 'im fer a wreath?
The man's 'arf dead a'ready! Wot's yer dart?
Say, 'ave a 'eart!'

I never did 'ear sich a bloke to squeal
About a trifle. This 'ere pal uv Spike's
Don't seem to 'ave the stummick fer a deal
Uv solid stoush: rough work don't soot 'is likes.
'E ain't done much but blather frum the start,
''Ere 'ave a 'eart!'

A rat-face coot 'e is, with rat-like nerves
That's got all jangled with ixceedin' fright,
While I am 'andin' Spike wot 'e deserves.
But twice 'e tried to trip me in the fight,
The little skunk, now sobbin' like a tart,
'Aw, 'ave a 'eart!'

This 'ere's the pretty pitcher in Ah Foo's
Back privit room: Spite Wegg, well on the floor,
Is bleedin' pretty, with a bonzer bruise
Paintin' one eye, an' 'arf 'is clobber tore.
While me, the conq'rin' 'ero, stan's above
'Owlin' me love.

The rat-face mutt is dancin' up an' down;
Ah Foo is singin' jazz in raw Chinee;
The parson's starin' at me with a frown,
As if 'e thort sich things could never be;
An' I'm some bloke 'e's but 'arf rekernised
'E's 'ipnertised.

Foo's furniture is scattered any'ow,

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poem by Clarence Michael James Stanislaus Dennis
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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The Faltering Knight

It knocks me can in, this ere game uv life,
A bloke gets born, grows up, looks round fer fun,
Dreams dilly dreams, then wakes to find a wife
An' fambly round 'im - all 'is young days done.
An', gazin' back, sees in 'is youth a man
Scarce reckernised. It fair knocks in me can!

Ther's me. I never seemed to mark no change
As I mooched on through life frum year to year;
An' yet, at times it seems to me dead strange
That me, uv old, is me, 'oo's sittin' 'ere.
Per'aps it ain't. 'E was a crook young coot,
While I'm a sturdy farmer, growin' froot.

But, all the same, 'e wouldn't back an' fill,
An' argue with 'imself, an' 'esitate,
Once 'e 'ad seen the way. 'E'd find the will
To go an' do the thing 'e 'ad to, straight.
That's 'ow I was; an' now-Ar, strike a light!
Life gits so mixed I can't git nothin' right.

But wot's the use? A bloke 'as got to own,
When once 'e 'as responsibility,
Ther's certin games is better left alone
Wot might be done if 'e was only free.
Ther's certin things - Oh, wot's the flamin' good?
A 'usband alwiz gits misun'erstood!

It's no use hintin'. If yeh want it straight,
Me an' me wife ain't seenin' eye to eye:
All ain't been peace an' 'armony uv late,
An' clouds is comin' up in our clear sky.
I ain't to blame, an' yet, no more's Doreen.
It's jist 'ard Fate 'as shoved 'is oar between.

All marrid blokes will understand me well.
I ain't addressin' no remarks to those
'0o've learnt but 'arf uv life. The things I tell
Is fer the ears uv fellermen that knows:
Them symperthetic 'usbands 'oo 'ave 'eard
The fog-'orn soundin' in the wifely word.

Fer when stern jooty grips a 'usband's 'eart
(That's me) an' eggs 'im on to start a scene
That's like to tear two 'appy lives apart,
In spite uv all 'er carin' (That's Doreen)
Why, there you 'ave a story that would make
A bonzer movie - with a bit uv fake.

But 'ere's the plot. When my pal, Ginger Mick,

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poem by Clarence Michael James Stanislaus Dennis
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The Game

'Ho! the sky's as blue as blazes an' the sun is shinin' bright,
An' the dicky birds is singin' over'ead,
An' I'm 'ummin', softly 'ummin', w'ile I'm achin' fer a fight,
An' the chance to fill some blighter full of lead.
An' the big guns they are boomin', an' the shells is screamin' past,
But I'm corperil - lance-corperil, an' found me game at last!'

I ixpects a note frum Ginger, fer the time wus gettin' ripe,
An I gits one thick wiv merry 'owls uv glee;
Fer they've gone an' made 'im corperil - they've given 'im a stripe,
An' yeh'd think, to see 'is note, it wus V.C.
Fer 'e chortles like a nipper wiv a bran' noo Noah's Ark
Since forchin she 'as smiled on 'im, an' life's, no more a nark.

'Ho! the sky along the 'ill-tops, it is smudged wiv cannon smoke,
An' the shells along the front is comin' fast,
But the 'eads 'ave 'ad the savvy fer to reckernise a bloke,
An' permotion's gettin' common-sense at last.
An' they picked me fer me manners, w'ich wus snouted over 'ome,
But I've learned to be a soljer since I crossed the ragin' foam.

'They 'ave picked me 'cos they trust me; an' it's got me where I live,
An' it's put me on me mettle, square an' all;
I wusn't in the runnin' once when blokes 'ad trust to give,
But over 'ere I answers to the call;
So some shrewd 'ead 'e marked me well, an' when the time wus ripe
'E took a chance on Ginger Mick, an' I 'ave snared me stripe.

'I know wot I wus born fer now, an' soljerin's me game,
That's no furphy; but I never guessed it once;
Fer when I 'it things up at 'ome they said I wus to blame,
An' foolish beaks they sent me up fer munce.
But 'ere - well, things is different to wot sich things wus then.
Fer me game is playin' soljers, an' me lurk is 'andlin' men.

'Me game is 'andlin' men, orl right, I seen it in the parst
When I used to 'ead the pushes in the Lane.
An' ev'ry bloke among 'em then done everythin' I arst,
Fer I never failed to make me feelin' plain.
Disturbers uv the peace we wus them days, but now I know
We wus aimin' to be soljers, but we never 'ad a show.

'We never 'ad no discipline, that's wot we wanted bad,
It's discipline that gives the push its might/
But wot a tie we could 'ave give the coppers if we 'ad,
Lord! We'd 'ave capchered Melbourne in an night.
When I think uv thngs that might 'ave been I sometimes sit an' grin,
Fer I might be King uv Footscray if we'd 'ad mor discipline.

'I've got a push to 'andle now wot makes a soljer proud.

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poem by Clarence Michael James Stanislaus Dennis
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The Bar-Room Patriot

Why, 'ow's she goin', Bill, ole sport?
I thort I knoo your dile!
My oath! You look the proper sort!
That khaki soots your style.
I never 'eard you'd joined, yeh know
It makes me feel I want to go.

Must be a year or more, I s'pose,
Since last time we two met!
An' then, to see you in them clothes
Can't realise it yet!
I'm proud to think a friend o' mine
Is off to biff the German swine!

You look slap-up in that rig-out.
We ort to celebrate
I fell it's up to me to shout!
But - can't be done, ole mate!
For I 'ave took a solemn vow
I never shout for soldiers now.

No, Bill; you mustn't take offence;
You'll undertsand, I thnk.
I've come to see there ain't no sense
In buyin' soldiers drink.
I loves me country an' me king;
An' boozin' soldiers ain't the thing.

An' yet it's sich a time ago
Since you an' me 'ave met,
It's sorter 'ard to let you go
Without one little wet.
Say, come in 'ere, an' you can take
A soft'un, jist fer ole time's sake.

Well, Bill - 'ere MIss! Don't you attend
To customers in 'ere?
A lime-an'-soder fer me friend:
And' mine's a long, cool beer.
Ah, Bill, you stick to that soft stuff;
Chuck booze, an' you'll be right enough.

Well, 'ere's a go!...My oath, that's goo!
Bets beer I've 'ad to-day....
Yes, Bill, I 'olds no soldier should
Drink all 'is brains away.
I'm patriotic, that I am;
To fight on beer ain't worth a damn.

Now, Bill, look 'ere, you take my tip

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poem by Clarence Michael James Stanislaus Dennis
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Possum

Jist 'ere it gripped me, on a sudden, like a red-'ot knife.
I wus diggin' in the garden, talkin' pleasant to me wife,
When it got me good an' solid, an' I fetches out a yell,
An' curses soft down in me neck, an' breathes 'ard fer a spell.
Then, when I tries to straighten up, it stabs me ten times worse.
I thinks per'aps I'm dyin', an' chokes back a reel 'ot curse.

'I've worked too fast,' I tells Doreen. 'Me backbone's runnin' 'ot.
I'm sick! I've got-0o, 'oly wars! I dunno wot I've got!
Jist 'ere - Don't touch! - jist round back 'ere, a blazin' little pain.
Is clawin' up me spinal cord an' slidin' down again.'
'You come inside,' she sez. 'Per'aps it's stoopin' in the sun.
Does it 'urt much?' I sez, 'Oh, no; I'm 'avin' lots o' fun.'

Then, cooin' to me, woman-like, she pilots me inside.
It stabs me every step I takes; I thort I could 'a' died.
'There now,' she sez. 'Men can't stand pain, it's alwus understood.'
'Stand pain?' I owls. Then, Jumpin' Jakes! It gits me reely good!
So I gets to bed in sections, fer it give me beans to bend,
An' shuts me eyes, an' groans again, an' jist waits fer the end.

'Now, you lie still,' she orders me, 'until I think wot's best.
Per'aps 'ot bran, or poultices. You jist lie still, an' rest,'
Rest? 'Oly Gosh! I clinched me teeth, an' clawed the bloomin' bunk;
Fer a red-'ot poker jabbed me ev'ry time I much as wunk.
I couldn't corf, I couldn't move, I couldn't git me breath.
'Look after Bill,' I tells Doreen. 'I feels that… this is… death.'

'Death, fiddlesticks,' she laughs at me. 'You jist turn over now.'
I 'owls, ''Ere! Don't you touch me, or there'll be a blazin' row!
I want to die jist as I am.' She sez, 'Now, Bill, 'ave sense.
This 'as to go on while it's 'ot.' I groans, 'I've no defence.'
An' so she 'as 'er way wiv me. An', tho' I'm suff'rin' bad,
I couldn't 'elp but noticin' the gentle touch she 'ad.

That ev'nin', when the doctor come, sez 'e, 'Ah! 'Urtin' much?
Where is the trouble?' I sez, 'Where you ain't allowed to touch!'
'E mauls an' prods me while I 'owls to beat the bloomin' band.
Gawbli'me! I'd 'a' cracked 'im if I'd strength to lift me 'and.
'Discribe yer symtims now,' sez 'e. I fills meself wiv wind,
An' slung 'im out a catalog while 'e jist stood an' grinned.

'Ar, bar!' 'e sez. 'Sciatiker! Oh, we'll soon 'ave yeh well.'
'Sciatiker?' sez I. 'Yer sure yeh don't mean Jumpin' 'Ell?
It ain't no privit devil wiv a little jagged knife?'
'Tut, rut,' 'e grins. 'You'll soon be right. I leaves yeh to yer wife.'
I looks at 'er, she smiles at me, an' when I seen that smile:
'Aw, poultices!' I groans. An' she injoys it all the while!

But I'm marri'd to a woman; an', I gives yeh my straight tip,

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poem by Clarence Michael James Stanislaus Dennis
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Uncle Jim

'I got no time fer wasters, lad,' sez 'e,
'Give me a man wiv grit,' sez Uncle Jim.
'E bores 'is cute ole eyes right into me,
While I stares 'ard an' gives it back to 'im.
Then orl at once 'e grips me 'and in 'is:
'Some'ow,' 'e sez, 'I likes yer ugly phiz.'

'You got a look,' 'e sez, 'like you could stay;
Altho' yeh mauls King's English when yeh yaps,
An' 'angs flash frills on ev'rythink yeh say.
I ain't no grammarist meself, per'aps,
But langwidge is a 'elp, I owns,' sez Unk,
'When things is goin' crook.' An' 'ere 'e wunk.

'Yeh'll find it tough,' 'e sez, 'to knuckle down.
Good farmin' is a gift—like spoutin' slang.
Yeh'll 'ave to cut the luxuries o' town,
An' chuck the manners of this back-street gang;
Fer country life ain't cigarettes and beer.'
'I'm game,' I sez. Sez Uncle, 'Put it 'ere!'

Like that I took the plunge, an' slung the game.
I've parted wiv them joys I 'eld most dear;
I've sent the leery bloke that bore me name
Clean to the pack wivout one pearly tear;
An' frum the ashes of a ne'er-do-well
A bloomin' farmer's blossomin' like 'ell.

Farmer! That's me! Wiv this 'ere strong right 'and
I've gripped the plough; and blistered jist a treat.
Doreen an' me 'as gone upon the land.
Yours truly fer the burden an' the 'eat!
Yours truly fer upendin' chunks o' soil!
The 'ealthy, 'ardy, 'appy son o' toil!

I owns I've 'ankered fer me former joys;
I've 'ad me hours o' broodin' on me woes;
I've missed the comp'ny, an' I've missed the noise,
The football matches an' the picter shows.
I've missed—but, say, it makes me feel fair mean
To whip the cat; an' then see my Doreen.

To see the colour comin' in 'er cheeks,
To see 'er eyes grow brighter day be day,
The new, glad way she looks an' laughs an' speaks
Is worf ten times the things I've chucked away.
An' there's a secret, whispered in the dark,
'As made me 'eart sing like a flamin' lark.

Jist let me tell yeh 'ow it come about.

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poem by Clarence Michael James Stanislaus Dennis
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
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A Holy War

'Young friend!' . . . I tries to duck, but miss the bus.
'E sees me first, an' 'as me by the 'and.
'Young friend!' 'e sez; an' starts to make a fuss
At meetin' me. 'Why, this,' 'e sez, 'is grand!
Events is workin' better than I planned.
It's Providence that I should meet you thus.
You're jist the man,' 'e sez, 'to make a stand,
An' strive for us.

'Young friend,' 'e sez, 'allow me to explain
But wot 'e 'as to say too well I knows.
I got the stren'th uv it in Spadgers Lane
Not 'arf an hour before'and, when I goes
To see if I could pick up news uv Rose,
After that dentist let me off the chain.
('Painless,' 'e's labelled. So 'e is, I s'pose.
I 'ad the pain.)

'Young friend,' 'e sez. I let 'im 'ave 'is say;
Though I'm already wise to all 'e said
The queer old parson, with 'is gentle way
('E tied Doreen an' me when we was wed)
I likes 'im, from 'is ole soft, snowy 'ead
Down to 'is boots. 'E ain't the sort to pray
When folks needs bread.

Yeh'd think that 'e was simple as a child;
An' so 'e is, some ways; but, by and by,
While 'e is talkin' churchy-like an' mild,
Yeh catch a tiny twinkle in 'is eye
Which gives the office that 'e's pretty fly
To cunnin' lurks. 'E ain't to be beguiled
With fairy tales. An' when I've seen 'em try
'E's only smiled.

'Young friend,' 'e sez, 'I am beset by foes.
The Church,' 'e sez, 'is in a quandary.'
An' then 'e takes an' spills out all 'is woes,
An' 'ints that this 'ere job is up to me.
'Yer aid - per'aps yer strong right arm,' sez 'e,
'Is needed if we are to rescue Rose
From wot base schemes an' wot iniquity
Gawd only knows.'

This is the sorry tale. Rose, sick, an' low
In funds an' frien's, an' far too proud to beg,
Is gittin' sorely tempted fer to go
Into the spielin' trade by one Spike Wegg.
I knoo this Spike uv old; a reel bad egg,
'0o's easy livin' is to git in tow

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poem by Clarence Michael James Stanislaus Dennis
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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poem by Henry Wadsworth Longfellow
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Introduction to Ginger Mick

Jist to intraj'uice me cobber, an 'is name is Ginger Mick
A rorty boy, a naughty boy, wiv rude impressions thick
In 'is casu'l conversation, an' the wicked sort o' face
That gives the sudden shudders to the lor-abidin' race.

'Is name is on the records at the Melbourne City Court,
Fer doin' things an' sayin' things no reel nice feller ort;
An 'is name is on the records uv the Army, over there,
Fer doin' things - same sort o' things that rose the Bench's 'air.

They never rung no joy-bells when 'e made 'is first de- boo;
But 'e got free edjication, w'ich they fondly shoved 'im thro';
Then turned 'im loose in Spadger's Lane to 'ang around the street
An' 'elp the cop to re-erlize the 'ardness uv 'is beat.

Then 'e quickly dropped 'is aitches, so as not to be mistook
Fer an edjicated person, 'oo 'is cobbers reckoned crook;
But 'e 'ad a trick wiv figgers that ud make a clerk look sick;
So 'e pencilled fer a bookie; an' 'e 'awked a bit, did Mick.

A bloke can't be partic'lar 'oo must battle fer a crust;
An' some, they pinch fer preference, an' some, becos they must.
When times is 'ard, an' some swell coves is richer than they ort;
Well, it's jist a little gamble fer a rise, agin the Court.

Now, Mick wus never in it as a reel perfeshnal crook,
But sometimes cops 'as slabs uv luck, so sometimes 'e wus took,
An' 'e got a repitation, thro' 'im bein' twice interned;
But 'e didn't skite about it, 'cos 'e felt it wasn't earned.

I reckerlect one time a Beak slings Mick a slab uv guff,
Wiv 'Thirty days or forty bob' (Mick couldn't raise the stuff) -
An' arsts 'im where 'is conshuns is, an' w'y 'e can't be good,
An' Mick jist grins, an' takes it out, an' never understood.

An' that is orl there wus to Mick, wiv orl 'is leery ways.
If I wus up among the 'eads, wiv right to blame or praise,
Whenever some sich bloke as 'im wus tucked away fer good
I'd chalk them words above 'is 'ead: ''E never understood.'

If I wus up among the 'eads, wiv right to judge the game,
I'd look around fer chance to praise, an' sling the flamin' blame;
Fer findin' things in blokes to praise pays divvies either way;
An' wot they're blamed fer yesterd'y brings 'earty cheers to-day.

Yes, 'earty cheers frum thortless coots 'oo feel dead sure their God
Would never 'ave no time fer crooks 'oo does a stretch in quod;
'Oo reckon 'eaven is a place where orl folk tork correck,
An' judgment, where the 'vulgar' gits it solid in the neck.

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poem by Clarence Michael James Stanislaus Dennis
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The Push

Becos a crook done in a prince, an' narked an Emperor,
An' struck a light that set the world aflame;
Becos the bugles East an' West sooled on the dawgs o' war,
A bloke called Ginger Mick 'as found 'is game
Found 'is game an' found 'is brothers, 'oo wus strangers in 'is sight,
Till they shed their silly clobber an' put on the duds fer fight.

Yes, they've shed their silly clobber an' the other stuff they wore
Fer to 'ide the man beneath it in the past;
An' each man is the clean, straight man 'is Maker meant 'im for,
An' each man knows 'is brother man at last.
Shy strangers, till a bugle blast preached 'oly brother'ood;
But mateship they 'ave found at last; an' they 'ave found it good.

So the lumper, an' the lawyer, an' the chap 'oo shifted sand,
They are cobbers wiv the cove 'oo drove a quill;
They knut 'oo swung a cane upon the Block, 'e takes the 'and
Uv the coot 'oo swung a pick on Broken 'Ill;
An' Privit Clord Augustus drills wiv Privit Snarky Jim
They are both Australian soljers, w'ich is good enough fer 'im.

It's good enough fer orl uv 'em, as orl uv 'em 'ave seen
Since they got the same glad clobber next their skins;
An' the bloke 'oo 'olds the boodle an' the coot wivout a bean,
Why, they knock around like little Kharki twins.
An' they got a common lingo, w'ich is growin' mighty thick
Wiv ixpressive contributions frum the stock uv Ginger Mick.

'E 'as struck it fer a moral. Ginger's found 'is game at last,
An' 'e's took to it like ducklin's take to drink;
An' 'is slouchin' an' 'is grouchin' an' 'is loafin' uv the past
'E's done wiv 'em, an' dumped 'em down the sink.
'E's a bright an' shinin' sample uv a the'ry that I 'old:
That ev'ry 'eart that ever pumped is good fer chunks o' gold.

Ev'ry feller is a gold mine if yeh take an' work 'im right:
It is shinin' on the surface now an' then;
An' there's some is easy sinkin', but there's some wants dynermite,
Fer they looks a 'opeless prospect - yet they're men.
An' Ginger - 'ard-shell Ginger's showin' signs that 'e will pay;
But it took a flamin' world-war fer to blarst 'is crust away.

But they took 'im an' they drilled 'im an' they shipped 'im overseas
Wiv a crowd uv blokes 'e never met before.
'E rowed wiv 'em, an' scrapped wiv 'em, an' done some tall C.B.'s,
An' 'e lobbed wiv 'em on Egyp's sandy shore.
Then Pride o' Race lay 'olt on 'im, an' Mick shoves out 'is chest
To find 'imself Australian an' blood brothers wiv the rest.

So I gits some reel good readin' in the letter wot 'e sent

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poem by Clarence Michael James Stanislaus Dennis
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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poem by Dante Gabriel Rossetti
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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The Battle Of The Wazzir

If ole Pharaoh, King of Egyp', 'ad been gazin' on the scene
'E'd' ave give the A.I.F. a narsty name
When they done their little best to scrub 'is dirty Kingdom clean,
An' to shift 'is ancient 'eap uv sin an' shame.
An' I'm tippin' they'd 'ave phenyled 'im, an' rubbed it in 'is 'ead.
But old Pharaoh, King uv Egyp', 'e is dead.

So yeh don't 'ear much about it; an' it isn't meant yeh should,
Since 'is Kingship wasn't there to go orf pop;
An' this mishunery effort fer to make the 'eathen good
Wus a contract that the fellers 'ad to drop.
There wus other pressin' matters, so they 'ad to chuck the fun,
But the Battle uv the Wazzir took the bun.

Now, Ginger Mick 'e writes to me a long, ixcited note,
An' 'e writes it in a whisper, so to speak;
Fer I guess the Censor's shadder wus across 'im as 'e wrote,
An' 'e 'ad to bottle things that musn't leak.
So I ain't got orl the strength uv it; but sich as Ginger sends
I rejooce to decent English fer me friends.

It wus part their native carelessness, an' part their native skite;
Fer they kids themselves they know the Devil well,
'Avin' met 'im, kind uv casu'l, on some wild Australian night-
Wine an' women at a secon'-rate 'otel.
But the Devil uv Australia 'e's a little woolly sheep
To the devils wot the desert children keep.

So they mooches round the drink-shop's, an' the Wazzir took their eye,
An' they found old Pharoah's daughters pleasin' Janes;
An' they wouldn't be Australian 'less they give the game a fly . . .
An' Egyp' smiled an' totted up 'is gains.
'E doped their drinks, an' breathed on them 'is aged evil breath . . .
An' more than one woke up to long fer death.

When they wandered frum the newest an' the cleanest land on earth,
An' the filth uv ages met 'em, it wus 'ard.
Fer there may be sin an' sorrer in the country uv their birth;
But the dirt uv cenchuries ain't in the yard.
They wus children, playin' wiv an asp, an' never fearin' it,
An' they took it very sore when they wus bit.

First, they took the tales fer furphies.. when they got around the camp,
Uv a cove done in fer life wiv one night's jag,
But when the yarns grew 'ot an' strong an' bore the 'all-mark stamp
Uv dinkum oil, they waved the danger flag.
An' the shudder that a clean man feels when 'e's su'prized wiv dirt
Gripped orl the camp reel solid; an' it 'urt.

There wus Bill from up the Billabong, 'oo's dearest love wus cow,

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poem by Clarence Michael James Stanislaus Dennis
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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

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poem by Letitia Elizabeth Landon
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Ginger's Cobber

''E wears perjarmer soots an' cleans 'is teeth,'
That's wot I reads. It fairly knocked me flat,
'Me soljer cobber, be the name o' Keith.'
Well, if that ain't the limit, strike me fat!
The sort that Ginger Mick would think beneath
'Is notice once. Perjarmers! Cleans 'is teeth?

Ole Ginger Mick 'as sent a billy-doo
Frum somew'ere on the earth where fightin' thick.
The Censor wus a sport to let it thro',
Considerin' the choice remarks o' Mick.
It wus that 'ot, I'm wond'rin' since it came
It didn't set the bloomin' mail aflame.

I'd love to let yeh 'ave it word fer word;
But, strickly, it's a bit above the odds;
An' there's remarks that's 'ardly ever 'eard
Amongst the company to w'ich we nods.
It seems they use the style in Ginger's trench
Wot's written out an' 'anded to the Bench.

I tones the langwidge down to soot the ears
Of sich as me an' you resorts wiv now.
If I should give it jist as it appears
Partic'lar folk might want ter make a row.
But say, yeh'd think ole Ginger wus a pote
If yeh could read some juicy bits 'e's wrote.

It's this noo pal uv 'is that tickles me;
'E's got a mumma, an' 'is name is Keith.
A knut upon the Block le used to be,
'Ome 'ere; the sort that flashes golden teeth,
An' wears 'or socks, an' torks a lot o' guff;
But Ginger sez they're cobbers till they snuff.

It come about like this: Mick spragged 'im first
Fer swankin' it too much abroad the ship.
'E 'ad nice manners an' 'e never cursed;
Which set Mick's teeth on edge, as you may tip.
Likewise, 'e 'ad two silver brushes, w'ich
'Is mumma give 'im, 'cos 'e fancied sich.

Mick pinched 'em. Not, as you will understand,
Becos uv any base desire fer loot,
But jist becos, in that rough soljer band,
Them silver-backed arrangements didn't soot:
An' etiket must be observed always.
(They fetched ten drinks in Cairo, Ginger says.)

That satisfied Mick's honour fer a bit,

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poem by Clarence Michael James Stanislaus Dennis
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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