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Accorjins

Where have the old accorjins gone?
I was askin' the coves at the Show;
Matt from the Mallee an' Dandenong Don,
An' a score of the fellers I know
Ole fellers, like me - an' they're missin' 'em sore;
For this wireless, it never makes up
For the merry ole music we knowed of yore
When Brindle was a pup
As they puts it
An' Bravo collared the Cup.

Where are the old accorjins now
Like me father used to play?
Times when we rested from harrers an' ploughs
An' we made rare holiday.
Or Accorjin Alf, poor half-wit coot,
To the bush dance used to come
An' beat the time with his hobnail boot,
Like the top of an big bass drum
'Ladies' Chain!'
Keep time to the top o' the drum.

Pipe in the sou'-west side of his mouth,
Hat on the back of his head,
Alf 'ud be there, come flood, come drouth,
For the dance in the shearin' shed.
Leaky bellers an' keys all broke,
Reeds near wearin' away;
But they put the ginger into a bloke,
Them toons as he used to play.
Hum a couple.
Reel toons of an older day.

'Hie to the Weddin'' an' 'Belle Mahone,'
'Wait Till the Clouds Roll by' ...
An' me an' yer ma crep' out alone,
Out under the starlit sky
Aw, jazz an' the wireless, things like these
Is a wonder to men, alright.
But gimme that ole accorjin's wheeze,
An' the bush, and a starlit night.
Kin yeh hear it?
A mopoke's call in the night.

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New Garden

It has the harmony and similarities blooming in spirit
It is stronger than ever, not seen by the strangers
Dreams of long-awated patience initiated by peace and
truths
post-postmodernised by
informal education of survivor of the oppressed
ration of knowledge and wisdom is clearly built up through time
winner doesn't take all but there are no losers
only mediators of truth-scenario
Bravo! Bravo! Bravo! Bravo! Bravo! Bravo!
Bravo! Bravo!
Bravo! Bravo!
Bravo! Bravo!
Bravo! Bravo!
New Garden is born with the wing of change! Born with the wind of change!
Bravo! Bravo!
Bravo! Bravo!
Bravo! Bravo!
no one is trying to fly away
Bravo! Bravo!
Bravo! Bravo!
Bravo! Bravo!
Life-apart-world apart-road ApART
Who know?
The history of unexpected dawn.
RULE: BUT YOU MUST KEEP ON WATCHING MORALS AND
HUMANITY-INITIATED DIRECTIONS in the world of mis-directed illusions
Overwhelming the realities in the continuam of change

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Ole Ola

When the blue shirts run out in Argentina
Our hearts will be beating like a drum
And your nerves are so shattered you can't take it
Automatically you reach out for the run
But there really isn't any cause for panic
Ally's army had it all under control
It's not merely speculations
It's not just imagination
To bring the World Cup home is Scotland's goal
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
We got Dalglish, Buchan and Macari
We got Archie Gemmill, Johnstone and McQueen
We got Big Joe Jordan waiting at the middle and the best support
This world has ever seen
We got Donachie, Rioch and Don Masson
We got Andy Gray and Asa Hartford too
And with this lethal combination it's a fair estimation
That the World Cup will be ours the end of June
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Oh, Brazil, this time I don't think so
Holland without Cruyff just ain't the same
Germany will, we feel,be a challenge
The Italians can still play the game
But there's really only one team in it
We'll be singing as we'll get off of the plane
We are bound for Buenos Aires, we don't care just what they tell us
Only wish we had Danny McGrain
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Willie Johnstone, then it goes to Dalglish. Lou Macari supporting. There's on opener, defended by Buchan, there's Kenny Dalglish in there. Oh, what a goal!Oh, yes! That does it!
They'll be singing up there in Aberdeen and Dundee
Glasgow will be reaching fever pitch
Cause with a nation of five million we're gonna really turn the heat on
Cause we invented football anyway
Ole ola, Ole ola
We're gonna bring that World Cup back from over there Yes, we are
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there All together now:
Ole ola, Ole ola
We're gonna bring that World Cup back from over there. One more
Ole ola, Ole ola
We're gonna bring that World Cup back from over there Yes, we are

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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

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The Ballad Of The Taylor Pup

Now lithe and listen, gentles all,
Now lithe ye all and hark
Unto a ballad I shall sing
About Buena Park.

Of all the wonders happening there
The strangest hap befell
Upon a famous Aprile morn,
As I you now shall tell.

It is about the Taylor pup
And of his mistress eke
And of the prankish time they had
That I am fain to speak.


FITTE THE FIRST

The pup was of as noble mien
As e'er you gazed upon;
They called his mother Lady
And his father was a Don.

And both his mother and his sire
Were of the race Bernard--
The family famed in histories
And hymned of every bard.

His form was of exuberant mold,
Long, slim, and loose of joints;
There never yet was pointer-dog
So full as he of points.

His hair was like to yellow fleece,
His eyes were black and kind,
And like a nodding, gilded plume
His tail stuck up behind.

His bark was very, very fierce,
And fierce his appetite,
Yet was it only things to eat
That he was prone to bite.

But in that one particular
He was so passing true
That never did he quit a meal
Until he had got through.

Potatoes, biscuits, mush or hash,
Joint, chop, or chicken limb--

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Let It All Be Music

Music is a mirror
Near around my soul
Music is the spirit
Come on let it roll
Music is my nature
People have you heard
Music is my future
Music is the world
Let it all be music
People sing a song
Let it all be music
Let us sing it on and on and on and on
Lets play the music
My kind of music
Lets play the music
Play it on
Lets play the music
My kind of music
Lets play the music
Play it on and on and on
Music isnt somewhere
Music turns you right
Music is a fever
Leads you day and night
Music is like heaven
Where you wanna be
Music is religion
Music sets you free
Let it all be music
People sing a song
Let it all be music
Let us sing it on and on and on and on
Lets play the music
My kind of music
Lets play the music
Play it on
Lets play the music
My kind of music
Lets play the music
Play it on and on and on
Music is tomorrow
Music is today
Music is forever
Music is the way
Music is for women
Music is for men
Music is for children
Sing it all again
Let it all be music
People sing a song

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Dad

I've knowed ole Flood this last five year or more;
I knoo 'im when 'is Syd went to the war.
A proud ole man 'e was. But I've watched 'im,
An' seen 'is look when people spoke uv Jim:
As sour a look as most coves want to see.
It made me glad that this 'ere Jim weren't me.

I sized up Flood the first day that we met
Stubborn as blazes when 'is mind is set,
Ole-fashioned in 'is looks an' in 'is ways,
Believin' it is honesty that pays;
An' still dead set, in spite uv bumps 'e's got,
To keep on honest if it pays or not.

Poor ole Dad Flood, 'e is too old to fight
By close on thirty year; but if I'm right
About 'is doin's an' about 'is grit,
'E's done a fair bit over 'is fair bit.
They are too old to fight, but, all the same,
'Is kind's quite young enough to play the game.

I've 'eard it called, this war - an' it's the truth
I've 'eard it called the sacrifice uv youth.
An' all this land 'as reckernized it too,
An' gives the boys the praises that is doo.
I've 'eard the cheers for ev'ry fightin' lad;
But, up to now, I ain't 'eard none for Dad.

Ole Flood, an' all 'is kind throughout the land,
They aint' been 'eralded with no brass band,
Or been much thought about; but, take my tip,
The war 'as found them with a stiffened lip.
'Umpin' a load they thought they'd dropped for good,
Crackin' reel 'ardy, an' - jist sawin' wood.

Dad Flood, 'is back is bent, 'is strength is gone;
'E'd done 'is bit before this war come on.
At sixty-five 'e thought 'is work was done;
'E gave the farmin' over to 'is son,
An' jist sat back in peace, with 'is ole wife,
To spend content the ev'nin' of 'is life.

Then comes the war. An' when Syd 'esitates
Between the ole folk an' 'is fightin' mates,
The ole man goes outside an' grabs a hoe.
Sez 'e, 'Yeh want to, an' yeh ought to go.
Wot's stoppin' yeh?' 'E straightens 'is ole frame.
'Ain't I farmed long enough to know the game?'

There weren't no more to say. An' Syd went - West:

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Gertrude of Wyoming

PART I

On Susquehanna's side, fair Wyoming!
Although the wild-flower on thy ruin'd wall,
And roofless homes, a sad remembrance bring,
Of what thy gentle people did befall;
Yet thou wert once the loveliest land of all
That see the Atlantic wave their morn restore.
Sweet land! may I thy lost delights recall,
And paint thy Gertrude in her bowers of yore,
Whose beauty was the love of Pennsylvania's shore!

Delightful Wyoming! beneath thy skies,
The happy shepherd swains had nought to do
But feed their flocks on green declivities,
Or skim perchance thy lake with light canoe,
From morn till evening's sweeter pastimes grew,
With timbrel, when beneath the forests brown,
Thy lovely maidens would the dance renew;
And aye those sunny mountains half-way down
Would echo flageolet from some romantic town.

Then, where of Indian hills the daylight takes
His leave, how might you the flamingo see
Disporting like a meteor on the lakes--
And playful squirrel on his nut-grown tree:
And every sound of life was full of glee,
From merry mock-bird's song, or hum of men;
While hearkening, fearing naught their revelry,
The wild deer arch'd his neck from glades, and then,
Unhunted, sought his woods and wilderness again.

And scarce had Wyoming of war or crime
Heard, but in transatlantic story rung,
For here the exile met from every clime,
And spoke in friendship every distant tongue:
Men from the blood of warring Europe sprung
Were but divided by the running brook;
And happy where no Rhenish trumpet sung,
On plains no sieging mine's volcano shook,
The blue-eyed German changed his sword to pruning-hook.

Nor far some Andalusian saraband
Would sound to many a native roundelay--
But who is he that yet a dearer land
Remembers, over hills and far away?
Green Albin! what though he no more survey
Thy ships at anchor on the quiet shore,
Thy pelloch's rolling from the mountain bay,
Thy lone sepulchral cairn upon the moor,

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He Ain't Worth Missing

He's flying high tonight
He's got a brand new lover
Here you come a-runnin'
You're looking for some cover
I know you're sad and lonely
I know you're feeling blue
You miss him so much
Won't let me get to close to you

Oh he ain't worth missin'
Oh we should be kissin'
Stop all this foolish wishin'
He ain't worth missin'
I know your head is turnin'
I know your heart is burnin'
Girl you gotta listen
Don't you know he ain't worth missin'

You know I'm here to save you
But you ain't through cryin' yet
Look at your pretty face
All red and soakin' wet
I'm gonna try and make him
Just a memory
Come on baby let's get started
First thing you got to see

Oh he ain't worth missin'
Oh we should be kissin'
Stop all this foolish wishin'
He ain't worth missin'
I know your head is turnin'
I know your heart is burnin'
Girl you gotta listen
Don't you know he ain't worth missin'

If you need someone to hold you
Someone to ease your pain
Well I'll be holding steady
Girl when you get ready
I'm gonna show you
Love is a good thing
Yeah love is a good thing

Oh he ain't worth missin'
Oh we should be kissin'
Stop all that foolish wishin'
Ooh the boy ain't worth missin'
I know your head is turnin'
I know your heart is burnin'

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All Day Sucker

Come on up you say
Cause you can feel your love comin down
I find myself rushin over to
Do something for your love
I knock on the door
You answer askin what am I there for
I say I thought you wanted me to
Do something for your love
Im an all day sucker
Coming to give something to get nothin
Im an all day sucker
Coming to give something but to get none of your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
You call me up to say
Youre sorry for what went down the other day
And could I come over today
Do something for your love
One knuck gets me in
But then you say how very nice its been
That lets me know that I will once again
Get nothin fom your love
Im an all day sucker
Coming to give something to get nothin
Im an all day sucker
Coming to give something but to get none of your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
You drop by to say
Youre sorry for what went down the other day

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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Play That Funky Music

(vanilla ice, earthquake)
Play that funky music
Play that funky music, white boy
Play that funky music
Play that funky music, white boy
Im back and Im ringin the bell
A rockin on the mike while the fly girls yell
In ecstasy in the back of me
Well thats my dj deshay cuttin all them zs
Hittin hard and the girlies goin crazy
Vanillas on the mike, man Im not lazy.
Im lettin my drug kick in
It controls my mouth and I begin
To just let it flow, let my concepts go
My posses to the side yellin, go vanilla go!
Smooth cause thats the way I will be
And if you dont give a damn, then
Why you starin at me
So get off cause I control the stage
Theres no dissin allowed
Im in my own phase
The girlies sa y they love me and that is ok
And I can dance better than any kid n play
Play that funky music come on come on
Play that funky music, white boy I cant hear you, say it,
Play that funky music say it, say it, say
Play that funky music, white boy it, come on
Yea, a little bit louder
Now come on, come on
Stage 2 -- yea the one ya wanna listen to
Its off my head so let the beat play through
So I can funk it up and make it sound good
1-2-3 yo -- knock on some wood
For good luck, I like my rhymes atrocious
Supercalafragilisticexpialidocious
Im an effect and that you can bet
I can take a fly girl and make her wet.
Im like samson -- samson to delilah
Theres no denyin, you can try to hang
But youll keep tryin to get my style
Over and over, practice makes perfect
But not if youre a loafer.
Youll get nowhere, no place, no time, no girls
Soon -- oh my god, homebody, you probably eat
Spaghetti with a spoon! come on and say it!
Play that funky music
Play that funky music, white boy
Play that funky music come on come on
Play that funky music white boy lets do it
Vip. vanilla ice yep, yep, Im comin hard like a rhino

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Play That Funky Music

(vanilla ice, earthquake)
Play that funky music
Play that funky music, white boy
Play that funky music
Play that funky music, white boy
Im back and Im ringin the bell
A rockin on the mike while the fly girls yell
In ecstasy in the back of me
Well thats my dj deshay cuttin all them zs
Hittin hard and the girlies goin crazy
Vanillas on the mike, man Im not lazy.
Im lettin my drug kick in
It controls my mouth and I begin
To just let it flow, let my concepts go
My posses to the side yellin, go vanilla go!
Smooth cause thats the way I will be
And if you dont give a damn, then
Why you starin at me
So get off cause I control the stage
Theres no dissin allowed
Im in my own phase
The girlies sa y they love me and that is ok
And I can dance better than any kid n play
Play that funky music come on come on
Play that funky music, white boy I cant hear you, say it,
Play that funky music say it, say it, say
Play that funky music, white boy it, come on
Yea, a little bit louder
Now come on, come on
Stage 2 -- yea the one ya wanna listen to
Its off my head so let the beat play through
So I can funk it up and make it sound good
1-2-3 yo -- knock on some wood
For good luck, I like my rhymes atrocious
Supercalafragilisticexpialidocious
Im an effect and that you can bet
I can take a fly girl and make her wet.
Im like samson -- samson to delilah
Theres no denyin, you can try to hang
But youll keep tryin to get my style
Over and over, practice makes perfect
But not if youre a loafer.
Youll get nowhere, no place, no time, no girls
Soon -- oh my god, homebody, you probably eat
Spaghetti with a spoon! come on and say it!
Play that funky music
Play that funky music, white boy
Play that funky music come on come on
Play that funky music white boy lets do it
Vip. vanilla ice yep, yep, Im comin hard like a rhino

[...] Read more

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